| Label: | Artist: | Tune: | MX: | Xref: | Ctrl: | Date: | Comp: |
| 18000 | DENMARK DANCES | THE HATTER | 16162=1 | – | – | 7/1/1915 | – |
| 18000 | FOLK DANCES | THREE DANCE (swedish) | 16166=1 | – | – | 7/1/1915 | – |
| 18001 | VICTOR BAND | FOURSOME REEL | 16821=1 | – | – | 11/26/1915 | – |
| 18001 | VICTOR BAND | BLACKBERRY BLOSSOM | 16816=1 | – | – | 11/26/1915 | BURCHENAL |
| 18002 | VICTOR BAND | KRAKOVIAK DANCE | 16818=1 | – | – | 11/26/1915 | – |
| 18002 | VICTOR BAND | WEAVING DANCE | 16814 | – | – | 11/26/1915 | – |
| 18003 | VICTOR MILITARY BAND | MALLEBROK | 16164=2 | – | – | 11/26/1915 | – |
| 18003 | VICTOR MILITARY BAND | VINGAKERDANS | 16815 | – | – | 11/26/1915 | – |
| 18004 | COUNTRY DANCES | NEWCASTLE / SWEET KATE | 17282=1 | – | – | 3/7/1916 | – |
| 18004 | VICTOR BAND – DANCE RECORD | BLACK NAG | 17275=1 | – | – | 3/7/1916 | – |
| 18005 | VICTOR MILITARY BAND | HUNSDON HOUSE | 17279=1 | – | – | 3/7/1916 | – |
| 18005 | VICTOR MILITARY BAND | CHESLSEA REACH | 17286=1 | – | – | 3/7/1916 | – |
| 18006 | COUNTRY DANCE | HEY BOYS UP WE GO | 17281=1 | – | – | 3/7/1916 | – |
| 18006 | VICTOR BAND | CONFESS | 17285=1 | – | – | 3/7/1916 | – |
| 18007 | VICTOR BAND | FINE COMPANION | 17287=1 | – | – | 3/7/1916 | – |
| 18007 | COUNTRY DANCES | JENNY PLUCK PEARS | 17283=1 | – | – | 3/7/1916 | – |
| 18008 | COUNTRY DANCES – VICTOR BAND | ORANGES AND LEMONS | 17284=1 | – | – | 3/7/1916 | – |
| 18008 | COUNTRY DANCES – VICTOR BAND | OLD MOLE | 17278=1 | – | – | 3/7/1916 | – |
| 18009 | VICTOR BAND | RUFTY TUFTY / PARSON’S FAREWELL | 17280=1 | – | – | 3/7/1916 | – |
| 18009 | COUNTRY DANCE | IF ALL THE WORLD WERE PAPER | 17277=1 | – | – | 3/7/1916 | – |
| 18010 | VICTOR BAND | SELLENGERS ROUND | 16810 | – | – | 11/26/1915 | – |
| 18010 | COUNTRY DANCE | GATHERING PEASCODS | 16813 | – | – | 11/26/1915 | – |
| 18011 | WILL OAKLAND | NORA ACUSHLA | 17145=1 | – | – | 2/11/1916 | MILLARD |
| 18011 | BILLY MURRAY-IRVING KAUFMAN | DEAR OLD FASHIONED IRISH SONGS | 16902 | – | – | 12/??/15 | – |
| 18012 | VICTOR CONCERT ORCH | WILLIAM TELL OVERTURE PT.3 | 16016 | – | – | 5/12/1915 | – |
| 18012 | VICTOR CONCERT ORCH | WILLIAM TELL OVERTURE PT.4 – THE CALM | 16022 | – | – | 5/12/1915 | – |
| 18013 | AL CAMPBELL & HENRY BURR | SHE WAS JUST A GIRL I USED TO KNOW | 17305=1 | – | – | 3/15/1916 | HANLEY |
| 18013 | AL CAMPBELL & HENRY BURR | PUT YOUR ARMS AROUND ME LONGER | 17306=3 | – | – | 3/15/1916 | PIANTADOSI |
| 18014 | ARTHUR COLLINS-BYRON HARLAN | KID IS CLEVER (the) | 17331=2 | – | – | 3/17/1916 | BROCKMAN |
| 18014 | ARTHUR COLLINS-BYRON HARLAN | YAAKA HULA HICKEY DULA | 17330=3 | – | – | 3/17/1916 | WENDLING |
| 18015 | OLIVE KLINE | GINGER BREAD MAN / JAP DOLL | 14735=2 | – | – | 3/14/1916 | DOROTHY GAYNOR |
| 18015 | OLIVE KLINE | HOUSEHOLD HINTS / CAT TAILS / DAFFODIL LADY | 14737=4 | – | – | 3/14/1916 | DOROTHY GAYNOR |
| 18016 | + | * * UNISSUED * * | – | – | – | – | – |
| 18016 | + | * * UNISSUED * * | – | – | – | – | – |
| 18017 | VICTOR MILITARY BAND | TENTH REGIMENT MARCH | 17347=2 | – | – | 3/21/1916 | HALL |
| 18017 | SOUSA’S BAND | IN THE PARK MARCH | 17348=1 | – | – | 3/21/1916 | DORN |
| 18018 | VENETIAN TRIO | EVENING CHIMES | 14648=5 | – | – | 5/21/1915 | MARZIAN |
| 18018 | WILLIAM REITZ (xylophone) | CUPIDS GARDEN | 12871 | – | – | 5/21/1915 | – |
| 18019A | CHARLES GORST | SPRING SONG | 17200=1 | – | – | 2/24/1916 | MENDELSSOHN |
| 18019B | CHARLES GORST | The ROBINS RETURN | 17199=2 | – | – | 2/24/1916 | Leander FISHER |
| 18020A | Homer Rodeheaver | WHEN THE WORLD FORGETS | 17219=2 | – | – | 2/26/1916 | ACKLEY |
| 18020B | Mrs. WM. ASHER – HOMER RODEHEAVER | IN THE GARDEN | 17222=2 | VI20385 | – | 2/26/1916 | C. AUSTIN MILES |
| 18021 | THEODORE KARLE | I KNOW OF TWO BRIGHT EYES | 17333=3 | – | – | 3/17/1916 | CLUTSAM |
| 18021 | THEODORE KARLE | TIS THE DAY | 17335=4 | – | – | 3/27/1916 | LEONCAVALLO |
| 18022 | EDNA BROWN & JAMES REED | CROON TIME | 17455=3 | – | – | 4/6/1916 | JOHNSON |
| 18022 | GEOFFREY O’HARA | ALL I WANT IS A COTTAGE, SOME ROSES AND YOU | 17398=3 | – | – | 3/29/1916 | HARRIS |
| 18023 | RHODA BERNARD | NATHAN, FOR WHAT YOU WAITING? | 17452=2 | – | – | 4/5/1916 | – |
| 18023 | RHODA BERNARD | COHEN OWES ME 97 DOLLARS | 17453=2 | – | – | 4/5/1916 | IRVING BERLIN |
| 18024 | PEERLESS QT | I GAVE MY HEART AND HAND TO SOMEONE IN DIXIELAND | 17021=5 | – | – | 1/19/1916 | LANGE |
| 18024 | GEOFFREY O’HARA | DIXIELAND MY HOME | 17397=2 | – | – | 3/29/1916 | GEOFFREY O’HARA |
| 18025 | WILFRED GLENN | I’M A JOLLY OLD ROVER | 15092=1 | – | – | 7/28/1914 | HENRY-O’HARA |
| 18025 | WILFRED GLENN | OLD SEXTON | 15090=2 | – | – | 7/28/1914 | BENJAMIN-RUSSELL |
| 18026A | VICTOR MILITARY BAND | MISSOURI WALTZ | 17434=1 | – | – | 4/4/1916 | KNIGHT-LOGAN-EPPEL |
| 18026B | VICTOR MILITARY BAND | FLOREINE WALTZ | 15763 | – | – | 3/4/1915 | ERNEST SCHUSTER |
| 18027 | CHARLES HARRISON | GIVE A LITTLE CREDIT TO YOUR WIFE | 17042=5 | – | – | 3/22/1916 | VINCENT |
| 18027 | STERLING TRIO | YOUR WIFE | B17353=2 | – | – | 3/22/1916 | PIANTADOSI |
| 18028 | STERLING TRIO | SHADES OF NIGHT | B17352=1 | – | – | 3/22/1916 | FRIEDLAND |
| 18028 | HARRY MacDONOUGH | I LOVE YOU BEST OF ALL | 17345=3 | – | – | 3/21/1916 | TAYLOR |
| 18029A | BARNEY BERNARD | COHEN at THE TELEPHONE | 17337=2 | – | – | 3/17/1916 | (-) |
| 18029B | BARNEY BERNARD | GOLDSTEIN GOES IN THE RAILROAD BUSINESS | 17338=4 | – | – | 4/3/1916 | (-) |
| 18030 | HENRY BURR | I LOST YOU, WHY SHOULD I CARE? | B17459=2 | – | – | 4/7/1916 | HOWARD |
| 18030 | ORPHEUS QT-H.MacDONOUGH | LETTER THAT NEVER REACHED HOME | 17473=2 | – | – | 4/10/1916 | – |
| 18031 | BILLY MURRAY | WHICH SWITCH IS THE SWITCH FOR IPSWICH | 17417=1 | – | – | 3/31/1916 | DAREWSKI |
| 18031 | BILLY MURRAY | YOU CAN’T GET ALONG WITH THEM | 17298=2 | – | – | 3/13/1916 | FISCHER |
| 18032A | EDNA BROWN & JAMES REED | FAIR HAWAII | 17454=1 | – | – | 4/5/1916 | JAMES F KUTZ |
| 18032B | ORPHEUS Quartet & RAYMOND DIXON | SHE SANG ALOHA TO ME (Raymond Dixon) | 17472=2 | – | – | 4/10/1916 | JOSEPH CAREY |
| 18033 | ORGAN RECORD (McALL) | ADESTE FIDELIS | 17466 | – | – | 4/9/1916 | – |
| 18033 | ORGAN RECORD (McALL) | ONWARD CHRISTIAN SOLDIERS | 17467 | – | – | 4/9/1916 | SULLIVAN |
| 18034 | LYRIC QT | MY DREAMY CHINA LADY | 17475=3 | – | – | 4/11/1916 | VAN ALSTYNE |
| 18034 | AL CAMPBELL & HENRY BURR | QUAKER DOWN IN OLD QUAKER TOWN | 17458=1 | – | – | 4/7/1916 | SOLMAN |
| 18035 | BARTON-CARROLL | ROCKABYE BABY | 17429=2 | – | – | 4/3/1916 | WARD BARTON |
| 18035 | WARD BARTON & FRANK CARROLL | WHEN THE MOON AM SHINING | 17428=2 | – | – | 4/3/1916 | WARD BARTON |
| 18036 | CHARLES ROSS TAGGART | OLD COUNTRY FIDDLER AT THE PARTY | 15883=3 | – | – | 10/27/1915 | – |
| 18036 | CHARLES ROSS TAGGART | ON WOMAN SUFFRAGE | 17103=2 | – | – | 2/3/1916 | CHARLES ROSS TAGGART |
| 18037 | ALEXANDER PRINCE | DIADEM QUICK STEP | E8072 | V-5158 | T5148 | (1916?) | – |
| 18037 | ALEXANDER PRINCE | HONEST TOIL MARCH | E9178 | V-5159 | T5159 | (1916?) | – |
| 18038 | HARLAN BYRON | GEORGIA SKIP (the) | 17094=2 | – | – | 1/31/1916 | HAGER |
| 18038 | ARTHUR COLLINS-BYRON HARLAN | HONEY BUNCH | 16992=1 | – | – | 1/10/1916 | CASLAR |
| 18039 | VICTOR BAND | HONKY TONKY 1 STEP | 17492=3 | – | – | 4/13/1916 | SMITH |
| 18039 | VICTOR MILITARY BAND | POM POM | 17432=1 | – | – | 4/4/1916 | – |
| 18040A | HURTADO BROS MARIMBA ORCH | OTTILA MARCH | 17470=2 | – | – | 4/10/1916 | VINCENTE HURTADO |
| 18040B | HURTADO BROS MARIMBA ORCH | GUATEMALA PANAMA MARCH | 17480=1 | – | – | 4/11/1916 | MARIANO HURTADO |
| 18041 | HENRY BURR | HARP THAT ONCE THRU TARA’S HALL | 16633? | – | B6250 | (1915?) | (Remake of B6250) |
| 18041 | HENRY BURR | JACK O HAZELDEAN | B6250=2 | V-5519 | – | 6/5/1908 | SCOTT |
| 18042 | VICTOR ORCHESTRA | IN THE HALL OF THE MOUNTAIN KING | 16903 | – | – | 12/??/15 | BVE15812=3 |
| 18042 | VICTOR ORCHESTRA | PEER GYNT SUITE: ANITRA’S DANCE | 15741 | – | – | 2/25/1915 | – |
| 18043 | + | * * UNISSUED * * | – | – | – | – | – |
| 18043 | + | * * UNISSUED * * | – | – | – | – | – |
| 18044 | ELSIE BAKER | TWO ROSES | 17050=4 | – | – | 3/13/1916 | GILBERT |
| 18044 | ELSIE BAKER | I’M A LONGING FOR YOU | 17547=2 | – | – | 4/27/1916 | HATHAWAY |
| 18045 | ELSIE BAKER | HOME SWEET HOME | 12933=4 | – | – | 1/15/1914 | BISHOP |
| 18045 | ELSIE BAKER | MY OLD KENTUCKY HOME | 11569=8 | – | – | 4/27/1916 | STEPHEN FOSTER |
| 18046A | PEERLESS Quartet | OH JOE WITH YOUR FIDDLE AND BOW (You Stole My Heart Away) | 17426=4 | – | – | 4/27/1916 | WILLIAM TRACEY- WALTER DONALDSON |
| 18046B | PEERLESS Quartet | ARRAH GO ON, I’M GONNA GO BACK TO OREGON | 17427=5 | – | – | 4/27/1916 | Lewis – Young – GRANT |
| 18047 | VICTOR BAND | ON YOUR WAY (1 Step) | 17233=4 | – | – | 4/13/1916 | McCLARE |
| 18047 | VICTOR BAND | HILDA (ft) | 17553=2 | – | – | 4/28/1916 | DAVIS |
| 18048 | HURTADO BROS MARIMBA ORCH | CAVALLERIA RUSTICANA | 17520=3 | – | – | 4/25/1916 | MASCAGNI |
| 18048 | HURTADO BROS MARIMBA ORCH | FADING LEAVES SERENATA | 17539=2 | – | – | 4/26/1916 | CARROLL |
| 18049 | FLORENTINE QT | MINUET BY BOCCHERINI | 14026=5 | – | – | 1/27/1915 | BOCCHERINI |
| 18049 | FLORENTINE QT | TRAUMEREI (schuman) | 15921=4 | – | – | 5/3/1915 | SCHUMANN |
| 18050 | ARTHUR COLLINS-BYRON HARLAN | JOHNNY GET A GIRL | 17573=2 | – | – | 5/1/1916 | – |
| 18050 | BILLY MURRAY | RAGTIME PIPES OF PAN | 17589=2 | – | – | 5/2/1916 | ROMBERG “WORLD OF PLEASURE” |
| 18051 | EDNA BROWN & BILLY MURRAY | SIMPLE MELODY | 17588=1 | – | – | 5/2/1916 | BERLIN “WATCH YOUR STEP” |
| 18051 | GEOFFREY O’HARA | THEY MADE IT TWICE AS NICE AS PARADISE | 17591=1 | – | – | 5/2/1916 | – |
| 18052A | EDNA BROWN | BABY SHOES | 17580=7 | – | – | 5/12/1916 | GOODWIN-ROSE-PIANTADOSI |
| 18052B | WILLIAM BARNES & QT | THE GIRL WHO WEARS A RED CROSS | 17600=1 | – | – | 5/3/1916 | WILL MAHONEY |
| 18053 | GEOFFREY O’HARA | WHERE A SHAMROCK GROWS | 17590=1 | – | – | 5/2/1916 | VAN ALSTYNE |
| 18053 | JANE KENYON | JANE OF BROADWAY: MY GRANFATHER’S GIRL | 17605=3 | – | – | 5/8/1916 | DILLON |
| 18054A | JOHN BARNES | MY OWN IONA | 17599=3 | – | – | 5/3/1916 | Gilbert – FRIEDLAND – MORGAN |
| 18054B | BILLY MURRAY | IN THE BEAUTIFUL SEASIDE AIR | 17598=2 | – | – | 5/3/1916 | Wm. Tracey – Walter DONALDSON |
| 18055 | ARTHUR PRYOR’S BAND | GIRL I LEFT BEHIND ME | 14950=1 | – | – | 6/10/1914 | BELLSTEDT |
| 18055 | ARTHUR PRYOR’S BAND | ARKANSAS TRAVELER | 14949=2 | – | – | 6/10/1914 | LOWENBERG |
| 18056 | FELIX ARNDT | OPERATIC NIGHTMARE | 17400=9 | – | – | 5/9/1916 | – |
| 18056 | FELIX ARNDT | NOLA | 17399=3 | – | – | 3/30/1916 | FELIX ARNDT |
| 18057A | ATHENIAN MANDOLIN Quartet | MO-ANA – HAWAIIAN WALTZ | 17441=1 | – | – | 4/5/1916 | H. B. OLSEN |
| 18057B | ATHENIAN MANDOLIN Quartet | CACLIZ MARCH | 17442=1 | – | – | 4/5/1916 | C. BALLIG |
| 18058 | BALALAIKA ORCH | TOREADOR ET ANDALOUSE | B9978=1 | Vi60039 | – | 2/20/1911 | RUBINSTEIN |
| 18058 | BALALAIKA ORCH | SERENADE FALET | B9996=1 | Vi60038 | – | 2/21/1911 | – |
| 18059 | ROSARIO BOURDON | UNDERNEATH THE STARS | 17691=1 | – | – | 5/16/1916 | SPENCER |
| 18059 | ROSARIO BOURDON | THE ONLY GIRL: WHEN YOU’RE AWAY | 17690=2 | – | – | 5/16/1916 | HERBERT |
| 18060 | BALALAIKA ORCH | REMEMBRANCE OF GATSHINA | B9979=1 | – | – | 2/20/1911 | ANDREEFF |
| 18060 | BALALAIKA ORCH | ON THE WING OF SONGS | B9998=1 | – | – | 2/20/1911 | MENDELSOHN |
| 18061 | THEODORE KARLE | CAVALLERA RUSTICANA | 17334=8 | – | – | 12/14/1916 | MASCAGNI |
| 18061 | THEODORE KARLE | HER HEART | 18578=5 | – | – | 12/14/1916 | VOORHIS |
| 18062 | JOHN WELLS (Children Story) | THE OWL / CROW’S NEST / WHY | 17697=3 | – | – | 5/17/1916 | – |
| 18062 | JOHN WELLS (Children Story) | LONG AGO IN ALACALA | 17699=3 | – | – | 5/17/1916 | MESSAGER |
| 18063 | McKEE TRIO | IN THE GLOAMING | 17174=3 | – | – | 2/17/1916 | HARRISON |
| 18063 | McKEE TRIO | SUPPLICATION | 17173=3 | – | – | 2/17/1916 | McKEE |
| 18064A | JAMES HARRISON-JAMES REED | THERE’S SOMEONE MORE LONELY THAN YOU | 17708=1 | – | – | 5/18/1916 | VON TILZER |
| 18064B | CHARLES HARRISON | ASHES OF MY HEART | B17351=5 | – | – | 5/12/1916 | – |
| 18065 | HERBERT STUART (Wiederhold) | LOVE ME AT TWILIGHT | 17696=1 | – | – | 5/17/1916 | – |
| 18065 | JANE KENYON | AT THE END OF A BEAUTIFUL DAY | 17626=3 | – | – | 5/8/1916 | – |
| 18066 | AL CAMPBELL & HENRY BURR | THERE’S A GARDEN IN OLD ITALY | 17704=2 | – | – | 5/17/1916 | GLOGAU |
| 18066 | JAMES HARRISON-JAMES REED | COME BACK TO ARIZONA | 17707=1 | – | – | 5/18/1916 | PALEY |
| 18067A | ARTHUR COLLINS-BYRON HARLAN | WAY DOWN IN BORNEO | 17574=2 | – | – | 5/1/1916 | JOHN FLYNN-AL PINATADOSI |
| 18067B | PEERLESS QT | ON THE OLD DOMINION LINE | 17549=1 | – | – | 4/27/1916 | JEAN HAVEZ-GEORGE BOTSFORD |
| 18068 | ARTHUR COLLINS-BYRON HARLAN | HELLO SUMMER | 17575=1 | – | – | 5/1/1916 | HAGER |
| 18068 | PEERLESS QT | HONOLULU BLUES | 17542=2 | – | – | 4/27/1916 | MONACO |
| 18069A | Helen LOUISE & Frank FERERA | SONG TO HAWAII | 17701=2 | – | – | 5/18/1916 | REDDING |
| 18069B | LOUISE & FERERA | HAWAIIAN HULA MEDLEY | 17702=1 | – | – | 5/18/1916 | – |
| 18070 | VENETIAN TRIO | EVENING BELLS (w) | 15819=2 | – | – | 3/22/1915 | EILEMBERG |
| 18070 | VENETIAN TRIO | ALPINE VIOLET | 15206=5 | – | – | 3/22/1915 | ANDRE |
| 18071 | MUNKACSY ORCH | PRENDS MOI WALTZ | 17410=2 | – | – | 3/31/1916 | NILSON-FYSHER |
| 18071 | MUNKACSY ORCH | OLD GYPSY (ven Czigany) | 17419=3 | – | – | 5/12/1916 | – |
| 18072 | M. J. O’Connell | STORMY SEA OF LOVE | 17739=3 | – | – | 5/29/1916 | CARROLL |
| 18072 | ARTHUR COLLINS | I’M GOING WAY BACK HOME AND HAVE A WONDERFUL TIME | 17769=1 | – | – | 5/31/1916 | SCHWARTZ |
| 18073 | M. J. O’Connell | I’VE GOT A SWEET TOOTH BOTHERING ME | 17738=3 | – | – | 5/29/1916 | BERLIN |
| 18073 | BILLY MURRAY | I SENT MY WIFE TO THE THOUSAND ISLES | 17767=2 | – | – | 5/31/1916 | VON TILZER |
| 18074 | OLIVE KLINE | LAND OF NOD | 14725=3 | – | – | 3/14/1916 | GAYNOR |
| 18074 | ELSIE BAKER | LEAVES PARTY / THANKSGIVING | 15237=2 | – | – | 10/1/1914 | – |
| 18075 | TUSKAGEE INSTITUTE QT | OLD TIME RELIGION | 16517 | – | 15166 | 9/15/1915 | – |
| 18075 | TUSKAGEE INSTITUTE QT | HEAVEN’S SONG / INCHIN’ ALONG | 15166 | – | 16517 | 09/??/15 | – |
| 18076 | ELIZABETH WHEELER | HUMPTY DUMPTY ETC | 16631=4 | – | – | 12/23/1915 | (1=10/8/15) |
| 18076 | ELIZABETH WHEELER | SING A SONG OF SIXPENCE | 16630=3 | – | – | 5/3/1916 | – |
| 18077 | (Unissued) | * * UNISSUED * * | – | – | – | – | – |
| 18078 | CONWAY’S BAND | LORELEI PARAPHRASE | 16315=4 | – | – | 8/6/1915 | NESVADBA |
| 18078 | CONWAY’S BAND | FROM FOREIGN PARTS | 15115 | – | – | 8/4/1914 | – |
| 18079 | STERLING TRIO | WHEN THE SUN GOES DOWN IN ROMANY | 17765=3 | – | – | 6/2/1916 | GRANT |
| 18079 | STERLING TRIO | DO WHAT YOUR MOTHER DID | 17781=2 | – | – | 6/2/1916 | VON TILZER |
| 18080 | ALICE GREEN | HURRY BACK TO MY BAMBOO SHACK | 17798=2 | – | – | 6/5/1916 | BERLIN |
| 18080 | CHARLES HARRISON | WE’RE TOO OLD TO GO TO YOU | 17676=2 | – | – | 5/12/1916 | DeCOSTA |
| 18081A | AVON COMEDY FOUR | MY MOTHER’S ROSARY | 17814=2 | – | – | 6/7/1916 | MEYER |
| 18081B | AVON COMEDY FOUR | YAAKA HULA HICKEY DULA | 17812=2 | – | – | 6/7/1916 | Goetz – YOUNG – WENDLING |
| 18082 | VICTOR BAND | UNCLE TOM – TWO STEP | 17712=2 | – | – | 6/8/1916 | HUGO FREY |
| 18082 | VICTOR BAND | ARRAH GO ON, I’M GONNA GO BACK TO OREGON | 17818=2 | – | – | 6/8/1918 | GRANT |
| 18083 | GUIDO GIALDINI | TOUT PASSE WALTZ | B9849=1 | Vi52007 | – | 1/25/1911 | BERGER |
| 18083 | MARGARET McKEE & HAFFORT | MOCKING BIRD | 24720 | – | – | 10/??/20 | – |
| 18084 | VICTOR MILITARY BAND | DEMOLAY COMMANDERY MARCH | 15611=1 | – | – | 1/19/1915 | BALL |
| 18084 | CONWAY’S BAND | VICTORIOUS AMERICA | 16298=2 | – | – | 8/2/1915 | TOBANI |
| 18085A | FRED VAN EPS TRIO | RAGGING THE SCALE | 17673=4 | – | – | 6/1/1916 | ED CLAYPOOLE |
| 18085B | WILLIAM REITZ (xylophone) | ELDORADO MARCH | 13965=3 | – | – | 11/10/1913 | VICTOR HERBERT |
| 18086 | VICTOR CONCERT ORCH | IT CAME UPON A MIDNIGHT CLEAR | 16681 | – | – | 10/20/1915 | – |
| 18086 | HARRY HUMPHREY & VICTOR ORCH | HARK THE HERALD ANGELS SING | 16874 | – | – | 12/9/1915 | DICKENS CHRISTMAS CAROL |
| 18087 | LOUISE & FERERA | PUA CARNATION | 17750=1 | – | – | 5/29/1916 | – |
| 18087 | LOUISE & FERERA | MAUI ALOHA | 17766=1 | – | – | 5/29/1916 | – |
| 18088 | AVON COMEDY 4 | YOU’RE A DANGEROUS GIRL | 17843=2 | – | – | 6/12/1916 | MONACO |
| 18088 | AVON COMEDY 4 | I’M GOING WAY BACK HOME AND HAVE A WONDERFUL TIME | 17844=3 | – | – | 6/12/1916 | SCHWARTZ |
| 18089 | ARTHUR COLLINS-BYRON HARLAN | MY LOVING LOU | 17770=1 | – | – | 5/31/1916 | KENDIS |
| 18089 | ARTHUR COLLINS-BYRON HARLAN | I’M SAVING UP THE MEANS TO GET TO NEW ORLEANS | 17771=2 | – | – | 5/31/1916 | – |
| 18090 | LOUISE & FERERA | KAMEHAMEHA | 17751=1 | – | – | 5/29/1916 | – |
| 18090 | LOUISE & FERERA | WAIKIKI MERMAID | 17752=1 | – | – | 5/29/1916 | – |
| 18091A | McKEE TRIO | KILLARNEY | 17901=3 | – | – | 6/19/1916 | BALFE |
| 18091B | McKEE TRIO | KATHLEEN MAVOURNEEN | 17902=2 | – | – | 6/19/1916 | FREDERICK N. CROUCH |
| 18092A | HURTADO BROS MARIMBA ORCH | STARS AND STRIPES FOREVER – MARCH | 17540=2 | – | – | 4/26/1916 | SOUSA |
| 18092B | HURTADO BROS MARIMBA ORCH | LOVE’S POWER – WALTZ | 17469=4 | – | – | 4/10/1916 | SANTAMARIA |
| 18093 | HURTADO BROS MARIMBA ORCH | EL CHOCLO TANGO | 17486=2 | – | – | 4/14/1916 | VILLOLDO |
| 18093 | HURTADO BROS MARIMBA ORCH | MODEST SUZANNE | 17531=2 | – | – | 4/22/1916 | GILBERT |
| 18094 | HURTADO BROS MARIMBA ORCH | EL GALLO | 17471=4 | – | – | 4/14/1916 | CENTENARA |
| 18094 | HURTADO BROS MARIMBA ORCH | IN THE UNITED STATES | 17485=3 | – | – | 4/13/1916 | HURTADO |
| 18095 | HURTADO ROYAL MARIMBA BAND | CATALINA 1 STEP | 17484=1 | – | – | 4/13/1916 | HURTADO |
| 18095 | HURTADO ROYAL MARIMBA BAND | FLETITA 1 STEP | 17481=2 | – | – | 4/12/1916 | HURTADO |
| 18096 | + | * * UNISSUED * * | – | – | – | – | – |
| 18096 | SIX BROWN BROTHERS | TAMBOURINES AND ORANGES | 18014 | Unissued | – | 6/22/1916 | KLICKMAN |
| 18097A | SIX BROWN BROTHERS | PUSSYFOOT MARCH | 17894=1 | – | – | 6/19/1916 | SLAP WHITE |
| 18097B | SIX BROWN BROTHERS | BULL FROG BLUES | 17897=1 | – | – | 6/20/1916 | TOM BROWNE – GUY SHRIGLEY |
| 18098 | + | * * UNISSUED * * | – | – | – | – | – |
| 18098 | + | * * UNISSUED * * | – | – | – | – | – |
| 18099 | CHARLES TAGGART (fiddler) | PLAIN OLD KITCHEN SOUP | 18001=1 | – | – | 6/21/1916 | DAY “UP IN MAINE” |
| 18099 | CHARLES TAGGART (fiddler) | STOCK IN A TIE UP | 18002=1 | – | – | 6/21/1916 | DAY “UP IN MAINE” |
| 18100 | ADA JONES | HE’S THE MAKIN’ OF A DARN FINE MAN | 18011=2 | – | – | 6/22/1916 | HERMAN |
| 18100 | ADA JONES & BILLY MURRAY | WHEN PRISCILLA TRIED TO REACH HIGH C | 18012=2 | – | – | 6/22/1916 | VON TILZER |
| 18101A | STERLING TRIO | ON LAKE CHAMPLAIN | 18026=2 | – | – | 6/27/1916 | Alfred Bryan – Albert GUMBLE |
| 18101B | PEERLESS Quartet | DEAR OLD DREAMY HONOLULU TOWN | 18021=2 | – | – | 6/26/1916 | Farran – Branen – Rega – Lange |
| 18102A | BILLY MURRAY | PRETTY BABY | 18013=2 | – | – | 6/22/1916 | Kahn – JACKSON – VAN ALSTYNE “Passing Show of 1916” |
| 18102B | BILLY MURRAY | WHEN YOU DROP OFF AT CAIRO, Illinois | 17768=1 | – | – | 5/31/1916 | E. Ray Goetz – Cliff HESS “Step This Way” |
| 18103 | EDNA BROWN & JAMES REED | I NEVER KNEW. | 18008=2 | – | – | 6/22/1916 | CARROLL “CANARY COTTAGE” |
| 18103 | PEERLESS QT | IT’S ALWAYS ORANGE DAY IN CALIFORNIA | 18022=2 | – | – | 6/26/1916 | CARROLL “CANARY COTTAGE” |
| 18104 | ALICE GREEN & RAY DIXON | HAVE A HEART | 18038=1 | – | – | 6/29/1916 | KERN “ZIEGFIELD FOLLIES 1916” |
| 18104 | MacDONOUGH,Harry | I LEFT HER ON THE BEACH AT HONOLULU | 18028=2 | – | – | 6/28/1916 | HIRSCH “ZIEGFIELD FOLLIES 16” |
| 18105A | MARGUERITE FARRELL | IF I KNOCK THE “L” OUT OF KELLY | 17930=3 | – | – | 7/10/1916 | LEWIS – YOUNG – GRANT “Step This Way” |
| 18105B | MARGUERITE FARRELL | BY THE SAD LUANA SHORE | 17931=4 | – | – | 7/10/1916 | E. RAY GOETZ “Step This Way” |
| 18106 | CONWAY’S BAND | TWO KEY RAG | 18051=2 | – | – | 7/5/1916 | HOLLANDER |
| 18106 | CONWAY’S BAND | HARLEQUIN 1 STEP | 18053=2 | – | – | 7/5/1916 | ROBERTS |
| 18107 | JAMES F.HARRISON | UNCLE SAMMYS ARMY | 18018=2 | – | – | 6/23/1916 | M.H. MORSE – H.M. DOLPH |
| 18107 | HERBERT STUART | OLD GLORY | 18076=1 | – | – | 7/7/1916 | EDWIN SKEDDEN – KATHERINE PIKE |
| 18108 | MORTON HARVEY | IF YOU DON’T WANT ME, SEND ME AWAY | 18059=3 | – | – | 7/5/1916 | SMITH |
| 18108 | MORTON HARVEY | MORNING NOON AND NIGHT | 18060=2 | – | – | 7/5/1916 | WHITE |
| 18109A | CONWAY’S BAND, Patrick Conway, Director | AMERICAN JUBILEE (A Patriotic Rag) | 18121=2 | – | – | 7/14/1916 | EDWARD B. CLAYPOOLE |
| 18109B | CONWAY’S BAND, Patrick Conway, Director | SISS BOOM AH! | 18095=2 | – | – | 7/11/1916 | CHESTER W. SMITH |
| 18110A | ARTHUR COLLINS-BYRON HARLAN | OH HOW SHE COULD YACKI HACKI WICKI WACKI WOO | 18061=2 | – | – | 7/5/1916 | VON TILZER |
| 18110B | ARTHUR COLLINS-BYRON HARLAN | COME ON TO NASHVILLE | 18132=2 | – | – | 7/19/1916 | W DONALDSON |
| 18111 | CHARLES HARRISON | ALL ERIN’S CALLING MAVOURNEEN | 18039=6 | – | – | 7/19/1916 | O’HARA |
| 18111 | CHARLES HARRISON | IRELAND MUST BE HEAVEN FOR MY MOTHER CSAME FROM THERE | 18134=1 | – | – | 7/19/1916 | FISCHER |
| 18112A | Albert CAMPBELL & HENRY BURR | SHE IS THE SUNSHINE OF VIRGINIA | 18128=2 | – | – | 7/18/1916 | BALLARD MacDONALD – HARRY CARROLL |
| 18112B | HARRY MacDONOUGH & ORPHEUS QUARTET | TURN BACK THE UNIVERSE AND GIVE ME YESTERDAY | 18149=1 | – | – | 7/25/1916 | BRENNAN – BALL |
| 18113 | STERLING TRIO | ON THE SOUTH SEA ISLE | 17979=3 | – | – | 7/13/1916 | VON TILZER |
| 18113 | ALICE GREEN-BOB DIXON | DOWN HONOLULU WAY | 18037=2 | – | – | 6/29/1916 | BURKE |
| 18114 | AL CAMPBELL & HENRY BURR | HONOLULU LOU | 17705=2 | – | – | 5/18/1916 | ROBE |
| 18114 | STUART & HARRISON | I LOST MY HEART IN HONOLULU | 18133=2 | – | – | 7/19/1916 | – |
| 18115 | CONWAY’S BAND | INTRODUCE ME | 18086=2 | – | – | 7/10/1916 | KAUFMAN |
| 18115 | CONWAY’S BAND | SKYSCRAPER 1 STEP (the) | 18096=2 | – | – | 7/11/1916 | SMITH |
| 18116A | FRED VAN EPS | DALY’S REEL | 17674=3 | – | – | 6/1/1916 | JOS. M. DALY |
| 18116B | FRED VAN EPS | MEDLEY OF SOUTHERN MELODIES | 17675=3 | – | – | 6/1/1916 | – |
| 18117A | BENNE HENTON BAND (CONWAY) | LANETTE WALTZ | 18102=4 | – | – | 7/14/1916 | BENNE HENTON |
| 18117B | CONWAY’S BAND, Patrick Conway, Director | SLIDUS TROMBONUS (A Trombone Comedy) | 18083=1 | – | – | 7/10/1916 | M.L LAKE |
| 18118 | DEIRO PIETRO’S BAND | BY HECK | 17865=2 | – | – | 6/16/1916 | – |
| 18118 | DEIRO PIETRO’S BAND | HELLO HAWAII HOW ARE YOU | 18116=2 | – | – | 7/13/1916 | LESLIE-SCHWARTZ |
| 18119 | FRANCIS LAPITINO (harp) | HUMORESQUE | 18146=2 | – | 1=1/24/16 | 7/24/1916 | ANTON DVORAK |
| 18119 | FRANCIS LAPITINO | CONSOLATION SONG | 18147=2 | – | – | 1/24/1916 | MENDELSSOHN |
| 18120 | PEERLESS QT | BACHELOR DAYS | 18129=2 | – | – | 7/18/1916 | HIRSCH “ZIEGFIELD FOLLIES 16” |
| 18120 | PEERLESS QT | WELCOME, HONEY, TO YOUR OLD PLANTATION HOME | 18020=6 | – | – | 8/1/1916 | GUMBLE |
| 18121A | CONWAY’S BAND | BATTLE OF NATIONS | 18046=1 | – | – | 7/5/1916 | E.T.PAULL |
| 18121B | CONWAY’S BAND | NAPOLEONS LAST CHARGE | 18054=1 | – | – | 7/6/1916 | ELLIS PAULL |
| 18122 | ELSIE BAKER | TODAY | 17866=1 | – | – | 6/15/1916 | BOND |
| 18122 | JOHN B WELLS | MELODY FROM HOME | 17698=4 | – | – | 7/14/1916 | STEVENSON |
| 18123 | LYRIC QT | HASTE THEE NYMPH | 18138=2 | – | – | 7/20/1916 | HANDEL |
| 18123 | LYRIC QT | COME & TRIP IT AS YOU GO | 18137=2 | – | – | 7/20/1916 | HANDEL |
| 18124A | VICTOR CONCERT ORCH | Fifth Symphony (1st mvt, Allegro con brio pt1) | 17693=7 | – | – | 7/28/1916 | BEETHOVEN |
| 18124B | VICTOR CONCERT ORCH | Fifth Symphony (1st mvt, Allegro con brio pt2) | 17694=6 | – | – | 6/17/1916 | BEETHOVEN |
| 18125 | AVON COMEDY 4 | GILA GALAH GALOO | 18166=2 | – | – | 7/31/1916 | DONOVAN |
| 18125 | M. J. O’Connell | OLD BILL BAKER | 18169=2 | – | – | 8/1/1916 | LARDNER – KERN |
| 18126 | AVON COMEDY 4 | WHEN THE BLACK SHEEP RETURNS TO THE FOLD | 18174=3 | – | – | 8/3/1916 | BERLIN |
| 18126 | AVON COMEDY 4 | SONGS OF YESTERDAY | 18167=1 | – | – | 7/31/1916 | HARRIS |
| 18127 | VENETIAN TRIO | OLD FOLKS AT HOME | 16823=3 | V-2816? | – | 1/17/1916 | FOSTER |
| 18127 | NEAPOLITAN TRIO | MY OLD KENTUCKY HOME | 16822=1 | V-1997? | – | 11/29/1915 | S FOSTER |
| 18128A | {ARTHUR} COLLINS and {BYRON} HARLAN | THE TWO-KEY RAG | 18058=2 | – | – | 7/5/1916 | JOE HOLLANDER |
| 18128B | {ARTHUR} COLLINS and {BYRON} HARLAN | HONEST INJUN | 18131=3 | – | – | 7/19/1916 | STERLING – MORAN – VON TILZER |
| 18129A | AVON COMEDY FOUR | ON A SUMMER NIGHT | 18165=1 | – | – | 7/26/1916 | JOE GOODWIN-GUS EDWARDS |
| 18129B | PEERLESS QT | JUST ONE DAY | 18171=3 | – | – | 8/1/1916 | LANGE |
| 18130 | McKEE TRIO | SWEET GENEVIEVE | 17788=3 | – | – | 6/5/1916 | TUCKER |
| 18130 | McKEE TRIO | WHEN YOU AND I WERE YOUNG, MAGGIE | 17749=2 | – | – | 5/29/1916 | BUTTERFIELD |
| 18131 | MARGARET FARRELL | COME ON AND BABY ME | 18186=2 | – | – | 8/7/1916 | MEYER |
| 18131 | MARGARET FARRELL | SINCE MAGGIE DOOLEY LEARNED THE HOOLEY HOOLEY | 18184=1 | – | – | 8/7/1916 | MEYER |
| 18132A | RENE DIETRICH – LOUISE-FERERA | ON THE BEACH AT WAIKIKI | 18302=1 | – | – | 8/11/1916 | LOUISE-FERERA |
| 18132B | HORACE WRIGHT – RENE DIETRICH | MY LUAU GIRL | 18305=1 | – | – | 8/11/1916 | H.KAILIMAI |
| 18133A | AVON COMEDY 4 | WAY OUT YONDER IN THE GOLDEN WEST | 18173=2 | – | – | 8/3/1916 | WENDLICH |
| 18133B | MARION HARRIS | I AIN’T GOT NOBODY MUCH | 18192=1 | – | – | 8/9/1916 | ROGER GRAHAM-S.WILLIAMS |
| 18134 | PEERLESS QT | MISSISSIPPI DAYS | 18170=2 | – | – | 8/1/1916 | PIANTADOSI |
| 18134 | M. J. O’Connell | DANCING DOWN IN DIXIELAND | 18168=2 | – | – | 8/1/1916 | BOURDON |
| 18135 | MARGARET FARRELL | SWEET BABETTE SHE ALWAYS DID THE MINUET | 18187=1 | – | – | 8/7/1916 | VON TILZER |
| 18135 | MARGARET FARRELL | YOU’VE GOT ME GOING WITH YOUR IRISH EYES | 18183=2 | – | – | 8/7/1916 | VON TILZER |
| 18136 | ADA REEVE | FOOLISH QUESTIONS | HO1806 | V-3126? | B523? | (1916?) | – |
| 18136 | ADA REEVE | FATHER’S LITTLE MAN | HO1807 | V-3127? | – | (1916?) | – |
| 18137 | AL CAMPBELL & HENRY BURR | YOU WERE MADE JUST TO ORDER FOR ME | 18308=2 | – | – | 8/11/1916 | VON TILZER |
| 18137 | AL CAMPBELL & HENRY BURR | MOONSHINE SALLY | 18127=3 | – | – | 7/18/1916 | SANTLY |
| 18138 | HENRY BURR | THE EYES OF HEAVEN (My Mother’s Star) | 18188=1 | – | – | 8/8/1916 | DaCOSTA |
| 18138 | STERLING TRIO | IN FLORIDA AMONG THE PALMS | 18307=3 | – | – | 8/11/1916 | IRVING BERLIN |
| 18139 | HENRY BURR | LIBERTY | 18190=2 | – | – | 8/8/1916 | BARRON |
| 18139 | PEERLESS QT | WHEN UNCLE SAMMY LEADS THE BAND | 18130=3 | – | – | 7/18/1916 | CARROLL |
| 18140 | SIX BROWN BROTHERS | WALKIN’ THE DOG | 17898=5 | – | – | 6/22/1916 | BROOKS-SHRIGLEY |
| 18140 | SIX BROWN BROTHERS | SAXOPHONE SOBS | 18007=2 | – | – | 6/22/1916 | ERDMAN |
| 18141 | CONWAY’S BAND | BANTAM ONE STEP | 18082=1 | – | – | 7/8/1916 | JENTES |
| 18141 | CONWAY’S BAND | UNDER THE RAMBLING ROSES | 18079=1 | – | – | 7/8/1916 | HENRY |
| 18142 | CONWAY’S BAND | POETS VISION WALTZ | 18088=2 | – | – | 7/10/1916 | DEUTSCH |
| 18142 | CONWAY’S BAND | CLOWN DANCE – NOVELTY FOXTROT | 18094=2 | – | – | 7/11/1916 | LAKE |
| 18143A | BILLY MURRAY | THERE’S A BIT OF BAD IN EVERY GOOD Little GIRL | 18324=2 | – | – | 9/5/1916 | Grant Clarke – Fred FISCHER |
| 18143B | MARION HARRIS | I’M GONNA MAKE HAY WHILE THE SUN SHINES in Virginia | 18318=1 | – | – | 8/31/1916 | J. YOUNG – S. LEWIS – A. GOTTLER |
| 18144 | MICHEL GUSIKOFF | TO A WILD ROSE | 18162=2 | VI19892 | – | 7/27/1916 | MacDOWELL |
| 18144 | MICHEL GUSIKOFF | SOUVENIR POETIQUE | 18161=1 | VI19892 | – | 7/27/1916 | FIBISCH |
| 18145 | VICTOR BAND | HOME SWEET HOME / MY OLD KENTUCKY HOME | 18322=2 | – | – | 9/1/1916 | BISHOP / FOSTER |
| 18145 | VICTOR BAND | BATTLE HYMN OF THE REPUBLIC | 18320=2 | – | – | 9/1/1916 | J.W.HOWE |
| 18146 | LYRIC QT | SWEET IS TRUE LOVE | 17246=2 | – | – | 3/2/1916 | GILCHRIST |
| 18146 | LYRIC QT | MY BONNIE LASS SHE SMILETH | 18140=2 | – | – | 7/21/1916 | NEVIN |
| 18147 | PALE LUI & DAVID KAILI | OLD PLANTATION | 15575=3 | HMV18147? | – | 1/12/1915 | KIM HOWE |
| 18147 | LOUISE & FERERA | HAWAIIAN ECHOES | 17993=1 | – | – | 7/18/1916 | – |
| 18148 | CHARLES TAGGART | OLD COUNTRY FIDDLER ON THE PHONE | 18003=1 | – | – | 6/21/1916 | CHARLES TAGGART |
| 18148 | CHARLES TAGGART | OLD FIDDLER ON ASTRONOMY | 16721=2 | – | – | 6/22/1916 | – |
| 18149A | SIX BROWN BROTHERS | CHIN CHIN: OPEN YOUR HEART | 17895=5 | – | – | 6/22/1916 | VAN ALSTYNE-BROWN |
| 18149B | CONWAY’S BAND | LAVERNE WALTZ CAPRICE | 18101=2 | – | – | 7/12/1916 | H.BENNE HENTON |
| 18150 | AL CAMPBELL & HENRY BURR | ON THE ARMS OF THE OLD ARMCHAIR | 18309=2 | – | – | 8/11/1916 | LANGE |
| 18150 | AL CAMPBELL & HENRY BURR | MULBERRY MOON | 17706=1 | – | – | 5/18/1916 | HAGER |
| 18151 | MORTON HARVEY | I’M GOING OVER THE HILLS OF VIRGINIA | 18377=2 | – | – | 9/18/1916 | GOODWIN |
| 18151 | MORTON HARVEY | MELODY OF MY DREAM | 18376=2 | – | – | 9/18/1916 | – |
| 18152A | MARION HARRIS | PARADISE BLUES | 18319=5 | – | 42613 | 11/17/1916 | WALTER HIRSCH-SPENCER WILLIAMS |
| 18152B | MARION HARRIS | MY SYNCOPATED MELODY MAN | 18193=7 | – | – | 11/17/1916 | BLANCHE MERRILL-EDDIE COX |
| 18153 | IRVING KAUFMAN | HELLO, MY SWEETHEART I LOVE YOU | 18316=1 | – | – | 8/31/1916 | JAMES |
| 18153 | BILLY MURRAY | HE MAY BE OLD BUT HE HAS YOUNG IDEAS | 18325=11 | – | – | 11/13/1916 | JENTES |
| 18154 | CHARLES HARRISON | MOLLY DHU | 18751=3 | – | – | 11/22/1916 | HUGO FREY |
| 18154 | JOHN B WELLS | NORA PRIDE OF ADAIR | 18119=2 | – | – | 7/14/1916 | BURNHAM |
| 18155A | JOSEPH MOSKOWITZ | INSPIRATION SPANISH WALTZ | 18202=1 | – | – | 7/19/1916 | JOE MOSKOWITZ |
| 18155B | JOSEPH MOSKOWITZ, cembalom (Max Yussim, piano) | ARGENTINE DANCE | 17113 | – | – | 2/4/1916 | (-) |
| 18156 | NEAPOLITAN TRIO | SWEET SPIRIT, HEAR MY PRAYER | 11366=3 | – | – | 1/2/1912 | WALLACE |
| 18156 | VENETIAN TRIO | HOPE / SONG WITHOUT WORDS / SIXTEEN | 18172=2 | – | – | 8/2/1916 | MENDELSSOHN |
| 18157 | HELEN LOUISE – FRANK FERERA HAWAIIANS | KAI MAIA OKA MAOLI | 17991=1 | – | – | 7/18/1916 | – |
| 18157 | HELEN LOUISE – FRANK FERERA HAWAIIANS | WAIU LUILULULI | 17990=1 | – | – | 7/18/1916 | – |
| 18158 | IMPERIAL QT | MY LADY CHLO | 18345=1 | – | – | 9/11/1916 | LEIGHTER |
| 18158 | IMPERIAL QT | PICCANINNY LULLABY | 18349=1 | – | – | 9/12/1926 | MACY |
| 18159A | HORACE WRIGHT-RENE DIETRICH acc by Louise and Ferera | SONG TO HAWAII | 18454=3 | – | – | 9/23/1916 | J.D. REDDING |
| 18159B | HORACE WRIGHT-RENE DIETRICH acc by Louise and Ferera | MY HONOLULU HULA GIRL | 18435=2 | – | – | 9/16/1916 | “Sonny” CUNHA |
| 18160 | – | * * UNISSUED * * | – | – | – | – | – |
| 18160 | – | * * UNISSUED * * | – | – | – | – | – |
| 18161A | HARRY E. HUMPHREY | The VILLAGE BLACKSMITH | 15464=5 | – | – | 12/9/1914 | LONGFELLOW |
| 18161B | HARRY E. HUMPHREY | A PSALM OF LIFE | 18331=3 | – | – | 9/7/1916 | LONGFELLOW |
| 18162A | ORPHEUS Quartet | PRETTY BABY | 18378=5 | – | – | 9/29/1916 | KAHN – JACKSON – VAN ALSTYNE |
| 18162B | ALICE GREEN – EDWARD HAMILTON | FLORA BELLA: GIVE ME ALL OF YOU | 18393=6 | – | – | 9/29/1916 | CARROLL-SCHWARTZWALD “FLORA BELLA” |
| 18163 | VICTOR MILITARY BAND | KANSAS CITY BLUES | 18373=1 | – | – | 09/??/16 | EUDIE BOWMAN |
| 18163 | VICTOR MILITARY BAND | HESITATION BLUES | 18339=3 | – | – | 9/15/1916 | BILLY SMYTHE |
| 18164 | CONWAY’S BAND | NELL GWYNN PASTORAL DANCE | 18065=2 | – | – | 7/6/1916 | GERMAN |
| 18164 | CONWAY’S BAND | NELL GWYNNE: MERRYMAKER’S DANCE | 18066=2 | – | – | 7/6/1916 | GERMAN |
| 18165A | JOSEPH C SMITH and his ORCH | MONEY BLUES | 18456=3 | – | – | 9/25/1916 | HUGO FREY |
| 18165B | JOSEPH C SMITH and his ORCH | I’VE A SHOOTING BOX IN SCOTLAND | 18459=6 | – | – | 1/8/1917 | Cole PORTER |
| 18166 | GEOFFREY O’HARA | MA LIL STARLIGHT | 18518=1 | – | – | 9/29/1916 | GEOFFREY O’HARA |
| 18166 | G.O’HARA-DUNLAP-L.DAVIS | I’LL MAKE YOU WANT ME | 18519=2 | – | – | 9/29/1916 | – |
| 18167 | PEERLESS Quartet | TAKE ME TO MY ALABAM | 18522=1 | – | – | 10/3/1916 | WILL DILLON – HARRY TOBIAS |
| 18167 | HORACE WRIGHT acc by Louise and Ferera | O’BRIEN Is TRYING TO LEARN TO TALK HAWAIIAN | 18436=3 | – | – | 9/16/1916 | AL DUBIN – RENNIE McCORMACK |
| 18168A | PEERLESS Quartet | THE YELLOW & THE BLUE (University Of Michigan Song) | 18520=1 | – | – | 10/3/1916 | CHARLES GAYLEY |
| 18168B | PEERLESS Quartet | COLLEGE DAYS | 18521=1 | – | – | 10/3/1916 | DONALD A. KAHN – EARL V. MOORE “Koanzaland” |
| 18169 | IMPERIAL QT | FORSAKEN | 18367=1 | – | – | 9/13/1916 | KOSCHAT |
| 18169 | IMPERIAL QT | LOVE’S OLD SWEET SONG | 18372=2 | – | – | 9/14/1916 | MOLLOY |
| 18170 | STERLING TRIO | OUT OF THE CRADLE INTO MY HEART | 18306=4 | – | – | 10/9/1916 | FRIEDMAN |
| 18170 | PEERLESS QT | WHEN YOU’RE FIVE TIMES 16 | 18523=2 | – | – | 10/3/1916 | COBB |
| 18171 | STERLING TRIO | MY LONELY LOLA LO | 18535=2 | – | – | 10/9/1916 | SOLMAN |
| 18171 | DIETRICH & WRIGHT w LOUISE & F | MY OWN IONA | 18304=1 | – | – | 8/11/1916 | MORGAN |
| 18172 | HOWARD-MacDONOUGH | BABES IN THE WOODS | 18532=1 | – | – | 10/5/1916 | KERN |
| 18172 | A.GREEN-RAY DIXON | BACHELOR GIRL AND BOY | 18537=3 | – | – | 10/9/1916 | SIGMUND ROMBERG |
| 18173 | Victor ORATORIO CHORUS | SEVEN LAST WORDS OF CHRIST | 17799=1 | – | – | 6/5/1916 | SCHUTZ |
| 18173 | Victor ORATORIO CHORUS | SEVEN LAST WORDS OF CHRIST PT.2 | 17800=1 | – | – | 6/5/1916 | SCHUTZ |
| 18174 | VICTOR MILITARY BAND | NIGGER BLUES | 18565=2 | – | – | 10/19/1916 | LEROY-WHITE |
| 18174 | VICTOR MILITARY BAND | JOE TURNER BLUES | 18495=5 | – | – | 10/19/1916 | W.C.HANDY |
| 18175 | MAXIMILLIAN PILZER | SERENATA NAPOLETANA | 13373=1 | – | – | 6/2/1913 | SGAMBATI |
| 18175 | SAMUEL GARDNER | ANDANTE FROM 2ND CONCERTO | 16479=1 | – | – | 9/10/1915 | – |
| 18176 | VICTOR CONCERT ORCH | PINAFORE SELECTIONS #1 | 18312=3 | – | – | 8/30/1916 | SULLIVAN |
| 18176 | VICTOR CONCERT ORCH | PINAFORE MEDLEY #2 | 18313=2 | – | – | 9/29/1916 | SULLIVAN |
| 18177 | VICTOR MILITARY BAND | DRINK TO ME ONLY / FLOW GENTLY AFTON | 18564=3 | – | – | 10/19/1916 | SPILLMAN |
| 18177 | VICTOR MILITARY BAND | LOVE’S OLD SWEET SONG / ANNIE LAURIE | 18321=2 | – | – | 9/1/1916 | MOLLOY / SCOTT |
| 18178 | FREDERICK WHEELER | DREAMS | 18016=4 | – | – | 10/16/1916 | STRELETZKI |
| 18178 | ELSIE BAKER & FRED WHEELER | NIGHT HYMN AT SEA | 15239 | – | – | 10/1/1914 | GORING-THOMAS |
| 18179 | JOSEF SCHENDEL | FIRST ARABESQUE | 17881=1 | – | – | 6/16/1916 | DEBUSSY |
| 18179 | JOSEF SCHENDEL | SERENADE LEVANTINE | 17882=1 | – | – | 6/16/1916 | ALPHERAKY |
| 18180 | JAMES F.HARRISON | GIRL WHO WAITS AT HOME: LADDIES IN KHKAI | 18017=2 | – | – | 6/23/1916 | NOVELLO |
| 18180 | JAMES HARRISON-JAMES REED | TRAIL TO SUNSET VALLEY | 18552=2 | – | – | 10/16/1916 | PASTERNAK |
| 18181 | CONWAY’S BAND | HONEYMOON FOXTROT | 18087=1 | – | – | 7/10/1916 | SMITH |
| 18181 | VICTOR MILITARY BAND | CALL OF A NATION | 18527=3 | – | – | 10/4/1916 | WENDLING |
| 18182 | CONWAY’S BAND | AMERICAN TRUMPETER MARCH | 18048=3 | – | – | 7/5/1916 | LAKE |
| 18182 | CONWAY’S BAND | ALL AMERICAN MARCH | 18047=2 | – | – | 7/5/1916 | ZAMECNIK |
| 18183A | OPRHEUS Quartet | MAMMY’S LITTLE COAL BLACK ROSE | 18379=1 | – | – | 9/18/1916 | RAYMOND EGAN-RICHARD A .WHITING |
| 18183B | OPRHEUS Quartet | WHEN EVENING SHADOWS FALL | 18568=2 | – | – | 10/20/1916 | JEFF BRANNAN-WILLIAM POLLA |
| 18184 | IRVING KAUFMAN | I’LL HIDE AWAY DOWN IN IOWA | 18554=1 | – | – | 10/17/1916 | MAYER |
| 18184 | BILLY MURRAY | ITS NOT YOUR NATIONALITY | 18577=2 | – | – | 10/25/1916 | JOHNSON |
| 18185A | ARTHUR COLLINS-BYRON HARLAN | COME ALONG TO CAROLINE | 18563=2 | – | – | 10/18/1916 | OLMAN |
| 18185B | MARION HARRIS | DON’T LEAVE ME DADDY (‘Coon Song’) | 18604=1 | – | – | 10/5/1916 | J.M.VERGES |
| 18186 | JAMES F.HARRISON | WHAT I OWE YOU | 18553=2 | – | – | 10/16/1916 | CRAGG |
| 18186 | IRVING KAUFMAN | I KNOW I GOT MORE THAN MY SHARE | 18555=1 | – | – | 10/17/1916 | JOHNSON |
| 18187 | VICTOR CONCERT ORCH | ONLY A DREAM (w) | 18743=5 | – | – | 11/22/1916 | BECK |
| 18187 | VICTOR CONCERT ORCH | CITY OF BEAUTIFUL NONSENSE | 17616=3 | – | – | 10/27/1916 | BECK |
| 18188 | CHARLES HARRISON | NORA | 18369=2 | – | – | 9/14/1916 | PIGOTT |
| 18188 | JAMES REED | THO I HAD A BIT OF THE DEVIL IN ME | 18551=3 | – | – | 10/16/1916 | VON TILZER |
| 18189A | SIX BROWN BROTHERS | CHICKEN WALK | 17899=2 | – | – | 6/20/1916 | TOM BROWN {- KLICKMAN) |
| 18189B | PIETRO {DEIRO} | SAN FRANCISCO SOUVENIR MARCH | 18118=1 | – | – | 7/13/1916 | PIETRO |
| 18190 | McKEE TRIO | BOHEMIAN GIRL MEDLEY | 17748=3 | – | – | 5/29/1916 | BALFE |
| 18190 | McKEE TRIO | GOOD NIGHT BELOVED – SERENADE | 17747=3 | – | – | 5/29/1916 | NEVIN |
| 18191 | VICTOR CONCERT ORCH | MIKADO SELECTION | 18310=1 | – | – | 8/29/1916 | SULLIVAN |
| 18191 | VICTOR CONCERT ORCH | MIKADO MEDLEY #2 | 18311=2 | – | – | 8/29/1916 | SULLIVAN |
| 18192 | AMERICAN Quartet | HONOLULU AMERICA LOVES YOU | 18559=4 | – | – | 11/7/1916 | JAMES MONACO |
| 18192 | M. J. O’Connell | HOW CAN WASHINGTON BE A MARRIED MAN? | 18566=5 | – | – | 11/1/1916 | GOODWIN – PIANTADOSI |
| 18193A | JOHN J. KIMMEL (accordion) (Joseph Linder, piano) | GEESE IN The BOG Medley – IRISH JIGS | 18268=3 | – | – | 10/30/1916 | (-) |
| 18193B | JOHN KIMMEL (accordion)(Joseph Linder, piano) | STACK OF BARLEY Medley – IRISH REELS | 18243=3 | – | – | 10/30/1916 | (-) |
| 18194 | FERDINAND HIMMELREICH | WHISPERING WINDS | 18591=1 | – | – | 10/30/1916 | HIMMELREICH |
| 18194 | FERDINAND HIMMELREICH | CARNIVAL OF VENICE | 11888=4 | – | – | 3/11/1915 | BENEDICT |
| 18195AA | ORPHEUS Quartet | CARRY ME BACK TO OLE VIRGINNY | 18569=1 | VI19887 | V-0658 | 10/20/1916 | JAMES BLAND |
| 18195B | PEERLESS Quartet | DARLING NELLIE GRAY | 16779=3 | – | – | 11/17/1915 | B. R. HAMBY |
| 18196 | M. J. O’Connell | I’LL WED THE GIRL I LEFT BEHIND | 18567=4 | – | – | 11/1/1916 | DILLON |
| 18196 | IRVING KAUFMAN | ITS A LONG LONG TIME SINCE | 18317=2 | – | – | 8/31/1916 | JAMES |
| 18197 | ALBERT WIEDERHOLD | LOVELIGHT IN YOUR EYES | 18715=1 | – | – | 11/16/1916 | EDWARDS |
| 18197 | JAMES HARRISON-JAMES REED | JUST A WORD OF SYMPATHY | 18718=4 | – | – | 12/6/1916 | VAN ALSTYNE |
| 18198 | AMERICAN QT | EVERYBODY LOVES AN IRISH SONG | 18560=3 | – | – | 11/7/1916 | McKENNA |
| 18198 | HENRY BURR | TWAS ONLY AN IRISHMAN’S DREAM | 18724=1 | – | – | 11/20/1916 | DUBIN-CORMACK |
| 18199 | IMPERIAL QT | I’M A PILGRIM, I’M A STRANGER | 18343=2 | – | – | 9/11/1916 | MARSTON |
| 18199 | IMPERIAL QT | SOME BLESSED DAY | 18346=2 | – | – | 9/12/1916 | NEVIN |
| 18200 | HARRY HUMPHREY | LINCOLN THE GREAT COMMONER | 18335=2 | – | – | 9/7/1916 | MARKHAM |
| 18200 | HARRY HUMPHREY | VISIONS OF WAR | 19260=1 | – | – | 3/9/1917 | INGERSOLL |
| 18201 | CHARLES HARRISON | ANY PLACE IS HEAVEN IF YOU’RE THERE | 18750=3 | – | – | 11/22/1916 | LOHR |
| 18201 | CHARLES HARRISON | WHEN I FOUND THE WAY TO YOUR HEART | 18749=2 | – | – | 11/22/1916 | VANDERPOOL |
| 18202 | IRVING KAUFMAN | MY WAIKIKI UKELELE GIRL | 18605=3 | – | – | 10/12/1916 | SMITH |
| 18202 | AL CAMPBELL & HENRY BURR | MY HAWAIIAN SUNSHINE | 18697=2 | – | – | 11/27/1916 | MORGAN |
| 18203 | VICTOR MILITARY BAND | BROWN SKIN | 18496=4 | – | – | 10/19/1916 | ARMAND PIRON |
| 18203 | VICTOR MILITARY BAND | LISTEN TO THIS – ONE STEP | 18764=2 | – | – | 11/29/1916 | KAUFMAN |
| 18204 | PEERLESS QT | I’M COMING BACK TO CALIFORNIA | 18710=5 | – | – | 11/23/1916 | BALL |
| 18204 | PEERLESS QT | KEEP YOUR EYE ON THE GIRLIE | 18711=4 | – | – | 11/23/1916 | SCHUSTER |
| 18205A | ADA JONES | PUT ON YOUR SLIPPERS AND FILL YOUR PIPE | 18703=3 | – | – | 11/13/1916 | MORAN-HEALEN-A.VonTILZER |
| 18205B | ADA JONES & BILLY MURRAY | IF IT WASN’T FOR YOU | 18704=3 | – | – | 11/13/1916 | WHITING-CUNNINGHAM-H.VonTILZER |
| 18206 | MORTON HARVEY | FROM ME TO MANDY LEE | 20075=3 | – | – | 6/21/1917 | – |
| 18206 | PEERLESS QT | DOWN AT THE HUSKING BEE | 19502=3 | – | – | 3/22/1917 | – |
| 18207A | JOHN J. KIMMEL (accordion) (Joseph Linder, piano) | MEDLEY OF IRISH REELS #5 (Floggan Reel; Cup o’ Tea) | 18244=3 | – | – | 10/30/1916 | (-) |
| 18207B | JOHN J. KIMMEL (accordion) (Joseph Linder, piano) | MEDLEY OF IRISH JIGS, No. 2 | 16353=6 | – | – | 10/30/1916 | (-) |
| 18208 | VENETIAN TRIO | The ROSARY | 13971=9 | – | – | 11/16/1915 | NEVIN |
| 18208 | VENETIAN TRIO | TO A WILD ROSE | 18159=7 | – | – | 3/19/1917 | MacDOWELL |
| 18209 | VICTOR MILITARY BAND | BLUE WHITE MARCH | 17554=5 | – | – | 4/29/1916 | SCHMIDT |
| 18209 | VICTOR MILITARY BAND | BOY SCOUTS OF AMERICA | 18772=7 | – | – | 2/20/1917 | JOHN P SOUSA |
| 18210 | ARTHUR COLLINS-BYRON HARLAN | BUZZING THE BEE | 18769=1 | – | – | 12/4/1916 | WELLS |
| 18210 | ARTHUR COLLINS-BYRON HARLAN | THEY’RE WEARING THEM HIGHER IN HAWAII | 18768=2 | – | – | 12/4/1916 | MOHR |
| 18211A | EDNA BROWN | POOR BUTTERFLY | 18900=3 | – | – | 12/15/1916 | HUBBELL “Big Show” |
| 18211B | HOWARD & MacDONOUGH | ALICE IN WONDERLAND | 18819=1 | – | – | 12/7/1916 | I.BERLIN “Century Girl” |
| 18212 | PEERLESS QT | ON HONOLULU BAY | 18829=4 | – | – | 12/11/1916 | BARRON |
| 18212 | STERLING TRIO | IN THE SWEET LONG AGO | 18536=3 | – | – | 12/11/1916 | SOLMAN |
| 18213A | BILLY MURRAY | WHEN YOU HEAR JACKSON MOAN ON HIS SAXOPHONE | 18783=2 | – | – | 12/11/1916 | Earl CARROLL “SO LONG LETTY” |
| 18213B | MARGUERITE FARRELL | NAUGHTY NAUGHTY NAUGHTY | 18830=3 | – | – | 12/11/1916 | VINCENT “SHOW OF WONDERS” |
| 18214 | JAMES HARRISON-JAMES REED | SOMEWHERE MY LOVE LIES DREAMING | 18719=6 | – | – | 12/6/1916 | SPENCER |
| 18214 | EDNA BROWN | HUSH A BYE MA BABY (Missouri Waltz) | 18901=2 | – | – | 12/15/1916 | EPPEL-LOGAN |
| 18215 | AL CAMPBELL & HENRY BURR | ROLLING STONES | 18723=1 | – | – | 11/20/1916 | GOTTLER |
| 18215 | AL CAMPBELL & HENRY BURR | DON’T WRITE ME LETTERS | 18557=1 | – | – | 10/17/1916 | GRANT |
| 18216 | WILLIAM REITZ (xylophone) | DOROTHY – MIGNON GAVOTTE | 18720=1 | RedSeal | – | 11/17/1916 | SMITH / THOMAS |
| 18216 | WILLIAM REITZ (xylophone) | MAZURKA – MOMENT MUSICALE | 18575=2 | RedSeal | – | 10/24/1916 | SCHUBERT |
| 18217 | SIX BROWN BROTHERS | PASSION DANCE – LA DANZA APASIONADA | 18006=5 | – | – | 6/23/1916 | JONES |
| 18217 | SIX BROWN BROTHERS | RIGOLETTO QUARTET | 17896=3 | – | – | 6/22/1916 | VERDI |
| 18218 | VICTOR BAND | PACK UP YOUR TROUBLES IN THE OLD KIT BAG | 18928=1 | – | – | 12/26/1916 | POWELL “Her Soldier Boy” |
| 18218 | VICTOR BAND | CENTURY GIRL MEDLEY | 18786=2 | – | – | 12/12/1916 | BERLIN |
| 18219 | VICTOR BAND | MY OWN IONA | 18930=2 | – | – | 12/26/1916 | – |
| 18219 | CONWAY’S BAND | LUCIA SEXTET – RAGTIME TRAVELER | 18074=2 | – | – | 7/7/1916 | – |
| 18220A | VAN & SCHENCK | YADDIE KADDIE KIDDIE KADDIE KOO | 18892=2 | – | – | 12/29/1916 | Lewis – Young – MEYER |
| 18220B | VAN & SCHENCK | That’s HOW You CAN TELL They’re IRISH | 18893=2 | – | – | 12/29/1916 | Van – SCHENCK – Gaskel |
| 18221 | M. J. O’Connell | WHEN RAGTIME RUFUS RAGS THE HUMORESQUE | 18793=4 | – | – | 1/2/1917 | HARRY RUBY |
| 18221 | M. J. O’Connell | COME OUT OF THE KITCHEN, MARY ANN | 18789=6 | – | – | 1/2/1917 | BAYLE |
| 18222 | LYRIC QT | HOME AGAIN (vAlice Green) | 18952=1 | – | – | 12/22/1916 | POWELL “Her Soldier Boy” |
| 18222 | EDWARD HAMILTON | PACK UP YOUR TROUBLES IN THE OLD KIT BAG | 18924=1 | – | – | 1/3/1917 | ROMBERG “Her Soldier Boy” |
| 18223 | McKEE ORCHESTRA | PIROUETTE | 18853=3 | – | – | 12/15/1916 | FRICK |
| 18223 | McKEE ORCHESTRA | LA CINQUANTAINE | 18852=4 | – | – | 12/15/1916 | GABRIEL-MARIEE |
| 18224A | AMERICAN Quartet | IF YOU EVER GET LONELY | 18955=2 | – | – | 1/4/1917 | GUS KAHN – HENRY I. MARSHALL |
| 18224B | ADA JONES & BILLY MURRAY | WHY DO YOU MAKE THOSE EYES | 18951=2 | – | – | 1/3/1917 | McCarthy – JOHNSON – JAMES MONACO |
| 18225 | AMERICAN QT | HOW’S EVERY LITTLE THING IN DIXIE | 18954=2 | – | – | 1/4/1917 | GUMBLE |
| 18225 | PEERLESS QT | IN THE DAYS OF OLD BLACK JOE | 18944=2 | – | – | 12/28/1916 | BROCKMAN |
| 18226 | FRED VAN EPS-FRANK BANTA TRIO | TEASIN’ THE CAT | 18860=2 | – | – | 12/20/1916 | CHARLES JOHNSON |
| 18226 | FRED VAN EPS | ON THE DIXIE HIGHWAY | 18861=3 | – | – | 12/20/1916 | FRIEDMAN |
| 18227A | PEERLESS Quartet | ON THE SANDWICH ISLES | 18943=2 | – | – | 12/28/1916 | Garfield Kilgour – Harry VON TILZER |
| 18227B | STERLING TRIO | YUKALOO (MY PRETTY SOUTH SEA ISLAND LADY) | 18945=5 | – | – | 1/5/1917 | Walter Van Brunt – Harry VON TILZER |
| 18228 | HORACE WRIGHT-RENE DIETRICH | LEI ALOHA | 18303=1 | – | – | 8/11/1916 | KEPUPUOLI |
| 18228 | HORACE WRIGHT-RENE DIETRICH | MY HAWAIIAN MAID MEDLEY | 18455=2! | – | – | 9/23/1916 | – |
| 18229A | HARRY THOMAS (piano solo) | DELIRIOUS RAG | 18685=4 | – | – | 12/4/1916 | WILLIAM ECKSTEIN-HARRY THOMAS |
| 18229B | HARRY THOMAS (piano solo) | CLASSICAL SPASM | 18684=4 | – | – | 12/4/1916 | SCHARWENKA-PADEREWSKI |
| 18230 | McKEE TRIO | I CANNOT SING THE OLD SONGS | 17929=2 | – | – | 6/26/1916 | CHARLES |
| 18230 | McKEE TRIO | VACANT CHAIR | 17928=3 | – | – | 6/26/1916 | ROOT |
| 18231A | RALPH BINGHAM | GOLDSTEIN BEHIND THE BAR | 18927=5 | – | – | 12/30/1916 | {RALPH} BINGHAM |
| 18231B | RALPH BINGHAM | MRS RASTUS JOHNSON AT THE WEDDING | 18926=4 | – | – | 12/30/1916 | {RALPH} BINGHAM |
| 18232 | JAMES HARRISON-JAMES REED | SOMEWHERE IN DIXIE | 18988=3 | – | – | 1/15/1917 | VON TILZER |
| 18232 | JAMES HARRISON-JAMES REED | SILVER BAY | 18990=4 | – | – | 1/29/1917 | WENRICH |
| 18233 | BILLY MURRAY | EVERYTHING IS GOING UP | 18985=2 | – | – | 1/15/1917 | MURPHY-GUMBLE |
| 18233 | WESTON WILLIE | ROLLING IN HIS LITTLE ROLLING CHAIR | 19757=3 | – | 18770=R | 5/8/1917 | MOHR (B18770 rejected) |
| 18234 | REED MILLER | LOVE WILL FIND THE WAY | 18989=1 | – | – | 1/15/1917 | VON TILZER |
| 18234 | CHARLES HARRISON | A PICTURE OF DEAR OLD IRELAND | 18994=3 | – | – | 1/17/1917 | GLOGAU |
| 18235 | AMERICAN QT | HONOLULU HICKI BOOLA BOO | 19109=2 | – | – | 1/22/1917 | VON TILZER |
| 18235B | ARTHUR COLLINS-BYRON HARLAN | THAT FUNNY JASS BAND FROM DIXIELAND | 18984=1 | – | – | 1/12/1917 | GUS KAHN-HENRY MARSHALL |
| 18236 | ADA JONES & BILLY MURRAY | DON’T SLAM THAT DOOR | 18788=4 | – | – | 1/3/1917 | VON TILZER |
| 18236 | ADA JONES & BILLY MURRAY | I CAN’T BEHAVE WHEN YOU’RE AROUND | 19115=1 | – | – | 1/23/1917 | ISRAEL |
| 18237 | TUSKAGEE INSTITUTE SINGERS | NOBODY KNOWS THE TROUBLE I’VE SEEN | 16511? | – | – | 09/??/15 | – |
| 18237 | TUSKAGEE INSTITUTE SINGERS | ROLL JORDAN ROLL / I WANT GOD’S HEALING | 16516 | – | – | 09/??/15 | – |
| 18238 | ORPHEUS QT | WHOSE PRETTY BABY ARE YOU | 19123=1 | – | – | 1/24/1917 | VAN ALSTYNE |
| 18238 | RAYMOND DIXON | THERE’S EGYPT IN YOUR DREAMY EYES | 18953=1 | – | – | 1/3/1917 | SPENCER |
| 18239A | Albert CAMPBELL & HENRY BURR | WHERE THE BLACK EYED SUSANS GROW | 18978=2 | – | – | 1/11/1917 | DAVE RADFORD – Richard A. WHITING |
| 18239B | Orpheus Quartet | THO’ I’M NOT THE FIRST TO CALL YOU “SWEETHEART” Please Let Me Be the Last | 19122=3 | – | – | 1/24/1917 | BERNIE GROSSMAN – ARTHUR LANGE |
| 18240 | LOUISE-FERRERA | YADDIE KADDIE KIDDIE KOO | 19057=1 | – | – | 1/17/1917 | MEYER |
| 18240 | LOUISE & FERERA | EVERYBODY HULA | 19058=3 | – | – | 1/17/1917 | CUNHA |
| 18241 | CONWAY’S BAND | BALTIMORE CENTENNIAL MARCH | 18067=5 | – | – | 7/11/1916 | V. HERBERT |
| 18241 | CONWAY’S BAND | PATROL OF THE SCOUTS | 15126=1 | – | – | 8/6/1914 | BOCCALARI |
| 18242 | GENE GREENE & QT | FROM HERE TO SHANGHAI | 19143=4 | – | – | 1/30/1917 | IRVING BERLIN |
| 18242 | BILLY MURRAY | NAPOLEON | 19069=2 | – | – | 2/2/1917 | P.WODEHOUSE-JEROME KERN |
| 18243 | McKEE TRIO | GAVOTTE (aletter) | 19926=2 | – | – | 5/21/1917 | ALETTER |
| 18243 | McKEE TRIO | THE MIRACLE OF LOVE | 19925=3 | – | – | 5/21/1917 | MacKEE |
| 18244 | CHARLES HARRISON | THE MAGIC OF YOUR EYES | 18995=2 | – | – | 1/17/1917 | PENN (alternate=18996) |
| 18244 | HENRY BURR | MY ROSARY FOR YOU | 18558=6 | – | – | 11/20/1916 | – |
| 18245 | FREDRICK HIMMELREICH | MOCKING BIRD LISTEN TO ME | 18597=2 | – | – | 11/24/1916 | BENEDICT |
| 18245 | FREDRICK HIMMELREICH | SILVER THREADS AMONG THE GOLD | 18598=5 | – | – | 12/12/1916 | DANKS |
| 18246A | JOSEPH C SMITH’S ORCH. | POOR BUTTERFLY | 19096=1 | – | – | 1/19/1917 | HUBBELL |
| 18246B | JOSEPH SMITH & HIS ORCH | ALLAH’S HOLIDAY | 19097=1 | – | – | 1/19/1917 | FRIML |
| 18247 | JOSEPH C SMITH’S ORCH. | EVENSONG WALTZ | 19098=2 | – | – | 1/19/1917 | – |
| 18247 | JOSEPH C SMITH’S ORCH. | GET OFF MY FOOT | 19099=2 | – | – | 2/19/1917 | HEILMER |
| 18248 | ROBERT WILDHACK | UNNATURAL HISTORY | 18894=1 | – | – | 2/19/1917 | ROBERT WILDHACK |
| 18248 | ROBERT WILDHACK | UNNATURAL HISTORY #2 | 18895=2 | – | – | 2/19/1917 | ROBERT WILDHACK |
| 18249 | + | * * UNISSUED * * | – | – | – | – | – |
| 18249 | + | * * UNISSUED * * | – | – | – | – | – |
| 18250A | ELIZABETH SPENCER | A PERFECT DAY | 19153=1 | – | – | 2/2/1917 | Carrie Jacobs-BOND |
| 18250B | ELIZABETH SPENCER | LOVE’S DREAM AFTER THE BALL | 19150=4 | – | – | 2/2/1917 | CZIBULKA |
| 18251 | Albert CAMPBELL & HENRY BURR | TO ANY GIRL | 19177=4 | – | – | 2/14/1917 | VON TILZER |
| 18251 | STERLING TRIO | INDIANA | 19165=4 | – | – | 3/22/1917 | JAMES HANDLEY |
| 18252A | VICTOR BAND | SPOOKY SPOOKS | 19103=2 | – | – | 1/18/1917 | EDWARD CLAYPOOLE |
| 18252B | VICTOR BAND | THEY’RE WEARING THEM HIGHER IN HAWAII | 19173=3 | – | – | 2/13/1917 | HALSEY MOHR-NAT VINCENT |
| 18253 | COUNTRY DANCES | HIGH STEPPING HORSES | 19175=2 | – | – | 2/13/1917 | ANDERSON |
| 18253 | FOLK DANCES (VICTOR BAND) | MOTIVE FOR SKIPPING | 18323=1 | – | – | 9/1/1916 | ANDERSON |
| 18254 | PEERLESS QT | GHOST OF THE UKELELE | 19142=1 | – | – | 1/30/1917 | SMITH |
| 18254 | PEERLESS QT | THOSE HAWAIIAN MELODIES | 19141=3 | – | – | 1/30/1917 | LANGE |
| 18255A | ORIGINAL DIXIELAND JAZZ BAND | DIXIELAND JASS BAND ONE STEP Intro. “That Teasin’ Rag” | 19332=3 | – | – | 2/26/1917 | LaROCCA-SHIELDS-EDWARDS-RAGAS |
| 18255B | ORIGINAL DIXIELAND JAZZ BAND | LIVERY STABLE BLUES | 19331=1 | – | – | 2/26/1917 | LEE-LOPEZ-NUNEZ |
| 18256A | PEERLESS QT | AMERICA, HERE’S MY BOY | 19304=1 | – | – | 2/21/1917 | LANGE |
| 18256B | AMERICAN QT | LET’S ALL BE AMERICANS NOW | 19319=3 | – | – | 2/28/1917 | STERLING-LANGE |
| 18257 | AMERICAN QT | SHE’S DIXIE ALL THE TIME | 19108=3 | – | – | 1/22/1917 | TIERNEY |
| 18257 | BILLY MURRAY | JUST THE KIND OF GIRL | 18986=1 | – | – | 1/15/1917 | VON TILZER |
| 18258 | VAN & SCHENCK | DANCE & GROW THIN | 19328=2 | – | – | 3/1/1917 | BERLIN-MAYER |
| 18258 | VAN & SCHENCK | FOR ME AND MY GAL | 19329=2 | – | – | 3/1/1917 | MEYER |
| 18259 | EDNA BROWN-ED HAMILTON | YOU NEVER KNEW ABOUT ME | 19334=2 | – | – | 3/2/1917 | KERN |
| 18259 | ALICE GREEN | AN OLD FASHIONED WIFE | 19335=2 | – | – | 3/2/1917 | JEROME KERN “OH BOY” |
| 18260 | LYRIC QT-H.MacDONOUGH | YOU’RE IN LOVE | 19333=2 | – | – | 3/2/1917 | RUDOLPH FRIML |
| 18260 | GREEN & MacDONOUGH | YOU SAID SOMETHING | 19068=7 | – | – | 2/6/1917 | JEROME KERN “HAVE A HEART” |
| 18261 | PHILDELPHIA SYMPHONY ORCH | SUITE FROM CHILDHOOD | 18344? | (Red-Seal) | – | – | – |
| 18261 | PHILDELPHIA SYMPHONY ORCH | SUITE FROM CHILDHOOD | 18342? | (Red-Seal) | – | – | – |
| 18262 | ARTHUR COLLINS-BYRON HARLAN | NIGHT TIME IN LITTLE ITALY | 19341=2 | – | – | 3/6/1917 | McCARTHY-FISHER |
| 18262 | ARTHUR COLLINS-BYRON HARLAN | OH LADY | 19340=3 | – | – | 3/6/1917 | SNYDER-YOUNG |
| 18263 | STERLING TRIO | GOLDEN HOURS | 18964 | (Unissued) | – | 1/5/1917 | JOHNSON |
| 18263 | BAKER & HARRISON | DOWN IN LILY LAND | 18996=6 | (Unissued) | – | 2/6/1917 | WALLACE-REGA |
| 18264 | IMPERIAL QT | REMEMBER NOW THY CREATOR | 18348 | (Unissued) | – | 9/12/1916 | RHOADES |
| 18264 | IMPERIAL QT | WHEN WE STOOD BEFORE THE KING | 18371 | (Unissued) | – | 9/14/1916 | NEVIN |
| 18265 | FARQUHAR MURRAY | WITH A HUNDRED PIPERS | 19337=2 | – | – | 3/5/1917 | NAIRN |
| 18265 | BILLY MURRAY | BATTLE OF STIRLING | 19336=1 | – | – | 3/5/1917 | SINCLAIR-CHISHOLM |
| 18266 | GENE GREENE | KING OF THE BUNGALOOS | 10211=5 | V-5854 | – | 3/9/1917 | – |
| 18266 | GENE GREENE | RUFF JOHNSON HARMONY BAND | 19144=6 | – | – | 3/9/1917 | ABRAHAMS |
| 18267 | VICTOR BAND | FROM HERE TO SHANGHAI | 19367=3 | – | – | 3/13/1917 | BERLIN |
| 18267 | VICTOR MILITARY BAND | POPPY TIME IN OLD JAPAN | 19313=1 | – | – | 2/27/1917 | – |
| 18268 | McKEE TRIO | SERENADE BADINE | 17835=3 | – | – | 6/12/1916 | GABRIEL MARIE |
| 18268 | McKEE TRIO | SERENADE COQUETTE | 17787=2 | – | – | 6/5/1916 | BARTHELEMY |
| 18269 | VAN & SCHENCK | THERE’S SOMETHING NICE ABOUT THE SOUTH | 19330=2 | – | – | 3/1/1917 | IRVING BERLIN |
| 18269 | VAN & SCHENCK | FAR AWAY IN HONOLULU | 19539=2 | – | – | 3/30/1917 | LEIGHTON |
| 18270A | MARION HARRIS-BILLY MURRAY | I WONDER WHY (from ‘Love of Mike’) | 19317=3 | – | – | 2/28/1917 | J.KERN-HARRY SMITH |
| 18270B | ADA JONES & BILLY MURRAY | MEETING TIME IN FLATBUSH | 19362=3 | – | – | 3/12/1917 | JEROME KERN |
| 18271 | AL CAMPBELL & HENRY BURR | WHEN GRANDMA SINGS THE SONGS SHE LOVES | 18556=2 | – | – | 10/17/1916 | KEISER |
| 18271 | AL CAMPBELL & HENRY BURR | MAY HEAVEN BLESS YOUR WEDDING | 19178=4 | – | – | 2/14/1917 | PIANTADOSI |
| 18272 | STERLING TRIO | HAWAIIAN BUTTERFLY (I wonder why……) | 19369=1 | – | – | 3/14/1917 | SANTLY |
| 18272 | PEERLESS QT | WHEN THE SUN GOES DOWN IN DIXIE | 19501=2 | – | – | 3/22/1917 | VON TILZER |
| 18273 | + | * * UNISSUED * * | – | (Unissued) | – | – | – |
| 18273 | + | * * UNISSUED * * | – | (Unissued) | – | – | – |
| 18274 | CLAUDE ISAACS | COMING THRU THE RYE | 19506=2 | – | – | 3/23/1917 | – |
| 18274 | CLAUDE ISAACS | SING! SING! BIRDS ON THE WING | 19507=1 | – | – | 3/23/1917 | MULTING |
| 18275 | JOSEPH SMITH & HIS ORCH | YOU’RE IN LOVE | 19408=2 | – | – | 3/26/1917 | R.FRIML |
| 18275 | JOSEPH SMITH & HIS ORCH | THIS WAY OUT – ONE STEP | 19409=3 | – | – | 3/26/1917 | CARUSO |
| 18276 | SALLY HAMBLIN | OUR HIRED GIRL | 19180=2 | – | – | 2/14/1917 | J.W.RILEY |
| 18276 | SALLY HAMBLIN | RAGGEDY MAN | 19179=1 | – | – | 2/14/1917 | J.W.RILEY |
| 18277 | O.KLINE-E.BAKER-M.DUNLAP | SCOTLAND BURNING / ROW ROW ROW | 18760=4 | – | – | 2/21/1917 | – |
| 18277 | M.DUNLAP-E.BAKER | EARLY TO BED / 3 BLIND MICE | 18759 | – | – | 2/21/1917 | – |
| 18278 | VICTOR ORCHESTRA | FIFTH SYMPHONY (beethoven) | 19196=15 | – | – | 5/25/1917 | BEETHOVEN |
| 18278 | VICTOR ORCHESTRA | FIFTH SYMPHONY THIRD MOVEMENT PART 2 | 19342=9 | – | – | 5/25/1917 | BEETHOVEN |
| 18279 | AMERICAN QT | OH JOHNNY OH JOHNNY | 19378=2 | – | – | 3/16/1917 | COX-OLMAN |
| 18279 | AMERICAN QT | BECAUSE YOU’RE IRISH | 19379=1 | – | – | 3/16/1917 | VAN ALSTYNE |
| 18280 | DEIRO PIETRO’S BAND | WINNER MEDLEY: WHEN THE SUN GOES DOWN IN DIXIE | 19529=2 | – | – | 3/29/1917 | WINNER |
| 18280 | DEIRO PIETRO’S BAND | DANDY MEDLEY: THERE’S A LITTLE BIT OF GOOD | 19530=1 | – | – | 3/29/1917 | – |
| 18281 | STEWART JACKSON | IF YOU HAD ALL THE WORLD AND IT’S GOLD | 19542=2 | – | – | 4/2/1917 | PIANTADOSI |
| 18281 | CHARLES HARRISON | WOULD YOU TAKE BACK THE LOVE YOU GAVE ME? | 19536=3 | – | – | 3/30/1917 | BALL |
| 18282 | ORPHEUS QT | I CAN HEAR THE UKELELES CALLING ME | 19531=3 | – | – | 3/29/1917 | PALEY |
| 18282 | CHARLES HARRISON | MISS BUTTERFLY | 19537=3 | – | – | 3/30/1917 | EDWARDS |
| 18283 | CHARLES HART | FOREVER IS A LONG TIME | 20311=3 | – | – | 6/29/1917 | – |
| 18283 | HENRY BURR | YOUR EYES, YOUR LIPS, YOUR HEART | 20058=2 | – | – | 6/19/1917 | – |
| 18284 | FELIX ARNDT | VALSE BLEUE | 19290=7 | – | – | 3/26/1917 | MARGIS |
| 18284 | FELIX ARNDT | MARIONETTE | 19200=1 | – | – | 2/19/1917 | FELIX ARNDT |
| 18285 | GREEK EVANS and chorus from “Eileen” | FREE TRADE AND A MISTY MOON | 19445=1 | – | – | 4/5/1917 | HENRY BLOSSOM – VICTOR HERBERT |
| 18285 | SCOTT WELSH and chorus rom “Eileen” | THE IRISH HAVE A GREAT DAY TONIGHT | 19446=2 | – | – | 4/5/1917 | HENRY BLOSSOM – VICTOR HERBERT |
| 18286A | TOM ENNIS (bagpipe) | IRISH MELODIES — MEDLEY: Believe Me If All Those Endearing Young Charms/Killarney/Last Rose Of Summer | 19563=1 | – | – | 4/7/1917 | (-) |
| 18286B | TOM ENNIS (bagpipe) | MEDLEY OF JIGS: 3 LITTLE DRUMMERS / NANCY HYNES | 19564=1 | – | – | 4/7/1917 | – |
| 18287 | ELSIE BAKER | SWEET STORY OF OLD (that) | 17867=2 | – | – | 6/15/1916 | – |
| 18287 | MR & MRS WHEELER | WHAT A FRIEND WE HAVE IN JESUS | 16930 | – | – | 12/??/15 | – |
| 18288 | ADA JONES | COME OVER HERE, IT’S WONDERFUL | 19363=2 | – | 19288? | 3/12/1917 | FURTH-AGER |
| 18288 | ADA JONES & BILLY MURRAY | RAGTIME DRAMA | 19114=3 | – | 19288? | 1/23/1917 | MERRILL |
| 18289 | JAMES F.HARRISON | I CALLED YOU MY SWEETHEART | 19513=2 | – | – | 3/26/1917 | MONACO |
| 18289 | JAMES HARRISON-JAMES REED | JUST DREAMING OF YOU | 19512=2 | – | – | 3/26/1917 | HELLMAN |
| 18290 | WILLIAM LARKIN | TAKE ME BACK TO BABYLAND | 19583=3 | – | – | 4/12/1917 | ROONEY |
| 18290 | WILLIAM LARKIN | IF I WERE KING OF IRELAND | 19574=4 | – | – | 4/12/1917 | FOSTER |
| 18291 | DEIRO PIETRO’S BAND | UNDER THE DOUBLE EAGLE | 18117=3 | – | – | 4/5/1917 | SOUSA |
| 18291 | DEIRO PIETRO’S BAND | HEART ECHOES SERENADE – MAZURKA | 19556=1 | – | – | 4/5/1917 | PIETRO |
| 18292A | MARIMBA CENTRO AMERICANA DE GUATEMALA | CAPTAIN BETTY ONE STEP | 19591=6 | – | – | 4/18/1917 | – |
| 18292B | MARIMBA CENTRO AMERICANA DE GUATEMALA | BESAME – ONE STEP | 19594=1 | – | – | 4/17/1917 | – |
| 18293 | RAYMOND DIXON | MY OWN UNITED STATES | 19658=2 | – | – | 4/30/1917 | EDWARDS |
| 18293 | EDWARD HAMILTON | WE’LL NEVER LET OUR FLAG FALL | 19659=1 | – | – | 4/30/1917 | – |
| 18294 | CHARLES HART | THOU SHALT NOT STEAL A HEART | 19614=3 | – | – | 4/23/1917 | HARRIS |
| 18294 | AMERICAN QT | I’VE GOT THE SWEETEST GIRL IN MARYLAND | 19320=2 | – | – | 2/28/1917 | DONALDSON |
| 18295 | AL CAMPBELL & HENRY BURR | LOOKOUT MOUNTAIN | 19605=1 | – | – | 4/18/1917 | MOHR |
| 18295 | PEERLESS QT | HONG KONG | 19660=3 | – | – | 5/1/1917 | HOLSTEIN-SANDERS |
| 18296 | WILLIAM REITZ (xylophone) | LA CINQUANTAINE | 19156=1 | – | – | 2/6/1917 | GABRIEL-MARIE |
| 18296 | NEAPOLITAN TRIO | The DAWN OF LOVE | 19616=1 | – | – | 4/24/1917 | BENDIX |
| 18297 | W.BATTIS | THE FLAG GOES BY / MEANING OF OUR FLAG | 19623=5 | – | – | 4/30/1917 | BENNETT |
| 18297 | W.BATTIS | CALL TO THE COLORS | 19624=3 | – | – | 4/30/1917 | GUITERMAN |
| 18298A | VICTOR CONCERT ORCH | PIQUE DAME OVERTURE: QUEEN OF SPADES | 19632=2 | – | – | 4/27/1917 | VON SUPPE |
| 18298B | VICTOR CONCERT ORCH | PIQUE DAME #2 | 19633=1 | – | – | 4/27/1917 | VON SUPPE |
| 18299A | NEW YORK NATIONAL GUARD BAND | ARMY 2-4 MARCH Intro. Flowers Of Edinborough/Blackberry Blossoms | 19722 | – | – | 5/26/1917 | (-) |
| 18299B | NEW YORK NATIONAL GUARD BAND | QUICKSTEP 6/8 MARCH | 19721 | – | – | 5/26/1917 | ALFRED BRYAN – HARRY TIERNEY |
| 18300A | CHARLES H. HART | IT’S TIME FOR EVERY BOY TO BE A SOLDIER | 19615=2 | – | – | 4/23/1917 | ALFRED BRYAN – HARRY TIERNEY |
| 18300B | PEERLESS Quartet | WHAT KIND OF AN AMERICAN ARE YOU? | 19691=2 | – | – | 5/4/1917 | McCARRON |
| 18301 | EDNA BROWN | FOR YOU A ROSE | 19628=4 | – | – | 5/3/1917 | EDWARDS |
| 18301 | EDNA BROWN | A WONDERFUL THING | 19627=3 | – | – | 4/25/1917 | KUMMER |
| 18302 | STERLING TRIO | GIRL OF MINE (that) | 19166=5 | – | – | 5/4/1917 | LANGE |
| 18302 | CHARLES HARRISON | ALL THE WORLD WILL BE JEALOUS OF YOU | 19690=2 | – | – | 5/4/1917 | BALL |
| 18303 | ARTHUR COLLINS-BYRON HARLAN | EVERYBODY’S JAZZING IT | 19882=1 | – | – | 5/22/1917 | HAYS |
| 18303 | BYRON HARLAN | WHEN HE’S ALL DOLLED UP | 20033=3 | – | – | 6/12/1917 | – |
| 18304 | MATAS MARIMBA BAND | BESOS DE AMOR | 19593=1 | – | – | 4/17/1917 | RALON |
| 18304 | MATAS MARIMBA BAND | NOCHES DE ALEGRIA | 19600=2 | – | – | 4/19/1917 | – |
| 18305 | FREDERICH HIMMELREICH | LAST ROSE OF SUMMER | 18590=3 | – | – | 11/24/1916 | MORE |
| 18305 | FREDERICH HIMMELREICH | BLUE BELLS OF SCOTLAND | 18593=1 | – | – | 10/30/1916 | – |
| 18306A | W.G.JOHNSTON, Chief Trumpeter and Bandmaster, Culver Military Academy | BUGLE CALLS OF THE U.S ARMY Part 1 (1st Call-Guard Mounting-Drill-Boots and Saddles-Assembly etc.) | 19841=3 | – | – | 5/8/1917 | (-) |
| 18306B | W.G.JOHNSTON, Chief Trumpeter and Bandmaster, Culver Military Academy | BUGLE CALLS OF THE U.S ARMY (Tattoo-Taps-Mess-Commence Firing-Cease Fire-Fix Bayonets-Charge) | 19842=1 | – | – | 5/8/1917 | (-) |
| 18307 | WILLIE WESTON | FOR YOUR COUNTRY AND MY COUNTRY | 19755=1 | – | – | 5/8/1917 | BERLIN |
| 18307 | WILLIE WESTON | JOAN OF ARC | 19756=1 | – | – | 5/8/1917 | WELLS |
| 18308A | HAROLD VEO (violin) | IRISH JIGS MEDLEY | 19587=2 | – | – | 4/13/1917 | – |
| 18308B | HAROLD VEO (violin) | IRISH REELS #6 | 19552=7 | – | – | 5/14/1917 | – |
| 18309A | SIX BROWN BROTHERS | SAXOPHONE SAM | 19698=1 | – | – | 5/7/1917 | P.BIESE-F.KLICKMAN |
| 18309B | SIX BROWN BROTHERS | GHOST OF SAXOPHONE | 19844=4 | – | – | 5/8/1917 | KLICKMAN |
| 18310A | SIX BROWN BROTHERS | FOR ME AND MY GAL | 19848=4 | – | – | 5/10/1917 | GEO.MEYER-IRVING BERLIN |
| 18310B | SIX BROWN BROTHERS | MY FOX TROT GIRL | 19840=3 | – | (Not19845) | 5/17/1917 | PAUL BIESE-HENRI KLICKMANN |
| 18311 | FELIX ARNDT | NARCISSUS INTERMEZZO (Nevin) | 19706=7 | – | – | 5/14/1918 | NEVIN |
| 18311 | FELIX ARNDT | HUMORESQUE | 19238=3 | – | – | 3/5/1917 | DVORAK |
| 18312 | ARTHUR BROOKE | THE WHIRLWIND | 19361=1 | – | – | 3/12/1917 | KRANTZ |
| 18312 | ARTHUR FOREMAN | DREI ROMANCZEN – ROMANCE NO.1 (Schumann) | A14533 | – | B9442 | (1917?) | SCHUMANN |
| 18313 | JOSEPH SMITH & HIS ORCH | DANCE AND GROW THIN | 19779=3 | – | – | 5/14/1917 | MEYER-BERLIN |
| 18313 | JOSEPH C SMITH’S ORCH. | OH JOHNNY! OH JOHNNY! OH! | 19777=3 | – | – | 5/14/1927 | OLMAN |
| 18314A | VICTOR ORCHESTRA | MUSETTE ARMIDE BALLET | 19634=2 | – | – | 4/27/1917 | GLUCK |
| 18314B | VICTOR CONCERT ORCH | CHANSON TRISTE | 19867=3 | – | – | 5/17/1917 | TCHAIKOWSKY |
| 18315 | TOM LaMERE | DARLING | 19505=8 | – | 19054? | 5/17/1917 | FROST |
| 18315 | TOM LaMERE | SING ME LOVES LULLABY | 19504=9 | – | 19055? | 5/17/1917 | MORSE |
| 18316 | RAYMOND DIXON & ORPHEUS QT | HAIL COLUMBIA | 19854=2 | – | – | 5/16/1917 | FAYLES |
| 18316 | EDW.HAMILTON & ORPHEUS QT | BATTLE CRY OF FREEDOM | 19855=3 | – | – | 5/16/1917 | ROOT |
| 18317 | LOUIS WINSCH | SHE’S JUST A LITTLE BIT OLD FASHIONED | 19887=1 | – | – | 5/24/1917 | LANGE |
| 18317 | LOUIS WINSCH | SUKI SAN | 19888=1 | – | – | 5/24/1917 | W.DONALDSON |
| 18318 | VAN & SCHENCK | HUCKELBERRY FINN | 19954=1 | – | – | 5/25/1917 | LEWIS-YOUNG |
| 18318 | VAN & SCHENCK | MULBERRY ROSE | 19955=2 | – | – | 5/25/1917 | VAN & SCHENCK |
| 18319 | CHARLES HART | THAT’S WHY MY HEART IS CALLING YOU | 19876=4 | – | – | 5/31/1917 | KERN-MOTZAM |
| 18319 | CHARLES HART | A TEAR, A KISS, A SMILE | 19875=1 | – | – | 5/21/1917 | MacBOYLE-MOTZAU |
| 18320 | PEERLESS QT | MAN BEHIND THE HAMMER AND PLOW | 20003=2 | – | – | 5/29/1917 | – |
| 18320 | AMERICAN QT | LET’S ALL DO SOMETHING | 20008=2 | – | – | 6/4/1917 | – |
| 18321A | EARL FULLER’S FAMOUS JAZZ BAND | SLIPPERY HANK | 20062=2 | – | – | 6/4/1917 | F. H. LOSEY |
| 18321B | EARL FULLER’S FAMOUS JAZZ BAND | YAH-DE-DAH | 20063=2 | – | – | 6/4/1917 | MEL B. KAUFMAN |
| 18322A | NEW YORK TABERNACLE SUNDAY CH. | AMERICA | 19999=1 | – | – | 6/11/1917 | SMITH-ENGLISH |
| 18322B | BILLY SUNDAY TABERNACLE CHORUS | SAIL ON | 19997=2 | – | – | 6/11/1917 | GABRIEL |
| 18323A | VICTOR CONCERT ORCH | PRAELUDIUM | 19158=3 | – | – | 2/7/1917 | ARMAS JARNEFELDT |
| 18323B | VICTOR CONCERT ORCH | BERCEUSE (jarnefelt) | 19159=1 | – | – | 2/7/1917 | JARNEFELT |
| 18324A | CAPTAIN W.G.JOHNSTON, Chief Trumpeter and Bandmaster, Culver Military Academy | BUGLE CALLS OF THE U.S ARMY Part 1 (1st Call-Guard Mounting-Drill-Boots and Saddles-Assembly etc.) | 19841=2 | – | – | 5/8/1917 | – |
| 18324B | CAPTAIN W.G.JOHNSTON, Chief Trumpeter and Bandmaster, Culver Military Academy | BUGLE CALLS OF THE U.S ARMY (Tattoo-taps-Mess-Fire-Charge) | 19842=5 | – | – | 5/9/1917 | – |
| 18325A | ORPHEUS Quartet | AIN’T YOU COMING BACK TO DIXIE | 20034=2 | – | – | 6/13/1917 | RAYMOND EGAN – RICHARD A. WHITING |
| 18325B | STERLING TRIO | MOTHER DIXIE AND YOU | 20060=2 | – | – | 6/19/1917 | SANTLY |
| 18326 | PEERLESS QT | ALONG THE WAY TO WAIKIKI | 20066=2 | HMV18326 | – | 6/20/1917 | R.WHITING |
| 18326 | OPRHEUS QT | MY HAWAII, YOU’RE CALLING ME | 20035=2 | HMV18326 | – | 6/13/1917 | – |
| 18327 | CHARLES HARRISON | SOMEWHERE IN IRELAND | 20084=2 | – | – | 6/22/1917 | – |
| 18327 | AL CAMPBELL & HENRY BURR | SHENANDOAH | 20059=2 | – | – | 6/19/1917 | – |
| 18328 | STREET PIANO | MEDLEY OF ITALIAN AIRS | 18642=4 | – | – | 1/19/1917 | – |
| 18328 | STREET PIANO (Sr.GRINDERINO) | OPERATIC AIRS MEDLEY | 18641=6 | – | – | 1/18/1917 | – |
| 18329 | VICTOR CONCERT ORCH | EGYPTIAN BALLET PT.1 | 18741=8 | – | – | 2/8/1917 | LUIGINI |
| 18329 | VICTOR CONCERT ORCH | BALLET EGYPTIENNE NO.3 | 18742=6 | – | – | 2/8/1917 | LUIGINI |
| 18330 | ELIZABETH WHEELER | PULL A CHERRY / FIRE / SEE SAW | 19359=4 | – | – | 2/8/1917 | NIXON / GARRETT / FORMAN |
| 18330 | ELIZABETH WHEELER | POSTILLON / LULLABY / SPANISH GIPSY | 19358=4 | – | – | 6/18/1917 | TAUBERT / LITH / SCHUBERT |
| 18331 | VICTOR BAND | ARKANSAS TRAVELER | 20054=1 | – | – | 6/18/1917 | – |
| 18331 | VICTOR BAND | SOLDIERS JOY | 20057=1 | – | – | 6/18/1917 | – |
| 18332 | BILLY MURRAY | ON THE PARTY LINE | 20085=2 | – | – | 6/25/1917 | – |
| 18332 | M. J. O’Connell | O’BRIEN IS LOOKING FOR YOU | 20043=3 | – | – | 6/15/1917 | – |
| 18333 | SHANNON Four | I MAY BE GONE FOR A LONG, LONG TIME | 20082=1 | – | – | 6/22/1917 | LEW BROWN – A. VON TILZER |
| 18333 | AMERICAN Quartet | OVER THERE | 20306=2 | – | – | 6/28/1917 | GEORGE M COHAN |
| 18334A | JOSEPH SMITH & HIS ORCH | HITCHY KOO – MEDLEY | 20156=3 | – | – | 6/25/1917 | E. Ray Goetz – Wm. White |
| 18334B | JOSEPH SMITH & HIS ORCH | ZIEGFIELD FOLLIES – MEDLEY | 20158=1 | – | – | 6/25/1917 | Dave Stamper |
| 18335A | AMERICAN Quartet | GOODBYE BROADWAY, HELLO FRANCE | 20317=2 | – | – | 7/3/1917 | REISNER?- DAVIS – BASKETTE |
| 18335B | AMERICAN Quartet | WHERE DO WE GO FROM HERE | 20307=2 | – | – | 6/28/1917 | HOWARD JOHNSON – PERCY WENRICH |
| 18336 | ORPHEUS QT | CHU CHIN CHOW | 20314=1 | – | – | 7/2/1917 | STAMPER |
| 18336 | ALICE GREEN & RAYMOND DIXON | HELLO MY DEARIE | 20312 | – | – | 7/2/1917 | STAMPER |
| 18337 | ORPHEUS QT-H.MacDONOUGH | FOR FREEDOM OF THE WORLD | 20313=2 | – | – | 7/2/1917 | ZAMECNIK |
| 18337 | VICTOR CHORUS | CIVILIZATION – OUR OWN BELOVED COUNTRY | 20000=5 | – | – | 7/2/1917 | – |
| 18338 | ELIZABETH SPENCER | STAR SPANGLED BANNER | 20099=4 | – | – | 7/6/1917 | – |
| 18338 | EDWARD HAMILTON | THE MARSEILLAISE | 20315=2 | – | – | 7/3/1917 | – |
| 18339A | CONWAY’S BAND, Patrick Conway, Director | GOODBYE DOLLY GRAY | 20350=1 | – | – | 7/2/1917 | – |
| 18339B | CONWAY’S BAND, Patrick Conway, Director | BATTLE OF GETTYSBURG | 20351=2 | – | – | 7/2/1917 | E.T.PAULL |
| 18340 | VAN & SCHENCK | RAGTIME VOLUNTEERS ARE OFF TO WAR | 20323=2 | – | – | 7/5/1917 | – |
| 18340 | VAN & SCHENCK | SOUTHERN GALS | 20338=2 | – | – | 7/13/1917 | YELLEN-GUMBLE |
| 18341 | HOMER RODEHEAVER | CLOSER TO JESUS | 20119=1 | – | – | 6/14/1917 | – |
| 18341 | GEORGE BREWSTER | DRIFTING | 20120=1 | – | – | 6/14/1917 | – |
| 18342A | EDDIE CANTOR | THAT’S THE KIND OF A BABY FOR ME | 20217=2 | – | – | 7/12/1917 | ALFRED C. HARRIMAN – J.C. EGAN “ZIEGFELD FOLLIES, 1917” |
| 18342B | EDDIE CANTOR | The MODERN MAIDENS PRAYER | 20216=1 | – | – | 7/12/1917 | Ballard Macdonald – James F. Hanley |
| 18343A | MARION HARRIS | THEY GO WILD, SIMPLY WILD OVER ME | 20213=2 | – | – | 7/12/1917 | JOE McCARTHY-FRED FISHER |
| 18343B | MARION HARRIS | SOME SWEET DAY (Olman) | 20215=1 | – | R=19318 | 7/12/1917 | ED ROSE – TONY JACKSON – Abe OLMAN |
| 18344A | H BENNE HENTON w CONWAY’S BAND | ALOHA OE | 20383=2 | – | – | 7/10/1917 | H.M. LILIUOKALANI |
| 18344B | H BENNE HENTON w CONWAY’S BAND | WHEN YOU AND I WERE YOUNG, MAGGIE | 20376=1 | – | – | 7/9/1917 | J. A. BUTTERFIELD |
| 18345A | CONWAY’S BAND | FOR YOUR COUNTRY AND MY COUNTRY | 20378=2 | – | – | 7/9/1917 | – |
| 18345B | PATRICK CONWAY’S BAND | SWEETIE MINE – MEDLEY | 20380=2 | – | – | 7/10/1917 | STAMPER |
| 18346 | MARGARET FARRELL | SAYS I TO MYSELF | 20228=2 | – | – | 7/18/1917 | VON TILZER |
| 18346 | MARGARET FARRELL | WONDERFUL GIRL GOODNIGHT | 20229=3 | – | – | 7/18/1917 | VON TILZER |
| 18347 | HORACE WRIGHT-RENE DIETRICH | PUA MOHALA | 18410=1 | – | – | 9/9/1916 | NAPE |
| 18347 | HORACE WRIGHT-RENE DIETRICH | ISLES OF ALOHA | 18409=3 | – | – | 9/9/1916 | DIETRICH |
| 18348 | CHARLES HARRISON | OH FOR A DAY OF SPRING | 18370=1 | – | – | 9/14/1916 | ANDREWS |
| 18348 | CHARLES HART | YOU | 20310 | – | – | 7/29/1917 | ROBIN |
| 18349 | IRVING KAUFMAN | NEVER FORGET TO WRITE HOME | 20448=2 | – | – | 7/25/1917 | HAWLEY |
| 18349 | STERLING TRIO | IT’S A LONG WAY TO MOTHER’S KNEE | 20441=1 | – | – | 7/24/1917 | GROSSMAN-LANGE |
| 18350 | PEERLESS QT | MUSICAL SAM FROM ALABAM | 20002=1 | – | – | 5/29/1917 | – |
| 18350 | PEERLESS QT | SWEET COOKIE MINE | 20443=3 | – | 20043? | 7/24/1917 | JONES |
| 18351 | CHARLES HARRISON | STUDY IN BLACK & WHITE | 20083=1 | – | – | 6/22/1917 | HARRIS |
| 18351 | CHARLES HARRISON | SORTA MISS YOU | 20309=1 | – | – | 6/29/1917 | SMITH |
| 18352A | ALAN TURNER | HOW CAN I FORGET | 20457=1 | – | – | 7/26/1917 | Irving Berlin |
| 18352B | HENRY BURR | JUST AS YOUR MOTHER WAS | 20439=2 | – | – | 7/24/1917 | Andrew B. Sterling – Harry Von Tilzer |
| 18353 | IRVING KAUFMAN | I’M ALL BOUND ROUND WITH THE MASON DIXON LINE | 20449=1 | – | – | 7/25/1917 | YOUNG-SCHWARTZ |
| 18353 | AMERICAN QT | SAILING AWAY ON THE HENRY CLAY | 20452=1 | – | – | 7/25/1917 | KAHN-VAN ALSTYNE |
| 18354 | ARTHUR COLLINS-BYRON HARLAN | MAMMY BLOSSOM’S POSSUM PARTY | 20455=2 | – | – | 7/26/1917 | FIELDS-MORSE |
| 18354 | ARTHUR COLLINS-BYRON HARLAN | GHOST OF THE SAXOPHONE | 20456=1 | – | – | 7/26/1917 | FROST-KLICKMAN |
| 18355 | STERLING TRIO | SWEETEST LITTLE GIRL IN TENNESSEE | 20061=2 | – | – | 6/19/1917 | CARROLL |
| 18355 | SHANNON QT | WAKE UP VIRGINIA | 20081=3 | – | – | 6/22/1917 | ROSENFELD-PATER |
| 18356 | VICTOR BAND | LADY OF THE LAKE | 20051=2 | – | – | 6/18/1917 | – |
| 18356 | VICTOR BAND | OLD ZIP COON | 20050=2 | – | – | 6/18/1917 | – |
| 18357 | FRANCES WHITE | SIX TIMES SIX IS 36 | 20459=2 | – | – | 7/30/1917 | HANLON-WHITE |
| 18357 | FRANCES WHITE | MISSISSIPPI | 20460=2 | – | – | 7/30/1917 | HANLON-RYAN-TIERNEY |
| 18358 | SHANNON QT | BREAK THE NEWS TO MOTHER | 20462=2 | – | – | 7/31/1917 | CHARLES HARRIS |
| 18358 | AMERICAN QT | GRAND OLD FLAG | 20009=2 | – | – | 6/4/1917 | GEORGE M COHAN |
| 18359 | CONWAY’S BAND | IT’S A BIRD | 20379=2 | – | – | 7/9/1917 | MEL KAUFMAN |
| 18359 | CONWAY’S BAND | MORE CANDY 1 STEP | 20358=2 | – | – | 7/3/1917 | MEL KAUFMAN |
| 18360 | CONWAY’S BAND | NAVAL RESERVE MARCH | 20396=2 | – | – | 7/13/1917 | – |
| 18360 | CONWAY’S BAND | WHITE ROSE MARCH | 20397=2 | – | – | 7/13/1917 | – |
| 18361A | PIETRO {DEIRO} | AMERICAN NATIONAL AIRS | 20007=5 | – | – | 8/3/1917 | (-) |
| 18361B | PIETRO {DEIRO} | PATRIOTIC AIRS OF the ALLIES | 20022=6 | – | – | 8/3/1917 | (-) |
| 18362 | SOUSA’S BAND | NATIONAL EMBLEM MARCH | 14604 | VI18498* | – | 3/21/1914 | FAIREST OF THE FAIR MARCH |
| 18362 | SOUSA’S BAND | STARS AND STRIPES FOREVER | B0241=16 | – | – | 12/13/1912 | – |
| 18363 | VAN & SCHENCK | WHEN I’M STRONG AS SAMSON | 20337=2 | – | – | 7/13/1917 | VAN-SCHENCK |
| 18363 | VAN & SCHENCK | I DON’T THINK I NEED A JOB THAT BAD | 19538=3 | – | – | 3/30/1917 | JOE SCHENCK |
| 18364 | M. J. O’Connell | THERE’S NOTHING TOO GOOD FOR THE IRISH | 20044=3 | – | – | 6/15/1917 | – |
| 18364 | BYRON HARLAN | I’M A TWELVE OCLOCK FELLOW | 20032=1 | – | – | 6/12/1917 | – |
| 18365 | AL CAMPBELL & HENRY BURR | UNDER THE CHINA MOON | 19606=3 | – | – | 4/18/1917 | BROCKMAN |
| 18365 | STERLING TRIO | AVALON | 19370=3 | – | – | 3/14/1917 | KEITHLEY |
| 18366 | THOMAS ENNIS (Bagpipes) | MEDLEY OF IRISH REELS NO.6 | 19566=1 | – | – | 4/7/1917 | – |
| 18366 | THOMAS ENNIS (Bagpipes) | MEDLEY OF IRISH HORNPIPES NO.3 | 19565=2 | – | – | 4/7/1917 | – |
| 18367 | VICTOR BAND | CIRCLE DANCE | 20052=1 | – | – | 6/18/1917 | – |
| 18367 | VICTOR BAND | HULLS VICTORY | 20053=1 | – | – | 6/18/1917 | – |
| 18368 | VICTOR BAND | FARANDOLE | 20049=1 | – | – | 6/18/1917 | – |
| 18368 | VICTOR BAND | LOTT IST TOT | 20056=1 | – | – | 6/18/1917 | – |
| 18369A | EARL FULLER’S FAMOUS JAZZ BAND | THE OLD GREY MARE | 20504 | – | – | 8/13/1917 | – |
| 18369B | EARL FULLER’S FAMOUS JAZZ BAND | BEALE STREET BLUES | 20505=2 | – | – | 8/13/1917 | W. C. HANDY |
| 18370A | VICTOR Military BAND | OVER THERE | 20608=2 | – | – | 8/9/1917 | GEORGE M. COHAN |
| 18370B | VICTOR Military BAND | WHERE DO WE GO FROM HERE | 20632 | – | – | 8/16/1917 | PERCY WENRICH |
| 18371 | VICTOR Military BAND | HOT TIME IN THE OLD TOWN TONIGHT | 20609=4 | V-0316? | – | 8/16/1917 | METZ |
| 18371 | VICTOR Military BAND | GIRL I LEFT BEHIND ME | 20610=3 | – | – | 8/16/1917 | – |
| 18372A | HAROLD VEO’S ORCHESTRA | DONT LEAVE ME DADDY | 20483=1 | – | – | 6/29/1917 | J. M. VERGES |
| 18372B | HAROLD VEO’S ORCHESTRA | THE ZOO STEP | 20489=1 | – | – | 6/29/1917 | – |
| 18373 | HOMER RODEHEAVER | MAKE SOMEBODY HAPPY TODAY | 20328=2 | – | – | 7/9/1917 | GABRIEL |
| 18373 | HOMER RODEHEAVER | TELL IT TODAY | 20329=2 | – | – | 7/9/1917 | GABRIEL |
| 18374A | CHARLES H. HART | SOMEWHERE IN FRANCE IS DADDY | 20534=7 | – | – | 9/4/1917 | THE GREAT HOWARD |
| 18374B | CHARLES H. HART | SO LONG MOTHER | 20535=6 | – | – | 9/4/1917 | EGAN – KAHN – VAN ALSTYNE |
| 18375 | SHANNON QT | TALES OF HOFFMAN BACAROLLE | 20602 | – | 28438? | 8/8/1917 | – |
| 18375 | BOSTON QUINTET | MIGHTY LAK A ROSE / SWEET AND LOW | 20603=1 | – | – | 8/8/1917 | – |
| 18375a | VICTOR BAND | PASSING OF SALOME | 20499=1 | (alt) | 28439? | 8/8/1917 | (Remake?) |
| 18376B | FRED VAN EPPS TRIO | RAZZBERRIES | 20500=2 | – | – | 8/13/1917 | FRANK BANTA |
| 18376A | SIX BROWN BROTHERS | DARKTOWN STRUTTER’S BALL | 19847=3 | – | – | 5/9/1917 | SHELTON BROOKS |
| 18377 | PEERLESS QT | SWEET EMALINA MY GAL | 20067=2 | – | – | 6/20/1917 | TURNER LAYTON |
| 18377 | AMERICAN QT | YOU CAN’T GET AWAY FROM THE BLARNEY | 20454=2 | – | – | 7/25/1917 | VON TILZER |
| 18378 | AMERICAN QT | I’VE GOT THE NICEST LITTLE HOME IN DIXIE | 20453=3 | – | – | 7/25/1917 | W.DONALDSON |
| 18378 | AL CAMPBELL & HENRY BURR | WHOSE LITTLE HEART ARE YOU BREAKING NOW | 20440=2 | – | – | 7/24/1917 | BERLIN |
| 18379 | VICTOR ORCHESTRA | COPPELLA MAZURKA | 20467=2 | – | – | 8/1/1917 | – |
| 18379 | VICTOR CONCERT ORCH | COPPELLA BALLET CZARDAS | 20468=2 | – | – | 8/1/1917 | – |
| 18380A | HELEN LOUISE – FRANK FERERA with the Athenian Mandolin Quartet | ALOHA LAND | 20614=2 | – | – | 8/10/1917 | WALLIE HERZER |
| 18380B | HELEN LOUISE – FRANK FERERA with the Athenian Mandolin Quartet | HAWAII I’M LONESOME FOR YOU Intro “Along The Way To Waikiki” | 20615=1 | – | – | 8/10/1917 | RICHARD WHITING – ALBERT GUMBLE |
| 18381 | SALLY HAMLIN | LITTLE ORPHAN ANNIE | 19181=1 | – | – | 2/14/1917 | J.W.RILEY |
| 18381 | SALLY HAMLIN | SEEING THINGS AT NIGHT | 19182=1 | – | – | 2/14/1917 | ERNIE FIELDS |
| 18382A | VICTOR MILITARY BAND | ILLINOIS LOYALTY MARCH | 17552=4 | – | – | 12/5/1916 | T.H. GUILD |
| 18382B | VICTOR MILITARY BAND | CHICAGO, WE’RE TRUE TO YOU | 17495=2 | – | – | 4/13/1916 | J. BEACH CRAGUN |
| 18383A | PEERLESS Quartet | WE’RE GOING OVER | 20665=2 | – | – | 9/14/1917 | STERLING – GROSSMAN – LANGE |
| 18383B | PEERLESS Quartet | I DON’T KNOW WHERE I’M GOING BUT I’M ON MY WAY | 20442=1 | – | – | 7/24/1917 | George FAIRMAN |
| 18384 | HOMER RODEHEAVER | CROWN OF THORNS | 20117 | Unissued | – | 6/14/1917 | – |
| 18384 | HOMER RODEHEAVER | IT’S BETTER EACH DAY | 20118 | – | – | 6/14/1917 | (Issued on Vi18971) |
| 18385A | SIX BROWN BROTHERS | SMILES AND CHUCKLES – JAZZ RAG | 19849=4 | – | – | 5/9/1917 | F. Henri KLICKMANN |
| 18385B | SIX BROWN BROTHERS | COMEDY TOM | 19699=1 | – | – | 5/8/1917 | Gus KING |
| 18386 | BILLY MURRAY | I’D FEEL AT HOME IF THEY LET ME JOIN THE ARMY | 20626=1 | – | – | 8/14/1917 | MAHONEY-GUMBLE |
| 18386 | AMERICAN QT | ITS A LONG WAY TO BERLIN | 20802=3 | – | – | 9/26/1917 | FIELDS-FLATOW |
| 18387A | {ARTHUR} COLLINS and BYRON {HARLAN} | IF YOU SAW ALL I SAW IN ARKANSAS | 20658=2 | – | – | 9/11/1917 | HARRIS-AGER |
| 18387B | {ARTHUR} COLLINS and BYRON {HARLAN} | The OLD GREY MARE | 20660=1 | – | – | 9/11/1917 | (trad) |
| 18388 | – | * * UNISSUED * * | – | – | – | – | – |
| 18388 | – | * * UNISSUED * * | – | – | – | – | – |
| 18389A | NEAPOLITAN TRIO | SILENT NIGHT, HOLY NIGHT | 20698=1 | – | – | 9/25/1917 | Franz Gruber |
| 18389B | FRANCIS J. LAPITINO (harp) | Christmas Hymns Selection (While Shepherds Watched Their Flocks by Night; It Came Upon a Midnigh Clear; Silent Night; Adeste Fideles) | 20645=2 | – | – | 9/6/1917 | (-) |
| 18390A | JOSEPH C SMITH’S ORCH. | UMBRELLAS TO MEND | 20566=2 | – | – | 9/17/1917 | MEL KAUFMAN |
| 18390B | JOSEPH C SMITH’S ORCH. | THAT’S IT | 20564=3 | – | – | 9/17/1917 | H.CREAMER-T.LAYTON |
| 18391 | SHANNON QT | CALLING ME BACK HOME | 20463=3 | – | – | 10/4/1917 | SOLMAN |
| 18391 | GEOFFREY O’HARA | SOUTH WILL DO HER PART | 20654=2 | – | – | 9/10/1917 | – |
| 18392A | JOHN B WELLS | WHEN SHADOWS FALL | 20012=1 | – | – | 6/4/1917 | FROST-KEITHLY |
| 18392B | CHARLES HARRISON | SECRET OF HOME SWEET HOME | 20655=4 | – | – | 10/4/1917 | (1=9/10/17) |
| 18393A | PEERLESS Quartet | IN SAN DOMINGO | 20666=2 | – | – | 9/14/1917 | – |
| 18393B | ADA JONES & BILLY MURRAY | SOME SUNDAY MORNING | 20625=3 | – | – | 8/14/1917 | KAHN – EGAN – WHITING |
| 18394A | EARL FULLER’S FAMOUS JAZZ BAND | LI’L’ LIZA JANE | 20549=3 | – | – | 9/10/1917 | ADA DeLACHAU |
| 18394B | EARL FULLER’S FAMOUS JAZZ BAND | COON BAND CONTEST | 20503=4 | – | – | 9/10/1917 | ARTHUR PRYOR |
| 18395 | EARLE FULLER’S BAND | JAZZING AROUND | 20502 | Unlisted | – | 09/??/17 | FULLER |
| 18395 | LEOPOLD STOKOWSKI & ORCH | SYMPHONY #6 | 20550? | – | – | 08/??/17 | – |
| 18396 | VICTOR ORCHESTRA | SPANISH DANCE / BOLERO IN D | 19896=3 | – | – | 5/25/1917 | MOSZKOWSKI |
| 18396 | VICTOR ORCHESTRA | TURKISH MARCH | 19343=1 | – | – | 3/6/1917 | BEETHOVEN |
| 18397A | PIETRO {DEIRO} | GOODBYE BROADWAY, HELLO FRANCE – medley intro. Don’t Throw Stones In The Well That Gives You Water | 20808=1 | – | – | 9/29/1917 | – |
| 18397B | PIETRO {DEIRO} | WE’RE GOING OVER MEDLEY Intro “The Old Grey Mare” | 20809=1 | – | – | 9/29/1917 | – |
| 18398A | Collins and Harlan | LILY OF THE VALLEY | 19883=2 | – | – | 5/22/1917 | L. Wolfe GILBERT – Anatol Friedland |
| 18398B | MARION HARRIS | WHEN I HEAR that JAZZ BAND PLAY | 20230=2 | – | – | 7/18/1917 | GENE BUCK – DAVE STAMPER |
| 18399A | ALICE GREEN & RAY DIXON | WILL YOU REMEMBER | 20814=11 | – | 21323? | 2/15/1918 | ROMBERG |
| 18399B | ORPHEUS QT | JUST A VOICE TO CALL ME | 20878=2 | – | – | 10/18/1917 | WODEHOUSE-KALMAN |
| 18400 | SHANNON QT | CHEER UP: MELODY LAND | 20836=2 | – | – | 9/26/1917 | HUBBELL “CHEER UP” |
| 18400 | AMERICAN QT | CHEER UP LIZA | 20803=1 | – | – | 10/4/1917 | HUBBELL “CHEER UP” |
| 18401 | SHANNON FOUR | HELLO ALOHA HELLO | 20835 | – | – | 10/3/1917 | – |
| 18401 | AL CAMPBELL & HENRY BURR | IN THE LAND OF THE WEDDING BELLS | 20812=2 | – | – | 10/1/1917 | JOHNSON-MEYER |
| 18402 | JAMES HARRISON-JAMES REED | OLD VIRGINNY DAYS | 20832=2 | – | – | 10/3/1917 | THEODORE MORSE |
| 18402 | JAMES REED | SOMETIME YOU’LL REMEMBER | 19514=4 | – | – | 10/3/1917 | HEAD |
| 18403A | ELIZABETH SPENCER with the Sterling Trio | WHERE THE MORNING GLORIES GROW | 20811=4 | – | – | 10/5/1917 | KAHN – EGAN – WHITING |
| 18403B | STERLING TRIO | MY SUNSHINE JANE (Down Beside The Weeping Willow Tree) | 20810=2 | – | – | 10/1/1917 | J. KEIRN BRENNAN – ERNEST R. BALL |
| 18404A | {FRED} VAN EPS TRIO | CHING CHONG intro “Alexander’s Back From Dixieland with His Ragtime Band” | 20501=1 | – | – | 8/13/1917 | LEO S. ROBERTS |
| 18404B | HAROLD VEO’S ORCH | WAIT TILL THE COWS COME HOME | 20838=1 | – | – | 10/5/1917 | VON TILZER |
| 18405A | HENRY BURR-GLADYS RICE | FUN IN FLANDERS | 20850=3 | – | – | 10/11/1917 | – |
| 18405B | HENRY BURR-W.GITZ-GLADYS RICE | FUN IN FLANDERS part 2 | 20851=1 | – | – | 10/11/1917 | Rice |
| 18406A | VICTOR MILITARY BAND | CHEER UP ‘LIZA (intro: Beautiful Queen of the Nile) | 20840=2 | – | – | 10/8/1917 | Raymond HUBBELL “CHEER UP” |
| 18406B | VICTOR Military BAND | MELODY LAND (intro: My Bridal Rose) | 20839=2 | – | – | 10/8/1917 | Raymond HUBBELL “CHEER UP” |
| 18407 | JOSEPH C SMITH’S ORCH. | MY SWEETIE | 20920=1 | – | – | 11/1/1917 | IRVING BERLIN |
| 18407 | JOSEPH C SMITH’S ORCH. | SOME SUNDAY MORNING | 20922=3 | – | – | 11/1/1917 | R.WHITING |
| 18408A | ALICE GREEN & HARRY MacDONOUGH with Mixed Quartet | WAIT TILL THE COWS COME HOME | 20877 | – | – | 10/18/1917 | ANNE CALDWELL-IVAN CARYLL “Jack O’Lantern” |
| 18408B | ELIZABETH SPENCER with Mixed Quartet | A SWEETHEART OF MY OWN | 20879=1 | – | – | 10/18/1917 | R. H. BURNSIDE “Jack O’Lantern” |
| 18409A | CHARLES HART | SOMEWHERE IN FRANCE IS the LILY | 20880=3 | – | – | 10/18/1917 | PHILANDER JOHNSON – JOSEPH E. HOWARD |
| 18409B | ELIZABETH SPENCER | MY SWEETHEART’S SOMEWHERE IN FRANCE | 20881=1 | – | – | 10/19/1917 | MARY EARL |
| 18410 | GREEN-HARRISON | LAND WHERE THE GOOD SONGS GO | 21222=6 | – | – | 12/7/1917 | WODEHOUSE-KERN “MISS 1917” |
| 18410 | HENRY JORDAN | GIVE ME THE MOONLIGHT GIVE | 21004 | – | – | 10/??/17 | – |
| 18411 | PEERLESS QT | SAY A PRAYER FOR THE BOYS OUT THERE | 20886=2 | – | – | 10/22/1917 | GROSSMAN-MARR |
| 18411 | ALAN TURNER | GREEN HILL OUT IN FLANDERS | 21048=3 | – | – | 11/2/1917 | FLYNN |
| 18413A | BYRON G. HARLAN with PEERLESS Quartet | Long Boy | 20837=7 | – | – | 10/22/1917 | WILLIAM HERSCHELL – BARCLAY WALKER |
| 18413B | VAN & SCHENCK | I DON’T WANT TO GET WELL | 20939=3 | – | – | 11/1/1917 | JOHNSON – PEASE – JENTES |
| 18414 | AMERICAN Quartet | BRING BACK THE KAISER To Me | 21008=2 | – | – | 10/26/1917 | – |
| 18414 | SHANNON Quartet | HAIL HAIL, THE GANG’S ALL HERE | 21007=1 | – | – | 10/25/1917 | – |
| 18415A | ALAN TURNER | WHEN THE GREAT RED DAWN IS SHINING | 21047=2 | – | – | 11/2/1917 | EDWARD LOCKTON – EVELYN SHARPE |
| 18415B | ELIZABETH SPENCER | WHEN YOU COME HOME | 20882=2 | – | – | 10/19/1917 | FRED E. WEATHERLY – W.H. SQUIRE |
| 18416 | + | * * UNISSUED * * | – | – | – | – | – |
| 18416 | + | * * UNISSUED * * | – | – | – | – | – |
| 18417 | LYRIC QT | SWEET AND LOW | 18517=2 | – | – | 9/29/1916 | BARNBY |
| 18417 | LYRIC QT | OH HUSH THEE MY BABY | 19312=4 | – | – | 10/3/1917 | SULLIVAN |
| 18418 | PRINCESS WATAHWASO | BY THE WEEPING WATERS | 21016=1 | – | – | 10/30/1917 | – |
| 18418 | PRINCESS WATAHWASO | AOOAH HER BLANKET | 21015 | – | – | 10/30/1917 | – |
| 18419 | FIRST AID FRENCH | FOOD AND LODGING | 20915 | – | – | 10/26/1917 | FOR AMERICAN SOLDIERS |
| 18419 | FRENCH LESSONS | GETTING AROUND | 20914 | – | – | 10/26/1917 | – |
| 18420 | FRENCH LESSONS | PURCHASES & NUMBERS | 20916 | – | – | 10/26/1917 | – |
| 18420 | FIRST AID FRENCH | CAMPAIGNING | 20917 | – | – | 10/26/1917 | FOR AMERICAN SOLDIERS |
| 18421 | FRENCH LESSONS | VOCABULARY | 20919 | – | – | 10/26/1917 | – |
| 18421 | FRENCH LESSONS | GETTING AQUAINTED | 20918 | – | – | 10/26/1917 | – |
| 18422 | MAURICE EVANS | * * UNISSUED * * | – | – | – | 10/??/17 | – |
| 18422 | MAURICE EVANS | MACBETH | – | – | – | 11/??/17 | – |
| 18423 | MARION HARRIS | MY SWEETIE | 21053 | Unissued | – | 10/??/17 | BERLIN |
| 18423 | MAURICE EVANS | MACBETH | 21081 | RedSeal | – | 11/??/17 | – |
| 18424 | ELIZABETH SPENCER | ANY TIME’S KISSING TIME | 21029=3 | – | – | 10/31/1917 | – |
| 18424 | ANNA HOWARD | AT SIESTA TIME | 21022=2 | – | – | 10/30/1917 | – |
| 18425 | MAURICE EVANS | – | – | RedSeal | – | – | – |
| 18425 | MAURICE EVANS | MACBETH | – | RedSeal | – | – | – |
| 18426 | MAURICE EVANS | – | – | RedSeal | – | – | – |
| 18426 | MAURICE EVANS | MACBETH | – | RedSeal | – | – | – |
| 18427 | PEERLESS QT | HOMEWARD BOUND | 21403=1 | – | – | 1/3/1918 | MEYER |
| 18427 | ELIZABETH SPENCER | MY SWEET LITTLE BUTTERCUP | 21220=9 | – | – | 12/27/1917 | BRYAN-PALEY |
| 18428A | SHANNON QT | THERE’S A VACANT CHAIR IN EVERY HOME TONIGHT | 21221=3 | – | – | 12/3/1917 | BRYAN-BREWER |
| 18428B | CHARLES HART | DREAM OF A SOLDIER BOY | 21216=4 | – | – | 11/28/1917 | A.DUBIN-J.MONACO |
| 18429 | VAN & SCHENCK | I MISS THE OLD FOLKS NOW | 20637=2 | – | – | 8/17/1917 | – |
| 18429 | AMERICAN QT | DIXIE VOLUNTEERS | 21009=2 | – | – | 10/26/1917 | LESLIE-RUBY |
| 18430A | SOUSA’S BAND | U.S. FIELD ARTILLERY MARCH | 21277=2 | – | – | 12/21/1917 | JOHN PHILLIP SOUSA U.S.N.R.F. |
| 18430B | SOUSA’S BAND | LIBERTY LOAN MARCH | 21275=2 | – | – | 12/21/1917 | J.P.SOUSA |
| 18431A | PRINCESS WATAHWASO, Composer at the piano, flute by Hubert Small | BY the WATERS OF MINNETONKA | 21014=3 | – | – | 10/30/1917 | Thurlow Lieurance |
| 18431B | PRINCESS WATAHWASO, Composer at the piano, flute by Hubert Small | SIOUX SERENADE | 21017=2 | – | – | 10/30/1917 | Thurlow Lieurance |
| 18432A | JOSEPH KNECHT WALDORF ORCH | MAYTIME WALTZ – WILL YOU REMEMBER? | 21150=2 | – | – | 12/10/1917 | SIGMUND ROMBERG |
| 18432B | JOSEPH KNECHT WALDORF ORCH | AMERICAN SERENADE – HER REGIMENT | 21151=2 | – | – | 12/10/1917 | VICTOR HERBERT |
| 18433 | BILLY MURRAY | THE FURTHER IT IS FROM TIPPERARY | 21404=2 | – | – | 1/3/1918 | GODFREY-BYRNE “Odds & Ends” |
| 18433 | ELIZABETH SPENCER-HENRY BURR | I’M GOING TO FOLLOW THE BOYS | 21291=2 | – | – | 12/26/1917 | MONACO |
| 18434 | SHANNON QT | THERE’S A SERVICE FLAG FLYING AT OUR HOUSE | 21294=1 | – | – | 12/27/1917 | BROWN |
| 18434 | PEERLESS QT | LIBERTY BELL, IT’S TIME TO RING | 21251=5 | – | – | 1/2/1918 | GOODWIN-MOHR |
| 18435A | HENRY BURR | ARE YOU FROM HEAVEN? | 21290=2 | – | – | 12/26/1917 | L. WOLFE GILBERT – ANATOL FRIEDLAND |
| 18435B | STERLING TRIO | GIVE ME THE RIGHT TO LOVE YOU ALL THE WHILE | 21419=2 | – | – | 1/15/1918 | BARD – GLATT |
| 18436A | ADA JONES & BILLY MURRAY | I’LL TAKE YOU BACK TO ITALY | 21425=3 | – | – | 1/24/1918 | Irving BERLIN “JACK O’ LANTERN” |
| 18436B | AMERICAN Quartet | ‘Round HER NECK SHE WEARS A YELLOW RIBBON | 21426=3 | – | – | 1/24/1918 | George A. NORTON |
| 18437 | VICTOR BAND | GOING UP AND DOWN THE LEFT AND RIGHT | 21433=1 | – | – | 1/29/1918 | HIRSCH |
| 18437 | VICTOR BAND | TICKLE TOE | 21431=3 | – | – | 1/29/1918 | HIRSCH |
| 18438 | SHANNON QT | TOM, DICK AND HARRY AND JACK | 21416=6 | – | – | 1/30/1918 | AGER |
| 18438 | PEERLESS QT | AU REVOIR BUT NOT GOODBYE | 21418=3 | – | – | 1/15/1918 | VON TILZER |
| 18439A | HENRY BURR (Tenor w Orch) | JUST A BABY’S PRAYER AT TWILIGHT (For Her Daddy Over There) | 21439=8 | – | – | 2/12/1918 | LEWIS-YOUNG-JEROME |
| 18439B | PERCY HEMUS (baritone) | ON THE ROAD TO HOME SWEET HOME | 21434=2 | – | 31372? | 1/30/1918 | KAHN;VAN ALSTYNE |
| 18440 | LILLIAN LITTLEFIELD | CRADLE SONG | 20894=1 | – | – | 10/23/1917 | BRAHMS |
| 18440 | LILLIAN LITTLEFIELD | LITTLE DUSTMAN | 20893=4 | – | – | 1/10/1918 | – |
| 18441 | SHANNON QT | ALL ABOARD FOR HOME SWEET HOME | 21473=2 | – | – | 2/27/1918 | PIANTADOSI-GLOGAU |
| 18441 | GEOFFREY O’HARA | SEND ME A CURL | 20653=6 | – | – | 2/5/1918 | – |
| 18442A | VICTOR BAND | LONG BOY | 21432=1 | – | – | 1/29/1918 | WALKER |
| 18442B | VICTOR MILITARY BAND | INDIANOLA | 21034=7 | – | – | 1/29/1918 | S. R. HENRY – D. ONIVAS |
| 18443A | MARION HARRIS | EVERYBODY’S CRAZY ‘BOUT THE DOG-GONE BLUES BUT I’M HAPPY | 21243=2 | – | – | 12/6/1917 | {HENRY} CREAMER – {J. T}.LAYTON |
| 18443B | VAN AND SCHENCK | IN THE LAND O’ YAMO YAMO (Funiculi, Funicula) | 21298=2 | – | – | 12/28/1917 | JOE McCARTHY – FRED FISHER |
| 18444 | PRINCESS WATAHWASO | PENOBSCOT TRIBAL SONGS | 21018=3 | – | – | 10/30/1917 | – |
| 18444 | PRINCESS WATAHWASO | PAPUPOOH – DEER FLOWER | 21019=3 | – | – | 11/16/1917 | – |
| 18445A | VICTOR ORCHESTRA | SPANISH SERENADE | 21427=2 | – | – | 1/25/1918 | BIZET |
| 18445B | VICTOR ORCHESTRA | SPANISH DANCE | 20861=3 | – | – | 10/15/1917 | – |
| 18446 | TUSKAGEE INSTITUTE SINGERS | BEEN LISTENIN GOOD LORD | 16520 | – | – | 09/??/15 | – |
| 18446 | TUSKAGEE INSTITUTE SINGERS | I WANT TO BE READY / GET ON BOARD | 17149=1 | – | – | 2/14/1916 | – |
| 18447 | TUSKAGEE QT | I’VE BEEN BUKED & SCORNED | 17151=1 | – | – | 2/14/1916 | – |
| 18447 | TUSKAGEE INSTITUTE SINGERS | MY WAYS ARE CLOUDY / I’M ROLLING ALONG | 17141=2 | – | – | 2/14/1916 | – |
| 18448 | LILLIAN LITTLEFIELD | SLUMBER BOAT | 20895=5 | – | – | 1/10/1917 | RILEY-GAYNOR |
| 18448 | LILLIAN LITTLEFIELD | HEY BALOO | 20896=5 | – | – | 1/10/1917 | – |
| 18449 | – | – | – | – | Unissued | – | – |
| 18449 | – | – | – | – | – | – | – |
| 18450A | Sergeant MARKEL’S ORCH | SWEET EMALINA, MY GAL | 20980=1 | – | – | 11/14/1917 | H. CREAMER – T. LAYTON |
| 18450B | EARL FULLER’s Orch | While THE INCENSE IS BURNING | 21465=1 | – | (NYC) | 11/19/1917 | Walter Smith |
| 18451 | GEOFFREY O’HARA | A SOLDIERS DAY(The Way Army Bugle Calls Sound To The Boys: I Can’t Get ‘Em Up-Soupy, Soupy, Go To The Stables-Lights Out) | 21462=5 | – | – | 4/18/1918 | – |
| 18451 | GEOFFREY O’HARA | PARODIES OF THE CAMP (“Improvements” on “Over There”-“Don’t Bite The Hand That’s Feeding You”-“John Bron’s Body”-“Tramp, The Boys Are Marching”) | 21461=5 | – | – | 4/18/1918 | – |
| 18452 | ELIZABETH SPENCER | BLUE BIRD | 21030=5 | – | – | 2/25/1918 | – |
| 18452 | ELIZABETH SPENCER-HENRY BURR | IF YOU LOOK IN HER EYES | 21446 | – | – | 2/12/1918 | – |
| 18453 | HENRY BURR | EACH STITCH IS A THOUGHT OF YOU | 21445=3 | – | – | 2/12/1918 | BASKETTE |
| 18453 | SHANNON Quartet | A LITTLE BIT OF SUNSHINE | 21463=10 | – | – | 3/5/1918 | HANLEY |
| 18454 | – | – | – | – | – | – | – |
| 18454 | – | – | – | – | – | – | – |
| 18455A | CHARLES HART & SHANNON Four | THE LONG LAST MILE | 21474=5 | – | – | 3/5/1918 | Emil BREITENFELD “Toot Toot” |
| 18455B | BILLY MURRAY | K-K-KATY | 21479=4 | – | – | 3/8/1918 | Geoffrey O’HARA |
| 18456 | EARL FULLER’S FAMOUS JAZZ BAND | I’M SORRY I MADE YOU CRY | 21548=4 | UNISSUED | – | 2/27/1918 | N.CLESI |
| 18456 | EARL FULLER’S FAMOUS JAZZ BAND | FUZZY WUZZY RAG | 21550=3 | – | (NYC) | 2/27/1918 | AL MORTON |
| 18457A | ORIGINAL DIXIELAND JAZZ BAND | AT THE JAZZBAND BALL | 21583=1 | – | (NYC) | 3/18/1918 | NICK LaROCCA-LARRY SHIELDS |
| 18457B | ORIGINAL DIXIELAND JAZZ BAND | OSTRICH WALK | 21584=3 | – | – | 3/18/1918 | NICK LaROCCA-LARRY SHIELDS |
| 18458A | RENE DIETRICH & PEERLESS Quartet | I HATE TO LOSE YOU | 21464=1 | – | – | 2/21/1918 | – |
| 18458B | HORACE WRIGHT-RENE DIETRICH | FOR THE TWO OF US | 21544=5 | – | – | 3/8/1918 | RUBY |
| 18459 | PABLO CASALS | * * UNISSUED * * | 21641? | – | – | 02/??/18 | – |
| 18459 | PABLO CASALS | KOL NIDREI | 21640? | – | – | 02/??/18 | – |
| 18460A | WILLIAM REILLY | WHAT’LL WE DO WITH HIM | 21585=1 | – | – | 3/19/1918 | – |
| 18460B | WILLIAM REILLY | ANY OLD PLACE THE GANG GOES | 21586=3 | – | – | 3/19/1918 | McKENNA |
| 18461A | CHARLES HART | THREE WONDERFUL LETTERS FROM HOME | 21485=1 | – | – | 3/5/1918 | HANLEY |
| 18461B | ELIZABETH SPENCER | DADDY MINE – HE’S GOT THOSE BIG BLUE EYES | 21595=4 | – | – | 3/28/1918 | WILSON-DUBIN |
| 18462 | HENRY BURR | I’M SORRY I MADE YOU CRY | 21633=1 | – | – | 3/26/1918 | N.CLESI |
| 18462 | AL CAMPBELL & HENRY BURR | ONE DAY IN JUNE | 21088=2 | – | – | 11/16/1917 | HANLEY |
| 18463 | LEOPOLD STOKOWSKI | * * UNISSUED * * | 21607 | RedSeal | – | 02/??/18 | – |
| 18463 | LEOPOLD STOKOWSKI | SORCEROR’S APPRENTICE | 21608 | CLASSIC | – | 02/??/18 | – |
| 18464 | LEOPOLD STOKOWSKI | DIE MEISTERSINGER | 21451 | RedSeal | – | 12/??/17 | (Unissued in Black series) |
| 18464 | LEOPOLD STOKOWSKI | – | 21450 | RedSeal | – | 12/??/17 | – |
| 18465A | BILLY MURRAY | THEY WERE ALL OUT OF STEP BUT JIM | 21923=3 | – | – | 5/16/1918 | Irving BERLIN |
| 18465B | William J. “SAILOR” REILLY | WE’RE ALL GOING CALLING ON THE KAISER | 21591 | – | – | 3/21/1918 | Jack CADDIGAN – James A. BRENNAN |
| 18466 | DEIRO PIETRO’S BAND | ECLIPSE MEDLEY | 21452=5 | – | – | 2/16/1918 | – |
| 18466 | DEIRO PIETRO’S BAND | WAR BALLAD MEDLEY | 21453=2 | – | – | 2/16/1918 | – |
| 18467A | CHARLES HART-SHANNON FOUR | WHAT ARE YOU GOING TO DO TO HELP THE BOYS | 21907=3 | – | – | 5/6/1918 | KAHN-VAN ALSTYNE |
| 18467B | AMERICAN Quartet | KEEP YOUR HEAD DOWN FRITZI | 21681=2 | – | – | 4/17/1918 | GITZ RICE |
| 18468 | HARRY MacDONOUGH with the ORPHEUS QUARTET | SOME DAY THEY’RE COMING HOME | 21687=2 | – | – | 4/23/1918 | HILBERT |
| 18468 | HENRY BURR | THERE’S A LITTLE BLUE STAR IN OUR WINDOW | 21683=4 | – | – | 5/2/1918 | KLICKMAN |
| 18469A | PEERLESS Quartet | JUST LIKE WASHINGTON CROSSED THE DELAWARE | 21670=3 | – | – | 4/8/1918 | JOHNSON-MEYER |
| 18469B | PEERLESS Quartet | I MAY STAY AWAY A LITTLE LONGER | 21684=3 | – | – | 4/18/1918 | VON TILZER-BROWN |
| 18470 | AL CAMPBELL & HENRY BURR | YOUR LIPS ARE NO MAN’S LAND BUT MINE | 21685=2 | – | – | 4/18/1918 | McCARRON-MORGAN |
| 18470 | ORPHEUS QT | OUR COUNTRY’S IN IT NOW | 21689=3 | – | – | 4/23/1918 | McCARRON-MORGAN |
| 18471 | VICTOR MILITARY BAND | VOLUNTEERS MARCH | 21904=1 | – | – | 5/3/1918 | J.P.SOUSA |
| 18471 | VICTOR MILITARY BAND | LIBERTY FOREVER | 21902=2 | V-1193? | – | 5/3/1918 | CARUSO-BELLEZZA |
| 18472A | ORIGINAL DIXIELAND JAZZ BAND | SKELETON JANGLE | 21700=2 | – | – | 3/25/1918 | D.J. LaROCCA |
| 18472B | ORIGINAL DIXIELAND JAZZ BAND | TIGER RAG | 21701=3 | – | – | 3/25/1918 | D.J. {NICK} LaROCCA {- DeCOSTA} |
| 18473A | JOSEPH C SMITH’S ORCH. | SMILES | 21881=1 | – | – | 6/3/1918 | LEE ROBERTS |
| 18473B | JOSEPH C. SMITH’S ORCH. | ROSE ROOM (intro:MY ORIENTAL ROSE BUD) | 21882=2 | – | – | 6/3/1918 | ART HICKMAN – WALTER SMITH |
| 18474 | BILLY MURRAY | INDIANOLA | 21941=1 | – | – | 5/31/1918 | WARREN-ONIVAS |
| 18474 | Arthur Fields and Peerless Quartet | WHEN I SEND YOU A PICTURE OF BERLIN | 21939=2 | – | – | 5/29/1918 | RYAN-DREYER |
| 18475 | + | * * UNISSUED * * | – | – | – | 1918? vi | – |
| 18476A | SIX BROWN BROTHERS | WHEN AUNT DINAH’S DAUGHTER HANNAH BANGS ON THAT PIANO | 21947=2 | – | – | 6/4/1918 | James “Slap” WHITE |
| 18476B | SIX BROWN BROTHERS | CHASING THE CHICKENS | 21950=3 | – | – | 6/7/1918 | WALKER – OLMAN |
| 18477A | WALDORF-ASTORIA DANCE ORCHESTRA, Joseph Knecht, Director | OH LADY! LADY! – MEDLEY ONE STEP (“Our Little Nest” – “Before I Met You”) | 21805=1 | – | – | 4/29/1918 | JEROME D. KERN |
| 18477B | WALDORF-ASTORIA DANCE ORCHESTRA, Joseph Knecht, Director | SINBAD – MEDLEY FOX TROT (“BAGDAD” – “RAG LAD OF BAGDAD”) | 21807=2 | – | – | 4/29/1918 | AL JOLSON-SIGMUND ROMBERG |
| 18478A | JOSEPH SMITH & HIS ORCH | MY DOUGH BOY – ONE STEP | 21837=1 | – | – | 5/8/1918 | HUGO FREY |
| 18478B | JOSEPH SMITH & HIS ORCH | CALICOCO FOXTROT | 21835=1 | – | – | 5/8/1918 | HUGO FREY |
| 18479A | EDNA BROWN | HELLO CENTRAL, GIVE ME NO MAN’S LAND | 21925=8 | – | – | 5/27/1918 | LESLIE-YOUNG-SCHWARTZ |
| 18479B | CHARLES HART-ELLIOTT SHAW | MY BELGIAN ROSE | 21924=3 | – | – | 5/17/1918 | BENOIT-LEVENSON-GARTON |
| 18480 | LEWIS JAMES | CHEER UP FATHER & MOTHER | 21937=1 | – | – | 5/28/1918 | BRYAN-PALEY |
| 18480 | PEERLESS QT | WE’LL DO OUR SHARE | 21910=4 | – | 43230 | 5/29/1918 | BROWN-HARRIMAN-EGAN |
| 18481 | SHANNON QT | BRING ME A LETTER FROM MY HOME TOWN | 21936=3 | – | – | 5/28/1918 | DELAWATER-ANDERSON |
| 18481 | CHARLES HART & SHANNON QT | PAUL REVERE (won’t you ride for us again) | 21934=1 | – | – | 5/28/1918 | GOODWIN-MOHR |
| 18482A | MARION HARRIS | THERE’S A LUMP OF SUGAR DOWN IN DIXIELAND | 21994=4 | – | – | 6/18/1918 | A.BRYAN-J.YELLEN-A.GUMBLE |
| 18482B | BILLY MURRAY | STORYBOOK BALL | 22110=2 | – | – | 6/27/1918 | MONTGOMERY-PERRY |
| 18483A | ORIGINAL DIXIELAND JAZZ BAND | BLUIN’ THE BLUES | 22041=3 | – | – | 6/25/1918 | HENRY RAGAS-MITCHELL |
| 18483B | ORIGINAL DIXIELAND JAZZ BAND | SENSATION RAG | 22044=2 | – | – | 6/25/1918 | EDDIE EDWARDS-J.R.ROBINSON |
| 18484 | PEERLESS QT | RAINBOW FROM THE U.S.A | 22112=1 | – | – | 7/1/1918 | JEROME-WENRICH |
| 18484 | STERLING TRIO | WHEN WE MEET IN THE SWEET BYE AND BYE | 21968=2 | – | – | 6/6/1918 | MURPHY |
| 18485 | ARTHUR FIELDS | WHEN I GET BACK TO AMERICA | – | Unissued? | – | – | – |
| 18485 | AMERICAN Quartet | THE YANKS ARE AT IT AGAIN | – | Unissued? | – | – | – |
| 18486A | MARION HARRIS | WHEN ALEXANDER TAKES HIS RAGTIME BAND TO DIXIELAND | 21983=5 | – | – | 6/18/1918 | A.BRYAN-C.HESS-E.LESLIE |
| 18486B | PEERLESS QT | I’M GONNA PIN MY MEDAL ON THE GIRL I LEFT BEHIND | 22113=1 | – | – | 7/1/1918 | BERLIN |
| 18487 | HELEN CLARK & SHANNON FOUR | ANY OLD TIME AT ALL | 22115=2 | – | – | 7/2/1918 | BUCK-HIRSCH “1918 Follies” |
| 18487 | CHARLES HART | GARDEN OF MY DREAMS | 22111=8 | – | – | 7/8/1918 | STAMPER-HIRSCH |
| 18488A | H.MacDONOUGH and SHANNON FOUR | GOODBYE, MOTHER MACHREE | 22114=2 | – | – | 7/2/1918 | J. K. BRENNAN – E. R. BALL |
| 18488B | HELEN CLARK | ONE FOR ALL and ALL FOR ONE | 22116=2 | – | – | 7/2/1918 | FLEESON – A. VON TILZER |
| 18489 | ARTHUR FIELDS | OH HOW I HATE TO GET UP IN THE MORNING | 22118=2 | – | – | 7/8/1918 | BERLIN |
| 18489 | ARTHUR FIELDS | OH FRENCHY | 22117=3 | – | – | 7/8/1918 | EHRLICH-CONRAD |
| 18490 | VICTOR BAND | OLD DAN TUCKER (“John Brown”) | 21986=1 | – | – | 6/14/1918 | – |
| 18490 | VICTOR BAND | WHITE COCKADE | 21989=2 | – | – | 6/14/1918 | (arr Burchenal) |
| 18491 | VICTOR BAND | SPEED THE PLOW | 21988=2 | – | – | 6/14/1918 | (arr Burchenal) |
| 18491 | VICTOR MILITARY BAND | GREEN MOUNTAIN VOLUNTEERS | 21906=1 | – | – | 5/4/1918 | BURCHENAL |
| 18492A | MARION HARRIS | GOODBYE ALEXANDER GOODBYE | 22159=4 | – | – | 7/22/1918 | CREAMER-LAYTON |
| 18492B | ARTHUR COLLINS-BYRON HARLAN | WHEN UNCLE JOE STEPS INTO HEINIE LAND | 21977=2 | – | – | 6/12/1918 | BILLY WINKLE-BERNIE GROSSMAN |
| 18493A | STERLING TRIO | WHEN YOU SANG HUSH-A-BYE BABY | 21967=5 | – | – | 7/19/1918 | OLMAN-LOGAN |
| 18493B | MARION HARRIS | MAMMY’S CHOCOLATE SOLDIER BOY | 21995=1 | – | – | 6/18/1918 | MITCHELL-GOTTLER |
| 18494A | PEERLESS Quartet | FOR YOUR BOY AND MY BOY | 22178=5 | – | – | 8/5/1918 | GUS KAHN – EGBERT VAN ALSTYNE |
| 18494B | RAYMOND DIXON AT ORPHEUS QUARTET | WHEN YOU COME BACK (And You Will Come Back, There’s The Whole world Waiting For You) | 22141=3 | – | – | 7/12/1918 | GEORGE M. COHAN |
| 18495 | ARTHUR FIELDS | WHEN I GET BACK TO AMERICA | 22161? | – | – | 07/??/18 | – |
| 18495 | AMERICAN QT | YANKS ARE AT IT AGAIN | 22177=6 | – | – | 8/1/1918 | BROWN-COWAN |
| 18496A | CHARLES HARRISON | I’M ALWAYS CHASING RAINBOWS | 22181=3 | – | – | 7/26/1918 | JOSEPH McCARTHY – HARRY CARROLL “Oh, Look” |
| 18496B | STERLING TRIO | I MISS THAT MISSISSIPPI MISS THAT MISSES ME | 22171=3 | – | – | 7/19/1918 | LEWIS-YOUNG-WENDLING |
| 18497 | AMERICAN Quartet | EVERYTHING IS PEACHES DOWN IN GEORGIA | 22176=5 | – | – | 8/1/1918 | AGER-MEYER |
| 18497 | AMERICAN Quartet | CAROLINA, I’M COMING BACK TO YOU | 22179=1 | – | – | 7/25/1918 | JIMMY McHUGH-J.CADDIGAN |
| 18498A | United States MARINE BAND | NATIONAL EMBLEM MARCH | 14604=1 | – | – | 3/21/1914 | E. E. BAGLEY |
| 18498B | ARTHUR PRYOR’S BAND | LIGHTS OUT MARCH | B3213=4 | – | – | 03/??/06 | E. E. McCOY |
| 18499A | Bernie and Baker | WATERS OF VENICE (w) | 22072=2 | – | – | 7/26/1918 | ALBERT VON TILZER |
| 18499B | Bernie and Baker | GOOD-BYE ALEXANDER | 22071=3 | – | – | 7/26/1918 | Cowen – CREAMER – LAYTON |