Label: | Artist: | Tune: | MX: | Xref: | Ctrl: | Date: | Comp: |
17500 | AMERICAN QT | SONGS OF COLLEGES: ARMY BLUE | 14118=2 | – | – | 11/25/1913 | – |
17500 | AMERICAN QT | BENNY HAVENS | 14117=2 | – | – | 11/25/1913 | – |
17501 | AMERICAN QT | YOU NEED A RAG | 14116=3 | – | – | 11/25/1913 | T.MORSE |
17501 | ARTHUR COLLINS-BYRON HARLAN | DOWN IN MONKEYVILLE | 14009=2 | – | – | 10/29/1913 | THEODORE MORSE |
17502 | ZITTRA SPELADT | SALZBURGER LANDLER | L12861 | – | 288021 | – | (Probably Foreign matrix) |
17502 | ZITTRA SPELADT | EKO | L12860 | – | 288020 | – | (Probably Foreign matrix) |
17503 | HENRY BURR & AL CAMPBELL | I’M ON MY WAY TO MANDALAY | 14091=1 | – | – | 11/18/1913 | FISCHER |
17503 | WILL OAKLAND | DREAM DAYS | 14064=3 | – | – | 11/13/1913 | JOHNSON |
17504 | LILLIAN DAVIS | JUST YOU AND I AND THE MOON | 13947=3 | – | – | 11/19/1913 | STAMPER |
17504 | AL CAMPBELL & HENRY BURR | BY THE OLD WISHING WELL | 14092=2 | – | – | 11/18/1913 | SHERMAN |
17505 | PETERSEN | HULDIA: TYROLERSAN MED JODLING | 73091 | – | V-3338 | – | – |
17505 | PETERSEN | PJALTENBORGS BRAND, JULIA | 73131 | – | V-1132 | – | – |
17506A | PIETRO DEIRO | INTERNATIONAL RAG | 14005=1 | – | – | 10/29/1913 | Irving BERLIN |
17506B | PIETRO DEIRO | SAILING DOWN THE CHESAPEAKE BAY | 14074=1 | – | – | 11/15/1913 | – |
17507 | AL CAMPBELL & HENRY BURR | YOU DID, YOU KNOW YOU DID | 14093=2 | – | – | 11/18/1913 | MUIR |
17507 | HENRY BURR | TAKE ME BACK | 14036=2 | – | – | 11/5/1913 | BERLIN |
17508A | VICTOR MILITARY BAND | STOMP DANCE | 11698=2 | – | – | 3/12/1912 | STEWART |
17508B | VICTOR MILITARY BAND | SAN FRANCISCO PAN AMERICAN EXPOSITION MARCH | 14122=3 | – | – | 12/2/1913 | J.P.CORRIN |
17509 | OLIVE KLINE | ISLE D’AMOUR | 14002=6 | – | – | 11/24/1913 | EDWARDS “FOLLIES 1913” |
17509 | CHARLES HARRISON | A LITTLE LOVE, A LITTLE KISS | 14148=2 | – | – | 12/3/1913 | SILESU |
17510 | VICTOR MILITARY BAND | FRYKSDALPOLKA | 13509=1 | – | – | 7/2/1913 | – |
17510 | VICTOR MILITARY BAND | MA LITTLE PIGS / OUR LITTLE GAL | 13508=1 | – | – | 7/2/1913 | – |
17511 | VICTOR MILITARY BAND | TREKALSPOLSKA | 13510=1 | – | – | 7/2/1913 | – |
17511 | VICTOR MILITARY BAND | RIGS O MAROLOW | 13512 | – | – | 7/2/1913 | SHARP-McILWAINE |
17512 | CORA PATTON | THE DRUM – RECITATION | 13986=2 | – | – | 11/8/1913 | FIELD |
17512 | CORA PATTON | THE DUEL | 13985=3 | – | – | 11/8/1913 | FIELD |
17513A | ELIZABETH WHEELER | The CUCKOO CLOCK / Slumber Song | 14114=2=3 | – | Camden | 11/25/1913 (=2); 3/5/20 (=3) | Mena C. Pfirshing – G. A. Grant-Schaefer |
17513B | ELIZABETH WHEELER | THE SECRET / Old Chanticleer / The Hungry Windmill | 14115=1 | – | – | 11/25/1913 | Anice Ternune |
17514 | PEERLESS QT | PUSSY CAT RAG | 14107=2 | – | – | 11/21/1913 | DALY-ALLEN |
17514 | PEERLESS QT | AT THE BULLY WOOLY WILD WEST SHOW | 14106=1 | – | – | 11/21/1913 | ABRAHAM |
17515 | VICTOR BAND | GOLONDRINA (la) | 13972=2 | – | – | 10/20/1913 | SERRADEL |
17515 | VICTOR BAND | PEJURA MEXICAN DANCE | 14131=1 | – | – | 12/2/1913 | TEJADA |
17516 | BILLY MURRAY | YOUR MOTHER’S GONE AWAY TO JOIN THE ARMY | 14166=2 | – | – | 12/9/1913 | WALKER |
17516 | BILLY MURRAY | SIT DOWN, YOU’RE ROCKING THE BOAT | 14165=2 | – | – | 12/9/1913 | JEAN SCHWARTZ |
17517 | HELEN CLARK & BILLY MURRAY | I’M AFRAID I’M BEGINNING TO LOVE YOU | 14094=3 | – | – | 12/9/1913 | BROWN |
17517 | AL CAMPBELL & HENRY BURR | FLOW ALONG, RIVER TENNESSEE | 14035=1 | – | – | 11/5/1913 | GUMBLE |
17518 | WILL OAKLAND | SING ROCKABYE BABY TO ME | 14065=3 | – | – | 11/18/1913 | LONG |
17518 | BILLY MURRAY & WILL OAKLAND | EVALYNE | 14096=1 | – | – | 11/19/1913 | PAUL DRESSER |
17519 | ADA JONES & BILLY MURRAY | MY ORCHARD IS SHORT A PEACH LIKE YOU | 14075=2 | – | – | 11/14/1913 | VON TILZER |
17519 | BILLY MURRAY | DADDY, COME HOME | 14167=4 | – | – | 12/13/1913 | IRVING BERLIN |
17520 | VICTOR MILITARY BAND | SOME SMOKE | 14223=3 | – | – | 12/30/1913 | ROMBERG |
17520 | VICTOR MILITARY BAND | LEG OF MUTTON | 14222=2 | – | – | 12/18/1913 | ROMBERG |
17521 | VICTOR ORCHESTRA | DANCE OF THE SONGBIRDS | 14163=2 | V-4648 | – | 12/8/1913 | Benjamin RICHMOND |
17521 | JOSEPH BELMONT & VICTOR ORCH. | CRICKET SERENADE | 14120=4 | – | – | 12/8/1913 | Theo. BENDIX |
17522 | CHARLES HARRISON | LITTLE GREY HOME IN THE WEST | 14150=5 | – | – | 12/15/1913 | LOHR |
17522 | REED MILLER | THERE ARE BIRDS IN THE VALLEY | 13446=1 | – | – | 6/17/1913 | LEHMANN “VICAR OF WAKEFIELD” |
17523A | NEAPOLITAN TRIO | EVENING CHIMES | 14186=1 | – | – | 12/11/1913 | CARL HEINS |
17523B | NEAPOLITAN TRIO | WOODLAND ECHOES – OP.34 | 13869=4 | Vi 65871 | – | 11/28/1913 | A. P. WYMAN |
17524 | VICTOR MILITARY BAND | MACHAQUITO – TOREADOR ONE STEP | 14128=1 | – | – | 12/2/1913 | GASCON |
17524 | VICTOR MILITARY BAND | ADMIRATION WALTZ | 14133=1 | – | – | 12/2/1913 | GARZA |
17525 | TOLLEFSON TRIO | DREAM (the) | 14136=1 | – | – | 12/3/1913 | THOME |
17525 | TOLLEFSEN TRIO | SONG WITHOUT WORDS | 14137=1 | – | – | 12/3/1913 | VAN GOENS |
17526A | VICTOR MILITARY BAND | IRRESISTABLE TANGO | 14250=2 | – | (Batwing) | 12/29/1913 | L.LOGATTI |
17526B | VICTOR MILITARY BAND | BRAZILIAN DREAMS TANGO | 14251=2 | – | (Batwing) | 12/30/1913 | WILL DIXON |
17527 | BILLY MURRAY | WHEN YOU’RE ALL DRESSED UP WITH A BROKEN HEART | 14257=2 | – | – | 12/31/1913 | HEIN “BEAUTY SHOP” |
17527 | ARTHUR COLLINS-BYRON HARLAN | DOWN IN CHATTANOOGA | 14097=1 | – | – | 11/19/1913 | BERLIN |
17528 | VICTOR MILITARY BAND | AMAPA MAXIXE BRAZILIAN | 14254=1 | – | – | 12/30/1913 | – |
17528 | VICTOR MILITARY BAND | SANS SOUCI | 14256=1 | – | – | 12/30/1913 | GREEN |
17529 | AL CAMPBELL & HENRY BURR | SWEET ANNE MARIE | 14034=2 | – | – | 11/5/1913 | T.MORSE |
17529 | EDNA BROWN-CHARLES HARRISON | IN THE CANDLE LIGHT | 14177=3 | – | – | 12/23/1913 | BROWN |
17530 | VICTOR MILITARY BAND | ANTIPOLO ONE STEP | 13613=1 | – | – | 7/22/1913 | ARAULLO |
17530 | VICTOR MILITARY BAND | PEPPER POT | 14252=1 | – | – | 12/30/1913 | IVERS |
17531 | PIETRO DEIRO | PIETRO’S RETURN – MARCH | 14020=1 | – | – | 9/11/1913 | PIETRO DEIRO |
17531 | PIETRO DEIRO | LUNA WALTZ | 14024=1 | – | – | 11/1/1913 | LINCKE (DEIRO) |
17532A | OLIVE KLINE | SPRING SONG / Spring’s Messenger / Greeting | 14207=2 | – | – | 12/15/1913 | Chopin / Schumann / Mendelssohn |
17532B | OLIVE KLINE | MORNING SONG / THE ROSE / THE BROOKLET | 14208=2 | – | – | 12/15/1913 | Grieg / Franz / Schubert |
17533 | VICTOR MILITARY BAND | ALL ABOARD FOR DIXIELAND | 14280=2 | – | – | 1/9/1914 | BALLE |
17533 | VICTOR MILITARY BAND | NINETTE | 14281=2 | – | – | 1/9/1914 | CHRISTINE |
17534 | AMERICAN QT | REBECCA OF SUNNYBROOK FARM | 14231=5 | – | – | 2/13/1914 | GUMBLE |
17534 | PEERLESS QT | IF I HAD MY WAY | 14314=2 | – | – | 1/14/1914 | KENDIS |
17535 | AMERICAN QT | ALL ABOARD FOR DIXIELAND | 14310=2 | – | – | 1/13/1914 | COBB |
17535 | AMERICAN QT | RAGTIME DREAM | 14230=3 | – | – | 1/13/1914 | BROWN |
17536 | ALAN TURNER | LA PALOMA | 14068=2 | – | – | 11/13/1913 | YRADIER |
17536 | ALAN TURNER | O SOLE MIO – MY SUNSHINE | 14240=1 | – | – | 12/19/1913 | DiCAPUA |
17537 | ARTHUR COLLINS-BYRON HARLAN | LET’S ALL GO TO MARY ANN’S HOUSE | 14361=1 | – | – | 1/22/1914 | CARROL |
17537 | ARTHUR COLLINS-BYRON HARLAN | CAMP MEETING BAND | 14360=1 | – | – | 1/22/1914 | GILBERT-MUIR |
17538 | VICTOR MILITARY BAND | MA POULETTE | 14353=1 | – | – | 1/19/1914 | ROBERTS |
17538 | VICTOR MILITARY BAND | SEBASTIANS TANGO | 14351=1 | – | – | 1/16/1914 | GREEN |
17539 | PEERLESS QT | THE BELLS | 14185=2 | – | – | 12/11/1913 | STILLWELL |
17539 | PEERLESS QT | DON’T BLAME IT ALL ON BROADWAY | 14184=8 | – | – | 1/16/1914 | GRANT |
17540 | WILFRED GLENN | WHILE THE RIVER OF LOVE FLOWS | 14374=2 | – | – | 1/26/1914 | BALL |
17540 | EDNA BROWN-CHARLES HARRISON | IN THE BLUE RIDGE VALE OF LOVE | 14402=2 | – | – | 1/29/1914 | MOHR |
17541 | EDNA BROWN | GOODBYE LITTLE GIRL OF MY DREAMS | 13612=1 | – | – | 7/21/1913 | PHILLIPS |
17541 | EDNA BROWN-CHARLES HARRISON | ROSE OF MY DREAMS | 13611=3 | – | – | 7/21/1913 | STODDARD |
17542 | VESSELLA ITALIAN BAND | ECSTATIC TANGO | 14393=1 | – | – | 1/28/1914 | OBRERO |
17542 | VESSELLA ITALIAN BAND | ROMANCE – WALTZ HESITATION | 14389=1 | – | – | 1/28/1914 | ERDMAN |
17543 | DELOS BECKER | A FOOL THERE WAS | 14187=5 | – | – | 1/20/1914 | BURKHARDT |
17543 | DELOS BECKER | LITTLE GREY CHURCH AROUND THE CORNER | 14191=5 | – | – | 1/20/1914 | CARROLL |
17544 | HENRY BURR | IN THE HEART OF THE CITY THAT HAS NO HEART | 14398=1 | – | – | 1/29/1914 | DALY |
17544 | HAYDN QT | THE WOMAN THOU GAVEST ME | 14404=3 | – | – | 1/30/1914 | POWELL |
17545 | HAYDN QT | CROSS THE GREAT DIVIDE, I’LL WAIT FOR YOU | 14403=2 | – | – | 1/29/1914 | YOUNG |
17545 | EDNA BROWN-CHARLES HARRISON | WHEN THE MAPLE LEAVES WERE FALLING | 14401=2 | – | – | 1/29/1914 | TAYLOR |
17546 | LYRIC QT | IN THE NIGHT WHEN THE MOON SLILY WINKS | 14406=2 | – | – | 1/30/1914 | GILBERT |
17546 | LYRIC QT | OH CECELIA | 14405=2 | – | – | 1/30/1914 | GILBERT”Queen of the Movies” |
17547 | VICTOR BAND | LITTLE GREY HOME IN THE WEST | 14414=2 | – | B30874 | 2/5/1914 | LOHR |
17547 | VICTOR BAND | A LITTLE LOVE, A LITTLE KISS | 14413=2 | – | B30873 | 2/5/1914 | LOHR |
17548 | VICTOR CHORUS | POPULE MEUS | 13956=2 | – | – | 1/6/1914 | PALESTRINA |
17548 | VICTOR CHORUS | GLORIA PATRI | 13957=2 | – | – | 1/6/1914 | PALESTRINA |
17549 | CORA PATTON | MY SHADOW / WHERE THE BOATS GO | 13990=1 | – | – | 10/23/1913 | R.STEVENSON |
17549 | CORA PATTON | SEEIN’ THINGS | 13983=2 | – | – | 11/7/1913 | FIELD |
17550 | VICTOR MILITARY BAND | WHATJA MEAN YOU LOST YOUR DOG | 14416=2 | – | – | 2/5/1914 | REMICK |
17550 | VICTOR MILITARY BAND | THANKS FOR THE LOBSTER | 14440=2 | – | – | 2/10/1914 | CLARENCE JONES |
17551 | PIETRO DEIRO | SHARPSHOOTER’S MARCH (Bersaglieri March) | 14006=1 | – | – | 10/29/1913 | PESOIS |
17551 | PIETRO DEIRO | BEAUTIFUL DAYS WALTZ | 14104=1 | – | – | 11/21/1913 | PIETRO |
17552 | EDNA BROWN | I MISS YOU MOST OF ALL | 14313=5 | – | – | 2/9/1914 | JAMES MONACO |
17552 | HENRY BURR | WOULD YOU TAKE ME BACK AGAIN? | 14399=1 | – | – | 1/29/1914 | SOLMAN |
17553 | JIM EUROPE SOCIETY ORCH | YOU’RE HERE AND I’M HERE | 14432=1 | – | – | 2/10/1914 | JEROME KERN |
17553 | JIM EUROPE SOCIETY ORCH | CASTLE WALK | 14434=2 | – | – | 2/10/1914 | – |
17554 | AMERICAN QT | DO YOU TAKE THIS WOMAN FOR YOUR WIFE | 14457=1 | – | – | 2/13/1914 | VONN TILZER |
17554 | BILLY MURRAY | WHY IS THE OCEAN SO NEAR THE SHORE | 14456=2 | – | – | 2/13/1914 | JONES |
17555A | OLIVE KLINE -Harry MacDONOUGH | YOU’RE HERE AND I’M HERE | 14475=2 | – | – | 2/17/1914 | Smith – JEROME KERN “The Laughing Husband” |
17555B | REED MILLER | FRIEND TO THE END | 14507=3 | – | – | 2/24/1914 | Wimperis – EYSLER “Laughing Husband” |
17556B | CASTLE HOUSE ORCHESTRA (Frank W. McKee, dir.) | ENTICEMENT TANGO – LA SEDUCCION | 14450=1 | – | – | 2/13/1914 | NOCESTI |
17556A | CASTLE HOUSE ORCHESTRA (Frank W. McKee, dir.) | ARGANAREZ TANGO | 14449=2 | – | – | 2/13/1914 | FIRPO |
17557 | VICTOR BAND | GAMES AND DANCES: THE JOLLY CROWD | 14442=1 | – | – | 2/10/1914 | STECHER |
17557 | VICTOR BAND (Folk Dances) | GAMES AND DANCES: LARKSPUR MAZURKA | 14349=1 | – | – | 1/16/1914 | STECHER |
17558 | FELIX ARNDT | FROM SOUP TO NUTS | 14502=1 | – | – | 2/20/1914 | FELIX ARNDT |
17558 | FELIX KNIGHT (F.ARNDT) | HESITATION WALTZ | 14494=1 | – | – | 2/20/1914 | ILGENFRITZ |
17559 | VICTOR MILITARY BAND | HA ZA ZA | 14529=2 | – | – | 3/3/1914 | KALMAN |
17559 | VICTOR MILITARY BAND | A ZUT ALORS | 14461=2 | – | – | 2/16/1914 | LAMONT |
17560 | HEIDELBERG QUINTET | BY THE BEAUTIFUL SEA | 14911=2 | – | – | 5/28/1914 | CARROLL |
17560 | HALLEY,Will | I LOVE THE LADIES | 14527=5 | – | – | 5/18/1914 | SCHWARTZ |
17561 | BILLY MURRAY | HE’S WORKING IN THE MOVIES NOW | 14525=2 | – | – | 2/27/1914 | LODGE |
17561 | IRVING KAUFMAN | THEY DON’T HESITATE ANY MORE | 14720=2 | – | – | 4/17/1914 | KALMAR-LESLIE |
17562 | HELEN CLARK & HENRY BURR | LET BYGONES BE BYGONES | 14516=1 | – | – | 2/26/1914 | GRANT |
17562 | ADA JONES & BILLY MURRAY | I’M CRYING JUST FOR YOU | 14523=3 | – | – | 2/27/1914 | JAMES MONACO |
17563A | VICTOR MALE Chorus | TANNHAUSER: PILGRIM’s CHORUS | 14446=3 | – | – | 2/11/1914 | WAGNER |
17563B | VICTOR MALE Chorus | IL TROVATORE: ANVIL CHORUS | 14445 | V-1258? | – | 2/11/1914 | VERDI |
17564 | ELSIE BAKER | ONE SWEET SOLEMN THOUGHT | 13067=6 | – | – | 4/11/1913 | AMBROSE |
17564 | ALAN TURNER | CROSSING THE BAR | 14264=2 | – | – | 1/2/1914 | TENNYSON-COWLES |
17565 | ALAN TURNER | STRIKE FOR THE GRAND OLD FLAG | 19532=2 | – | – | 3/29/1917 | FOLEY |
17565 | ALAN TURNER | WE’RE FROM CANADA | 19535=2 | – | – | 3/29/1917 | HUMBLE |
17566 | ELSIE BAKER | HEY BALOO | 14430=2 | – | – | 2/9/1914 | BURNS-SCHUMANN |
17566 | ELSIE BAKER | LITTLE DUSTMAN | 14431=2 | – | – | 2/9/1914 | BRAHMS |
17567 | FLANAGAN COMPANY & VICTOR BAND | NEEDLE’S EYE / JOLLY MILLER | 11923=1 | – | – | 4/25/1912 | HOFER (Remade 9/14/27) |
17567 | FLANAGAN COMPANY VICTOR BAND | LOOBY LOO / OATS PEAS BEANS AND BARLEY | 14460=1 | – | – | 2/16/1914 | HOFER |
17568 | VICTOR BAND COUNTRY DANCES | SOLDIER BOY / DID YOU EVER SEE A LASSIE | 14444=1 | – | – | 2/10/1914 | HOFER / STECHER |
17568 | VICTOR BAND | LET US CHASE SQUIRRELS | 14443=1 | – | – | 2/10/1914 | ANN PRESTON |
17569 | REINALD WERRENRATH | BLACKSMITH | 12171=2 | – | – | 7/9/1912 | MOZART |
17569 | RAYMOND DIXON | OVER THE SUMMER SEA | 14482 | – | – | 2/18/1914 | VERDI “RIGOLETTO” |
17570 | VICTOR MILITARY BAND | LOVE’S MELODY – HESITATION WALTZ | 14560=1 | – | – | 3/10/1914 | STERN |
17570 | VICTOR MILITARY BAND | HALF AND HALF | 14561=5 | – | – | 4/14/1914 | GREEN |
17571 | PEERLESS QT | WHILE THEY WERE DANCING AROUND | 14559=2 | – | – | 3/10/1914 | J.MONACO |
17571 | PEERLESS QT | IRISH TANGO | 14551=1 | – | – | 3/10/1914 | WALSH-BREWER |
17572 | REED MILLER | DREAM GIRL OF MINE | 14506=2 | – | – | 2/24/1914 | OLCOTT-FREEMAN |
17572 | EDNA BROWN & CHARLES HARRISON | THE BEAUTY SPOT: LOVE’S HESITATION (w) | 14584=2 | – | – | 3/18/1914 | REMICK-GEHETT |
17573 | ARTHUR COLLINS-BYRON HARLAN | HESISTATE AROUND ME BILL | 14575=1 | – | – | 3/16/1914 | FRANKLIN |
17573 | ARTHUR COLLINS-BYRON HARLAN | CELEBRATIN’ DAY IN TENNESSEE | 14573=2 | – | – | 3/16/1914 | GLOGAU |
17574 | PIETRO DEIRO | DOWN IN CHATTANOOGA BAY | 14637=1 | – | – | 3/27/1914 | – |
17574 | PIETRO DEIRO | THIS IS THE LIFE MEDLEY | 14638=3 | – | – | 4/14/1914 | BERLIN |
17575 | FRED VAN EPS | TOO MUCH GINGER | 14587=1 | – | – | 3/19/1914 | JOSEPH DALY |
17575 | VAN EPS TRIO | SMILER RAG | 14588=1 | – | – | 3/19/1914 | PERCY WENRICH |
17576A | BILLY MURRAY | HE’S A DEVIL IN HIS OWN HOME TOWN | 14779=1 | – | – | 4/30/1914 | GRANT CLARKE – IRVING BERLIN |
17576B | ADA JONES | IF THEY’D ONLY MOVE OLD IRELAND OVER HERE | 14521=2 | – | – | 2/27/1914 | KELLY KLEIN GILLEN |
17577A | UNITED STATES MARINE BAND | NATIONAL EMBLEM MARCH | 14604=1 | (BATWING) | – | 3/21/1914 | E.E.BAGLEY |
17577B | UNITED STATES MARINE BAND (Lt. Wm H. Santelman, director) | GERMAN FIDELITY MARCH | 14606=2 | (BATWING) | – | 3/21/1914 | H. L. BLANKENBERG |
17578 | VICTOR MIXED CHORUS | THE RED, WHITE AND BLUE | 14571=3 | – | – | 3/12/1914 | SHAW |
17578 | VICTOR MIXED CHORUS | AMERICAN / COLUMBIA GEM OF THE OCEAN | 14569=2 | V-1255? | – | 3/13/1914 | CAREY |
17579 | VICTOR MIXED CHORUS | STAR SPANGLED BANNER | 14570=2 | – | – | 3/12/1914 | F.S.KEY |
17579 | VICTOR MIXED CHORUS | HAIL COLUMBIA | 14572=1 | – | – | 3/13/1914 | PHYLA |
17580A | VICTOR BAND | AMERICA | 13710=2 | – | – | 8/15/1913 | Henry CAREY |
17580B | VICTOR MILITARY BAND | THE RED, WHITE AND BLUE | 13712=3 | – | – | 10/20/1913 | David T. Shaw |
17581A | VICTOR MILITARY BAND | STAR SPANGLED BANNER | 13709=3 | V-2787? | – | 10/13/1913 | FRANCIS SCOTT KEY Arr: Music Section National Education Association |
17581B | VICTOR MILITARY BAND | HAIL COLUMBIA | 13711=2 | – | – | 10/20/1913 | PROF.PHILE |
17582 | RAYMOND DIXON | SONG OF A THOUSAND YEARS | 14480=2 | – | – | 2/18/1914 | WORK |
17582 | RAYMOND DIXON | BATTLE CRY OF FREEDOM | 14481=2 | – | – | 2/18/1914 | ROOT |
17583A | VICTOR BAND | DIXIE MEDLEY | 14418=2 | VI20166 | BVE=1927 | 2/5/1914 | (remade 05/05/27 take 7) |
17583B | VICTOR BAND | YANKEE DOODLE | 14350=2 | VI20166 | BVE14350=5 | 1/16/1914 | GEORGE M COHAN |
17584A | BILLY MURRAY | THIS IS THE LIFE | 14702=2 | – | – | 4/14/1914 | Irving BERLIN |
17584B | BILLY WATKINS | EVERYBODY LOVES MY GIRL | 14636=2 | – | – | 3/26/1914 | AYER |
17585 | VICTOR MILITARY BAND | SWANEE RIPPLES RAG | 14459=1 | – | – | 2/16/1914 | THOMPSON |
17585 | VICTOR BAND | SYMPATHY WALTZ | 14564=2 | – | – | 3/10/1914 | FRIML “FIREFLY” |
17586 | GEORGE WATKINS | THAT’S A REAL MOVING PICTURE FROM LIFE | 14635=2 | – | – | 3/26/1914 | VON TILZER |
17586 | HENRY BURR | YOU BROKE MY HEART TO PASS THE TIME | 14747=1 | – | – | 4/22/1914 | GOODWIN |
17587 | LYRIC QT | WHEN THE ANGELUS IS RINGING | 14622=4 | – | – | 4/28/1914 | REDFIELD |
17587 | HELEN CLARK & HENRY BURR | IN THE VALLEY OF THE MOON | 14748=2 | – | – | 4/22/1914 | BRANNEN-SOLMAN |
17588A | VICTOR Military BAND | HESITATION WALTZ | 14706=1 | – | – | 4/14/1914 | F. HENRI KLICKMAN |
17588B | VICTOR Military BAND | WHO PAID THE RENT FOR RIP VAN WINKLE | 14789=2 | – | – | 5/14/1914 | FISCHER “Belle of Bond St” |
17589 | IRVING KAUFMAN | HANDS OFF | 14722=2 | – | – | 4/17/1914 | VON TILZER |
17589 | PEERLESS QT | IF I HAD SOMEONE LIKE YOU AT HOME | 14656=3 | – | – | 5/11/1914 | MONACO |
17590 | HENRY BURR | ALICE OF OLD VICENNES | 14746=2 | – | – | 4/22/1914 | KEITHLEY |
17590 | PEERLESS QT | ROSE OF THE MOUNTAIN TRAIL | 14813=1 | – | – | 5/11/1914 | BRENNAN |
17591A | PEERLESS Quartet | WHEN IT’S MOONLIGHT ON THE ALAMO | 14814=3 | – | – | 5/11/1914 | ALFRED BRYANT – FRED FISCHER |
17591B | FREDERICK WHEELER | DO YOU REMEMBER | 14583=1 | – | – | 3/18/1914 | – |
17592 | VICTOR BAND | MAURICE GLIDE | 14824=2 | – | – | 5/14/1914 | HAENSCHEL |
17592 | VICTOR BAND | THEY’RE ON THEIR WAY TO MEXICO | 14904=1 | – | – | 5/26/1914 | BERLIN |
17593 | VICTOR MILITARY BAND | MAPLE LEAF FOREVER | 16875=1 | – | 17875 | 12/9/1915 | LAURENDEAU |
17593 | VICTOR MILITARY BAND | CANADA | 16871=1 | – | – | 12/9/1915 | – |
17594A | EDNA BROWN & James F. HARRISON | WHEN YOU PLAY THE GAME OF LOVE | 14916=2 | – | – | 5/28/1914 | JOE GOODWIN – AL PIANTADOSI |
17594B | AL CAMPBELL & HENRY BURR | OFF WITH THE OLD LOVE, ON WITH THE NEW | 14579=2 | – | – | 3/17/1914 | MacDonald – Carroll |
17595 | VICTOR BAND | LOVE’S HESITATION (w) | 14903=3 | – | – | 5/26/1914 | GEHOST |
17595 | VICTOR BAND | JUNE WALTZ | 14928=2 | – | – | 6/2/1914 | BAXTER |
17596 | ELSIE BAKER | SEE SAW / FROGGY IN THE POOL | 14628=1 | – | – | 3/25/1914 | DOROTHY GAYNOR |
17596 | ELSIE BAKER | BLOWING BUBBLES | 14627=1 | – | – | 3/25/1914 | DOROTHY GAYNOR |
17597 | RAYMOND DIXON | RORY O’MOORE | 14734=1 | – | – | 4/21/1914 | LOVER |
17597 | RAYMOND DIXON | GIRL I LEFT BEHIND ME | 14739=2 | – | – | 4/21/1914 | LOVER |
17598 | CONRAD’S SOCIETY ORCHESTRA | AT THE BALL, THAT’S ALL | 14851=1 | – | – | 5/22/1914 | DANMARK “DARKTOWN FOLLIES” |
17598 | CONRAD’S SOCIETY ORCHESTRA | PLEASE | 14853 | – | – | 5/22/1914 | ROUSSEAU-GOURAUD |
17599 | HEIDELBERG QT | THEY’RE ON THEIR WAY TO MEXICO | 14838=4 | – | – | 5/28/1914 | BERLIN |
17599 | HEIDELBERG QT | ACROSS THE RIO GRANDE | 14910=3 | – | – | 5/28/1914 | BALL |
17600A | FLORENTINE QT | SERENADE (drigo) | 14513=3 | – | – | 2/24/1914 | DRIGO “MILLIONS D’ARLEQUIN” |
17600B | TOLLEFSEN TRIO | AT THE BROOK (v,c,p) | 14134=2 | – | – | 1/2/1914 | RENE DeBOISDEFFRE |
17601A | VAN EPS TRIO | CHINESE PICNIC | 14589=1 | – | – | 3/19/1914 | VICTOR HERBERT |
17601B | VAN EPS TRIO | NOTORIETY RAG | 14420=3 | – | – | 3/19/1914 | KATHRYN WIDNER |
17602 | AL CAMPBELL & HENRY BURR | ON THE SHORES OF ITALY | 14578=2 | – | – | 3/17/1914 | PIANTADOSI-GLOGAU |
17602 | HEIDELBERG QT | HARMONY BAY | 14908=1 | – | – | 5/28/1914 | SHERMAN |
17603 | ARTHUR PRYOR’S BAND | WHOOP IT UP | 14943=1 | – | – | 6/10/1914 | FRIEDMAN-ATWATER |
17603 | US MARINE BAND | GOODNIGHT HARVARD MARCH | 14615=2 | – | – | 3/22/1914 | MOORE |
17604 | HELEN CLARK & HENRY BURR | KISS ME AGAIN (I Like It) | 14749=1 | – | – | 4/22/1914 | FLETA-JAN BROWN |
17604 | ADA JONES & BILLY MURRAY | WHERE CAN I MEET YOU TONIGHT? | 14522=2 | – | – | 2/27/1914 | LANGE |
17605 | BILLY MURRAY | TWENTIETH CENTURY RAG | 14781=2 | – | – | 4/30/1914 | ABRAHAMS |
17605 | Heidelberg Quintette | DON’T GO AWAY | 15015=2 | – | – | 6/26/1914 | FEIBER |
17606 | VICTOR BAND | PARISIMO (1 Step) | 14930=2 | – | – | 6/2/1914 | ROOT |
17606 | VICTOR BAND | JAMAIS TROP (Never Too Much) | 14929=2 | – | – | 6/2/1914 | HUGO FREY |
17607 | CONRAD’S SOCIETY ORCH | MAXEXE RAMEXE | 14855=2 | – | – | 6/15/1914 | SARRABLE |
17607 | CONRAD’S SOCIETY ORCH | BREGEIRO TANGO | 14854=4 | – | – | 6/15/1914 | NAZARETH |
17608 | FELIX ARNDT | HACIENDA SOCIETY TANGO | 14493=3 | – | – | 3/6/1914 | PAUL BIESE |
17608 | FELIX ARNDT | DESECRATION RAG | 14541=2 | – | – | 3/6/1914 | FELIX ARNDT |
17609A | PIETRO DEIRO | HUNGARIAN RAG | 14641=1 | – | – | 3/27/1914 | JULIUS LENZBERG |
17609B | PIETRO DEIRO | HUMMER’S MEDLEY: WHILE THEY WERE DANCING AROUND | 14699=2 | – | – | 4/11/1914 | – |
17610A | {ARTHUR} COLLINS – {BYRON} HARLAN | EAGLE ROCK | 15021=2 | – | – | 6/29/1914 | HAROLD R. ATTERIDGE – HARRY CARROLL |
17610B | {ARTHUR} COLLINS – {BYRON} HARLAN | MY CROONY MELODY | 15022=1 | – | – | 6/29/1914 | GOODWIN |
17611A | GLACIER PARK INDIANS (Blackfoot Tribe) | 1.) WHITE DOG SONG 2.) GRASS DANCE | 14856=1 | – | – | 5/23/1914 | – |
17611B | BLACKFEET INDIAN TRIBE | MEDICINE SONG | 14859=1 | – | – | 5/23/1914 | – |
17612 | GOLDEN-HUGHES | SERVANT GIRL | 14914=2 | – | – | 5/28/1914 | GOLDEN-HUGHES |
17612 | GOLDEN-HUGHES | GWIN BACK TO ARKANSAW | 14913=2 | – | – | 5/28/1914 | GOLDEN-HUGHES |
17613 | AL CAMPBELL & HENRY BURR | ON THE BANKS OF THE BRANDYWINE | 14826=3 | – | B31619 | 5/15/1914 | FRIEDLAND |
17613 | IRVING KAUFMAN | CALIFORNIA AND YOU | 14721=1 | – | – | 4/14/1914 | LESLIE-PUCK |
17614 | AL CAMPBELL & HENRY BURR | OVER THE ALPINE MOUNTAINS | 14825=2 | – | – | 5/15/1914 | FISCHER |
17614 | EDNA BROWN & CHARLES HARRISON | MY CHAIN OF MEMORIES | 14582=4 | – | – | 5/28/1914 | INGRAHAM |
17615 | VICTOR MILITARY BAND | SIT DOWN YOU’RE ROCKING THE BOAT | 14792=1 | – | – | 5/4/1914 | – |
17615 | VICTOR MILITARY BAND | BY THE BEAUTIFUL SEA | 15026=1 | – | – | 6/30/1914 | – |
17616 | VICTOR MILITARY BAND | VALSE NOBLE | 15027=1 | – | – | 6/30/1914 | LESSER |
17616 | VICTOR MILITARY BAND | OLD CREMORNE | 15024=3 | – | – | 6/30/1914 | – |
17617 | VICTOR BAND | CROONY MELODY MEDLEY | 15064=1 | – | – | 7/15/1914 | – |
17617 | VICTOR BAND | ROSE OF THE MOUNTAIN TRAIL | 15028=2 | – | – | 6/30/1914 | – |
17618 | REINALD WERRENRATH | ROSE OF MY HEART | 14585=5 | – | – | 7/23/1914 | LOHR |
17618 | JAMES HARRISON | WHERE MY CARAVAN HAS RESTED | 15020=3 | – | – | 7/7/1914 | – |
17619 | VICTOR MILITARY BAND | MEMPHIS BLUES | 15065=3 | – | – | 7/15/1914 | W.C.HANDY |
17619 | VICTOR Milirary BAND | RAGAMUFFIN RAG | 14704=2 | – | – | 4/14/1914 | PIERSON |
17620 | ARTHUR COLLINS-BYRON HARLAN | ABA DABA HONEYMOON | 15070=2 | – | – | 7/16/1914 | DONOVAN |
17620 | BILLY MURRAY | FIDO IS A HOT DOG NOW | 14780=2 | – | – | 4/30/1914 | WALKER |
17621 | CLARK & VAN BRUNT | WHERE THE RED, RED ROSES GROW | 13402=1 | – | – | 6/6/1913 | JEAN SCHWARTZ |
17621 | HARRY MacDONOUGH | THE ELOPERS: EVERY ROAD IS THE RIGHT ROAD | 15079=1 | – | – | 7/23/1914 | HUGO FREY “The Elopers” |
17622 | PEERLESS QT | HIGH COST OF LOVING | 14961=2 | – | – | 6/16/1914 | GEORGE MEYER |
17622 | WILL OAKLAND & BILLY MURRAY | JUST FOR TONIGHT | 15044=2 | – | – | 7/6/1914 | WILL COBB |
17623 | VICTOR CHORUS | WHAT SHALL HE HAVE WHO KILLED THE DEER | 15060=1 | – | – | 7/13/1914 | BISHOP |
17623 | RAYMOND DIXON & TRIO | AS YOU LIKE IT: UNDER THE GREENWOOD TREE | 15059=1 | – | – | 7/13/1914 | ARNE |
17624 | VICTOR MIXED CHORUS | ANVIL CHORUS – IL TROVATORE | 14447=1 | V-1258? | – | 2/11/1914 | VERDI |
17624 | VICTOR CHOIR | SPRING SONG / SAMSON AND DELILAH | 12749=7 | – | – | 6/3/1914 | – |
17625 | ELSIE BAKER | GRAND DADDY LONGLEGS | 14580? | VI16999? | – | 3/17/1914 | – |
17625 | OLIVE KLINE | THE VIOLETS / SWEETPEA LADIES / SPRING SONG | 14736=5 | VI20617? | – | 7/23/1914 | DOROTHY GAYNOR |
17626 | CONWAY’S BAND | CALIFORNIA AND YOU | 15108=1 | – | – | 8/3/1914 | PUCK |
17626 | VICTOR BAND | AFTER THE BALL, THAT’S ALL | 15067=1 | – | – | 7/15/1914 | – |
17627 | CONWAY’S BAND | LULU FADO LE VRAI FADO POR | 15113=2 | – | – | 8/4/1914 | MILANO |
17627 | CONWAY’S BAND | LOTUS D’OR TA TAO | 15109=1 | – | – | 8/3/1914 | LEFORT |
17628 | CONWAY’S BAND | SWEETIE DEAR | 15123=2 | – | – | 8/6/1914 | JORDAN-EDWARDS |
17628 | CONWAY’S BAND | LA VRAI BRAIZ POLKA | 15106=2 | – | – | 8/3/1914 | – |
17629 | WILL OAKLAND & HENRY BURR | MEET ME IN BLOSSOM TIME | 14996=1 | – | – | 6/24/1914 | SHANNON |
17629 | EDNA BROWN & CHARLES HARRISON | I AM LONGING FOR WHAT MIGHT HAVE BEEN | 14917=2 | – | – | 5/28/1914 | DOWLY |
17630 | ADA JONES | IF THAT’S YOUR IDEA OF WONDERFUL | 15097=2 | – | – | 7/29/1914 | BERLIN |
17630 | GEORGE WATKINS | I CAN’T BELIEVE YOU REALLY LOVE ME | 15073=1 | – | – | 7/17/1914 | ABRAHAMS |
17631A | BILLY MURRAY | WHEN THEY START THE VICTROLA | 15139=2 | – | – | 8/21/1914 | ABRAHAMS |
17631B | ADA JONES & BILLY MURRAY | WHAT A WONDERFUL LOVE THAT WOULD BE | 15095=1 | – | – | 7/29/1914 | WHITING – CUNNINGHAM – Doyle |
17632A | HENRY BURR | WHEN YOU’RE A LONG WAY FROM HOME | 15135=3 | – | – | 8/17/1914 | LEWIS-MEYER |
17632B | HENRY BURR | IN THE PALACE OF DREAMS | 15134=1 | – | – | 8/17/1914 | DANIELS-FRIEDMAN |
17633A | ARTHUR COLLINS-BYRON HARLAN | EVERYBODY LOVES A RAG | 14574=3 | – | – | 3/16/1914 | HARRIMAN |
17633B | HEIDELBERG QT | ROLL THEM COTTON BALES | 15017=2=1 | – | – | 6/26/1914 | JOHNSON |
17634 | REINALD WERRENRATH | WHO IS SYLVIA | 15030=1 | – | – | 7/2/1914 | SCHUBERT |
17634 | DIXON & MacDONOUGH | IT WAS A LOVER AND HIS LASS | 15057=2 | – | – | 7/13/1914 | MORLEY |
17635 | GEOFFREY O’HARA | NAVAJO INDIAN SONG | 15063=3 | – | – | 7/14/1914 | – |
17635 | BLACKFOOT INDIAN TRIBE | GAMBLERS SONG | 14858=1 | – | – | 5/23/1914 | – |
17636 | IRVING KAUFMAN | ALWAYS TREAT HER LIKE BABY | 15158=3 | – | – | 9/4/1914 | BERLIN |
17636 | IRVING KAUFMAN | FATHERLAND, MOTHERLAND, THE LAND OF MY BEST GIRL | 15157=1 | – | – | 8/28/1914 | CARROLL |
17637A | ARTHUR FIELDS | ALONG CAME RUTH | 15146=4 | – | – | 9/2/1914 | IRVING BERLIN |
17637B | BILLY MURRAY | I’LL DO IT ALL OVER AGAIN | 15138=2 | – | – | 8/21/1914 | A.SEYMOUR BROWN-A.GUMBLE |
17638 | CHARLES HARRISON | MARY, YOU’RE A LITTLE BIT OLD FASHIONED | 15029=7 | – | – | 9/10/1914 | MARSHALL |
17638 | CHARLES HARRISON | YOU PLANTED A ROSE IN THE GARDENN OF LOVE | 15019=3 | – | – | 7/7/1914 | BALL |
17639A | AMERICAN Quartet | IT’S A LONG, LONG WAY TO TIPPERARY | 15190=4 | – | – | 9/15/1914 | JACK JUDGE-HARRY WILLIAMS |
17639B | ARTHUR PRYOR’S BAND | SOLDIERS OF THE KING | 14942=1 | – | – | 6/10/1914 | PARRY |
17640 | MILITAR ORKESTERN | KUNGL – SMALANDS ARTILLERI REGIMENT PARADE MARCH | L15011 | – | 70165 | (1914?) | – |
17640 | MILITAR ORKESTERN | KRONOBERGS REGIMENTS PARADMARSH | L10514 | – | 70168 | (1914?) | – |
17641 | ARTHUR CLOUGH | COME BACK TO ME | 15180=1 | – | – | 9/10/1914 | VON TILZER |
17641 | EDNA BROWN & CHARLES HARRISON | WHEN JUNE TIME BRINGS THE ROSES | 15211=3 | – | – | 9/23/1914 | PETRIE |
17642 | CARL BORGWALD | POLKA FANTASTIQUE | L15418 | – | 289281 | (1914?) | – |
17642 | ALBERT MATTHES (cornet solo) | THE SOLDIER’S DREAM | 13679 | – | 285015 | 8/18/1913 | MENDELSSOHN |
17643A | PIETRO Deiro | Italian Favorites (LA SPAGNUOLA / CIRIBIRIBIN) | 14700=1 | – | – | 4/11/1914 | (-) |
17643B | Dr. Clarence PENNEY (mandolin) | AZALEA WALTZ | 15163=2 | – | – | 8/31/1914 | HARTZ |
17644 | VICTOR MILITARY BAND | FREE AND EASY (polka) | 15224=4 | – | – | 9/28/1914 | BERGER |
17644 | VICTOR MILITARY BAND | CASTLE POLKA – TANZWEISE | 15226=3 | – | – | 9/28/1914 | HELMUND |
17645 | ALAN TURNER | MY SOLDIER LAD | 18705=3 | RedSeal | – | 11/13/1916 | – |
17645 | ALAN TURNER | WHEN YOUR BOY COMES BACK TO YOU | 18706=3 | RedSeal | – | 11/13/1916 | – |
17646 | LYRIC QT | PSALM 107: DUNDEE | 15082=2 | – | – | 7/24/1914 | – |
17646 | LYRIC QT | PSALM 100: THE MEAR | 15186=2 | – | – | 9/15/1914 | – |
17647 | Lyric QT | FIRST Nowell | 15081=1 | – | 30933 | 7/24/1914 | – |
17647 | LYRIC QT | NAZARETH | 15080=1 | – | 30921 | 7/24/1914 | GOUNOD |
17648 | CONWAY’S BAND | SOUTHERNER MARCH | 15130=2 | – | 16311 | 8/7/1914 | ALEXANDER |
17648 | CONWAY’S BAND | FIRST BRIGADE MARCH | 15107=5 | – | – | 8/5/1914 | WELDON |
17649 | MORTON HARVEY | AT THE BALL THATS ALL | 15136=6 | – | – | 10/2/1914 | HILL “DARKTOWN FOLLIES” |
17649 | ARTHUR COLLINS-BYRON HARLAN | DO THE FUNNY FOXTROT | 15185=1 | – | – | 9/14/1914 | CARROLL |
17650 | MORTON HARVEY | I WANT TO GO BACK TO MICHIGAN | 15137=6 | – | – | 10/2/1914 | BERLIN |
17650 | AMERICAN Quartet | AT THE MISSISSIPPI CABARET | 15213=1 | – | – | 9/23/1914 | GUMBLE |
17651 | VICTOR BAND | PRIVATE TOMMY ATKINS | 15253=1 | – | – | 10/5/1914 | – |
17651 | VICTOR MILITARY BAND | IT’S A LONG, LONG WAY TO TIPPERARY | 15254=1 | – | – | 10/5/1914 | JACK JUDGE-HARRY WILLIAMS |
17652A | AMERICAN Quartet | WHEN YOU WORE A TULIP and I Wore a Big Red Rose | 15214=2 | – | – | 9/23/1914 | Jack Mahoney – PERCY WENRICH |
17652B | PEERLESS Quartet | THE RED, WHITE AND BLUE | 15209=2 | – | – | 9/21/1914 | George Arthur – Louis A. Hirsch |
17653 | VICTOR ORCHESTRA | VALSE DE LUXE | 18548=1 | RedSeal | – | 10/16/1916 | ECKSTEIN |
17653 | VICTOR BAND | CANADIAN MEDLEY | 18708=4 | RedSeal | – | 11/21/1916 | – |
17654 | WILTON BALLARD | YOU’RE MORE THAN THE WORLD TO ME | 15216=1 | – | – | 9/24/1914 | SOLMAN |
17654 | AL CAMPBELL & HENRY BURR | DIANE OF THE GREEN VAN | 15198=2 | – | – | 9/16/1914 | KLICKMAN |
17655 | PEERLESS QT | HE’S A RAG PICKER | 15208=3 | – | – | 9/21/1914 | BERLIN |
17655 | BILLY MURRAY | POOR PAULINE | 15140=4 | – | – | 10/20/1914 | WALKER |
17656 | US MARINE BAND | KRUPP MARCH | 14609=2 | – | – | 3/21/1914 | WACEK |
17656 | US MARINE BAND | GRAND DUKE OF BADEN MARCH | 14603=2 | – | – | 3/21/1914 | FRIEDMANN |
17657 | MORTON HARVEY | MEMPHIS BLUES | 15244=2 | – | – | 10/2/1914 | WILL HANDY |
17657 | ARTHUR COLLINS-BYRON HARLAN | MISSISSIPPI BARBEQUE | 15071=5 | – | – | 9/14/1914 | REED |
17658 | VICTOR MILITARY BAND | FALL IN LINE SUFFRAGE MARCH | 15068 | – | – | 7/15/1914 | – |
17658 | STEVE PORTER | MISTER DOOLEY’S ADDRESS TO THE SUFFRAGETTES | 15299=1 | – | – | 10/22/1914 | (issued 1915) |
17659 | BILLY MURRAY | I’LL RAISE AN ARMY OF MY OWN | 15280=2 | – | – | 10/16/1914 | ERDMANN |
17659 | BILLY MURRAY | SISTER SUSIE’S SEWING SHIRTS FOR SOLDIERS | 15279=2 | – | – | 10/16/1914 | DAREWSKI |
17660 | ORCHESTRE SYMPHONIQUE DU PARIS | ARLESIENNE | 16186 | – | 30742 | 07/??/15 | – |
17660 | ORCHESTRE SYMPHONIQUE DU PARIS | ARLESIENNE PART 2 | 16187 | – | 30743 | 07/??/15 | – |
17661 | ORCHESTRE SYMPHONIQUE DU PARIS | LA COLOMBE ENTREE | A14394 | – | 30724 | (1915?) | – |
17661 | ORCHESTRE SYMPHONIQUE DU PARIS | TRAVIATA PRELUDE | B5993 | – | 30690 | -1908 | – |
17662 | RAYMOND DIXON | OH MISTRESS MINE / COME AWAY WITH ME | 15040=2 | – | – | 7/2/1914 | – |
17662 | RAYMOND MURPHY | OH TAKE THOSE LIPS AWAY | 15039=4 | – | – | 7/13/1914 | WILSON |
17663A | TUSKAGEE INSTITUTE SINGERS | GOOD NEWS | 15168=1 | – | – | 8/31/1914 | – |
17663B | TUSKAGEE INSTITUTE SINGERS | LIVE A HUMBLE | 15169=1 | – | – | 8/31/1914 | (Old Negro Spiritual) |
17664 | PIETRO DEIRO | METROPOLITAN HITS: HIGH COST OF LOVING | 15266=1 | – | – | 10/9/1914 | WENRICH |
17664 | DEIRO PIETRO’S BAND | CORKER MEDLEY OF ONE STEPS: THEY START A VICTROLA | 15276=2 | – | – | 10/16/1914 | ABRAHAM |
17665 | OLIVE KLINE & LYRIC QT | CHIN CHIN: LOVE MOON – WALTZ SONG | 15310=1 | – | – | 10/28/1914 | – |
17665 | OLIVE KLINE – H.MacDONOUGH | THAT SPARKLING MOSELLE | 15309=2 | – | – | 10/28/1914 | CARYLL “PAPA’S DARLING” |
17666 | AMERICAN QT | TENNESSEE I HEAR YOU CALLING ME | 15306=3 | – | – | 10/27/1914 | GODFREY |
17666 | PEERLESS QT | BACK TO THE CAROLINA YOU LOVE | 15272=3 | – | – | 10/9/1914 | SCHULTZ |
17667 | ADA JONES & BILLY MURRAY | MRS SIPPI YOU’RE A GRAND OLD GAL | 15291 | – | – | 10/20/1914 | ASHLIN |
17667 | PEERLESS QT | PULL FOR SHORE | 15271=5 | – | – | 11/18/1914 | O’KEEFE |
17668A | SOUSA’S BAND | LA MARSELLAISE – NATIONAL AIR OF FRANCE | B8525=1 | VI16514 | 22454 | 12/30/1909 | {DeL’ISLE} |
17668B | VICTOR MILITARY BAND | LA BRABANCOMME (Belgian) | 15199=3 | – | – | 9/28/1914 | – |
17669A | SOUSA’S BAND | DIE WACHT AM RHEIN (National Air of Germany) | 11355=2 | – | B2049 | 12/12/1911 | WILHELM |
17669B | VICTOR MILITARY BAND | AUSTRIAN NATIONAL HYMN (Gott erhalte Franz den Kaiser) | 15359=1 | – | – | 11/9/1914 | HAYDN |
17670 | CARL SCHLEGEL | DEUTSCHLAND UBER ALLES | 15365=3 | – | – | 11/16/1914 | HAYDN |
17670 | CARL SCHLEGEL | DIE WACHT AM RHEIN | 15364=2 | – | – | 11/10/1914 | WILHELM |
17671 | FELIX ARNDT (cello) | ANNIE LAURIE / COMING THRU THE RYE | 15375=1 | – | – | 11/10/1914 | – |
17671 | FELIX ARNDT (cello) | HOME SWEET HOME | 15376=1 | – | – | 11/10/1914 | BISHOP |
17672 | VICTOR BAND | VICTORS MARCH | 15402=2 | – | – | 11/17/1914 | ELBEL |
17672 | VICTOR MILITARY BAND | VARSITY MARCH | 15401=2 | – | – | 11/17/1914 | MOORE |
17673 | VICTOR BAND | IT’S A LONG, LONG WAY TO TIPPERARY | 15254=3 | – | – | 10/13/1914 | WILLIAMS |
17673 | VICTOR BAND | MIDNIGHT WHIRL RAG | 15427=2 | – | – | 11/24/1914 | HEIN |
17674 | FELIX ARNDT | OLD BLACK JOE | 15433=1 | – | – | 11/25/1914 | S.FOSTER |
17674 | FELIX ARNDT | OLD FOLKS AT HOME | 15432=1 | – | – | 11/25/1914 | S.FOSTER |
17675 | CARL SCHLEGEL | AUSTRIAN NATIONAL SONG | 15366=3 | – | – | 11/16/1914 | HAYDN |
17675 | CARL SCHLEGEL | PRINCE EUGEN OF AUSTRIA | 15367=3 | – | – | 11/16/1914 | – |
17676 | REED MILLER | SWEET INNISCARA | 15264=2 | – | – | 10/7/1914 | OCLOTT |
17676 | CHARLES HARRISON | MACHUSLA | 14199=3 | – | – | 11/20/1914 | McMURROUGH |
17677A | VAN EPS TRIO | The Original Foxtrot | 15632=1 | – | – | 1/27/1915 | F. HENRI KLICKMAN |
17677B | SIX BROWN BROTHERS | That MOANING SAXOPHONE RAG | 15362=3 | – | – | 11/20/1914 | HARRY COOK – TOM BROWN |
17678A | PEERLESS Quartet | TIP TOP TIPPERARY MARY | 15406=1 | – | – | 11/18/1914 | CARROLL |
17678B | BILLY MURRAY | WHEN THE GROWN UP LADIES ACT LIKE BABIES (I’ve Got to Love Them All) | 15444=2 | – | – | 11/28/1914 | JOE YOUNG – EDGAR LESLIE – MAURICE ABRAHAMS |
17679A | ADA JONES & BILLY MURRAY | THE WHOLE TOWN IS WISE (I’m In Love With You) | 15096=4 | – | – | 10/20/1914 | JACK DRISLANE – DICK RICHARDS |
17679B | BILLY MURRAY | WHEN YOU’RE WEARING The BALL AND CHAIN | 15443=2 | – | – | 11/30/1914 | HENRY BLOSSOM – VICTOR HERBERT “THE ONLY GIRL” |
17680 | VICTOR BAND | ROULI ROULI | 15329=2 | – | – | 11/17/1914 | SCHWARTZ |
17680 | VICTOR MILITARY BAND | BALANCELLO | 15336=3 | – | – | 11/17/1914 | NOCETTI |
17681 | NEAPOLITAN TRIO | FEDORA GAVOTTE | 14768=16 | – | – | 3/12/1915 | LAPITINO |
17681 | NEAPOLITAN TRIO | IDYLL | 14769=10 | – | – | 6/15/1914 | TED LACK |
17682 | VICTOR MILITARY BAND | CECILE (w) | 15328=2 | – | – | 11/5/1914 | VON DER MEHDEN |
17682 | VICTOR BAND | MILLICENT WALTZ | 15456=1 | – | – | 12/3/1914 | McKEE |
17683 | ARTHUR COLLINS-BYRON HARLAN | I’M GOING BACK TO LOUISIANA | 15184=2 | – | – | 9/14/1914 | KEITHLEY |
17683 | WILL HALLEY | I’M GLAD MY WIFE’S IN EUROPE | 15462=1 | – | – | 12/4/1914 | GOETTLER |
17684A | AMERICAN Quartet | I KNEW HIM WHEN HE WAS ALRIGHT | 15452=1 | – | – | 12/2/1914 | VON TILZER |
17684B | AMERICAN Quartet | CHINATOWN MY CHINATOWN | 15305=2 | – | – | 10/27/1914 | WILLIAM JEROME – JEAN SCHWARTZ |
17685 | AL CAMPBELL & HENRY BURR | IN THE HILLS OF OLD KENTUCKY | 15331=1 | – | – | 11/4/1914 | JOHNSON |
17685 | PEERLESS QT | I’M COMING BACK TO DIXIE AND YOU | 14960=2 | – | – | 6/16/1914 | MULLANE |
17686 | OLIVE KLINE | POPPY LADY / TULIPS / MARGUERITES | 14738=3 | – | – | 10/16/1914 | D.GAYNOR |
17686 | ELSIE BAKER | THE WOODPECKER / ROBIN RED-BREAST / THE OWL | 14429=1 | – | – | 2/9/1914 | – |
17687 | VICTOR BAND | PICK A CHICKEN | 15500=2 | – | – | 12/14/1914 | KAYMAN |
17687 | VICTOR MILITARY BAND | BAYSIDE F.T. | 15499=2 | – | – | 12/14/1914 | WINNE |
17688A | TUSKEGEE INSTITUTE SINGERS | GO DOWN MOSES | 15167=1 | – | – | 8/31/1914 | (Old Negro Spiritual) |
17688B | TUSKEGEE INSTITUTE SINGERS | I WANT TO BE MORE LIKE JESUS | 15170=1 | – | – | 8/31/1914 | – |
17689 | VESSELLA ITALIAN BAND | LE SECRET – INTERMEZZO | 14337=1 | – | – | 1/16/1914 | GAUTIER |
17689 | VICTOR ORCHESTRA | SYLVIA MARCH | 14935=9 | – | – | 10/15/1914 | DELIBES |
17690 | OLIVE KLINE | WHEN YOU’RE AWAY | 15468=2 | – | – | 12/7/1914 | VICTOR HERBERT |
17690 | OLIVE KLINE | CHARME D’AMOUR | 15467=2 | – | – | 12/7/1914 | KENDALL |
17691 | FELIX ARNDT | DRINK TO ME ONLY WITH THINE EYES | 15439=3 | – | – | 12/8/1914 | MOORE |
17691 | FELIX ARNDT | TO A WILD ROSE | 15440=3 | – | – | 12/8/1914 | McDOWELL |
17692 | VICTOR MILITARY BAND | CHUTNEY (ft) | 15403=2 | – | – | 11/17/1914 | MORSE |
17692 | VICTOR MILITARY BAND | SUGAR LUMP | 15457=2 | – | – | 12/3/1914 | AL BRYAN |
17693 | JOHN B WELLS | BOAT SONG | 14979=1 | – | – | 6/22/1914 | WARE |
17693 | JOHN B WELLS | JOY OF THE MORNING | 14980=1 | – | – | 6/22/1914 | WARE |
17694A | Dr. CLARENCE PENNEY, mandolin (Felix Arndt piano) | INDIANOLA PATROL – One STEP | 15143=3 | – | – | 8/31/1914 | B. Hartz |
17694B | Dr. CLARENCE PENNEY, mandolin (Felix Arndt piano) | TOOTS – One STEP | 15141=3 | – | – | 8/31/1914 | FELIX ARNDT |
17695 | REED MILLER | DAU GWINNER BE ER LANDSLIDE | 16226=3 | – | – | 7/23/1915 | STRICKLAND |
17695 | REED MILLER | EXHORTATION | 15265=1 | – | – | 10/7/1914 | COOK |
17696A | EDWARD HAMILTON | The FLAG THAT NEVER COMES DOWN | 15379=1 | – | – | 11/11/1914 | F. RAYMOND COULSON – HERMAN FINCK |
17696B | (-) | BRITISH TROOPS PASSING THROUGH BOULOGNE | A13232 | – | B9973 | (1914?) | (-) |
17697 | HENRY BURR | THERE’S A LITTLE SPARK OF LOVE STILL BURNING | 15282=2 | – | – | 10/19/1914 | FISCHER |
17697 | {Al} CAMPBELL, {HENRY} BURR & {WILL} OAKLAND | EVERYTHING REMINDS ME OF THAT OLD SWEETHEART of Mine | 14998=3 | – | – | 6/24/1914 | HARRISON |
17698 | LYRIC QT & EDWARD HAMILTON | LAND OF HOPE AND GLORY | 15311=2 | – | – | 10/28/1914 | ELGAR |
17698 | CECELIAN QT | HEART OF OAK | A18273 | – | – | (1914?) | – |
17699 | IRVING KAUFMAN | WHERE THE OCEANS MEET IN PANAMA | 15177=2 | – | – | 9/4/1914 | HARRY JENTES |
17699 | IRVING KAUFMAN | UNDERNEATH THE JAPANESE MOON | 15156=2 | – | – | 8/28/1914 | HAENSCHAED “FOLLIES 1914” |
17700A | CHARLES Ross TAGGART | OLD COUNTRY FIDDLER IN NEW YORK | 15532=2 | – | – | 12/21/1914 | (-) |
17700B | CHARLES Ross TAGGART | VIOLIN MIMICRY | 15533=2 | – | – | 12/21/1914 | (-) |
17701A | PALE K. LUA & DAVID K. KAILI of the Irene West Royal Hawaiians | HAWAIIAN WALTZ MEDLEY | 15496=2 | – | – | 12/16/1914 | (-) |
17701B | PALE K. LUA & DAVID K. KAILI of the Irene West Royal Hawaiians | KILIMA WALTZ | 15529=2 | – | – | 12/18/1914 | (-) |
17702 | RAYMOND DIXON (MURPHY) | SIGH NO MORE LADIES | 15038=3 | – | – | 7/13/1914 | STEVENS |
17702 | REINALD WERRENRATH | WHERE THE HONEY BEE SUCKS | 15031=1 | – | – | 7/2/1914 | JOHNSON |
17703 | REINALD WERRENRATH | COME RAGGIO DI SOLE | 15220=2 | – | – | 9/24/1914 | CALDARA |
17703 | REINALD WERRENRATH | VITTORIA MIA CORE | 15219=1 | – | – | 9/24/1914 | CARISSIMI |
17704A | AMERICAN Quartet | ON THE 5:15 | 15548=3 | – | – | 12/28/1914 | STANLEY MURPHY – HENRY I. MARSHALL |
17704B | AMERICAN Quartet | THEY ALL HAD A FINGER IN THE PIE | 15450=3 | – | – | 12/28/1914 | Vincent Bryan – Harry VON TILZER |
17705 | (Unissued) | UNISSUED | – | – | – | – | – |
17706 | (Unissued) | UNISSUED | – | – | – | – | – |
17707A | VICTOR ORCHESTRA | JUPITER SYMPHONY (mozart) | 13669=1 | – | – | 8/5/1913 | MOZART |
17707B | VICTOR CONCERT ORCH | MENUETTO ALLEGRETTO | 13670=2 | – | – | 12/22/1913 | MOZART |
17708A | PEERLESS Quartet | WAY DOWN on TAMPA BAY | 15543=2 | – | – | 12/24/1914 | A. SEYMOUR BROWN – EGBERT VAN ALSTYNE |
17708B | ADA JONES & BILLY MURRAY | I’M GOING TO SETTLE DOWN IN A ONE HORSE TOWN | 15556=2 | – | – | 12/30/1914 | BERLIN |
17709A | PIETRO DEIRO | Tip-Top Medley (When the Grown Up Ladies Act Like Babies; You Great Big Bashful Doll) | 15482=1 | – | – | 12/12/1914 | (-) |
17709B | PIETRO DEIRO | CRACKERJACK MEDLEY (I Want to Go Back to Michigan; Back to the Carolina You Love) | 15651=2 | – | – | 2/2/1915 | (-) |
17710A | PALE K. LUA & DAVID K. KAILI of the Irene West Royal Hawaiians | KOHALA MARCH | 15493=3 | – | – | 12/18/1914 | (-) |
17710B | PALE K. LUA & DAVID K. KAILI of the Irene West Royal Hawaiians | HONOLULU MARCH | 15527=1 | – | – | 12/12/1914 | (-) |
17711 | EDWARD HAMILTON | FOR KING & COUNTRY | 15378=2 | – | – | 11/11/1914 | HARKNESS |
17711 | ELSIE BAKER | YOUR KING AND YOUR COUNTRY WANT YOU | 15307=2 | – | – | 10/27/1914 | RUBENS |
17712 | VICTOR BAND | SAMBRE ET MUESSE | 15551=2 | – | – | 12/29/1914 | TURLET |
17712 | VICTOR BAND | PERE DE LA VICTOIRE | 15552=2 | – | – | 12/29/1914 | – |
17713 | HOMER RODEHEAVER | JESUS BLESSED JESUS | 13754=1 | – | – | 9/11/1913 | ACKLEY |
17713 | HOMER RODEHEAVER | JESUS REMEMBERED YOU | 13766=1 | – | – | 9/11/1913 | GABRIEL |
17714 | HOMER RODEHEAVER | HOW SWEET IS HIS LOVE | 13755=1 | – | – | 9/11/1913 | EXCELL |
17714 | HOMER RODEHEAVER | EVENING PRAYER | 13751=1 | – | – | 9/10/1913 | GABRIEL |
17715A | RAYMOND DIXON | GOODBYE GIRLS I’M THROUGH (from ‘Chin Chin’) | 15596=3 | – | – | 1/14/1915 | JOHN GOLDEN-IVAN CARYLL |
17715B | BILLY MURRAY | RAGTIME TEMPLE BELLS (from ‘Chin Chin’) | 15557=1 | – | – | 12/30/1914 | JAMES O’DEA-IVAN CARYLL |
17716 | HENRY BURR | STAY DOWN WHERE YOU BELONG | 15590=1 | – | – | 1/13/1915 | BERLIN |
17716 | MORTON HARVEY | I DIDN’T RAISE MY BOY TO BE A SOLDIER | 15553=6 | – | – | 1/8/1915 | PIANTADOSI |
17717 | OLIVE KLINE | OPHELIA AIRS (hamlet) | 15077=5 | – | – | 4/21/1915 | SHAKESPEARE “HAMLET” |
17717 | RAYMOND DIXON’S QT | BLOW THOU WINTER WIND | 15058=4 | – | – | 12/23/1914 | STEVENS |
17718 | REINALD WERRENRATH | O CESSATE DI PIAGARMI | 15217=1 | – | – | 9/24/1914 | CARLATTI |
17718 | REINALD WERRENRATH | CARO MIO BEN | 15218=2 | – | – | 9/24/1914 | GIORDANO |
17719 | OLIVE KLINE | JACK IN THE PULPIT / IN THE BALFRY / CORN SOLDIERS | 15188=3 | – | – | 11/2/1914 | – |
17719 | OLIVE KLINE | RIGGETY JIG / SINGING SCHOOL / DANCING SONG | 15189=1 | – | – | 9/15/1914 | – |
17720 | FLORENTINE Quartet | DREAM VISIONS INTERMEZZO | 15196=6 | – | – | 12/22/1914 | STIX |
17720 | VENETIAN TRIO | LOVE’S DREAM AFTER THE BALL | 15175=7 | – | – | 11/18/1914 | CZIBULKA |
17721 | AL CAMPBELL & HENRY BURR | IN THE LAND OF LOVE WITH THE SONGBIRDS | 15273=3 | – | – | 10/9/1914 | RIGA |
17721 | HENRY BURR | DRESS MY MOTHER WORE | 15283=2 | – | – | 10/19/1914 | MARSHALL |
17722 | EDNA BROWN & CHARLES HARRISON | CALLING ME HOME | 15479=3 | – | – | 12/10/1914 | BARRETT |
17722 | EDNA BROWN | IN THE SHADOW OF THE SYCAMORE | 15478=1 | – | – | 12/10/1914 | BENNETT |
17723 | PEERLESS QT | VIRGINIA LEE | 15588=2 | – | – | 1/13/1915 | LANGE |
17723 | HARRY MacDONOUGH | SWEET KENTUCKY LADY | 15649=2 | – | – | 2/2/1915 | HIRSCH |
17724 | MacDONOUGH – WERRENRATH – DIXON | ARIELS / GRETCHEN / WHEN I WAS A TINY LITTLE BOY | 15615=2 | – | – | 1/21/1915 | – |
17724 | DIXON – HOOLEY – WERRENRATH | GREENSLEEVES / COME UNTO THE YELLOW SANDS | 15061=5 | – | – | 1/21/1915 | PURCELL |
17725 | VICTOR MALE QT | WAR SONGS OF THE NORMANS | 15544=2 | – | – | 12/23/1914 | – |
17725 | R .WERRENRATH & R.DIXON | DUKE OF MARLBOROUGH | 15616=1 | – | – | 1/21/1915 | – |
17726 | VICTOR MILITARY BAND | FIORA (w) | 15501=1 | – | – | 1/19/1915 | (C1=12/14/14) |
17726 | VICTOR MILITARY BAND | MARIE VALSE | 15458=1 | – | – | 1/12/1915 | ISRAEL |
17727 | VICTOR MILITARY BAND | PIGEON WALK | 15607=2 | – | – | 1/19/1915 | JAMES MONACO |
17727 | VICTOR MILITARY BAND | WATCH YOUR STEP MEDLEY | 15608=1 | – | – | 1/19/1915 | BERLIN |
17728A | ARTHUR COLLINS-BYRON HARLAN | DOODLE OODLE DEE | 15602=1 | – | – | 1/15/1915 | MORSE |
17728B | WILL HALLEY | RUFF JOHNSON’S HARMONY BAND | 15461=2 | – | – | 12/4/1914 | ABRAHAMS |
17729 | VESSELA’S ITALIAN BAND | AIDA PRELUDE | 14303=2 | – | – | 1/28/1914 | VERDI |
17729 | VESSELA’S ITALIAN BAND | TRAVIATA PRELUDE | 14316=2 | – | – | 1/14/1914 | VERDI |
17730 | US MARINE BAND | TREU DER FLAGGE | 14607=1 | – | – | 3/21/1914 | VON BLOM |
17730 | US MARINE BAND | UNTER DEM GARTENSTERN | 14594=1 | – | – | 3/20/1914 | STREIBERTZ |
17731 | US MARINE BAND | TREU ZU KAISER UND REICH | 14601=1 | – | – | 3/20/1914 | WARNKEN |
17731 | US MARINE BAND | MIT BOMBEN | 14616=2 | – | – | 3/20/1914 | BILSE |
17732 | AL CAMPBELL & HENRY BURR | WHEN MY SHIP COMES IN | 15624=3 | – | – | 1/25/1915 | VON TILZER |
17732 | JAMES HARRISON-JAMES REED | LITTLE HOUSE UPON THE HILL | 15612=2 | – | – | 1/20/1915 | ROGERS |
17733A | VICTOR MILITARY BAND | HAWAIIAN MEDLEY Waltz: ALOHA OE / ONE TWO THREE FOUR | 15610=1 | – | – | 1/19/1915 | (-) |
17733B | CONWAY’S BAND, Patrick Conway, Dir. | HOME SWEET HOME Medley Waltz | 15122=2 | – | – | 8/5/1914 | R. E. HILDRETH |
17734 | PEERLESS QT | LUCILLE LOVE | 15545=3 | – | – | 12/24/1914 | MOTZAN |
17734 | HARRY MacDONOUGH | ZUDORA | 15650=2 | – | – | 2/2/1915 | SHAMMAN |
17735A | CHARLES GORST | SONGS OF OUR NATIVE BIRDS NO.3 | 15647=1 | – | – | 1/30/1915 | (-) |
17735B | CHARLES GORST | SONGS OF OUR NATIVE BIRDS NO.4 | 15648=1 | – | – | 1/30/1915 | – |
17736 | PEERLESS QT | DON’T TAKE MY DARLING BOY AWAY | 15811=3 | – | – | 4/7/1915 | VONN TILZER |
17736 | PEERLESS QT | I’M ON MY WAY TO DUBLIN BAY | 15810=1 | – | – | 3/18/1915 | MURPHY |
17737A | CHARLES Ross TAGGART | The OLD SOLDIER’S VISION | 15599 | – | – | 1/14/1915 | (-) |
17737B | CHARLES Ross TAGGART | OLD COUNTRY FIDDLER IN A NEW YORK RESTAURANT | 15601=2 | – | – | 1/14/1915 | (-) |
17738 | CANTOR G.SIROTA | HIMOZE IOPU | 11584 | vi61100 | – | 02/??/12 | – |
17738 | CANTOR G.SIROTA | MI SCHEOSO NISSIM | 11589 | VI61103 | L11589? | 02/??/12 | – |
17739 | CANTOR G.SIROTA | JAALE-LET OUR PRAYER ASCEN | 11583 | Vi61102 | – | 02/??/12 | – |
17739 | CANTOR G.SIROTA | JISGADAL WEJISKADASH | 11574 | Vi61106 | – | 02/??/12 | – |
17740 | CANTOR G.SIROTA | REZEI-ACCEPT OUR PRAYERS | 11585 | Vi61101 | – | 02/??/12 | – |
17740 | CANTOR G.SIROTA | WESEERAW OLECHO | 11572 | Vi61104 | – | 02/??/12 | – |
17741 | CANTOR G.SIROTA | UMSANEI TEIKEF | X102742 | V-7095 | 64274 | (1914?) | – |
17741 | CANTOR G.SIROTA | BROISCH HASHONI | X102743 | V-7096 | 64275 | (1914?) | – |
17742 | MURRAY JOHNSON | THEY SANG GOD SAVE THE KING | A18717 | – | – | (1914?) | – |
17742 | EDWARD HAMILTON | TAKE ME BACK TO CANADA | 15641=3 | – | – | 1/29/1915 | BECK |
17743 | MURRAY JOHNSON | WHEN WE’VE WOUND UP WATCH | A18721 | – | – | (1914?) | – |
17743 | MURRAY JOHNSON | GOOSE STEP | A18727 | – | – | (1914?) | – |
17744 | CANTOR G.SIROTA | W’NEMAR LOI HIBIT OWOJA | X102301 | V-1223 | 64384 | (1914?) | – |
17744 | CANTOR G.SIROTA | WESEERAW OLECHO | X102313 | V-1235 | 64229 | (1914?) | – |
17745 | CANTOR G.SIROTA | EIL MOLEI RACHMIM | X102750 | V-7110 | 64231 | (1914?) | – |
17745 | CANTOR G.SIROTA | KAWOKORES ROHE ADRE | X102749 | V-7109 | Vi64276 | (1914?) | – |
17746 | CANTOR G.SIROTA | IRU EINEINU | X102303 | V-1225 | 64385 | (1914?) | – |
17746 | CANTOR G.SIROTA | HABEIN JAKIR LI | X102737 | V-7090 | 64272 | (1914?) | – |
17747 | FLORENTINE QT | MELODY OF LOVE | 15689=1 | – | – | 2/8/1915 | ENGELMANN |
17747 | NEAPOLITAN TRIO | AT THE MOUNTAIN INN – IDYLL | 15405=4 | – | – | 1/25/1915 | LABITSKY |
17748 | PEERLESS QT | WATCH YOUR STEP: THAT SYNCOPATED WALK | 15733=2 | – | – | 2/24/1915 | BERLIN |
17748 | PEERLESS QT | SOUTHERN HOSPITALITY | 15734=2 | – | – | 2/24/1915 | WALKER |
17749 | TOLLEFSON TRIO | ROMANCE (rubinstein) | 14926=2 | – | – | 6/2/1914 | RUBINSTEIN |
17749 | TOLLEFSON TRIO | SIEGMUND LOVE SONG | 14924=1 | – | – | 6/2/1914 | WAGNER |
17750 | THOMPSON | THEY START IN TO DO BATTLE AGAIN | 15739=4 | – | – | 3/2/1915 | LESLIE |
17750 | THOMPSON | ISADORA | 15740=4 | – | – | 3/2/1915 | FISCHER |
17751 | AMERICAN QT | WAY DOWN EAST TONIGHT | 15451=7 | – | – | 3/2/1915 | MAGNIN |
17751 | AMERICAN QT | COME OVER TO DOVER | 15751=2 | – | – | 3/2/1915 | GEORGE BOTSFORD |
17752 | HENRY BURR | MAYBE A DAY, MAYBE A YEAR | 15735=2 | – | – | 2/24/1915 | JAMES MONACO |
17752 | AL CAMPBELL & HENRY BURR | DON’T BLAME ME FOR WHAT HAPPENS IN THE MOONLIGHT | 15622=2 | – | – | 1/25/1915 | GRANT-YOUNG |
17753 | JAMES HARRISON-JAMES REED | OVER THE HILLS TO MARY | 15613=2 | – | – | 1/20/1915 | WELLS |
17753 | HARRY MacDONOUGH | IN THE GARDEN OF THE GODS | 15756=1 | – | – | 3/3/1915 | BALL |
17754 | LYRIC QT | I WANT TO GO TO TOKIO | 15757=2 | – | – | 3/3/1915 | FISCHER |
17754 | LYRIC QT | I’M LOOKING FOR SOMEONE’S HEART | 15758=2 | – | – | 3/3/1915 | ROMBERG “Maid in America” |
17755 | BILLY MURRAY | THE LITTLE FORD RAMBLED RIGHT ALONG | 15755=1 | – | – | 3/3/1915 | BYRON GAY |
17755 | ARTHUR COLLINS-BYRON HARLAN | AUNTIE SKINNER’S CHICKEN DINNER | 15747=2 | – | – | 3/1/1915 | MORSE |
17756A | SAMUEL GARDNER (violin) | ANNIE LAURIE | 15706=2 | – | – | 2/15/1915 | – |
17756B | SAMUEL GARDNER (violin) | MY OLD KENTUCKY HOME | 15704=2 | – | – | 2/15/1915 | FOSTER |
17757 | LANNER QT | DORFSCHWALBEN AUS OSTERREICH PT.1 | 528180 | V-15316 | – | – | – |
17757 | LANNER QT | DORFSCHWALBEN AUS OSTERREICH PT.2 | A15317 | – | 528181 | – | – |
17758 | EDNA BROWN & CHARLES HARRISON | WE’LL TAKE CARE OF YOU ALL | 15814=2 | – | – | 3/19/1915 | J.KERN “LITTLE REFUGEES” |
17758 | PEERLESS QT | I’M PROUD TO BE THE MOTHER OF A BOY LIKE YOU | 15864=1 | – | – | 4/7/1915 | VONN TILZER |
17759 | BAND OF HM COLDSTREAM GUARDS | FOUR FLAGS MARCH | A18704e | – | 3-224 | (1915?) | (Maybe reversed with Vi17758) |
17759 | BAND OF HM COLDSTREAM GUARDS | WAKE UP ENGLAND MARCH | A18702 | – | 3-225 | (1915?) | – |
17760 | RAYMOND DIXON | MERCI CLAMANT | 15803=2 | – | – | 3/17/1915 | – |
17760 | RAYMOND DIXON | ROBINS M’AIME | 15594=3 | – | – | 3/17/1915 | – |
17761 | VICTOR BAND COUNTRY DANCES | SEVEN PRETTY GIRLS / FIRST DAY OF MAY | 15485=1 | – | – | 12/11/1914 | – |
17761 | VICTOR BAND | COME LET US BE JOYFUL / LASSIES’ DANCE | 15486=1 | – | – | 12/11/1914 | – |
17762 | EDNA BROWN & CHARLES HARRISON | FLAME OF LOVE | 15815=3 | – | – | 3/19/1915 | FRIML “Peasant Girl” |
17762 | AL CAMPBELL & HENRY BURR | MY OWN VENETIAN ROSE | 15828=3 | – | – | 3/24/1915 | GLOGAU-McCARTHY |
17763 | HOMER RODEHEAVER | I WALK WITH THE KING | 15856=1 | – | – | 4/3/1915 | ACKLEY |
17763 | HOMER RODEHEAVER | BRIGHTEN THE CORNER WHERE YOU ARE | 15855=1 | – | – | 4/3/1915 | GABRIEL |
17764 | VICTOR MILITARY BAND | BLAME IT ON THE BLUES | 15835=5 | – | – | 4/8/1915 | COOKE |
17764 | VICTOR MILITARY BAND | I WANT TO GO TO TOKIO | 15868=2 | – | – | 4/8/1915 | FISCHER |
17765 | HENRY BURR | YOU ARE THE ROSE OF MY HEART | 15332=3 | – | – | 4/7/1915 | KENDIS |
17765 | CHARLES HARRISON | RUNAWAY JUNE | 15826=2 | – | – | 3/24/1915 | FREEMAN |
17766 | VICTOR BAND | VENUSREIGEN WALTZ | 15797=2 | – | – | 3/16/1915 | GUNGL |
17766 | VICTOR BAND | EMPEROR MARCH | 15867=2 | – | – | 4/8/1915 | VON BLOM |
17767A | IRENE WEST ROYAL HAWAIIAN ORCH | HILO HAWAIIAN MARCH | 15523=1 | – | – | 12/17/1914 | (-) |
17767B | PALE K. LUA & DAVID KAILI of the Irene West Royal Hawaiians | WAILANA WALTZ (Drowsy Waters) | 15583=2 | – | – | 1/12/1915 | (-) |
17768A | NAT M WILLS (comic) | DARKY STORIES – TWO COON STORIES | 13845=2 | – | – | 2/10/1915 | NAT WILLS |
17768B | NAT M WILLS (comic) | TOO MUCH DOG | 13841=2 | – | – | 2/10/1915 | NAT WILLS |
17769 | AMERICAN QT | EVERYBODY RAG WITH ME | 15869=1 | – | – | 4/9/1915 | KAHN-LEBOY |
17769 | BILLY MURRAY | YOU DON’T KNOW HOW GLAD I AM TO GET BACK HOME | 15754=3 | – | – | 4/13/1915 | BALL |
17770 | HERBERT STUART (WIEDERHOLD) | I WANT TO BE THERE | 15862=4 | – | – | 4/12/1915 | MONACO |
17770 | PEERLESS QT | MY BIRD OF PARADISE | 15865=1 | – | – | 4/7/1915 | BERLIN |
17771 | CANTOR G.SIROTA | BERCHOS KOHANIM | X102754 | Vi64228 | B7114 | – | – |
17771 | CANTOR G.SIROTA | AW HORACHIM | X102300 | Vi64383 | V-1224 | – | – |
17772 | VESSELA BANDA ITALIANO | FOR ROSETTA TARANTELLA | 12603=1 | – | – | 11/8/1912 | ARDITI |
17772 | BANDA ITALIAN | GEISHA (the) | 14320=1 | – | – | 1/14/1914 | JONES |
17773 | HOMER RODEHEAVER | SINCE JESUS CAME INTO MY HEART | 15860=1 | – | – | 4/3/1915 | GABRIEL |
17773 | HOMER RODEHEAVER | SWEETER AS THE YEARS GO BY | 15859=1 | – | – | 4/3/1915 | MORRIS |
17774A | PALE K. LUA & DAVID KAILI of the Irene West Royal Hawaiians | CUNHA MEDLEY | 15582=2 | – | – | 1/12/1915 | (-) |
17774B | PALE K. LUA & DAVID KAILI of the Irene West Royal Hawaiians | HULA MEDLEY | 15576=1 | – | – | 1/7/1915 | (-) |
17775 | HERBERT STUART (R.WIEDERHOLD) | SOLDIERS OF THE KING | 15863=4 | – | – | 4/12/1915 | HERBERT STUART |
17775 | EDWARD HAMILTON (R.WERRENRATH) | HIGHLANDERS FIX BAYONETS | 15642=1 | – | – | 1/29/1915 | O’HARA |
17776 | OLIVE KLINE | TIDDLELY WINKS | 14727=4 | – | – | 3/14/1916 | – |
17776 | OLIVE KLINE | BLUE BIRD / MR DUCK & MRS TURKEY | 14726=4 | – | – | 4/21/1915 | – |
17777 | VICTOR BAND FOLK DANCE RECORD | OSTGOTA POLSKA | 15488=1 | – | – | 12/11/1914 | – |
17777 | VICTOR BAND | DANCE OF THE PEOPLE: SEVEN JUMPS | 15487=1 | – | – | 12/11/1914 | – |
17778 | LYRIC QT | DOWN AMONG THE SHELTERING PALMS | 15924=1 | – | – | 4/21/1915 | OLMAN |
17778 | HARRY MacDONOUGH | WHEN I WAS A DREAMER | 15923=1 | – | – | 4/21/1915 | VAN ALSTYNE |
17779 | PEERLESS QT | SOMEBODY KNOWS | 15589=2 | – | – | 1/13/1915 | VON TILZER |
17779 | AL CAMPBELL & HENRY BURR | MOONLIGHT ON THE RHINE | 15829=2 | – | – | 3/24/1915 | SNYDER “One Girl in Million” |
17780 | CHARLES HARRISON | MOTHER MACHREE | 15827=4 | – | – | 4/6/1915 | OLCOTT-BALL |
17780 | CHARLES HARRISON | LITTLE BIT OF HEAVEN | 15861=3 | – | – | 4/6/1915 | BALL |
17781A | VICTOR Military BAND | ON, WISCONSIN! | 15316=2 | – | – | 10/29/1914 | W. T. PURDY |
17781B | VESSELLA’S ITALIAN BAND | PASADENA DAY MARCH | 12570=1 | – | – | 11/6/1912 | Marco VESSELLA |
17782A | OLIVE KLINE-ELSIE BAKER | WHISPERING HOPE | 15466=3 | – | – | 12/7/1914 | Alice HAWTHORNE |
17782B | OLIVE KLINE | ABIDE WITH ME | 15465=3 | VI19873 | – | 12/7/1914 | Henry F. Lyte – William H. MONK |
17783 | ARTHUR COLLINS-BYRON HARLAN | MINSTREL PARADE | 15746=5 | – | – | 4/28/1915 | BERLIN |
17783 | AMERICAN QT | BACK TO DIXIELAND | 15870=1 | – | – | 4/9/1915 | YELLEN |
17784 | VENETIAN TRIO | TWILIGHT (crepuscule) | 15731=2 | – | – | 2/24/1915 | MASSENET |
17784 | FLORENTINE QT | ALBUM LEAF | 14933=2 | – | – | 6/3/1914 | WAGNER |
17785 | VESSELA’S ITALIAN BAND | SERENADE FRANZ DIRGO | 14321=2 | – | – | 1/14/1914 | DRDLA |
17785 | CONWAY’S BAND | LA MANOLA | 12216=3 | – | – | 7/23/1912 | EILENBERG |
17786 | HOMER RODEHEAVER | HE KNOWS THE WAY | 15858=2 | – | – | 4/3/1915 | ACKLEY |
17786 | HOMER RODEHEAVER | I AM COMING HOME | 15857=2 | – | – | 4/3/1915 | ACKLEY |
17787A | NEAPOLITAN TRIO | O SOLE MIO | 15667=1 | – | – | 2/4/1915 | DiCAPUA |
17787B | NEAPOLITAN TRIO | FAREWELL TO NAPLES | 14454=6 | – | – | 8/18/1914 | – |
17788 | EMIL MUENCH | HERZ AM RHEIN | 15953=2 | – | – | 4/26/1915 | – |
17788 | EMIL MUENCH | DEUTSCHE MUTTER | 15951=2 | – | – | 4/26/1915 | NEEB |
17789 | WILL OAKLAND & HENRY BURR | DEAR LOVE DAYS | 14997=2 | – | – | 6/24/1914 | THEODORE MORSE |
17789 | JAMES HARRISON-JAMES REED | MY LITTLE DREAM GIRL | 15981=3 | – | – | 5/4/1915 | FRIEDLAND |
17790 | EDNA BROWN | SPRINKLE ME WITH KISSES | 16006=1 | – | – | 5/7/1915 | CARROLL-BALL |
17790 | BILLY MURRAY | NOBODY HOME: THE MAGIC MELODY | 16004=2 | – | – | 5/7/1915 | KERN “NOBODY HOME” |
17791 | US MARINE BAND | IN THE LEAD MARCH | 14602=2 | – | – | 3/20/1914 | JEWELL |
17791 | US MARINE BAND | OLD COMRADES MARCH | 14610=1 | – | – | 3/22/1914 | TEIKE |
17792 | BILLY MURRAY | I WONDER WHO WISHED HER ON ME | 16005=2 | – | – | 5/7/1915 | VON TILZER |
17792 | IRVING KAUFMAN | SHE LIVES DOWN IN OUR ALLEY | 15995=2 | – | – | 5/5/1915 | BAYHA |
17793 | RAYMOND DIXON | IL BIANCO CIGNO | 15804=2 | – | – | 3/17/1915 | – |
17793 | RAYMOND DIXON | MON COUR SE RECOMENDE A VO | 15812=2 | – | – | 3/17/1915 | – |
17794 | CHARLES TAGGART | PINEVILLE BAND | 15600=3 | – | – | 4/12/1915 | – |
17794 | CHARLES TAGGART | AT THE COUNTY FAIR | 15886=2 | – | – | 4/12/1915 | – |
17795 | ALEXANDER PRINCE’S BAND | SKOTLANDSPOJKAR | 79127 | V-8069 | – | (1915?) | – |
17795 | ALEXANDER PRINCE’S BAND | UNDER FRIEHEITSBANERET | 79126 | V-8065 | – | (1915?) | – |
17796 | CANTOR G.SIROTA | KWOJDO UND MIMKOJMO | X102302 | V-1224 | – | – | – |
17796 | CANTOR G.SIROTA | HAMCHADEISCH B’TUWO | X102308 | V-1230 | – | – | – |
17797 | CANTOR G.SIROTA | W’ANI SFILOSSI | X102304 | V-1226 | – | – | – |
17797 | CANTOR G.SIROTA | SOCHARTI LOCH | X102306 | V-1228 | – | – | – |
17798 | CANTOR G.SIROTA | REZEI WIMNUCHOSEINU | X102379 | V-1237 | – | – | – |
17798 | CANTOR G.SIROTA | L’DOJR WODOJR | X102307 | V-1229 | – | – | – |
17799 | BROWN BROTHERS SEXTET | CHICKEN REEL MEDLEY | 15360=5 | – | – | 2/15/1915 | – |
17799 | FRED VAN EPS TRIO | I WONDER WHAT WILL WILLIAM DO | 15633=2 | – | – | 1/27/1915 | ALLEN |
17800 | BERKES HUNGARIAN ORCH | A HARSFA ALATT | X100778 | V-5810 | – | – | KERINGO |
17800 | BERKES HUNGARIAN ORCH | TOUTE PASSE | X100779 | V-5811 | – | – | KERINGO |
17800 | PRIMROSE QT | SEVEN LAST WORDS OF CHRIST | – | – | – | – | – |
17801 | VICTOR BAND | COUNTRY DANCES: JAMAICA | 15913=1 | – | – | 4/15/1915 | – |
17801 | COUNTRY DANCES | ROW WELL YE MARINERS | 15914=1 | – | – | 4/15/1915 | – |
17802 | DEIRO PIETRO’S BAND | VERONA WALTZ | 15484=1 | – | – | 12/11/1914 | – |
17802 | DEIRO PIETRO’S BAND | ITALIAN & SPANISH FAVORITES: SORELLA / PALOMA | 14640=2 | – | – | 4/11/1914 | – |
17803A | PALE K. LUA & DAVID K. KAILI of the Irene West Royal Hawaiians | ALOHA OE! (Farewell to Thee) | 15540=5 | HMV17803 | – | 1/12/1915 | (-) |
17803B | PALE K. LUA | THE ROSARY | 15494=2 | HMV17803 | – | 12/18/1914 | NEVIN |
17804 | IRENE WEST | PAPIO HULA MEDLEY | 15522=2 | – | – | 12/17/1914 | – |
17804 | PALE LUA & DAVID KAILI | UA LIKE NO A LIKE | 15495=1 | – | – | 12/16/1914 | – |
17805 | VICTOR CONCERT ORCH | SONGS WITHOUT WORDS #9 | 15713=3 | – | – | 2/17/1915 | MENDELSSOHN |
17805 | VICTOR CONCERT ORCH | SONGS WITHOUT WORDS #22 | 15954=4 | – | – | 5/20/1915 | MENDELSSOHN |
17806 | ELSIE BAKER | OH PROMISE ME | 15322=4 | – | – | 3/12/1915 | DeKOVEN “ROBIN HOOD” |
17806 | ELSIE BAKER | IN THE GLOAMING | 13444=4 | – | – | 9/11/1913 | HARRISON |
17807A | PALE K. LUA & DAVID K. KAILI of the Irene West Royal Hawaiians | MINNEHAHA MEDLEY Waltz | 15565=1 | – | – | 1/6/1915 | – |
17807B | PALE K. LUA & DAVID K. KAILI of the Irene West Royal Hawaiians | INDIANA MARCH | 15538=2 | – | – | 12/22/1914 | (-) |
17808 | VICTOR MILITARY BAND | BOOSTER (ft) (lake) | 16066=2 | – | – | 6/3/1915 | M.L.LAKE |
17808 | VICTOR MILITARY BAND | GLAD RAGS – ONE STEP | 16065=2 | – | – | 6/3/1915 | – |
17809 | BILLY MURRAY | ARE YOU THE O’REILLY? | 16084=1 | – | – | 6/9/1915 | EMMETT |
17809 | BILLY MURRAY | WAR IN SNYDER’S GROCERY STORE | 15289 | – | – | 10/20/1914 | – |
17810A | Albert CAMPBELL & HENRY BURR | MY LITTLE GIRL | 16073=1 | – | – | 6/4/1915 | LEWIS – DILLON – A. VON TILZER |
17810B | PEERLESS Quartet | There’s a LITTLE WHITE CHURCH IN THE VALLEY | 16033=2 | – | – | 5/18/1915 | JEFF BRANEN – ARTHUR LANGE |
17811 | LYRIC QT | ONE WONDERFUL NIGHT | 16061=1 | – | – | 6/1/1915 | JONES |
17811 | LYRIC QT | YOU FOR ME IN SUMMERTIME | 16062=2 | – | – | 6/1/1915 | INGRAHAM |
17812 | JAMES HARRISON-JAMES REED | OPEN UP YOUR HEART | 16097=2 | – | – | 6/11/1915 | LEE |
17812 | JAMES HARRISON-JAMES REED | MY HULA MAID | 16094=3 | – | – | 6/11/1915 | EDWARDS |
17813 | IRVING KAUFMAN | IF WE CAN’T BE THE SAME OLD SWEETHEARTS, WE’LL JUST BE THE SAME OLD FRIENDS | 15997=1 | – | – | 5/5/1915 | JAMES MONACO |
17813 | PEERLESS Quartet | JANE | 16095=3 | – | – | 6/11/1915 | MOHR |
17814 | ENRICO CARUSO | AGNES DEI | A6010 | – | 88425 | 2/23/1916 | – |
17814 | ENRICO CARUSO | HOSANA | A6022 | Unissued | 88403 | 2/23/1916 | – |
17815 | VICTOR CONCERT ORCH | WILLIAM TELL OVERTURE PT.1 | 16014 | – | – | 5/12/1915 | – |
17815 | VICTOR CONCERT ORCH | WILLIAM TELL OVERTURE PT.2 | 16015 | – | – | 5/12/1915 | – |
17816 | VENETIAN TRIO | OH PROMISE ME | 16040=1 | – | – | 5/21/1915 | DeKOVEN “ROBIN HOOD” |
17816 | NEAPOLITAN TRIO | SILVER THREADS AMONG THE GOLD | 13375 | – | – | 3/12/1915 | – |
17817 | McKEE’S ORCHESTRA | FOX TROT DAY | 15791=4 | – | – | 4/13/1915 | McKEE |
17817 | McKEE’S ORCHESTRA | WHEN THE WAR IS OVER | 15790=5 | – | – | 4/13/1915 | McKEE |
17818 | RALPH BINGHAM | MRS RASTUS ON TELEPHONE | 15872=2 | – | – | 4/9/1915 | BINGHAM |
17818 | RALPH BINGHAM | JESTS FROM GEORGIA | 15874=5 | – | – | 6/7/1915 | RALPH BINGHAM |
17819A | BILLY MURRAY & WILL OAKLAND | MA PICKANNINY BABE | 15043=2 | – | – | 7/6/1914 | Chas. JOHNSON |
17819B | WILL OAKLAND | WHEN IT’S MOONLIGHT IN MAYO | 16075=1 | – | – | 6/4/1915 | PERCY WENRICH |
17820A | CAL STEWART | WAR TALK AT PUN’KIN CENTRE | 16102=1 | – | – | 6/14/1915 | {CAL STEWART} |
17820B | CAL STEWART | UNCLE JOSH IN A BARBER SHOP | 16068=1 | – | – | 6/4/1915 | {CAL STEWART} |
17821 | VICTOR BAND | DANISH DANCE: THREE MEN’S REEL | 15490=1 | – | – | 12/11/1914 | – |
17821 | HUNGARIAN DANCE ORCH | CSHEBOGAR | 15489=1 | – | – | 12/11/1914 | – |
17822A | SIX BROWN BROTHERS | LA PALOMA | 15361=3 | – | – | 11/20/1914 | YRADIER |
17822B | SIX BROWN BROTHERS | INDEPENDENTIA MEDLEY MARCH | 15414=9 | – | – | 6/25/1915 | (-) |
17823 | AMERICAN Quartet | WAR SONG MEDLEY | 16071=1 | – | – | 6/4/1915 | – |
17823 | WILL OAKLAND | OLD TIME SONG MEDLEY | 12889 | – | – | 2/10/1913 | – |
17824 | HELEN CLARK & HENRY BURR | MOTHER | 14515 | – | – | 2/26/1914 | FREDERICKS |
17824 | ALTHOUSE | PAGLIACCI: VESTI LA GIUBBA | 14787=1 | – | – | 5/1/1914 | LEONNCAVALLO |
17825 | PEERLESS QT | WE’LL HAVE A JUBILEE IN THE OLD TOWN | 16034=7 | – | – | 6/21/1915 | W.DONALDSON |
17825 | ARTHUR COLLINS-BYRON HARLAN | ALABAMA JUBILEE | 15964 | – | – | 4/28/1915 | COBB |
17826A | BILLY MURRAY | IF WAR IS WHAT SHERMAN SAID | 16186=2 | – | – | 7/8/1915 | GUMBLE |
17826B | BILLY MURRAY | SOME LITTLE BUG WILL FIND YOU | 16085=4 | – | – | 7/8/1915 | HEIN “ALL OVER TOWN” |
17827 | AL CAMPBELL & HENRY BURR | NORWAY THE LAND OF THE MIDNIGHT SUN | 16072=3 | – | – | 6/4/1915 | FISCHER |
17827 | PEERLESS QT | OH YOU BUNDLE OF YOU | 16096=2 | – | – | 6/11/1915 | LANGE |
17828 | CANTOR G.SIROTA | MOGEIN OWOJSS | X102314 | V-7094 | – | – | – |
17828 | CANTOR G.SIROTA | ISMUCHO WEMATCH USCHO | X102741 | – | – | – | – |
17829 | CANTOR G.SIROTA | ZADIK KATOMOR | X102736 | – | – | – | – |
17829 | CANTOR G.SIROTA | REZEI WENNHOSEINU | X102734 | – | – | – | – |
17830 | CANTOR G.SIROTA | REGEI | X102752 | – | – | – | – |
17830 | CANTOR G.SIROTA | KWOJDAS MOTEI OJLOM | X102746 | – | – | – | – |
17831A | LILLIAN DAVIS | HOLD ME IN YOUR LOVING ARM | 16190=1 | – | – | 7/9/1915 | HIRSCH |
17831B | LYRIC QT | ON THE BAY OF OLD BOMBAY | 16189=1 | – | – | 7/9/1915 | MORRIS |
17832 | CANTOR G.SIROTA | UWNUCHOJ JOMAR | X102310 | V-1232 | – | – | – |
17832 | CANTOR G.SIROTA | ZUR ISRAEIL | X102309 | V-1231 | – | – | – |
17833 | CANTOR G.SIROTA | TIKANTO SCHABOS | X102740 | V-7093 | – | – | – |
17833 | CANTOR G.SIROTA | WSCHOMRU | X102733 | V-7086 | – | – | – |
17834A | SIX BROWN BROTHERS | DOWN HOME RAG | 16142=5 | – | – | 7/8/1915 | WILBER C. S. SWEATMAN |
17834B | FRED VAN EPS | DANCE OF THE BUGS | 11389 | – | – | 12/19/1911 | BENDIX |
17835A | McKEE TRIO | PERFECT DAY (a) | 16185=2 | – | – | 7/9/1915 | CARRIE JACOBS-BOND |
17835B | McKEE TRIO | MOTHER MACHREE | 16184=1 | – | – | 7/9/1915 | CHAUNCEY OLCOTT-ERNEST BALL |
17836 | PEERLESS QT | COME BACK DIXIE | 16122 | – | – | 06/??/15 | – |
17836 | PEERLESS QT | FIREFLY MY PRETTY FIREFLY | 16200 | – | – | 07/??/15 | – |
17837 | AL CAMPBELL & HENRY BURR | PEACH PICKIN’ TIME IN DELAWARE | 16187=5 | – | – | 7/22/1915 | KENT-KENDIS-ROBBINS |
17837 | GEORGE HAMILTON GREEN | HELLO FRISCO | 16191=5 | – | – | 7/19/1915 | HIRSCH |
17838 | AMERICAN QT | GASOLINE GUS & JITNEY BUS | 16258 | – | – | 07/??/15 | – |
17838 | AMERICAN QT | CIRCUS DAY IN DIXIE | 16259 | – | – | 07/??/15 | – |
17839 | HENRY BURR | PAINTING THAT MOTHER OF MINE | 16219=2 | – | – | 7/22/1915 | GILBERT |
17839 | JAMES HARRISON-JAMES REED | LITTLE GREY MOTHER WHO WAITS ALL ALONE | 16225=3 | – | – | 7/23/1915 | DeCOSTA |
17840 | IRISH DANCE | RINNCE FADA | 16171=1 | – | – | 7/1/1915 | – |
17840 | IRISH DANCE (VICTOR BAND) | HORNPIPE FOLK DANCE | 16172=1 | – | – | 7/1/1915 | – |
17841A | {ARTHUR} COLLINS – {BYRON} HARLAN | DOWN IN BOM BOMBAY | 16224=2 | – | – | 7/16/1915 | BALLARD MacDONALD – HARRY CARROLL |
17841B | {ARTHUR} COLLINS – {BYRON} HARLAN | JUST TRY TO PICTURE ME BACK HOME IN TENNESSEE | 16223 | – | – | 7/16/1915 | DONALDSON |
17842 | FELIX ARNDT | STILLE NACHT HEILIGE NACHT | 15559=2 | – | – | 12/31/1914 | GRUBER |
17842 | VENETIAN TRIO | NOEL (holy Night) | 14063=13 | – | – | 4/22/1915 | ADAM |
17843A | FLORENTINE Quartet | FIFTH NOCTURNE | 15832=4=5 | – | – | 4/12/1915 | J. LEYBACH |
17843B | VENETIAN TRIO | The SHEPHERD BOY | 15922=2 | – | – | 4/20/1915 | G. D. WILSON |
17844A | MAY MULKE (cello) (George Falkenstein piano) | BY THE BROOK | 15881=3 | – | – | 5/14/1915 | Adolphe FISCHER, Op.6 |
17844B | MAY MULKE (cello) (George Falkenstein piano) | LULLABY | 15879=3 | – | – | 5/14/1915 | Alice Bredt-Verne |
17845 | VICTOR BAND | BUTTERFLY | 15911=1 | – | – | 4/15/1915 | – |
17845 | VICTOR BAND | COUNTRY DANCES: THREE MEET | 15912=2 | – | – | 4/15/1915 | – |
17846 | VICTOR BAND | GODDESSES | 15918=1 | – | – | 4/15/1915 | – |
17846 | VICTOR BAND COUNTRY DANCES | TIDESWELL PROCESSIONAL: RECESSIONAL MORRIS DANCE | 15917=1 | – | – | 4/15/1915 | – |
17847 | VICTOR BAND SWORD DANCES | MALZEARD SWORD DANCE | 15916=1 | – | – | 4/15/1915 | – |
17847 | VICTOR BAND DANCE RECORD | FLAMBOROUGH SWORD DANCE | 15915=2 | – | – | 4/15/1915 | – |
17848 | CONWAY’S BAND | ONWARD CHRISTIAN SOLDIERS | 16299=4 | – | – | 9/20/1915 | SULLIVAN |
17848 | CONWAY’S BAND | NEARER MY GOD TO THEE | 16313=1 | – | – | 8/2/1915 | – |
17849A | JOHN J. KIMMEL (accordion) | IRISH REELS NO.3: CUCKOO’S NEST / MASON’S APRON | 16351=3 | – | – | 8/13/1915 | (-) |
17849B | JOHN KIMMEL (accordion) | IRISH REELS NO.4: SALAMANGO / OFF KEY | 16352=1 | – | – | 8/13/1915 | – |
17850A | CONWAY’S BAND | FLIRTING WHISTLER | 16325 | – | – | 08/??/15 | – |
17850B | CONWAY’S BAND (dir. Patrick Conway) | RAGGING THE SCALE | 16303=2 | – | – | 8/2/1915 | EDWARD CLAYPOOLE |
17851 | CONWAY’S BAND | BON TON – ONE STEP | 16310=5 | – | – | 8/4/1915 | LUCKETH ROBERTS |
17851 | CONWAY’S BAND | MADE IN AMERICA | 16312 | – | – | 8/4/1915 | LAKE |
17852A | James Reed – JAMES F. HARRISON | The SWEETEST GIRL IN MONTEREY | 16220=4 | – | – | 8/11/1915 | ALFRED BRYAN – HERMAN PALEY |
17852B | James Reed – JAMES F. HARRISON | MY SWEET ADAIR | 16346=3 | – | – | 8/11/1915 | L. WOLFE GILBERT – ANATOL FRIEDLAND |
17853 | IRVING KAUFMAN | PUT ME TO SLEEP WITH AN OLD FASHIONED SONG | 16175=3 | – | – | 7/6/1915 | HENRY JENTES |
17853 | AMERICAN QT | HONEYMOON BELLS | 16144=3 | – | – | 8/5/1915 | BOTSFORD |
17854A | CAL STEWART & BYRON HARLAN | The VILLAGE GOSSIPS | 16069=3 | – | – | 6/4/1915 | {CAL STEWART} |
17854B | CAL STEWART | UNCLE JOSH BUYS AN AUTOMOBILE | 16067=2 | M-4365 | – | 6/4/1915 | {CAL STEWART} |
17855 | BILLY MURRAY | I LOVE TO STAY AT HOME | 16417=1 | – | – | 8/30/1915 | BERLIN |
17855 | BILLY MURRAY | THERE MUST BE LITTLE CUPID | 16416=3 | – | – | 8/30/1915 | FOLEY |
17856 | ARTHUR COLLINS-BYRON HARLAN | LISTEN TO THAT DIXIELAND BAND | 16442=2 | – | – | 9/1/1915 | COBB |
17856 | ARTHUR COLLINS-BYRON HARLAN | DANCING THE JELLY ROLL | 16441=2 | – | – | 9/1/1915 | PALEY |
17857 | HARVEY HINDERMEYER | DEARIE GIRL DO YOU MISS ME | 16270? | – | – | 07/??/15 | – |
17857 | HARVEY HINDERMEYER | THAT’S THE SONG OF SONGS FOR ME | 16273 | – | – | 07/??/15 | – |
17858 | GEORGE HAMILTON GREEN | TEACH ME TO SMILE | 16461 | – | – | 9/8/1915 | – |
17858 | GREEN & MacDONOUGH | AUF WIEDERSEHN WALTZ | 16463=5 | – | – | 9/15/1915 | ROMBERG “BLUE PARADISE” |
17859 | PALE LUA & DAVID KAILI | MAID OF HONOLULU | 15566=3 | – | – | 1/12/1915 | – |
17859 | PALE LUA & DAVID KAILI | HAPPY HEINE MARCH | 15531 | – | – | 12/19/1914 | LAMPE |
17860A | D. WORMSER (zither solo) | Die LORELEI / In Einem Kuhlen Grunde | 13265=1 | – | – | 5/12/1913 | German folk songs |
17860B | D. WORMSER | Ich hatte einst ein schones Vaterland / Von meinen Bergen muss ich scheiden | 13263=1 | – | – | 5/12/1913 | LASSEN |
17861 | WORMSER (zither solo) | DEW IS SPARKLING | 13266=1 | – | – | 5/12/1913 | RUBINSTEIN |
17861 | WORMSER (zither solo) | AU PRINTEMPS / SPRING SONG | 13264=1 | – | – | 5/12/1913 | GOUNOD |
17862 | WORMSER (zither solo) | GERMAN FOLK POTPURRI | 13229=1 | – | – | 5/2/1913 | – |
17862 | WORMSER (zither solo) | TRUMPETER OF SAKINGEN: IT WAS NOT SO TO BE | 13262=2 | – | – | 5/12/1913 | NESSLER |
17863 | PALE LUA & DAVID KAILI | KAWAIHAU WALTZ | 15528=1 | HMV17863 | 25655 | 12/18/1914 | – |
17863 | PALE LUA & DAVID KAILI | MY HULA LOVE | 15539=6 | HMV17863 | – | 1/12/1915 | – |
17864A | IRENE WEST’S ROYAL HAWAIIANS | AINAHAU | 15511=2 | – | – | 12/17/1914 | PRINCESS LIKELIKE |
17864B | IRENE WEST’S ROYAL HAWAIIANS | MELEANA (Hula – Hawaiian Sextette) | 15530=2 | – | – | 12/19/1914 | – |
17865A | PIETRO {DEIRO} | WEDDING OF THE WINDS | 15652=5 | – | – | 7/10/1915 | JOHN T. HALL |
17865B | PIETRO {DEIRO} | ESTUDIANTINA WALTZ | 16195=1 | – | – | 7/10/1915 | Emil Waldteufel |
17866 | VICTOR ORCHESTRA | VENETIAN LOVE SONG | 15853 | – | – | 6/21/1911 | NEVIN |
17866 | VICTOR ORCHESTRA | JULIETS SLUMBER | 15598 | – | – | 1/14/1915 | – |
17867 | TOOTS PAKA HAWAIIAN TROUPE | KO MAKA PALUPALU | 15338=3 | – | – | 11/7/1914 | – |
17867 | TOOTS PAKA HAWAIIAN TROUPE | POLI PUMEHANA | 15351=1? | – | – | 11/6/1914 | – |
17868 | ELSIE BAKER | CHRISTMAS EVE | 15308=1 | – | – | 10/27/1914 | S.FOSTER |
17868 | OLIVE KLINE | CHRISTMAS DAY IN THE MORNING | 15267=2 | – | – | 10/12/1914 | – |
17869 | ELSIE BAKER | LITTLE CHRISTMAS SHOES AROUND THE CHRISTMAS TREE | 15240=4 | – | – | 10/27/1914 | – |
17869 | OLIVE KLINE | CHRISTMAS SONNG / SLEIGHING SONNG | 14004=2 | – | – | 10/28/1913 | GAYNOR |
17870 | VICTOR MIXED CHORUS | JOSEPH MINE | 16533 | – | – | 6/5/1916 | – |
17870 | LYRIC QT | LO HOW A ROSE EVER BLOOMING | 15312=3 | – | – | 6/5/1916 | – |
17871A | SAMUEL GARDNER (violin) | LAST ROSE OF SUMMER | 16480=1 | – | – | 9/10/1915 | MOORE |
17871B | SAMUEL GARDNER (violin) | BELIEVE ME IF ALL THOSE YOUNG ENDEARING CHARMS | 16478=3 | – | – | 9/17/1915 | MOORE |
17872A | IMPERIAL Quartet | MY AIN FOLK | 16498=1 | – | – | 9/15/1915 | LAURA G. LEMON |
17872B | IMPERIAL Quartet | A PERFECT DAY | 16471=8 | – | 18360=R | 9/15/1916 | CARRIE JACOBS-BOND |
17873A | IMPERIAL Quartet | The CROSS BOW | 16496=1 | – | – | 9/15/1915 | DeKOVEN “ROBIN HOOD” |
17873B | IMPERIAL Quartet | WAY DOWN YONDER IN THE CORNFIELD | 16495=1 | – | – | 9/15/1915 | – |
17874A | HARRY MacDONOUGH | WHEN IT’S TULIP TIME IN HOLLAND | 16546=1 | – | – | 9/28/1915 | DAVID RADFORD-R.WHITING |
17874B | HENRY BURR | WHEN I LEAVE THE WORLD BEHIND | 16586=1 | – | – | 10/4/1915 | IRVING BERLIN |
17875 | PEERLESS QT | IN ALABAMA DEAR WITH YOU | 16541=2 | – | – | 9/27/1915 | DeCOSTA |
17875 | PEERLESS QT | IN BLINKY, WINKY, CHINKY CHINATOWN | 16344=5 | – | – | 9/27/1915 | JEAN SCHWARTZ |
17876A | MASTER WILLIAM PICKELS of the Trinity Church, Pittsburg | LOVE IN SPRINGTIME | 16603=1 | – | – | 9/27/1915 | ARDITI |
17876B | MASTER WILLIAM PICKELS of the Trinity Church, Pittsburg | BOHEME MUSETTA WALTZ | 16602 | – | – | 9/27/1915 | PUCCINI |
17877 | CHARLES HARRISON | WHEN YOU’RE IN LOVE WITH SOMEONE | 16333 | – | – | 08/??/15 | – |
17877 | PEERLESS QT | TO LOU | 16605=2 | – | – | 9/27/1915 | LANGE |
17878 | JAMES HARRISON-JAMES REED | YOU’LL ALWAYS BE THE SAME SWEET GIRL | 16345=5 | – | – | 9/29/1915 | VON TILZER |
17878 | HENRY BURR | THERE’S A LITTLE LANE THAT HAS NO TURNING | 16585=1 | – | – | 10/4/1915 | MEYER |
17879 | REINALD WERRENRATH | NEAPOLITAN LOVE SONG | 16582=3 | – | – | 10/1/1915 | VICTOR HERBERT |
17879 | OLIVE KLINE | I NEED AFFECTION | 16628=3 | – | – | 10/8/1915 | VICTOR HERBERT “PRINCESS PAT” |
17880A | LOUISE-FERERA | ON THE BEACH AT WAIKIKI | 16633=1 | – | – | 10/11/1915 | HENRY KAILIMAI |
17880B | LOUISE-FERERA | MOE UHANE WALTZ | 16601=1 | – | – | 10/5/1915 | – |
17881 | FREDERICK WHEELER | KEEP THE HOME FIRES BURNING | 16626=3 | – | – | 10/8/1915 | NOVELLO |
17881 | FRANK WHEELER | DRUMMER BOY | 16627=3 | – | – | 10/8/1915 | – |
17882A | JAMES REED – J. F. HARRISON | THERE’S A LONG, LONG TRAIL | 16575=1 | – | – | 9/29/1915 | STODDARD KING – ZO ELLIOTT |
17882B | OLIVE KLINE – Elsie Baker | FOR BETTER OR FOR WORSE | 16577=1 | – | – | 9/30/1915 | HENRY BLOSSOM – VICTOR HERBERT |
17883 | ELIZABETH WHEELER | IN MONTEREY | 16629=3 | – | – | 10/8/1915 | NEIL MORET |
17883 | CHARLES HARRISON | LITTLE HONOLULU LOU | 16609=2 | – | – | 10/6/1915 | – |
17884A | SENOR “GRINDERINO” | GEORGIA GRIND – RAG | 16599=4 | – | – | 10/11/1915 | {FORD} DABNEY |
17884B | SENOR “GRINDERINO” | WHEN IT’S TULIP TIME IN HOLLAND | 16598=5 | – | – | 10/11/1915 | – |
17885A | BILLY MURRAY | BALLY MOONEY AND BILLY MAGEE | 16637=3 | – | – | 10/11/1915 | LOWRY |
17885B | BILLY MURRAY | I’VE BEEN FLOATING DOWN THAT OLD GREEN RIVER | 16638=3 | – | – | 11/3/1915 | COOPER |
17886 | (Unissued) | UNISSUED | – | – | – | – | – |
17887 | HUBERTUS | IN A ZOOLOGICAL GARDEN | X69255 | V-7050 | – | (1915?) | – |
17887 | HUBERTUS | IMITATION OF FARM ANIMALS | X69256 | V-7049 | – | (1915?) | – |
17888 | SAMUEL GARDNER (violin) | LONG LONG AGO | 16477=2 | – | – | 9/17/1915 | BAYLY |
17888 | SAMUEL GARDNER (violin) | DARLING NELLIE GREY | 15705 | – | – | 5/10/1915 | – |
17889 | BALLARD-WILBUR | WHEN YOU SIT BESIDE THE FIRESIDE | 16688 | – | – | 10/??/15 | IRVING BERLIN |
17889 | HARRY MacDONOUGH | ARABY | 16665=6 | – | – | 10/22/1915 | IRVING BERLIN |
17890A | TUSKEGEE INSTITUTE SINGERS | SWING LOW, SWEET CHARIOT | 16512=3 | – | – | 09/??/15 | Primitive Negro Chant |
17890B | TUSKEGEE INSTITUTE SINGERS | STEAL AWAY | 15172=5 | – | – | 2/14/1916 | Old Negro Spiritual |
17891A | {BILLY} MURRAY & {JOE} BELMONT | WHISTLE WHILE YOU WALK | 16649 | – | – | 10/??/15 | {JOSEPH} BELMONT |
17891B | {BILLY} MURRAY & {JOE} BELMONT | BLUE JAY & THE THRUSH | 16648 | – | – | 10/??/15 | – |
17892 | LOUISE & FERERA | KAWAIHAU WALTZ | 16600=2 | – | – | 10/5/1915 | – |
17892 | LOUISE & FERERA | MY BIRD OF PARADISE | 16634=4 | – | – | 10/18/1915 | BERLIN |
17893A | NEAPOLITAN TRIO | MAIDENS PRAYER | 15160=4 | – | – | 10/6/1914 | BARDAZENSKI |
17893B | NEAPOLITAN TRIO | SOUND OF THE HARP | 16038=5 | – | – | 6/1/1915 | HEINRICH LICHNER |
17894 | NAT M WILLS (comic) | PARODY OF 8 FAMILIAR SONGS | 13842=1 | – | – | 9/22/1913 | NAT WILLS |
17894 | NAT M WILLS (comic) | FATHER OF 36 | 15695=1 | – | – | 2/10/1915 | NAT WILLS |
17895A | PIETRO DEIRO | SUCCESS MEDLEY: ALABAMA JUBILEE / TULIP TIME | 16632=1 | – | – | 10/9/1915 | {REDFORD / WHITING} |
17895B | PIETRO DEIRO | MELODY RAG – PHILADELPHIA BLUES | 16597=1 | – | – | 10/5/1915 | Pietro |
17896 | IRVING KAUFMAN | ALL I CAN DO IS JUST TO LOVE YOU | 16737=3 | – | – | 11/2/1915 | JAMES MONACO |
17896 | IRVING KAUFMAN | PINEY RIDGE | 16174=4 | – | – | 11/2/1915 | MOHR |
17897 | VICTOR CONCERT ORCHESTRA | SHEPHERD’S HEY – MORRIS DANCE TUNE | 16738=2 | – | – | 11/2/1915 | GRAINGER |
17897 | VICTOR CONCERT ORCHESTRA | IRISH TUNE FROM COUNTY DERRY | 16639=5 | – | – | 10/26/1915 | GRAINGER |
17898 | McKEE TRIO | HEART OF PADDY WHACK: A LITTLE BIT OF HEAVEN | 16743=3 | – | – | 11/4/1915 | BALL “HEART OF PADDY WHACK” |
17898 | McKEE TRIO | WHERE THE RIVER SHANNON FLOWS | 16742=3 | – | – | 11/4/1915 | RUSSELL |
17899 | ORPHEUS QT | HEIDELBERG STEIN SONG | 16751=1 | V-2512? | B0511? | 11/5/1915 | BULLARD |
17899 | ORPHEUS QT | SWING ALONG | 16752=1 | – | – | 11/5/1915 | COOK |
17900 | AMERICAN QT | ALONG THE ROCKY ROAD TO DUBLIN | 16739=2 | – | – | 11/3/1915 | GRANT |
17900 | ORPHEUS QT | MOLLY DEAR, IT’S YOU I’M AFTER | 16749=1 | – | – | 11/5/1915 | KERN-PATHER”Girl from Utah” |
17901A | SOUSA’S BAND | NEW YORK HIPPODROME MARCH | 16757=5 | – | – | 11/9/1915 | SOUSA |
17901B | SOUSA’S BAND | THE PATHFINDER OF PANAMA – MARCH | 16758=6 | – | – | 11/9/1915 | – |
17902 | PEERLESS Quartet | YOU’LL BE THERE | 16768 | – | – | 11/??/15 | – |
17902 | AMERICAN Quartet | AMERICA I LOVE YOU | 16740=2 | – | – | 11/3/1915 | GOTTLER |
17903 | GEORGE W BALLARD | COULD THE DREAMS OF A DREAMER COME TRUE? | 16687 | – | – | 10/??/15 | – |
17903 | JAMES HARRISON-JAMES REED | IF IT TAKES A THOUSAND YEARS | 16550=5 | – | – | 10/29/1915 | BALL |
17904 | PEERLESS QT | ALAGAZAM | 16717=2 | – | – | 10/25/1915 | VON TILZER |
17904 | PEERLESS QT | WHEN OLD BILL BAILEY PLAYS THE UKELELE | 16715=1 | – | – | 10/25/1915 | VINCENT |
17905 | WILLIAM PICKELS | JUST A WEARYING FOR YOU | 16673=2 | – | – | 10/18/1915 | BOND |
17905 | WILLIAM PICKELS | MATTINATA | 16549=2 | – | – | 10/18/1915 | TOSTI |
17906 | IMPERIAL QT | SPEED OUR REPUBLIC | 16483 | Unissued | – | 9/14/1915 | KELLER |
17906 | IMPERIAL QT | THAT FLAG WITHOUT A STAIN | 16485=2 | Unissued | – | 9/15/1915 | – |
17907 | TOOTS PAKA HAWAIIAN TROUPE | LAIKA WAI MAPUNA | 15102=1 | – | – | 7/30/1914 | – |
17907 | TOOTS PAKA HAWAIIAN TROUPE | HOO MAU (dew Drops) | 15347=2 | – | – | 11/6/1914 | – |
17908 | VESSELA’S ITALIAN BAND | CAPRICE ESPANOL | 14339=1 | – | – | 1/16/1914 | BEAUMONT |
17908 | VESSELA’S ITALIAN BAND | L’ARLESIENNE SUITE | 14304=1 | – | – | 1/12/1914 | BIZET |
17909A | VICTOR ORCHESTRA | MIGNON OVERTURE | 16640 | – | – | 10/??/15 | – |
17909B | VICTOR ORCHESTRA | MIGNON OVERTURE PT 2 | 16641 | – | – | 10/??/15 | – |
17910 | CHARLES TAGGART | OLD COUNTRY FIDDLER ON THE SCHOOL BOARD | 16722=1 | – | – | 10/27/1915 | – |
17910 | CHARLES TAGGART | SISTER SORROWFUL ENTERTAINS THE MINISTER | 16724=1 | – | – | 10/27/1915 | – |
17911 | ADA JONES | OUT OF A CITY OF SIX MILLION PEOPLE | 16792=3 | – | – | 11/18/1915 | VINCENT |
17911 | ARTHUR COLLINS-BYRON HARLAN | YOU’D NEVER KNOW THE OLD HOME NOW | 16702 | – | – | 10/24/1915 | – |
17912 | PEERLESS QT | IF YOU ONLY HAD MY DISPOSITION | 16716=4 | – | – | 11/12/1915 | VON TILZER |
17912 | HARRY MacDONOUGH | I’M SIMPLY CRAZY OVER YOU | 16464=4 | – | – | 9/15/1915 | SCHWARTZ |
17913A | HENRY BURR | M-O-T-H-E-R | 16778=2 | – | – | 11/17/1915 | T.MORSE |
17913B | AL CAMPBELL & HENRY BURR | The WEDDING of the SUNSHINE AND the ROSE | 16671=5 | – | – | 10/28/1915 | STANLEY MURPHY – ALBERT GUMBLE |
17914 | IMPERIAL QT | BEAUTIFUL ISLE OF SOMEWHERE | 16481=1 | Unissued | – | 9/14/1915 | BRACKETT |
17914 | IMPERIAL QT | LEAD, KINDLY LIGHT | 16482=2 | Unissued | – | 9/15/1915 | DYKES |
17915A | AL JOLSON | ASLEEP IN THE DEEP – Parody | 11411=2 | – | – | 12/22/1911 | ARTHUR LAMB – H.PETRIE |
17915B | NAT M WILLS (comic) | A NEW CURE FOR DRINKING | 13844=2 | – | – | 2/10/1915 | NAT WILLS |
17916 | REED MILLER | LOVE HERE IS MY HEART | 16732=2 | – | – | 10/29/1915 | SILESU |
17916 | FREDERICK WHEELER | IF THE WORLD SHOULD END TOMORROW | 16714=3 | – | – | 10/25/1915 | FISCHER |
17917 | WILLIAM REITZ (xylophone) | MINUET BY GLUCK | 16587=1 | – | – | 10/4/1915 | GLUCK / MOZART |
17917 | WILLIAM REITZ (xylophone) | GAVOTTE (mozart) | 16588=1 | – | – | 10/4/1915 | MOZART / GRETRY |
17918 | OLIVE KLINE – ELSIE BAKER – MARGUERITE DUNLAP | GO TO SLEEP MY DUSKY BABY | 16348=2 | – | – | 8/12/1915 | A.DVORAK |
17918 | OLIVE KLINE – ELSIE BAKER – MARGUERITE DUNLAP | ROCKING TIME | 16349=2 | – | – | 8/12/1915 | KNOX |
17919A | IRVING KAUFMAN | CHINESE BLUES | 16790=2 | – | – | 11/18/1915 | FRED MOORE-OSCAR GARDNER |
17919 | ADA JONES & BILLY MURRAY | SOONER OR LATER | 16342=3 | – | – | 11/18/1915 | SOLMAN |
17920 | LOVAT BAGPIPES | SCOTCH BAGPIPE MEDLEY | 16787=1 | – | – | 11/20/1915 | – |
17920 | LOVAT BAGPIPES | MIDLOTHIAN PIPES – LORD BLANTYRE STRATHSPEY | 16788=2 | – | – | 11/20/1915 | – |
17921A | DEIRO PIETRO’S BAND | SOUSA MEDLEY MARCH | 16596=5 | – | – | 10/15/1915 | PIETRO |
17921B | DEIRO PIETRO’S BAND | BLAZE AWAY MARCH | 14083=1 | – | – | 11/15/1913 | HOLZMANN |
17922 | OLIVE KLINE | ALONE AT LAST: WALTZ ENCHANTING | 16771=5 | – | – | 11/23/1915 | LEHAR |
17922 | OLIVE KLINE | LADDER OF ROSES (from Hip Hip Hooray) | 16772=5 | – | – | 11/23/1915 | HUBBELL “Hip Hip Hooray” |
17923 | IRVING KAUFMAN | MY FOXTROT WEDDING DAY | 16736=2 | – | – | 11/2/1915 | BURT |
17923 | BILLY MURRAY-IRVING KAUFMAN | UNDER THE MELLOW ARABIAN MOON | 16745=3 | – | – | 11/4/1915 | LEOPOLD |
17924A | PEERLESS Quartet | WHEN IT’S ORANGE BLOSSOM TIME IN LOVELAND | 16893=2 | – | – | 12/10/1915 | JEFF BRANEN – ARTHUR LANGE |
17924B | JAMES REED – J. F. HARRISON | POPPY TIME IN OLD JAPAN | 16850 | – | – | 12/??/15 | E.J. MEYERS – WILL E. DULMAGE |
17925 | ARTHUR COLLINS-BYRON HARLAN | EMANCIPATION HANDICAP | 16447=2 | – | – | 9/1/1915 | MOHR |
17925 | ARTHUR COLLINS-BYRON HARLAN | AT THE OLD PLANTATION BALL | 16703 | – | – | 10/24/1915 | – |
17926A | ADA JONES | BEATRICE FAIRFAX, TELL ME WHAT TO DO! | 16793=2 | – | – | 11/18/1915 | Clark – McCarthy – MONACO |
17926B | BILLY MURRAY – IRVING KAUFMAN | WHAT’S THE USE OF GOING HOME (When There’s Nobody There to Love) | 16746=1 | – | – | 11/4/1915 | Grat Clark – Jimmie V. MONACO |
17927 | PEERLESS QT | IS THERE STILL ROOM FOR ME | 16892 | – | – | 12/10/1915 | – |
17927 | STERLING TRIO | GEORGIA MOON | 16728=2 | – | – | 10/28/1915 | BARRON |
17928A | Blue & WHITE MARIMBA BAND (from N.Y. Hippodrome) | COLOMBIA WALTZ | 17018=1 | – | – | 1/18/1916 | MARIANO VALVERDE |
17928B | Blue & WHITE MARIMBA BAND (from N.Y. Hippodrome) | MARIMBA MARCH | 16767=5 | – | – | 11/??/15 | -“N.Y.HIPPODROME’ |
17929A | FRANCIS J. LAPITINO (harp) | LUCIA — PRELUDE Preceding the Cavatina In Act 1 “Regnava nel silenzio” (Silence O’er All) | 15606=1 | – | – | 1/18/1915 | DONIZETTI |
17929B | FRANCIS J. LAPITINO (harp) | NORMA FANTASIA: HEAR ME NORMA | 16023=5 | – | – | 11/16/1915 | BELLINI |
17930 | HARRY MacDONOUGH | THAT HULA HULA | 16898=2 | – | – | 12/14/1915 | BERLIN “STOP LOOK & LISTEN” |
17930 | BILLY MURRAY | WHEN I GET BACK TO THE U.S.A | 16897=2 | – | – | 12/14/1915 | BERLIN “STOP LOOK & LISTEN” |
17931A | CAL STEWART | MOVING PICTURES AT PUMPKIN CENTER | 16064=1 | – | – | 6/3/1915 | CAL STEWART |
17931B | TAGGART CHAS | COUNTRY FIDDLER AND THE BOOKING AGENT | 16725=2 | – | – | 10/28/1915 | – |
17932 | VESSELLA’S BAND | DANCE OF THE DEMONN | 14195=1 | Unissued | – | 12/12/1913 | HOLST |
17932 | + | – | – | Unissued | – | – | – |
17933 | ALAN TURNER | JUANITA | 14108=4 | – | 31361 | 12/19/1913 | ALVAREZ |
17933 | ALAN TURNER | TIS NOT TRUE – NON E VER | 14067=1 | – | – | 11/13/1913 | MATTEI |
17934 | N & V.BOSHKO | TYROLEAN DANCE | 16748=2 | – | – | 11/4/1915 | A.DVORAK |
17934 | N.BOSHKO | MENUET IN G | 16802 | – | – | (1915?) | – |
17935 | DAN W QUINN | HELLO BOYS I’M BACK AGAIN | 16915=2 | – | – | 12/17/1915 | VON TILZER |
17935 | DAN W QUINN | AT THE FOUNTAIN OF YOUTH | 16916=2 | – | – | 12/17/1915 | HARRY JENTES |
17936 | (Unissued) | UNISSUED | – | – | – | – | – |
17937 | ELSIE BAKER | LITTLE SHOEMAKER | 14581=1 | – | – | 3/17/1914 | GAYNOR |
17937 | OLIVE KLINE | BAA BAA BLACK SHEEP | 15281=1 | – | – | 10/16/1914 | – |
17938 | VICTOR DANCE ORCH | COCONUT DANCE | B9172=2 | VI16609 | – | 7/15/1910 | HERMANN |
17938 | VICTOR BAND | OLD WINE IN NEW BOTTLES | 11508=2 | – | – | 1/24/1912 | – |
17939 | McKEE TRIO | MANZANILLO | 16859 | – | – | (1915?) | – |
17939 | McKEE TRIO | MARIA MARI | 16860 | – | – | (1915?) | – |
17940 | MR & MRS WHEELER | HOMELAND (the) | 16931=1! | – | – | 12/23/1915 | STEBBINS |
17940 | MR & MRS WHEELER | MY JESUS AS THOU WILT | 16932=2! | – | – | 12/23/1915 | WEBER |
17941 | DEIRO PIETRO’S BAND | CAVALLERIA RUSTICANA | 17886=2! | – | – | 6/17/1916 | MASCAGNI |
17941 | DEIRO PIETRO’S BAND | VESTI LA GUIBBA | 14701=1 | – | – | 4/11/1914 | LEONCAVALLO |
17942A | BILLY MURRAY-IRVING KAUFMAN | ARE YOU FROM DIXIE ? (‘Cause I’m From Dixie, Too) | 16901=2 | – | – | 12/14/1915 | JACK YELLEN – GEORGE L. COBB |
17942B | IRVING KAUFMAN | DON’T BITE THE HAND THAT’S FEEDING YOU | 16899=2 | – | – | 12/14/1915 | THOMAS HOIER-JIMMIE MORGAN |
17943 | EDNA BROWN | THERE’S A BROKEN HEART FOR EVERY LIGHT ON BROADWAY | 17048=3 | – | – | 1/21/1916 | FISCHER |
17943 | PEERLESS QT | LIGHTS OF MY HOME TOWN | 16954=1 | – | – | 12/31/1915 | HARRIS |
17944 | BILLY MURRAY | HELLO HAWAII HOW ARE YOU | 16964=2 | – | – | 1/5/1916 | SCHWARTZ |
17944 | PEERLESS QT | GHOST OF THE TERRIBLE BLUES | 16953=3 | – | – | 12/31/1915 | VON TILZER |
17945 | BILLY MURRAY | I LOVE A PIANO | 16965=1 | – | – | 1/5/1916 | BERLIN “STOP LOOK & LISTEN” |
17945 | HARRY MacDONOUGH | GIRL ON THE MAGAZINE COVER | 16961=1 | – | – | 1/4/1916 | BERLIN |
17946 | RAYMOND DIXON (MURPHY) | UNDERNEATH THE STARS | 16920=4 | – | – | 1/4/1916 | SPENCER |
17946 | GREEN & MacDONOUGH | SHADOWLAND | 16962=3 | – | – | 1/4/1916 | GILBERT |
17947 | AL CAMPBELL & HENRY BURR | COME BACK HOME TO OLD KENTUCKY | 16917=2 | – | – | 12/17/1915 | TAYLOR |
17947 | AMERICAN QT | LOADING UP THE MANDY LEE | 16966=3 | – | – | 1/5/1916 | MARSHALL |
17948 | CHARLES HARRISON | SHE’S THE DAUGHTER OF MOTHER MACHREE | 16978 | – | – | 1/6/1916 | – |
17948 | CHARLES HARRISON | MY MOTHER’S ROSARY | 16979=4 | – | – | 2/1/1916 | MEYER |
17949 | AL CAMPBELL & HENRY BURR | WHEN YOU’RE DANCING AN OLD FASHIONED DANCE | 16918=1 | – | – | 12/17/1915 | VON TILZER |
17949 | DELOS BECKER | OLD FASHIONED GARDEN IN VIENNA | 16867=5 | – | – | 12/20/1915 | MARSHALL |
17950 | DEIRO PIETRO’S BAND | SIRENS WALTZ | 15653=1 | – | – | 2/2/1915 | WALDTEUFEL |
17950 | DEIRO PIETRO’S BAND | OVER THE WAVES (w) | 16194=2 | – | – | 10/5/1915 | WALDTEUFEL |
17951 | VENETIAN TRIO | FORGET ME NOT (w) | 14649=5 | – | – | 5/21/1915 | MAYHEAD REAVES |
17951 | VENETIAN TRIO | TO YOU (an Dich) | 15998=1 | – | – | 5/5/1915 | CZIBULKA |
17952 | VESS OSSMAN | UNIVERSAL FOXTROT | 16911=1 | – | – | 12/16/1915 | ROSEY |
17952 | VESS OSSMAN | GOOD SCOUT – ONE STEP | 16910=1 | – | – | 12/16/1915 | MEL KAUFMAN |
17953 | HENRY BURR | WHAT A WONDERFUL MOTHER YOU’D BE | 16981=1 | – | – | 1/6/1916 | PIANTADOSI |
17953 | STERLING TRIO | IN THE GLORY OF MOONLIGHT | 16729=7 | – | – | 1/6/1916 | PERCY WENRICH (1=10/28/15) |
17954A | ALICE GREEN | KISS ME AGAIN | 16993=2 | – | – | 1/10/1916 | V.HERBERT “MLLE MODISTE” |
17954B | ALICE GREEN | RACKETY COO | 16960=4 | – | – | 1/10/1916 | FRIML |
17955A | ARTHUR {COLLINS} and {BYRON} HARLAN | WHEN YOU’RE DOWN IN LOUISVILLE (Call On Me) | 16991=2 | – | – | 1/10/1916 | Irving BERLIN |
17955B | ARTHUR COLLINS | IF YOU’VE GOT A LITTLE BIT (Hang On To It, It’s Hard To Get A lIttle Bit More) | 16990=2 | – | – | 1/10/1916 | ROSE-OLMAN |
17956 | OLIVE NORTH | I’M NEUTRAL | 17005=3 | – | – | 1/12/1916 | DeCOSTA |
17956 | OLIVE NORTH | I’M A LONESOME MELODY | 17006=3 | – | – | 1/12/1916 | MEYER |
17957A | ARTHUR PRYOR’S BAND | NATIONAL EMBLEM MARCH | B6214=3 | V-5576 | – | 5/22/1908 | BAGLEY |
17957B | ARTHUR PRYOR’S BAND | GARDE DU CORPS MARCH | 14938=3 | – | – | 6/8/1914 | HALL |
17958 | REED MILLER | MOLLY O | 15996=2 | – | – | 5/4/1915 | – |
17958 | CHARLES HARRISON | KILKENNY | 16980=6 | – | – | 3/3/1916 | (1=1/6/16) |
17959 | BILLY MURRAY | DOWN IN THE U17 | 17047=5 | – | – | 2/9/1916 | ERDMAN |
17959 | PEERLESS QT | SINCE MOTHER GOES TO THE MOVIES | 17022=1 | – | – | 1/18/1916 | VON TILZER |
17960 | BILLY VAN | MICKEY THE PUM PUM MAN | 17071=6 | – | – | 1/28/1916 | – |
17960 | BILLY VAN | TO MY DOG | 17070=3 | – | – | 1/28/1916 | BILLY VAN |
17961A | Victor Military Band | MY LADY CULLEN (Folk Dance) | 17276=1 | – | – | 3/7/1916 | – |
17961B | Victor Military Band | DALDANS (Swedish Folk Dance) | 16169=1 | – | – | 7/1/1915 | – |
17962 | VICTOR BAND | PRETTY SISTER IN LAW | 16168=1 | – | – | 7/1/1915 | – |
17962 | VICTOR BAND | TINKERS DANCE | 16163=1 | – | – | 7/1/1915 | – |
17963 | FOLK DANCES | LITTLE MAN IN A FIX | 16165=1 | – | – | 7/1/1915 | – |
17963 | FINLAND DANCE | KYNTNAVS POLSKA | 16167 | – | – | 7/1/1915 | – |
17964 | VICTOR STRING QT | MINUETTO FROM QUARTET IN C MINOR | 16720=1 | – | – | 10/26/1915 | BEETHOVEN |
17964 | VICTOR STRING ORCH | QUARTET IN F MAJOR | 16935 | – | – | 12/??/15 | – |
17965A | WARD BARTON & FRANK CARROLL | HAWAIIAN LOVE SONG | 17096=2 | – | – | 2/1/1916 | WARD BARTON |
17965B | FRANK CARROLL | SLEEP BABY SLEEP | 17097=2 | – | – | 2/1/1916 | WARD BARTON |
17966 | KALAHULI HAWAIIANS (M.DAVIS) | ON THE BEACH AT WAIKIKI | 17101=2 | – | – | 2/2/1916 | KALAMAI |
17966 | BRAZILIAN ORCH | EMBOLADO | 17066? | – | – | – | – |
17967 | PEERLESS QT | YOUNG AMERICA, WE’RE STRONG FOR YOU | 17084=1 | – | – | 1/31/1916 | NICK |
17967 | JAMES HARRISON-JAMES REED | SONGS WE USED TO SING IN DIXIELAND | 17043=2 | – | – | 1/20/1916 | ROMA |
17968A | JOHN BARNES WELLS | MEMORIES | 17108=3 | – | – | 2/3/1916 | GUSTAVE KAHN – EGBERT VAN ALSTYNE |
17968B | ELSIE BAKER | ONE FLEETING HOUR | 17049=1 | – | – | 1/21/1916 | FUHRMAN – LEE |
17969 | BILLY MURRAY-IRVING KAUFMAN | WAY DOWN IN ARKANSAW | 16791=2 | – | – | 11/16/1915 | WHITE |
17969 | PEERLESS Quartet | Sweet Cider Time, When You Were Mine | 17085=2 | – | – | 1/31/1916 | WENRICH |
17970 | AL CAMPBELL & HENRY BURR | YOU WILL ALWAYS BE HONEY TO ME | 16982=2 | – | – | 1/6/1916 | MAX PRIVAL |
17970 | JOHN BARNES | I LOVE YOU THAT’S ONE THING I KNOW | 17107=1 | – | – | 2/3/1916 | FRIEDLAND |
17971 | ARTHUR COLLINS-BYRON HARLAN | WHEN I’M SARGENT MAN | 17092=3 | – | – | 1/31/1916 | HAYES |
17971 | ARTHUR COLLINS-BYRON HARLAN | ON HOKO MOKO ISLE | 17093=3 | – | – | 1/31/1916 | KLEIN-VON TILZER |
17972 | AMERICAN QT | THOSE GOOD OLD DAYS BACK HOME | 17110=1 | – | – | 2/3/1916 | MONACO |
17972 | AMERICAN QT | THAT SOOTHING SYMPHONY | 17109=2 | – | – | 2/3/1916 | SNYDER |
17973A | JOSEPH MOSKOWITZ | HUNGARIAN DANCE #5 | 17116=1 | – | – | 2/4/1916 | BRAHMS |
17973B | JOSEPH MOSKOWITZ | HUNGARIAN CZARDAS | 17115=1 | – | – | 2/4/1916 | – |
17974A | ALICE GREEN | HERE COMES TOOTSIE (‘Around the Map’) | 17134=3 | – | – | 2/9/1916 | C.McLELLAN-HERMAN FINCK |
17974B | ALICE GREEN & RAY DIXON | SO LONG LETTY | 17135=1 | – | – | 2/9/1916 | EARL CARROLL |
17975 | + | * * UNISSUED * * | – | – | – | – | – |
17975 | + | * * UNISSUED * * | – | – | – | – | – |
17976 | SOUSA’S BAND | LAMB’S MARCH | 16759 | – | – | 11/9/1915 | – |
17976 | SOUSA’S BAND | GLIDING GIRL – TANGO | 16783=1 | – | – | 11/19/1915 | SOUSA |
17977 | JAMES HARRISON-JAMES REED | IN A DUSTY CARAVAN | 17044=1 | – | – | 1/20/1916 | GILBERT |
17977 | HARRY McCLASKEY | ALLAH GIVE ME MINE | 16777 | – | – | 11/17/1915 | BALL |
17978A | JOSEPH MOSKOWITZ | OPERATIC RAG | 17117=2 | – | – | 2/4/1916 | JULIUS LENZBERG |
17978B | JOSEPH MOSKOWITZ | PANAMA PACIFIC RAG | 17118=1 | – | – | 2/4/1916 | Leo EDWARDS |
17979A | NEAPOLITAN TRIO | I HEAR YOU CALLING ME | 17016=3 | – | – | 1/17/1916 | Harold Harford – Charles Marshall |
17979B | VENETIAN TRIO | LITTLE GREY HOME IN THE WEST | 17136=2 | – | – | 2/10/1916 | Herman Löhr |
17980A | VICTOR MILITARY BAND | The GLOBE TROT | 16994=1 | – | – | 1/11/1916 | Crudup VESSEY |
17980B | VICTOR MILITARY BAND | LA CZARINE | 16995=1 | – | – | 1/11/1916 | Louis GANNE |
17981A | VICTOR DANCE ORCH | MI RICURITA | 16829=1 | – | – | 11/30/1915 | Osman Perez Freire |
17981B | VICTOR DANCE ORCH | EL AMANCER TANGO | 16669=1 | – | – | 10/15/1915 | Roberto Firpo |
17982 | IMPERIAL Quartet | WHEN THEY RING THE GOLDEN BELLS FOR YOU AND ME | 16472=4 | – | – | 9/15/1915 | MARBELLE |
17982 | VICTOR MALE Quartet | LITTLE BROWN CHURCH IN THE VALLEY | 16099=1 | – | – | 6/14/1915 | PITTS |
17983A | Gladys WILBUR | CUMBERLAND | 17132=4 | – | – | 2/28/1916 | {Halsey K.} MOHR |
17983B | PEERLESS Quartet | DOWN WHERE THE SWANEE RIVER FLOWS | 17259=1 | – | – | 3/6/1916 | VON TILZER |
17984 | WILL OAKLAND-HENRY BURR | GOOD LUCK GOD BLESS YOU | 17147=2 | – | – | 2/11/1916 | ERNEST BALL |
17984 | WILL OAKLAND-HENRY BURR | SIGHING | 17146=3 | – | – | 2/11/1916 | STOVER |
17985 | AMERICAN QT | NO ONE BUT YOUR DEAR OLD DAD | 16967=2 | – | – | 1/5/1916 | MARSHALL |
17985 | JAMES HARRISON-JAMES REED | COME BACK TO ERIN, MONA DARLING | 17226=3 | – | – | 2/28/1916 | REED |
17986 | BILLY MURRAY | WHEN THE RIGHT GIRL COMES ALONG | 17215=2 | – | – | 2/25/1916 | FINK |
17986 | BILLY MURRAY | LONG LIVE THE LADIES | 17240=2 | – | – | 3/1/1926 | GOETZ |
17987 | OLIVE KLINE-E.WHEELER | LADY OF THE LAKE: CORONACH | 18135=2 | – | – | 7/20/1916 | SCHUBERT |
17987 | OLIVE KLINE-E.WHEELER | SOLDIER REST | 17247=2 | – | – | 3/2/1916 | KROEGER |
17988A | HOMER RODEHEAVER | MOLLY AND THE BABY, DON’T YOU KNOW (Prohibition Song) | 17220=1 | – | – | 2/26/1916 | H.S. TAYLOR – J.B.HERBERT |
17988B | HOMER RODEHEAVER | MY WONDERFUL DREAM | 17221=2 | – | – | 2/26/1916 | GABRIEL |
17989 | MRS VIRGINIA ASHER | THERE’S NOBODY LIKE JESUS | 17225=2 | – | – | 2/26/1916 | GABRIEL |
17989 | MRS VIRGINIA ASHER | SOMEBODY CARES | 17224=4 | – | – | 2/26/1916 | GABRIEL |
17990 | ALESSIOS MANDOLIN QT | SPANISH RHAPSODY | 17209=2 | – | – | 2/25/1916 | SALVATTI |
17990 | ATHENIAN MANDOLIN QT | ESTUDIANTINA WALTZ | 17210=1 | – | – | 2/25/1916 | WALDTEUFEL |
17991 | FREDERICK WHEELER | WAKE UP AMERICA | 17228=3 | – | – | 2/28/1916 | GLOGAU |
17991 | HARRY MacDONOUGH | ARE YOU HALF THE MAN YOUR MOTHER THOUGHT | 17257 | – | – | 3/3/1916 | – |
17992 | PEERLESS QT | LUANA LOU | 17260=1 | – | – | 3/6/1916 | STAMPER |
17992 | EDNA BROWN & BILLY MURRAY | SOME SORT OF SOMEBODY | 17299=2 | – | – | 3/13/1916 | JEROME KERN |
17993 | AMERICAN QT | SIAM | 17288=2 | – | – | 3/8/1916 | FISCHER |
17993 | AMERICAN QT | ALL ABOARD FOR CHINATOWN | 17274=1 | – | – | 3/8/1916 | BROOKHOUSE |
17994 | RHODA BERNARD | MY YIDDISH MATINEE GIRL | 17242=4 | – | – | 3/8/1916 | – |
17994 | RHODA BERNARD | ROLL YOUR YIDDISH EYES | 17241=1 | – | – | 3/1/1916 | – |
17995A | McKEE TRIO | ALICE, WHERE ART THOU? | 16956=2 | – | – | 1/4/1916 | Joseph ASCHER |
17995B | McKEE TRIO | COME BACK TO ERIN | 16957=1 | – | – | 1/4/1916 | CLARIBEL |
17996 | HARRY HUMPHREY | TAR BABY | 17086=1 | – | – | 1/31/1916 | WENRICH |
17996 | HARRY HUMPHREY | TAR BABY – PART TWO | 17087=1 | – | – | 1/31/1916 | – |
17997 | LEWIS HOWELL | CANADIAN GUNS | 17264=1 | – | – | 3/6/1916 | LENNARD |
17997 | LEWIS HOWELL | GOOD LUCK TO THE BOYS OF THE ALLIES | 17261=1 | – | – | 3/16/1916 | MANLEY |
17998A | VICTOR MILITARY BAND | IN OLD QUEBEC — MARCH (“Vive La Canadienne” and “O Canada”) | 17231=2 | – | – | 2/29/1916 | (-) |
17998B | VICTOR MILITARY BAND | UNITED EMPIRE MARCH (Canadian Patrioutic Air) | 17230=1 | – | – | 2/29/1916 | – |
17999 | VICTOR MILITARY BAND | MAPLE LEAF FOREVER | 16875=1 | – | – | 12/9/1915 | LAURENDEAU |
17999 | VICTOR MILITARY BAND | OH CANADA | 16871=1 | – | – | 12/9/1915 | – |