| Cat# | Artist | Title | Matrix | Cross Ref. | Location | Date | Composer |
| 55001 | GINO GIOVANCELLI | MANON: RECITATIVE | – | – | – | – | – |
| 55001 | ANDREINI + TEGANI | MANON: CATENA | – | – | – | – | – |
| 55002 | B.BESALU / G.CICCOLINI | CAVALLERIE RUSTICANA: TU QUI SANTUZZI | 222AI | – | – | – | – |
| 55002 | B.BESALU / G.CICCOLINI | CAVALLERIA RUSTICANA: AH NO TURIDDU | 223AI | – | – | – | – |
| 55004 | Perello de Segurola | Mignon-Introduzione | – | – | – | – | – |
| 55004 | Gaudio Mansueto | Ninna Nanna | – | – | – | – | – |
| 55005A | MARIA CAPPIELLO e Coro „Alla Scala“ | AIDA: CHI MAI FRA | 1964c | – | – | – | Verdi |
| 55005B | MARIA CAPPIELLO e Coro „Alla Scala“ | AIDA: OTU CHE SEI D’OSIRIDE | 1960c | – | – | – | Verdi |
| 55007A | ANDREA PERELLO DeSEGUROLA | I PURITANI: SORGEA LA NOTTE | 1339C | – | – | – | BELLINI |
| 55007B | ANDREA PERELLO DeSEGUROLA | ERNANI: INFELICE E TU CREDEVI | 1286C | – | – | – | Verdi |
| 55008 | Giuseppe Maggi + Coro della Scala | Tosca: Te Deum | – | – | – | – | – |
| 55008 | Carlo Sabaino Orchestra | Tosca: Prelude to Act 3 | – | – | – | – | – |
| 55009 | Amleto Galli | La Gioconda-Si morir ella de‘ | – | – | – | – | – |
| 55009 | Lotti, de Gregorio & Badini | Già ti vedo immota | – | – | – | – | – |
| 55010 | Sta. Arrieta | Princesca del Dollar: Couplets de Alicia | 75z | Vi 68437; Gram 063014 | Madrid, Spain | Mar-10 | Leo Fall |
| 55010 | Sr. Gandia | Princesca del Dollar: Entrada de Hans | 84z | Vi 68437; Gram 062008 | Madrid, Spain | 3/5/1910 | Leo Fall |
| 55011 | Elda Cavalieri | BOHEME: MI CHIAMANO MIMI | C-3627=1 | – | Phil. | 7/26/1906 | – |
| 55011 | Elda Cavalieri | Tosca: Vissi d’arte | C3807=2 | Vi 74054 | Phil. | 9/14/1906 | – |
| 55012 | Elda Cavalieri | LA PALOMA | C3935=1 | – | – | 10/24/1906 | – |
| 55012 | Elda Cavalieri | Los Ojos Negros | C3628=1 | Vi 74057 | Phil. | 7/26/1906 | F. M. Alvarez |
| 55013 | Elda Cavalieri | FORZA DEL DESTINO: PACE MIO DIO | – | – | – | – | Verdi |
| 55013 | Elda Cavalieri | AIDA: O PATRIA MIA | – | – | – | – | Verdi |
| 55015A | Elda Cavalieri | GIOCONDA: SUICIDIO! | – | – | – | – | PONCHIELLI |
| 55015A | Elda Cavalieri | MEFISTOFELE: L’ALTRA NOTTE IN FONDO AL MARE | – | – | – | – | Boito |
| 55017 | MURINO-ADALGISA-BADINI | GIOCONDA: VO’FARMI PIU GAIA | 106ai | – | – | – | PONCHIELLI |
| 55017 | ROSSI-MURINO.NUNES.BADINI | GIOCONDA: FIGLIA CHE REGGI IL TREMULO PIE | 128ai | – | – | – | PONCHIELLI |
| 55019 | LOTTI.DEGREGORIO.BADINI | GIOCONDA: VEDO IMMOTA | – | – | – | – | – |
| 55019 | AMELITO GALLI | GIOCONDA: SI MORIR | – | – | – | – | – |
| 55021 | G.CICCOLINI | CAVALLERIA RUSTICANA: Mamma, quel vino è generoso | – | – | – | – | Mascagni |
| 55021 | B.BESALU & E.BADINI | Cavalleria Rusticana: Turiddu mi tolse l’onore | – | – | – | – | Mascagni |
| 55022 | Bianca Besalù + Guido Ciccolini | Cavalleria Rusticana-Tu qui Santuzza | 222aj | Gram. 054298 | Milan, Italy | 11/25/1910 | Mascagni |
| 55022 | Bianca Besalù + Guido Ciccolini | Cavalleria Rusticana-Ah! No, Turiddu | 223aj | Gram. 054298 | Milan, Italy | 11/25/1910 | Mascagni |
| 55024 | E. Boccolini | La Wally-Ebbene, andrò sola e lontano | – | – | – | – | – |
| 55024 | E. Boccolini | Il Bacio-Válzer | – | – | – | – | – |
| 55028A | Claudia Muzio con orchestra | La Boheme: Mi chiamano Mimi | – | – | – | – | Puccini |
| 55028B | E. Boccolini e A. Gilberti con orchestra | La Boheme:Sono andati y fingervo di dormire Duetto finale dell‘ atto IV | – | – | – | – | Puccini |
| 55030A | Frank La Forge | ADAGIO from FIFTH CONCERTO Op.73 | – | – | – | – | Beethoven |
| 55030B | Frank La Forge | SCARF DANCE – AIR DE BALLET, Op. 37 | – | – | – | – | Cecile Chaminade |
| 55031 | Frank La Forge | BERCEUSE | – | – | – | – | Chopin |
| 55031 | Frank La Forge | LES SYLVIANS | – | – | – | – | Charminade |
| 55036A | N. Casini con coro e orchestra | La Boheme: Introduzion al atto III Ohe la, le guardia | – | – | – | – | Puccini |
| 55036B | Giovanelli – Dianna – Lussardi – Bettoni e Coro della Scala | Lucia Di Lammermoor: Sextetto Chi mi frena | – | – | – | – | Donizetti |
| 55038 | JACQUES URLUS | Die Jüden: Recha, als Gott dich einst zur Tochter | 2389 | – | – | – | – |
| 55038 | JACQUES URLUS | OTELLO: OTELLO’S TOT | 2343c | – | – | – | VERDI |
| 55039 | Victor Herbert’s Orch | Sweethearts – Selection | – | – | – | – | – |
| 55039 | Victor Herbert’s Orch | Lady Of the Slipper – Selection | – | – | – | – | – |
| 55040A | Victor Herbert’s Orch | ANGEL’S SERENADE | =11 | – | – | – | Braga |
| 55040B | Victor Herbert’s Orch | XERXES: LARGO | =4 | – | – | – | HANDEL |
| 55041 | Victor Herbert’s Orch | TRAUME | – | – | – | – | – |
| 55041 | Victor Herbert’s Orch | TRISTAN & ISOLDE: ISOLDE’S LIEBESTOD | – | – | – | – | – |
| 55043 | E. Badini | Cristoforo Colombo-Aman lassu le stelle | – | – | – | – | – |
| 55043 | Giovanelli, Dianna, Lussardi & Bettoni | Lucia di Lammermoor-Chi mi frena | – | – | – | – | – |
| 55044 | Victor Herbert’s Orch | LA GIOCONDA: DANCE OF THE HOURS | – | – | – | – | – |
| 55044 | Victor Herbert’s Orch | KAMMENOI OSTROW | – | – | – | – | – |
| 55045A | PAUL ALTHOUSE | AIDA: CELESTE AIDA | – | – | – | – | VERDI |
| 55045B | PAUL REIMERS | STANDCHEN | – | – | – | – | SCHUBERT |
| 55046A | RAYMOND HITCHCOCK | MR HITCHCOCK’S CURTAIN SPEECH | – | – | – | – | – |
| 55046B | RAYMOND HITCHCOCK | BURGLAR STORY AND THE HIGH COST OF LIVING | – | – | – | – | – |
| 55047 | Olive Kline | LUCIA: MAD SCENE | – | – | – | – | – |
| 55047 | Olive Kline | DINORAH: SHADOW SONG | – | – | – | – | – |
| 55048 | Victor Herbert’s Orch | WEDDING MARCH – MIDSUMMER NIGHT’S DREAM | – | – | – | – | – |
| 55048 | Victor Herbert’s Orch | LOHENGRIN: PRELUDE TO ACT III (Bridal March) | – | – | – | – | – |
| 55049A | CHARLES KELLOGG | SONGS OF OUR NATIVE BIRDS, Part 1: Catbird, stormy petrel, cardinal redbird, jenny or house wren, loon, redwing blackbird, bobolink, California ountain quail, general conversation of marsh birds | – | – | – | – | (-) |
| 55049B | CHARLES KELLOGG | SONGS OF OUR NATIVE BIRDS NO.2: Ring dove, goldfinch, wild canary, wood pewee, blue jay, whip-poor-will, mourning dove, meadowlark, peabody bird (white throated sparrow), catbird, wood or barn owl, hot owl | – | – | – | – | (-) |
| 55050 | Edward Elgar and Symphony Orch. With Henry Ainley | Carillion pt1 | – | – | – | – | Elgar |
| 55050 | Edward Elgar and Symphony Orch. With Henry Ainley | Carillion pt2 | – | – | – | – | Elgar |
| 55051 | Reinald Werrenrath | Euridice: Funeste piagge | C15643=2 | – | Camden | 1/29/1915 | Peri |
| 55051 | Lucy Isabelle Marsh | La Serva Pardrona: Stizzoso, mio stizzoso | C15776=1 | – | Camden | 3/10/1915 | Pergolesi |
| 55052 | Victor Male Quar | Hail To The Chief | – | – | – | – | – |
| 55052 | Lucy Isabelle Marsh w/Francis Lapitino, harp | Ave Maria | – | – | – | – | – |
| 55053 | LUCY MARSH | MESSIAH: I KNOW MY REDEEMER LIVETH | – | – | – | – | Handel |
| 55053 | LUCY MARSH | Oh! For the WINGS OF A DOVE | – | – | – | – | Mendelssohn |
| 55054 | VICTOR HERBERT’S ORCH. | NAUGHTY MARIETTA INTERMEZZO | – | – | – | – | – |
| 55054 | VICTOR HERBERT’S ORCH. | March of the Toys | – | – | – | – | – |
| 55055 | Lucy Marsh and Elsie Baker | Sweet The Angelus Is Ringing | – | – | – | – | – |
| 55055 | Victor Male Chorus | Song Of The Vikings | – | – | – | – | – |
| 55056 | FLORENCE HINKLE | DU BIST DIE RUH | – | – | – | – | Schubert |
| 55056 | CHRISTINE MILLER (or Florence Hinkle?) | DIE LORELEI | – | – | – | – | Liszt |
| 55057 | TAYLOR HOLMES | BOOTS | – | – | – | – | Kipling |
| 55057 | TAYLOR HOLMES | GUNGA DIN | – | – | – | – | Kipling |
| 55058 | LUCY MARSH & PAUL ALTHOUSE | AIDA: Fuggiam gli adori (Ah, FLY WITH ME) Nile Scene Act 3 | – | – | – | – | Verdi |
| 55058 | Olive Kline & PAUL ALTHOUSE | MME BUTTERFLY: O quanti occhi fisi (KINDLY HEAVENS) | – | – | – | – | Puccini |
| 55059 | PAUL ALTHOUSE | AH! MOON OF MY DELIGHT | – | – | – | – | „In a Persian Garden“ |
| 55059 | PAUL ALTHOUSE | ONAWAY! AWAKE BELOVED | – | – | – | – | – |
| 55060 | MARSH & WERRENRATH | MERCHANT OF VENICE: TELL ME WHERE IS MY FANCY BRED | – | – | – | – | – |
| 55060 | MARSH & WERRENRATH | MIDSUMMER NIGHTS DREAM: YOU SPOTTED SNAKES | – | – | – | – | – |
| 55061A | KARL JORN & JEAN MULLER | PARSIFAL: CHARFREITAGSZAUBERT | 1221S | – | – | – | – |
| 55061B | KARL JORN & JEAN MULLER | PARSIFAL: DU SIEHST DAS IST NICHT SO | 1222S | – | – | – | – |
| 55065 | Reinald Werrenrath | GOOD-BYE | – | – | – | – | TOSTI |
| 55065 | Reinald Werrenrath | OFT IN THE STILLY NIGHT | – | – | – | – | Moore |
| 55066A | Victor Opera Sextette | LUCIA SEXTETTE (CHI MI FRENA) | =3 | – | – | – | DONIZETTI |
| 55066B | Victor Opera Quartette | RIGOLETTO QUARTET (BELLA FIGLIA DELL’AMORE) | =14 | – | – | – | Verdi |
| 55067 | Beatrice Harrison | Die Meistersinger: Prize Song | C16936=1 | Gram. 07892 | Camden | 12/27/1915 | Wagner |
| 55067 | Beatrice Harrison | Ave Maria | C16937=1 | Gram D345 | Camden | 12/27/1915 | Schubert |
| 55068A | Reinald Werrenrath | PAGLIACCI PROLOGUE | – | – | – | – | LEONCAVALLO |
| 55068B | Reinald Werrenrath | CARMEN: CHANSON DU TOREADOR | – | – | – | – | BIZET |
| 55069 | Lambert Murphy | Mavourneen Roamin‘ | – | – | – | – | – |
| 55069 | Lambert Murphy | The Sunshine Of Your Smile | – | – | – | – | – |
| 55070 | Dux & Jörn | Boheme-Mimis Tod | – | – | – | – | – |
| 55070 | Dux & Jörn | Boheme-Sind wir allein? | – | – | – | – | – |
| 55071 | Lola Artot De Padilla | Die Königskinder-Bin ein lustiger Jägersmann | – | – | – | – | – |
| 55071 | De Padilla + Jörn | Willst du mein Maienbuhle sein, du Blumereiche? | – | – | – | – | – |
| 55072 | Olive Kline | Hymn To John The Baptist | C16063=5 | – | – | 10/1/1915 | – |
| 55072 | Reinald Werrenrath | The Hymn of Charlemagne | C16581=1 | – | – | 9/30/1915 | – |
| 55073A | CARL BURRIAN | MINE HIESS EIN MURRISCHER ZWERG | 2254C | – | – | – | – |
| 55073B | CARL BURRIAN | GOTTERDAMMERUNG: ZU DEN WIPFELN LAUSCHT ICH | 2255C | – | – | – | – |
| 55074A | JOSEPH CAWTHORNE | I CAN DANCE WITH EVERYBODY BUT MY WIFE | – | – | – | – | – |
| 55074B | JOSEPH CAWTHORNE | IT’S A SMALL WORLD | – | – | – | – | John L. Golden |
| 55075 | VICTOR ORATORIO CHORUS | REQUIEM MASS IN C MINOR | – | – | – | – | – |
| 55075 | Reinald Werrenrath | GUIDE THOU MY STEPS | – | – | – | – | – |
| 55076 | PAUL ALTHOUSE | CREATION: NATIVE WORTH | C16465=2 | – | – | 9/3/1915 | – |
| 55076 | Reinald Werrenrath | WATERS OF BABYLON | C15078=2 | – | – | 7/23/1914 | – |
| 55077 | Kitty Cheatham | Love’s Lullaby | – | – | – | – | – |
| 55077 | Kitty Cheatham | Little Gray Lamb | – | – | – | – | – |
| 55078 | Victor Herbert’s Orchestra | Enchantress – Selection | C12105=5 | Vi 70090 | NYC | 6/26/1912 | Herbert |
| 55078 | Victor Herbert’s Orchestra | Panamericana | C12251=1 | Vi 70089 | NYC | 6/26/1912 | Herbert |
| 55079 | Reinald Werrenrath | THE HEART BOW’D DOWN | – | – | – | – | „Bohemian Girl“ |
| 55079 | Reinald Werrenrath | FAUST: EVEN THE BRAVEST HEART | – | – | – | – | – |
| 55080 | RAYMOND HITCHCOCK | SOMETIME | – | – | – | – | „Betty“ |
| 55080 | RAYMOND HITCHCOCK | HERE COMES THE GROOM | – | – | – | – | „Betty“ |
| 55081 | MARIE CAHILL | THE DALLAS BLUES | – | – | – | – | – |
| 55081 | MARIE CAHILL | AN IDLE WOMAN’S BUSY DAY | – | – | – | – | – |
| 55083 | Leon Campagnola | Pagliacci-Vesti la giubba | – | – | – | – | – |
| 55083 | Leon Campagnola | Que cette main est froide | – | – | – | – | – |
| 55084 | Brohly and Campagnola | Carmen: Je t’aime encore | – | – | – | – | – |
| 55084 | Brohly and Campagnola | Carmen: C’est toi! | – | – | – | – | – |
| 55085 | BERTHE CESAR & LEON CAMPAGNOLA | ROMEO & JULIET: NIGHT IS BLESSED | – | – | – | – | – |
| 55085 | BERTHE CESAR & LEON CAMPAGNOLA | ROMEO & JULIET: LINGER YET | – | – | – | – | – |
| 55086 | BERTHE CESAR & LEON CAMPAGNOLA | NON, VOTRE LIBERTE NE SERA PAS RAVIE | – | – | – | – | MANON: REMAIN FREE |
| 55086 | BERTHE CESAR & LEON CAMPAGNOLA | MANON: ET JE SAIS VOTRE NOM | – | – | – | – | MASSENET (IF I KNEW) |
| 55087 | CAMPAGNOLA & CERDAN | FAUST: MAIS CE DIEU QUE PEUT-IL POUR MOI | – | – | – | 11/4/1911 | FAUST: BUT THIS GOD |
| 55087 | CAMPAGNOLA & CERDAN | A MOI LES PLAISIRS | – | – | – | – | PLEASURES OF YOUTH |
| 55089 | Cesar & Campagnola | Manon-Toi vous | – | – | – | – | – |
| 55089 | Cesar & Campagnola | N’est ce plus ma main | – | – | – | – | – |
| 55090 | Carlos Mejía | L’elisir d’amore: Una furtiva lagrima | C20464=3 | – | Camden | 8/6/1917 | Donizetti |
| 55090 | Carlos Mejía | La Bohème: Racconto di Rodolfo | C20475=3 | – | Camden | 8/6/1917 | Puccini |
| 55092 | CHARLES KELLOGG | SOUNDS OF THE FOREST NO.1 | – | – | – | – | – |
| 55092 | CHARLES KELLOGG | SOUNDS OF THE FOREST NO.2 | – | – | – | – | – |
| 55093 | VICTOR HERBERT’S ORCH | AMERICAN FANTASY | – | – | – | – | – |
| 55093 | VICTOR HERBERT’S ORCH | AMERICAN FANTASY | – | – | – | – | – |
| 55094 | VICTOR HERBERT’S ORCH | MADAME BUTTERFLY FANTASIE | – | – | – | – | – |
| 55094 | VICTOR HERBERT’S ORCH | A DREAM OF LOVE | – | – | – | – | Liszt |
| 55096 | Comm. Robert E. Peary | The Discovery of the North Pole | – | – | – | – | – |
| 55096 | Sir Ernest Shackleton | A Dash for the South Pole | – | – | – | – | – |
| 55098 | Montgomery and Stone | Gay Paree | – | – | – | – | – |
| 55098 | Montgomery and Stone | Travel, Travel Little Star | – | – | – | – | – |
| 55100 | ROBERT HILLIARD | SCENE FROM A FOOL THERE WAS | – | – | – | – | – |
| 55100 | ROBERT HILLIARD | CHRISTMAS DAY IN THE WORKHOUSE | – | – | – | – | – |
| 55101 | Nora Bayes | What Good Is Water When You’re Dry? | – | – | – | – | – |
| 55101 | Nora Bayes | How Can They Tell That I’m Irish | – | – | – | – | – |
| 55102 | Ada Sassoli, harp | Am springbrunnen | C9615=2 | Vi 70031 | NYC | 12/10/1910 | Albert Zabel |
| 55102 | Ada Sassoli, harp | Valse de Concert | C12454=1 | Vi 70088 | NYC | 10/2/1912 | Alphonse Hasselmans |
| 55104 | Victor Herbert’s Orch | Badinage | C10547=4=8 | Vi 70053 | Camden | 6/19/1911 (=4); 4/30/1919 (=8) | Herbert |
| 55104 | Victor Herbert’s Orch | The Military Ball | C11101=1 | Vi 70091 | Camden | 10/14/1911 | Herbert „Babes In Toyland“ |
| 55105 | VICTOR HERBERT’S ORCH | AIR FOR G STRING | – | – | – | – | – |
| 55105 | VICTOR HERBERT’S ORCH | MARCHE SLAVE | – | – | – | – | – |
| 55106 | Florence Hinkle | Depuis le Jour | C12434=1 | Vi 70085; Gram 2-033035 | Camden | 9/30/1912 | Charpentier |
| 55106 | Florence Hinkle | Good-bye | C14233=2 | Vi 70105; Gram 03787 | Camden | 12/22/1913 | Tosti |
| 55108 | Lucy Isabelle Marsh | Solvejg’s Song | – | – | – | – | Grieg |
| 55108 | Lucy Isabelle Marsh | The Swallows | – | – | – | – | Acqua |
| 55109 | John Lemmoné | WIND AMONGST THE TREES | – | – | – | – | – |
| 55109 | John Lemmoné | THE NIGHTINGALE | – | – | – | – | – |
| 55110 | John Lemmoné | Bolero | C9611=1 | Vi 70032; Gram. D476 | Camden | 11/7/1910 | Pessard |
| 55110 | John Lemmoné | Scherzo Capriccio | C9610=1 | Vi 70074; Gram 09154 | Camden | 11/7/1910 | Sabathil |
| 55111 | John Lemmoné, flute with Nellie Melba, piano | By The Brook | – | – | – | – | Wetzger |
| 55111 | Ada Sassoli & John Lemmoné, harp & flute | Concerto for Harp and Flute-1st Mvt | – | – | – | – | Mozart |
| 55112 | Frank La Forge | Nocturne in D flat | C4939=5 | Vi 70045; Gram 05531 | Camden | 5/24/1911 | Chopin op.27 no.2 |
| 55112 | Frank La Forge | Liebestraum #3 | C10491=3 | Vi 70065 | Camden | 5/24/1911 | Liszt |
| 55114 | AGNES KIMBALL | Madame Butterfly-Someday He’ll Come | – | – | – | – | – |
| 55114 | Victor Opera Quar. | Martha-Spinning wheel quartet | – | – | – | – | – |
| 55115A | HARRY LAUDER | IT’S NICE TO GET UP IN THE MORNIN‘ but It’s Nicer to Lie in Bed | =1 | – | – | – | Lauder |
| 55115B | HARRY LAUDER | DOUGHIE THE BAKER | =1 | – | – | – | Lauder – MacFadyan |
| 55116 | SIR HARRY LAUDER | SHE IS MY ROSIE | – | – | – | – | – |
| 55116 | SIR HARRY LAUDER | I LOVE A LASSIE | – | – | – | – | – |
| 55117 | Sir Harry Lauder | Nanny | – | – | – | – | – |
| 55117 | Sir Harry Lauder | The Wedding of Sandy McNab | – | – | – | – | – |
| 55120 | HARRY LAUDER | A WEE DOCH AND DORIS | – | – | – | – | – |
| 55120 | HARRY LAUDER | BONNIE MAGGIE TAMSON | – | – | – | – | – |
| 55121A | SIR HARRY LAUDER | THERE IS SOMEBODY WAITING FOR ME | – | – | – | – | Lauder |
| 55121B | SIR HARRY LAUDER | THE BOUNDING BOUNDER | – | – | – | – | (-) |
| 55123A | HARRY LAUDER | SHE IS MY DAISY | – | – | – | – | (-) |
| 55123B | HARRY LAUDER | WHEN I WAS Twenty-One | – | – | – | – | Lauder |
| 55124 | Sir Harry Lauder | I Think I’ll Get Wed in the Summer | – | – | – | – | – |
| 55124 | Sir Harry Lauder | Ta Ta My Bonnie Maggie Darling | – | – | – | – | – |
| 55125A | CANTOR JOSEF ROSENBLATT | ELOKAY HESHOMO (Jehoya, thou gavest me pure) | – | – | – | – | Rosenblatt |
| 55125B | CANTOR JOSEF ROSENBLATT | SHOMER ISRAEL | – | – | – | – | Rosenblatt |
| 55128 | Harry Lauder | Rob Roy McIntosh | C-8472 | Vi 70004 | Camden | 12/12/1909 | Harry Lauder – Frank Folloy |
| 55128 | Harry Lauder | The Wedding o‘ Lauchie McGraw | – | – | – | – | – |
| 55129A | HARRY LAUDER | ROAMIN‘ IN THE GLOAMIN‘ | – | – | – | – | – |
| 55129B | HARRY LAUDER | THE WEE HOOS ‚MANG THE HEATHER | – | – | – | – | – |
| 55130 | HARRY LAUDER | SHE’S THE LASS FOR ME | – | – | – | – | – |
| 55130 | HARRY LAUDER | TRIXIE FROM DIXIE | – | – | – | – | – |
| 55131 | HARRY LAUDER | MacGREGOR’S TOAST | – | – | – | – | – |
| 55131 | HARRY LAUDER | BACK TO BONNIE SCOTLAND | – | – | – | – | – |
| 55133 | NICOLA ZEROLA | OTELLO: MORTE DI OTELLO | – | – | – | – | VERDI |
| 55133 | NICOLA ZEROLA | AIDA: LA FATAL PIETRA | – | – | – | – | VERDI |
| 55135 | Lucy Isabelle Marsh | Aida-Ritorna vincitor | – | – | – | – | – |
| 55135 | Lucy Isabelle Marsh | O patria mia | – | – | – | – | – |
| 55136 | ERNEST THOMPSON SETON | THREE SIOUX SCOUTS pt1 | – | – | – | – | – |
| 55136 | ERNEST THOMPSON SETON | THREE SIOUX SCOUTS pt2 | – | – | – | – | – |
| 55138A | SIR HARRY LAUDER | I’M GOING TO MARRY ‚ARRY ON THE 5TH OF JANUARY | – | – | – | – | Lauder |
| 55138B | HARRY LAUDER | O’ER THE HILL TO ARDENTENY | – | – | – | – | Lauder |
| 55139 | Cantor Josef Rosenblatt | Habet Mishomaim pt1 (look down from Heaven) | – | – | – | – | J. Rosenblatt |
| 55139 | Cantor Josef Rosenblatt | Habet Mishomaim pt2 (look down from Heaven) | – | – | – | – | J. Rosenblatt |
| 55140 | Lucy Isabelle Marsh | The Nightingale | – | – | – | – | Alabieff |
| 55140 | Lucy Isabelle Marsh | Spring’s Awakening | – | – | – | – | Cunningham-Sanderson |
| 55141A | ALBERTO SALVI (harp) | Fantasie Impromptu | – | – | – | – | Chopin |
| 55141B | ALBERTO SALVI (harp) | Fantasie in B Flat | – | – | – | – | – |
| 55142A | CANTOR JOSEF ROSENBLATT | DER NEUER OMAR RABBI ELOSER | – | – | – | – | J. Rosenblatt |
| 55142B | CANTOR JOSEF ROSENBLATT | TIKANTO SHABBOS | – | – | – | – | JOSEF ROSENBLATT |
| 55151 | Luisa Vela; Emilio Sagi-Barba | La Princesa del Dólar: Duo Final | J147 | Vi 74226; Gram 064087 | Cuba | 2/6/1911 | Leo Fall |
| 55152 | Cantor Josef Rosenblatt | Adoshem Moloch Geus | – | – | – | – | – |
| 55152 | Cantor Josef Rosenblatt | Yistabach | – | – | – | – | – |
| 55153 | SIR HARRY LAUDER | BELLA McGAW | – | – | – | – | – |
| 55153 | SIR HARRY LAUDER | WAGGLE O‘ THE KILT | – | – | – | – | – |
| 55156 | Benno Moiseiwitsch | PERPETUM MOBILE | – | – | – | – | – |
| 55156 | Benno Moiseiwitsch | WALTZ IN G FLAT MAJOR | – | – | – | – | – |
| 55157 | Benno Moiseiwitsch | FINLANDISCH DANCE | – | – | – | – | – |
| 55157 | Benno Moiseiwitsch | IMPROMPTU IN F SHARP | – | – | – | – | – |
| 55162 | Lucy Isabelle Marsh | Stabat Mater-Inflammatus | C10102=1 | – | – | 3/27/1911 | – |
| 55162 | Lambert Murphy | Stabat Mater-Cujus animam | C26119=2 | – | – | 2/13/1922 | – |
| 55163 | Cantor Josef Rosenblatt + Leivi Rosenblatt | We’af Hu Boyu Mis’chaven | – | – | – | – | – |
| 55163 | Cantor Josef Rosenblatt + Leivi Rosenblatt | Ovinu Malkeinu | – | – | – | – | – |
| 55164 | CANTOR JOSEF ROSENBLATT | W’CHOL MAMINIM | – | – | – | – | – |
| 55164 | CANTOR JOSEF ROSENBLATT | ELOKAY AD SCHELO NOZARTI | – | – | – | – | – |
| 55167 | PERCY PITT & SYMPHONY ORCH | SIEGFRIED’S JOURNEY TO THE RHINE PT.2 | CC132 | – | – | – | – |
| 55167 | SYMPHONY ORCH. | GOTTERDAMMERUNG: SIEGFRIED’S JOURNEY TO THE RHINE | CC133 | – | – | – | – |
| 55169A | Royal Albert Hall Orch dir. Landon Ronald | The Sorcerer’s Apprentice pt1 | HO4108 | – | – | – | Paul Dukas |
| 55169B | Royal Albert Hall Orch dir. Landon Ronald | The Sorcerer’s Apprentice pt2 | HO4110 | – | – | – | Paul Dukas |
| 55173 | HARRY LAUDER | GRANNY’S LADDIE | – | – | – | – | – |
| 55173 | HARRY LAUDER | I WISH YOU WERE HERE | – | – | – | – | – |
| 55178 | LUCY MARSH | ELIJAH: HEAR YE ISRAEL | – | – | – | – | – |
| 55178 | LUCY MARSH | CREATION: WITH VERDURE CLAD | – | – | – | – | – |
| 55179A | SIR HARRY LAUDER | BELLA THE BELLE OF O’DUNOON | – | – | – | – | Lauder |
| 55179B | HARRY LAUDER | THE SUNSHINE OF A BONNIE LASSIE’S SMILE | – | – | – | – | Lauder |
| 55180 | HARRY LAUDER | IT’S A FINE THING TO SING | – | – | – | – | – |
| 55180 | HARRY LAUDER | SATURDAY NIGHT | – | – | – | – | – |
| 55194 | LUCY ISABELLE MARSH | HYMN TO THE MADONNA | – | – | – | – | KRAMER |
| 55194 | OLIVE KLINE | MOONLIGHT SONATA | – | – | – | – | BEETHOVEN |
| 55195A | Cantor Josef Rosenblatt | Tal (Fur Passach) Teil 2 Dew (For Passover) pt1 | – | – | NYC | 1/17/23 | J. Rosenblatt |
| 55195B | Cantor Josef Rosenblatt | Tal (Fur Passach) Teil 1 Dew (For Passover) pt2 | – | – | NYC | 2/3/23 | J. Rosenblatt |
| 55197 | JOSEF ROSENBLATT (cantor) | EILI, EILI | – | – | – | – | – |
| 55197 | JOSEF ROSENBLATT (cantor) | DIE NEUER KOL NIDREI | – | – | – | – | – |
| 55199 | JOSEF ROSENBLATT | The Prayer for Rain pt1 | – | – | – | – | – |
| 55199 | JOSEF ROSENBLATT | The Prayer for Rain pt2 | – | – | – | – | – |
| 55200 | VICTOR HERBERT’S ORCH. | INDIAN SUMMER | – | – | – | – | – |
| 55200 | VICTOR HERBERT’S ORCH. | NATOMA: DAGGER DANCE | – | – | – | – | – |
| 55201 | Cantor Josef Rosenblatt | Rachem Noo pt1 | – | – | – | – | – |
| 55201 | Cantor Josef Rosenblatt | Rachem Noo pt2 | – | – | – | – | – |
| 55202A | St. Louis Symphony Orch. Dir by Rudolph Ganz | Festival Overture Part 1 | – | – | – | – | E. Lassen |
| 55202B | St. Louis Symphony Orch. Dir by Rudolph Ganz | Festival Overture Part 2 | – | – | – | – | E. Lassen |
| 55203 | ROBERT RADFORD | RHEINGOLD: ALBERICH STEALS THE GOLD | – | – | – | – | – |
| 55203 | RADFORD & FURNMEDGE | THE DESCENT TO NIBELHEIM | – | – | – | – | – |
| 55204A | Albert Coates Symphony Orch | VALKYRIE: PRELUDE-SIEGFRIED SEEKS SHELTER from the Storm | – | – | – | Wagner | |
| 55204B | Tudor Davies (Eugene Goossens orch) | The Valkyrie: SIEGMUND SEES THE SWORD HILT IN THE TREE | – | – | – | – | Wagner |
| 55205 | Tudor Davies (E. GOOSENS orch) | THE VAKYRIE: SIEGMUND GREETS THE SPRING NIGHT | – | – | – | – | – |
| 55205 | Tudor Davies (E. GOOSENS orch) | THE VALKYRIE: SIEGMUND DRAWS OUT THE SWORD | – | – | – | – | – |
| 55206 | Austral & Radford | Valkyrie-Brünnhilde’s battle cry | – | – | – | – | – |
| 55206 | Austral & Radford | Wotan warns Brünnhilde not to disobey | – | – | – | – | – |
| 55209 | SYMPHONY ORCH (A.COATES) | THE FOREST BIRD WARNS SIEGFRIED | – | – | – | – | – |
| 55209 | SYMPHONY ORCHESTRA | SIEGFRIED FORGES THE BROKEN SWORD | – | – | – | – | – |
| 55210A | Tudor Davies, Bessie Jones, orch dir. Albert Coates | Siegfried Follows the forest bird | – | – | – | – | Wagner |
| 55210B | Florence Austral, Tudor Davies, orch dir. Percy Pitt | Brunnhilde hails the radiant sun | – | – | – | – | Wagner |
| 55211 | Austral and Davies with SYMPHONY ORCH (A.COATES) | Siegfried: BRUNNHILDE RECALLS HER VALKYRIE DAYS | – | – | – | – | Wagner |
| 55211 | Austral and Davies with SYMPHONY ORCH (A.COATES) | Siegfried: BRUNNHILDE YIELDS TO SIEGFRIED | – | – | – | – | Wagner |
| 55212 | SYMPHONY ORCH (A.COATES) | PARTING OF BRUNNHILDE & SIEGFRIED | – | – | – | – | Wagner |
| 55212 | SYMPHONY ORCH (A.COATES) | PARTING OF BRUNNHILDE & SIEGFRIED | – | – | – | – | Wagner |
| 55213 | Robert Radford with Symphony Orch (A.COATES) | Twilight of the Gods-HAGEN MEDITATES REVENGE | – | – | – | – | Wagner |
| 55213 | Davies, Radford & Jones with Symphony Orch (A.COATES) | Twilight of the Gods-GUNTHER & GUTRUNE WELCOME SIEGFRIED | – | – | – | – | Wagner |
| 55215 | Florence Austral | The Twilight of the Gods-Brünnhilde kindles the funeral pyre, Part 2 | – | – | – | – | – |
| 55215 | Florence Austral | The Twilight of the Gods-Brünnhilde kindles the funeral pyre, Part 3 | – | – | – | – | – |
| 55218 | Taylor Holmes (LeRoy Shield, piano) | The SHOOTING OF DAN McGREW | C-28784=3 | Gram. 01175 | NYC | 12/11/1923 | Robert W. Service |
| 55218 | Taylor Holmes (LeRoy Shield, piano) | The FACE ON THE BARROOM FLOOR | C-28785=1 | Gram. 01174 | Camden | 10/27/1923 | Hugh Antoine D’Arcy |
| 55221 | SIR HARRY LAUDER | DIXIE GIRLS ARE GOOD ENOUGH FOR ME | – | – | – | – | – |
| 55221 | SIR HARRY LAUDER | OHIO | – | – | – | – | – |
| 55222A | SIR HARRY LAUDER | LOVE MAKES THE WORLD A MERRY-GO-ROUND | – | – | – | – | Lauder – Montague – De Pace |
| 55222B | SIR HARRY LAUDER | I LIKE MY OLD HOME TOWN | – | – | – | – | Lauder |
| 55223 | VICTOR HERBERT’S ORCH | DEVOTION | – | – | – | – | – |
| 55223 | VICTOR HERBERT’S ORCH | SWEETHEARTS SELECTIONS | – | – | – | – | – |
| 55225 | Paul Whiteman’s Concert Orchestra with George Gershwin, piano | Rhapsody in Blue, pt1 | – | – | – | – | Gershwin |
| 55225 | Paul Whiteman’s Concert Orchestra with George Gershwin, piano | Rhapsody in Blue, pt2 | – | – | – | – | Gershwin |
| 55226 | Paul Whiteman Concert Orchestra | A Suite of Serenades pt1 | C30181=1 | Gram C1196 | NYC | 6/12/1924 | Victor Herbert |
| 55226 | Paul Whiteman Concert Orchestra | A Suite of Serenades pt2 (Cuban; Oriental) | C-30180=3 | Gram C1196 | NYC | 6/12/1924 | Victor Herbert |
| 55249 | Ignacy Dygas | Szumia Jodly | – | Polish | – | – | – |
| 55249 | Ignacy Dygas | Arja Z Kurantem | – | Polish | – | – | – |
| 55267 | Symphony ORCHESTRA dir. ALBERT COATES | SIEGFRIED IDYL PART 3 | – | – | – | – | Wagner |
| 55267 | Symphony ORCHESTRA dir. ALBERT COATES | SIEGFRIED IDYL PART 4 | – | – | – | – | Wagner |
| 55274 | Cantor Josef Rosenblatt | Kvakoras | – | – | – | – | – |
| 55274 | Cantor Josef Rosenblatt | Al Chet | – | – | – | – | – |
| 55287 | RICHARD CROOKS | OPEN THE GATES OF THE TEMPLE | – | – | – | – | – |
| 55287 | RICHARD CROOKS | STAR OF BETHLEHEM | – | – | – | – | – |
| 55288 | ROBERT RADFORD | MEISTERSINGER FINALE | – | – | – | – | Wagner |
| 55288 | TUDOR DAVIES & CHORUS | MEISTERSINGER: PRIZE SONG | – | – | – | – | Wagner |
| 55290A | St. Louis Symphony Orch. Dir by Rudolph Ganz | Barber Of Seville Overture Part 1 | – | – | – | – | Rossini |
| 55290B | St. Louis Symphony Orch. Dir by Rudolph Ganz | Barber Of Seville Overture Part 2 | – | – | – | – | Rossini |
| 55301 | The Skaters Band | – | – | – | – | ~1937 | – |
| 55301 | The Skaters Band | – | – | – | – | ~1937 | – |
| 55302A | The Skaters Band dir. Max Boag | In the Good Old Summer Time medley | – | – | – | ~1937 | – |
| 55302B | The Skaters Band | – | – | – | – | ~1937 | – |
| 55303 | The Skaters Band | – | – | – | – | ~1937 | – |
| 55303 | The Skaters Band | – | – | – | – | ~1937 | – |