Cat# | Artist: | Title: | Matrix | Cross-reference | Location | Date | Composer |
301 | Jimmy McPartland and his Sextette | (The Daughter Of) Sister Kate | UR-8816 | – | – | – | – |
301 | Jimmy McPartland and his Sextette | Singin‘ The Blues | – | – | – | – | – |
302 | Jimmy McPartland and his Sextette | Royal Garden Blues | UR-8815 | – | – | – | – |
302 | Jimmy McPartland and his Sextette | In A Mist | – | – | – | – | – |
303 | Jimmy McPartland and his Sextette | Manhattan | MCP-603 | – | – | – | Rodgers; Hart |
303 | Jimmy McPartland and his Sextette | Come Back Sweet Papa | MCP-602 | – | – | – | Barbarin; Russell |
304 | Jimmy McPartland and his Sextette | Davenport Blues | MCP-605 | – | – | – | Beiderbecke |
304 | Jimmy McPartland and his Sextette | Use Your Imagination | MCP-606 | – | – | – | Porter |
701 | James Moody’s Band | Out Of Nowhere | MR-25A | – | Stockholm | 10/7/1949 | – |
701 | James Moody’s Band | Lester Leaps In | MR-33 | – | Stockholm | 10/7/1949 | – |
702 | James Moody’s Quin | Maxology, pt1 | ST-3011 | – | Paris | 5/15/1949 | – |
702 | James Moody’s Quin | Maxology, pt2 | ST-3011 | – | Paris | 5/15/1949 | – |
703 | James Moody and his Band | I’m In the Mood for Love | MR-32-A (RTJ-3137-MA) | – | Stockholm | 10/12/1949 | (-) |
703 | James Moody and his Quartet | The Flight | MR-30-A (RTJ-3135-MA) | – | Stockholm | 10/12/1949 | (-) |
704 | Sonny Stitt, tenor sax | Ain’t Misbehaven | JRC-1010A | – | NYC | 2/17/1950 | – |
704 | Sonny Stitt Quartet | Later | JRC-1009A | – | NYC | 2/17/1950 | – |
705 | Sonny Stitt Quartet | All God’s Children (Go Rhythm) | JRC-1000A | – | NYC | 12/11/1949 | – |
705 | Sonny Stitt, tenor sax | Sunset | JRC-1003A | – | NYC | 12/11/1949 | – |
706 | Sonny Stitt Quartet | Bud’s Blues | JRC-1002B | – | NYC | 12/11/1949 | (-) |
706 | Sonny Stitt Quartet | Fine and Dandy | JRC-1007A | – | NYC | 1/26/1950 | – |
707 | Wardell Gray | Twisted | JRC-46D | – | NYC | 11/11/1949 | – |
707 | Wardell Gray | Easy Living | JRC-48B | – | NYC | 11/11/1949 | – |
708 | Stan Getz (Al Haig, piano) | I’ve Got You Under My Skin | BL-1204B | – | NYC | 1/6/1950 | – |
708 | Stan Getz (Al Haig, piano) | There’s a Small Hotel | BL-1202C | – | NYC | 1/6/1950 | – |
709 | Gene Ammons and Sonny Stitt | Blues Up And Down | BL-1222-2 | – | NYC | 3/5/1950 | – |
709 | Gene Ammons and Sonny Stitt | You Can Depend On Me | BL-1223-1 | – | NYC | 3/5/1950 | – |
710 | Stan Getz (Al Haig, piano) | Long Island Sound | JRC-25E (JRC-19E label) | – | NYC | 6/21/1949 | (-) |
710 | Stan Getz (Al Haig, piano) | Marcia | JRC-26D (JRC-20D label) | – | NYC | 6/21/1949 | (-) |
711 | Wardell Gray | Southside | JRC-47E | – | NYC | 11/11/1949 | – |
711 | Wardell Gray | Sweet Lorraine | JRC-49A | – | NYC | 11/11/1949 | – |
712 | Stan Getz | My Old Flame | JRC-76B | – | NYC | 4/14/1950 | – |
712 | Stan Getz | The Lady in Red | JRC-77B | – | NYC | 4/14/1950 | – |
713 | Gene Ammons | Bye Bye | BL-1220 | – | NYC | 3/5/1950 | – |
713 | Gene Ammons | Let It Be | BL-1221 | – | NYC | 3/5/1950 | – |
714 | Wardell Gray | Blue Gray | JRC-80B | – | Detroit | 4/25/1950 | (-) |
714 | Wardell Gray | Treadin‘ With Treadwell | JRC-82C | – | Detroit | 4/25/1950 | (-) |
715 | Gene Ammons | Touch of the Blues (v. Teddy Williams) | BL-1224 | – | NYC | 3/5/1950 | – |
715 | Gene Ammons | Dumb Woman Blues (v. Teddy Williams) | BL-1225 | – | NYC | 3/5/1950 | – |
716 | James Moody | Good Bait | MR-35A | – | Stockholm | 10/12/1949 | – |
716 | James Moody | Dexterioius | MR-36 | – | Stockholm | 10/12/1949 | – |
717 | Gene Ammons | I Wanna Be Loved | JRC-89 | – | NYC | 6/28/1950 | (-) |
717 | Gene Ammons and his Band | Gravy | JRC-87 | – | NYC | 4/26/1950 | (-) |
718 | Sonny Stitt | Count Every Star | 90A | – | NYC | 6/28/1950 | (-) |
718 | Sonny Stitt | Nice Work If You Can Get It | 92A | – | NYC | 6/28/1950 | (-) |
719 | Zoot Sims | You Go To My Head | JRC-84A | – | Stockholm | 4/23/1950 | – |
719 | Zoot Sims | The Scene Is Clean | JRC-84B | – | Stockholm | 4/23/1950 | – |
720 | Leo Parker | I’ll Cross My Fingers | JRC-98B | – | NYC | 7/20/1950 | Kent; Farrar |
720 | Leo Parker | Mad Lad Returns | JRC-99D | – | NYC | 7/20/1950 | Leo Parker |
721 | Gene Ammons and his Band | La Vie en Rose | JRC102 | – | NYC | 7/27/1950 | David; Louiguy |
721 | Gene Ammons and his Band | Who Put the Sleeping Pills in Rip Van Winkle’s Coffee | JRC-86 | – | NYC | 4/26/1950 | (-) |
722 | Sonny Stitt | Sonny Side | JRC-1000 | – | NYC | 12/11/1949 | – |
722 | Sonny Stitt | Takin‘ a Chance on Love | JRC-1006D | – | NYC | 1/26/1950 | – |
723 | Wardell Gray (Phil Hill, piano) | A Sinner Kissed an Angel | JRC 79A | – | Detroit | 4/25/1950 | (-) |
723 | Wardell Gray (Phil Hill, piano) | Grayhound | JRC 81B | – | Detroit | 4/25/1950 | (-) |
724 | Stan Getz’s Tenor Sax Stars | Battle Of The Saxes | JRC-16E | – | NYC | 4/8/1949 | – |
724 | Stan Getz | Wrap Your Troubles In Dreams | JRC-78B | – | NYC | 4/14/1950 | – |
725 | Gene Ammons | Back in My Own Backyard | 100 | – | NYC | 7/27/1950 | Jolson; Rose; Dereyer |
725 | Gene Ammons | Seven Eleven | 103 | – | NYC | 7/27/1950 | Carpenter; Williams |
726 | Zoot Sims and his Quartet | Dancing in the Dark | 106 | – | NYC | 9/16/1950 | Dietz; Schwartz |
726 | Zoot Sims | My Silent Love | 104 | – | NYC | 9/16/1950 | Susse; Heyman |
727 | Sonny Stitt (v. Larry Townsend) | After You’ve Gone | 113 | – | NYC | 10/8/1950 | Creamer; Layton |
727 | Sonny Stitt (v. Larry Townsend) | Our Very Own | 114 | – | NYC | 10/8/1950 | Elliot; Young |
728 | Sonny Stitt (v. Larry Townsend) | To Think You’ve Chose Me | 112 | – | NYC | 10/8/1950 | – |
728 | Dizzy Gillespie | Thinking of You | 110A | – | NYC | 9/16/1950 | – |
729 | Terry Gibbs | Michelle | JRC-12E-1 | – | NYC | 3/14/1949 | Gibbs; Rogers |
729 | Terry Gibbs | Too Marvelous for Words | BL-1203A | – | NYC | 1/6/1950 | Mercer |
730 | James Moody | Blue and Moody | MR-38A | – | Stockholm | 10/18/1949 | Moody |
730 | James Moody | Body and Soul | MR31A | – | Stockholm | 10/12/1949 | Green; Sauer; Heyman |
731 | Gene Ammons | Sweet Jennie Lou | 101 | – | NYC | 7/27/1950 | Mundy |
731 | Gene Ammons | I Can’t Give You Anything but Love | 91 | – | NYC | 6/28/1950 | Fields; McHugh |
732 | Zoot Sims | Jane-O | 105 | – | NYC | 9/16/1950 | Sims |
732 | Zoot Sims | Memories of You | 107 | – | NYC | 9/16/1950 | Razaf; Blake |
733 | Sonny Stitt | Cherokee | 122 | – | NYC | 12/15/1950 | Noble |
733 | Sonny Stitt | Imagination | 123 | – | NYC | 12/15/1950 | (-) |
734 | Miles Davis | Morpheus | 128A | – | NYC | 1/17/1951 | – |
734 | Miles Davis | Blue Room | 130BB | – | NYC | 1/17/1951 | – |
735 | Gene Ammons | Around About One A.M. | 124A | – | NYC | 1/16/1951 | – |
735 | Gene Ammons | Jug | 125 | – | NYC | 1/16/1951 | – |
736 | Dizzy Gillespie | She’s Gone Again | 108 | – | NYC | 9/16/1950 | – |
736 | Dizzy Gillespie | Nice Work If You Can Get It | 109A | – | NYC | 9/16/1950 | – |
737 | Roy Eldridge | Echoes of Harlem | MR184 | – | Stockholm | 1/20/1951 | – |
737 | Roy Eldridge | School Days | MR185 | – | Stockholm | 1/20/1951 | – |
738 | James Moody | Again | MR193 | – | Stockholm | 1/23/1951 | – |
738 | James Moody | Moody’s Got Rhythm | MR199A | – | Stockholm | 1/24/1951 | – |
739 | Sonny Stitt | Can’t We Be Friends | 134 | – | NYC | 1/31/1951 | James; Swift |
739 | Sonny Stitt (v. Larry Townsend) | If the Moon Turns Green | 139 | – | NYC | 1/31/1951 | Coates; Hanighen |
740 | Stan Getz | What’s New | BL-1205 | – | NYC | 1/6/1950 | – |
740 | Stan Getz | Indian Summer | JRC-24E | – | NYC | 6/21/1949 | – |
741 | Gene Ammons | Blue and Sentimental | 127B | – | NYC | 1/16/1951 | Basie; Livingston; David |
741 | Gene Ammons | Chabootie | JRC-85 | – | NYC | 4/26/1950 | Mundy |
742 | Miles Davis | Down | 129B | – | NYC | 1/17/1951 | – |
742 | Miles Davis | Whispering | 131A | – | NYC | 1/17/1951 | – |
743 | Lee Konitz Sextet | Ezz-Thetic | 141B | – | NYC | 3/8/1951 | George Russell |
743 | Lee Konitz Sextet | Hi Beck | 142B | – | NYC | 3/8/1951 | Konitz |
744 | James Moody and his Band | Two Fathers | MR-201-A | – | Stockholm | 1/24/1951 | (-) |
744 | James Moody and his Band | Embraceable You | MR-194-A | – | Stockholm | 1/23/1951 | Gershwin |
745 | Gerry Mulligan | So What | JRC-70 | – | NYC | 3/15/1950 | Mulligan |
745 | Chubby Jackson | Hot Dog | JRC-67 | – | NYC | 3/15/1950 | Kahn |
746 | Sonny Stitt’s Band (v. Larry Townsend) | The Thrill Of Your Kiss | 138A | – | NYC | 10/5/1950 | C. Carpenter |
746 | Sonny Stitt’s Band (v. Larry Townsend) | ‚S Wonderful | 115 | – | NYC | 1/31/1951 | Gershwin |
747 | Roy Eldridge | Noppin‘ John | MR-212 | – | Stockholm | 1/29/1951 | – |
747 | Roy Eldridge | Scottie | MR-213 | – | Stockholm | 1/29/1951 | – |
748 | Gene Ammons and Sonny Stitt | Stringin‘ the Jug (pt1) | 116 | – | NYC | 10/28/1950 | Ammons; Stitt |
748 | Gene Ammons and Sonny Stitt | Stringin‘ the Jug (pt2) | 117 | – | NYC | 10/28/1950 | Ammons; Stitt |
749 | Reinhold Svensson | Rain on the Roof | 2144 | – | Stockholm | 6/28/1951 | – |
749 | Reinhold Svensson | Moonlight Saving Time | 2145A | – | Stockholm | 6/28/1951 | – |
750 | Arne Domnerus | September Serenade | 2152 | – | Stockholm | 7/4/1951 | – |
750 | Lars Gullin | A Handful of Stars | 2147 | – | Stockholm | 6/28/1951 | – |
751 | Zoot Sims | Trotting | 164 | – | NYC | 8/14/1951 | – |
751 | Zoot Sims | Swingin‘ the Blues | 166A | – | NYC | 8/14/1951 | – |
752 | Sonny Stitt | Down With It | 156 | – | NYC | 8/14/1951 | Stitt |
752 | Sonny Stitt | Mean to Me | JRC1011 | – | NYC | 2/17/1950 | – |
753 | Lee Konitz | Indian Summer | 144B | – | NYC | 3/13/1951 | – |
753 | Lee Konitz | Odjenar | 140B | – | NYC | 3/8/1951 | – |
754 | Gene Ammons | Hot Stuff | 160C | – | NYC | 8/14/1951 | – |
754 | Gene Ammons | When the Saints Go Marching Home | 162B | – | NYC | 8/14/1951 | – |
755 | Lee Konitz | Yesterdays | 143 | – | NYC | 3/8/1951 | – |
755 | Lee Konitz | Duet for Saxophone and Guitar | 145A | – | NYC | 3/13/1951 | – |
756 | James Moody | Cherokee | MR-210-A | – | Stockholm | 1/25/1951 | – |
756 | James Moody | Pennies from Heaven | MR-211-A | – | Stockholm | 1/25/1951 | – |
757 | Sonny Stitt and his Quintet | Liza | 133 | – | NYC | 1/31/1951 | Geo. Gershwin |
757 | Sonny Stitt and his Quintet | P. S. I Love You | 146-BX | – | NYC | 2/1/1951 | Mercer; Jenkins |
758 | Sonny Stitt | Strike Up the Band | JRC-1004D | – | NYC | 1/26/1950 | – |
758 | Sonny Stitt | I Want to Be Happy | JRC-1005B | – | NYC | 1/26/1950 | – |
759 | Wardell Gray | Kiddo (pt1) | 1233 | – | LA | 8/27/1950 | – |
759 | Wardell Gray | Kiddo (pt2) | 1233 | – | LA | 8/27/1950 | – |
760 | Wardell Gray | Kiddo (pt3) | 1234 | – | LA | 8/27/1950 | – |
760 | Wardell Gray | Kiddo (pt4) | 1234 | – | LA | 8/27/1950 | – |
761 | Gerry Mulligan | Ide’s Side | 172C | – | NYC | 8/27/1951 | Mulligan |
761 | Gerry Mulligan | Roundhouse | 171D | – | NYC | 8/27/1951 | Mulligan |
762 | Gerry Mulligan | Bweebiba Bobbida | 173D | – | NYC | 8/27/1951 | – |
762 | Gerry Mulligan | Kaper | 174A | – | NYC | 8/27/1951 | – |
763 | Gerry Mulligan | Funhouse | 175A | – | NYC | 8/27/1951 | Mulligan |
763 | Gerry Mulligan | Mullenium | 176A | – | NYC | 8/27/1951 | Mulligan |
764 | – | – | – | – | – | – | – |
764 | – | – | – | – | – | – | – |
765 | Red Rodney | Smoke Gets In Your Eyes | 200 | – | NYC | 9/27/1951 | – |
765 | Red Rodney | Coogan’s Bluff | 202 | – | NYC | 9/27/1951 | Rodney |
766 | Miles Davis and his Band | My Old Flame (pt 1) | 233-1 | – | NYC | 10/5/1951 | – |
766 | Miles Davis and his Band | My Old Flame (pt 2) | 233-2 | – | NYC | 10/5/1951 | – |
767 | Joe Holiday, tenor sax | This Is Happiness | 262 | – | NYC | 12/13/1951 | – |
767 | Joe Holiday, tenor sax | Mighty Like A Rose | 264 | – | NYC | 12/13/1951 | – |
768 | James Moody and his band | I’ll Get By | MR-197A | – | Stockholm | 1/24/1951 | (-) |
768 | James Moody and his band | Hey! Jim | MR-200A-208 | – | Stockholm | 1/24/1951 | (-) |
769 | Sonny Rollins | Mambo Bounce | 268 | – | NYC | 12/17/1951 | – |
769 | Sonny Rollins | This Love of Mine | 269 | – | NYC | 12/17/1951 | – |
770 | Wardell Gray | Farmer’s Market | 315 | – | LA | 1/21/1952 | Farmer |
770 | Wardell Gray | Lover Man | 317 | – | LA | 1/21/1952 | (-) |
771 | Al Vega | I Only Have Eyes for You | 240 | – | Boston | Oct-51 | – |
771 | Al Vega | Fantastic | 244 | – | Boston | Oct-51 | – |
772 | Joe Holiday | Mambo Holiday (pt1) | 263-1 | – | NYC | 12/13/1951 | Holiday |
772 | Joe Holiday | Mambo Holiday (pt2) | 263-2 | – | NYC | 12/13/1951 | Holiday |
773 | Bennie Green and his Band | Green Junction | 221 | – | NYC | 10/5/1951 | Green |
773 | Bennie Green and his Band | Flowing River | 222 | – | NYC | 10/5/1951 | Green |
774 | James Moody’s Band | These Foolish Things | MR-26 | – | Stockholm | 10/7/1949 | Strachey; Linck |
774 | James Moody’s Band | I’m In The Mood For Groovin‘ | MR-29A | – | Stockholm | 10/7/1949 | Moody |
775 | Sonny Stitt and his Band | Blue Mambo | 337 | – | NYC | 2/25/1952 | Massey; Stitt |
775 | Sonny Stitt and his Band | Cool Mambo | 335 | – | NYC | 2/25/1952 | Massey; Stitt |
776 | Lem Davis‘ Quar | Pretty | 291 | – | NYC | 12/20/1951 | – |
776 | Lem Davis‘ Quar | Hoppy’s Hop | 292 | – | NYC | 12/20/1951 | – |
777 | Miles Davis | Dig? (pt. 1) | 232-1 | – | NYC | 10/5/1951 | Davis |
777 | Miles Davis | Dig? (pt. 2) | 232-2 | – | NYC | 10/5/1951 | Davis |
778 | Wardell Gray | Jazz on Sunset, pt1 | 1231 | – | LA | 8/27/1950 | – |
778 | Wardell Gray | Jazz on Sunset, pt2 | 1231 | – | LA | 8/27/1950 | – |
779 | Wardell Gray | Jazz on Sunset, pt3 | 1232 | – | LA | 8/27/1950 | – |
779 | Wardell Gray | Jazz on Sunset, pt4 | 1232 | – | LA | 8/27/1950 | – |
780 | Sonny Rollins | Shadrack | 270 | – | NYC | 12/17/1951 | – |
780 | Sonny Rollins | With a Song in My Heart | 272 | – | NYC | 12/17/1951 | – |
781 | Zoot Sims | It Had to Be You | 165 | – | NYC | 8/14/1951 | Kahn; Jones |
781 | Zoot Sims | I Wonder Who | 169 | – | NYC | 8/14/1951 | Zoot Sims |
782 | Kenny Graham | Mongo Walk | 130 | – | London | 2/10/1951 | – |
782 | Kenny Graham | Pina Colada | 131 | – | London | 2/10/1951 | – |
783 | Reinhold Svensson | Dearly Beloved | MR144 | – | Stockholm | 10/13/1950 | – |
783 | Reinhold Svensson | That Old Feeling | MR145 | – | Stockholm | 10/13/1950 | – |
784 | Lars Gullin | That’s It | MR218 | – | Stockholm | 2/21/1951 | – |
784 | Lars Gullin | All Yours | MR220 | – | Stockholm | 2/21/1951 | – |
785 | Charlie Mariano | The Wizard | 300A | Pr 842 | Boston | Dec-51 | – |
785 | Charlie Mariano | Autumn in New York | 304 | – | Boston | Dec-51 | – |
786 | Joe Holiday | Cuban Nightingale | 350 | – | NYC | 7/31/1952 | – |
786 | Joe Holiday | Serenada | 349 | – | NYC | 7/31/1952 | – |
787 | Sonny Stitt | Stitt’s It | 159 | – | NYC | 8/14/1951 | Stitt; Massey |
787 | Sonny Stitt | Confessin‘ (That I Love You) | 339 | – | NYC | 2/25/1952 | Dougherty; Reynolds |
788 | George Wallington Trio | Red, White and Blue | PR-357 | – | NYC | 9/4/1952 | Wallington |
788 | George Wallington Trio with Chuck Wayne | Love Beat | PR-351 | – | NYC | 9/4/1952 | Wallington |
789 | Reinhold Svensson’s Quintet | Flying Home | MR-283 | – | Stockholm | 11/22/1951 | Goodman; Hampton |
789 | Reinhold Svensson’s Quintet | I Wished On The Moon | MR-284 | – | Stockholm | 11/22/1951 | Parker; Rainger |
790 | Bennie Green | Serenade of Love | 343 | – | Chicago | 5/13/1952 | – |
790 | Bennie Green | There’s a Small Hotel | 346 | – | Chicago | 5/13/1952 | Rodgers; Hart |
791 | Joe Holiday | Donde | 347 | – | NYC | 7/31/1952 | Brito |
791 | Joe Holiday | Joe Black Mambo | 348 | – | NYC | 7/31/1952 | Holiday |
792 | Arne Domnerus‘ Four Brothers | Let’s Cool One | MR-297 | – | Stockholm | 1/11/1952 | – |
792 | Arne Domnerus‘ Four Brothers | Anytime For You | MR-298 | – | Stockholm | 1/11/1952 | – |
793 | Lars Gullin Quartet | Gull In A Gulch | MR-219 | – | Stockholm | 2/21/1951 | – |
793 | Lars Gullin Quartet | Coolin‘ On The S.S. Cool | MR-221 | – | Stockholm | 2/21/1951 | – |
794 | Annie Ross | Annie’s Lament | 366 | – | NYC | 10/9/1952 | Annie Ross |
794 | Annie Ross | Twisted | 363 | – | NYC | 10/9/1952 | Ross; Gray |
795 | Thelonius Monk | Sweet and Lovely | 368 | – | NYC | 10/15/1952 | – |
795 | Thelonius Monk | Bye-Ya | 369 | – | NYC | 10/15/1952 | – |
796 | Billy Taylor’s Trio | All Too Soon | 372 | – | NYC | 11/18/1952 | – |
796 | Billy Taylor’s Trio | They Can’t Take That Away From Me | 371 | – | NYC | 11/18/1952 | – |
797 | Billy Taylor | Accent on Youth | 373 | – | NYC | 11/18/1952 | – |
797 | Billy Taylor | Give Me the Simple Life | 374 | – | NYC | 11/18/1952 | – |
798 | Rudy Ferguson, trumpet (Teacho Wiltshire’s Band) | Cool Goofin‘ | 379 | – | NYC | 11/6/1952 | Wiltshire – Turnero |
798 | Rudy Ferguson, trumpet (Teacho Wiltshire’s Band) | Baby, Baby, I Need You So | 380 | – | NYC | 11/6/1952 | Wiltshire – Turnero |
799 | The Mello-Moods | Call on Me | 383 | – | NYC | 11/6/1952 | – |
799 | The Mello-Moods | I Tried and I Tried and Tried | 384 | – | NYC | 11/6/1952 | – |
800 | Stan Getz | T and S | JRC-13B | – | NYC | 3/14/1949 | – |
800 | Stan Getz | Terry’s Blues | JRC-14C | – | NYC | 3/14/1949 | – |
801 | Paula Grimes | Miss My Daddy | 376 | – | NYC | 11/6/1952 | – |
801 | Paula Grimes | Sighin‘ and Cryin‘ | 377 | – | NYC | 11/6/1952 | – |
802 | Stan Getz | Four and One Moore | JRC-17E | – | NYC | 4/8/1949 | – |
802 | Stan Getz | Five Brothers | JRC-18C | – | NYC | 4/8/1949 | – |
803 | George Wallington Trio | Summer Rain | 352 | – | NYC | 9/4/1952 | Wallington |
803 | George Wallington Trio | When Your Old Wedding Ring Was New | 356 | – | NYC | 9/4/1952 | McCarthy; Solleri; Douglas |
804 | Reinhold Svensson’s Quinet | Beat The Clock | MR-295 | – | Stockholm | 11/22/1951 | Svensson |
804 | Reinhold Svensson’s Quinet | The Song Is Ended | MR-281 | – | Stockholm | 11/22/1951 | Berlin |
805 | Gene Ammons & Band | Wow | 126B | – | NYC | 1/16/1951 | Gee |
805 | Gene Ammons Quartet | When I Dream of You | 118 | – | NYC | 10/28/1950 | Hines |
806 | J. J. Johnson | Opus V | JRC-21C | – | NYC | 5/26/1949 | – |
806 | J. J. Johnson | Hi-Lo | JRC-22D | – | NYC | 5/26/1949 | – |
807 | Lee Konitz | Marshmellow | JRC-30G | – | NYC | 6/28/1949 | – |
807 | Lee Konitz | Fishin‘ Around | JRC-31D | – | NYC | 6/28/1949 | – |
808 | Lennie Tristano | Subconscious Lee | JRC-8J | – | NYC | 1/11/1949 | – |
808 | Lennie Tristano | Judy | JRC-11B | – | NYC | 1/11/1949 | – |
809 | Kai Winding | Sid’s Bounce | JRC-34 | – | NYC | 8/23/1949 | – |
809 | Kai Winding | A Night on Bop Mountain | JRC-37B | – | NYC | 8/23/1949 | – |
810 | J. J. Johnson | Elysees | JRC-20B | – | NYC | 5/26/1949 | – |
810 | J. J. Johnson | Fox Hunt | JRC-23D | – | NYC | 5/26/1949 | – |
811 | Stan Getz | Speedway | JRC-15D | – | NYC | 3/14/1949 | – |
811 | Stan Getz | Crazy Chords | JRC-27C | – | NYC | 6/21/1949 | – |
812 | Fats Navarro | Stop | JRC-38B | – | NYC | 9/20/1949 | – |
812 | Fats Navarro | Go | JRC-36BC | – | NYC | 9/20/1949 | – |
813 | Lee Konitz | Tautology | JRC-39F | – | NYC | 9/27/1949 | – |
813 | Lee Konitz | Sound Lee | JRC-40B | – | NYC | 9/27/1949 | – |
814 | Sonny Stitt | Blue Mode | JRC-601B | – | NYC | 10/17/1949 | – |
814 | Sonny Stitt | Elora | KRC-603C | – | NYC | 10/17/1949 | – |
815 | Joe Holiday | I Hadn’t Anyone Till You | 265 | – | NYC | 12/13/1951 | – |
815 | Joe Holiday | Blue Holiday | 261 | – | NYC | 12/13/1951 | – |
816 | Kai Winding | Broadway | JRC-35 / JRC-904 | – | NYC | 8/23/1949 | – |
816 | Kai Winding | Waterworks | JRC-36 / JRC-905 | – | NYC | 8/23/1949 | – |
817 | Miles Davis | It’s Only a Paper Moon pt1 | 234-1 | – | NYC | 10/5/1951 | Rose; Harburg; Arlen |
817 | Miles Davis | It’s Only a Paper Moon pt2 | 234-2 | – | NYC | 10/5/1951 | Rose; Harburg; Arlen |
818 | Stan Getz | Battleground | JRC-16E | – | NYC | 4/8/1949 | – |
818 | Stan Getz | Prezervation | JRC-27B / JRC-60 | – | NYC | 6/21/1949 | – |
819 | Fats Navarro | Wailing Wall | JRC-35D | – | NYC | 9/20/1949 | – |
819 | Fats Navarro | Infatuation | JRC-37B | – | NYC | 9/20/1949 | – |
820 | Sonny Stitt | Tea Pot | JRC-602B | – | NYC | 10/17/1949 | – |
820 | Sonny Stitt | Afternoon in Paris | JRC-600C | – | NYC | 10/17/1949 | – |
821 | King Pleasure (with Charlie Furguson & His Band) (v. Betty Carter) | Red Top | 394 | – | NYC | 12/12/1952 | Kynard; Hampton |
821 | King Pleasure (with Charlie Furguson & His Band) | Jumpin‘ With Symphony Sid | 395 | – | NYC | 12/12/1952 | Young; Pleasure |
822 | Billy Taylor trio | Man With a Horn | 388 | – | NYC | 12/10/1952 | De Lange; Jenney; Lake |
822 | Billy Taylor Trio | Let’s Get Away from It All | 389 | – | NYC | 12/10/1952 | Adair; Dennis |
823 | Al Haig | Stairway to the Stars | JRC-1102C | – | NYC | 2/27/1950 | – |
823 | Al Haig | Opus Caprice | JRC-1103A | – | NYC | 2/27/1950 | – |
824 | Sonny Stitt | Stairway to the Stars | JRC-1012 | PR 886 | NYC | 2/17/1950 | – |
824 | Sonny Stitt | Sonny Sounds | 336 | PR 886 | NYC | 2/25/1952 | – |
825 | Chubby Jackson | Flying the Coop | JRC-63 / JRC-1104 | – | NYC | 3/15/1950 | – |
825 | Chubby Jackson | I May Be Wrong | JRC-64 / JRC-1105 | – | NYC | 3/15/1950 | – |
826 | Sonny Stitt Quartet | Jeepers Creepers | 121 | – | NYC | 12/15/1950 | Warren; Mercer |
826 | Sonny Stitt Quartet | Nevertheless | 120 | – | NYC | 12/15/1950 | Kolmar; Ruby |
827 | Lee Konitz | You Go To My Head | JRC-72C | – | NYC | 4/7/1950 | – |
827 | Lee Konitz | Palo Alto | JRC-74B | – | NYC | 4/7/1950 | – |
828 | Modern Jazz Quartet | All the Things You Are | 403 | – | NYC | 12/22/1952 | Kern |
828 | Modern Jazz Quartet | La Ronde | 404 | – | NYC | 12/22/1952 | Lewis |
829 | Joe Carroll | I Was In the Mood | 411 | – | NYC | 12/30/1952 | Carroll |
829 | Joe Carroll | Got a Penny Benny? | 413 | – | NYC | 12/30/1952 | Sherman; May |
830 | Chubby Jackson | Sax Appeal | JRC-66 / JRC-1107 | – | NYC | 3/15/1950 | – |
830 | Zoot Sims | Leavin‘ Town | JRC-69 / JRC-1110 | – | NYC | 3/15/1950 | – |
831 | Sonny Stitt | This Can’t Be Love | 147 | – | NYC | 2/1/1951 | Hart |
831alt | Sonny Stitt | This Can’t Be Love | 135 | – | NYC | 1/31/1951 | – |
831 | Sonny Stitt | For the Fat Man | 157 | – | NYC | 8/14/1951 | – |
832 | Lennie Tristano | Progression | JRC-3A | – | NYC | 1/11/1949 | – |
832 | Lennie Tristano | Retrospection | JRC-4A | – | NYC | 1/11/1949 | – |
833 | Reinhold Svensson | On the Alamo | MR-102 | – | Stockholm | 5/19/1950 | – |
833 | Reinhold Svensson | Always | MR-103 | – | Stockholm | 5/19/1950 | – |
834 | Lee Konitz | Rebecca | JRC-71 | – | NYC | 5/7/1950 | – |
834 | Lee Konitz | Ice Cream Konitz | JRC-73 | – | NYC | 5/7/1950 | – |
835 | Reinhold Svensson | Nevertheless | MR-146 | – | Stockholm | 11/14/1950 | – |
835 | Reinhold Svensson | I Guess I’ll Have to Dream | MR-147 | – | Stockholm | 11/14/1950 | – |
836 | Chubby Jackson and his Orch | Why Not | JRC-68 / JRC-1108 | – | NYC | 3/15/1950 | – |
836 | Chubby Jackson and his Orch | New York | JRC-65 / JRC-1106 | – | NYC | 3/15/1950 | – |
837 | Zoot Sims | Yellow Duck | MR-88-A | – | Stockholm | 4/24/1950 | Gullin |
837 | Zoot Sims | The Way You Look Tonight | MR-89-A | – | Stockholm | 4/24/1950 | – |
838 | Thelonius Monk Trio | Trinkle Tinkle | 399 | – | NYC | 12/18/1952 | Monk |
838 | Thelonius Monk Trio | These Foolish Things | 400 | – | NYC | 12/18/1952 | Strachey; Link |
839 | Annie Ross | Farmer’s Market | 364 | – | NYC | 10/9/1952 | Farmer; Ross |
839 | Annie Ross | The Time Was Right | 365 | – | NYC | 10/9/1952 | Ross |
840 | Wardell Gray | April Skies | 312 | – | LA | 1/21/1952 | – |
840 | Wardell Gray | Bright Boy | 313 | – | LA | 1/21/1952 | – |
841 | James Moody’s Quartet | Stardust | V-3005 | – | Lausanne | 4/30/1951 | Carmichael |
841 | James Moody’s Quartet | Moody And Soul | V-3009 | – | Lausanne | 4/30/1951 | Moody |
842 | Zoot Sims | So What | JRC-70 / JRC-1111 | – | NYC | 5/5/1950 | – |
842 | Charlie Mariano | The Wizard | 300A | Pr 785 | Boston | Dec-51 | – |
843 | Sonny Stitt | S’Wonderful (v. Larry Townsend) | 115 | Pr 746 | NYC | 10/8/1950 | – |
843 | Lee Konitz | Hi-Beck | 142B | Pr 743 | NYC | 3/8/1951 | – |
844 | Gene Ammons | La Vie en Rose | 102 | Pr 721 | NYC | 7/27/1950 | – |
844 | Gene Ammons | Jug | 125 | Pr 735 | NYC | 1/16/1951 | – |
845 | Gene Ammons | Bye Bye | BL-1220 | Pr 713 | NYC | 3/5/1950 | – |
845 | Gene Ammons | I Can’t Give You Anything but Love | 91 | – | NYC | 6/28/1950 | – |
846 | Miles Davis | Bluing, pt1 | 231-1 | – | NYC | 10/5/1951 | – |
846 | Miles Davis | Bluing, pt2 | 231-2 | – | NYC | 10/5/1951 | – |
847 | Bennie Green | Stardust | 345 | – | Chicago | 5/13/1952 | Carmichael |
847 | Bennie Green | Embraceable You | 344 | – | Chicago | 5/13/1952 | Gershwin |
848 | Joe Holiday | Hello to You | 259 | – | NYC | 12/13/1951 | Holiday |
848 | Joe Holiday | Like Someone in Love | 266 | – | NYC | 12/13/1951 | Van Heusen |
849 | Billy Taylor | Lover Part 1 | 390-1 | – | NYC | 12/10/1952 | Rodgers; Hart |
849 | Billy Taylor | Lover Part 2 | 390-2 | – | NYC | 12/10/1952 | Rodgers; Hart |
850 | Thelonius Monk Trio | Little Rootie Tootie | 367 | – | NYC | 10/15/1952 | Monk |
850 | Thelonius Monk Trio | Monk’s Dream | 370 | – | NYC | 10/15/1952 | Monk |
851 | Modern Jazz Quartet | Vendome | 405 | – | NYC | 12/22/1952 | Lewis |
851 | Modern Jazz Quartet | Rose of the Rio Grande | 406 | – | NYC | 12/22/1952 | Warren |
852 | Zoot Sims | There I’ve Said It Again | 431 | – | NYC | 1/23/1953 | Evans; Mann |
852 | Zoot Sims | Jaguar | 432 | – | NYC | 1/23/1953 | Sims |
853 | Wardell Gray | Sweet and Lovely | 316 | – | LA | 1/21/1953 | – |
853 | Wardell Gray | Jackie | 314 | – | LA | 1/21/1953 | – |
854 | James Moody | How Deep Is the Ocean | MR-195A | – | Stockholm | 1/23/1951 | – |
854 | James Moody | Am I Blue | MR-196 | – | Stockholm | 1/24/1951 | – |
855 | Charlie Ferguson and his Band | Stop Talkin‘, Start Walkin‘ | 392 | – | NYC | 12/12/1952 | Ferguson; Turnero |
855 | Charlie Ferguson and his Band | When Day Is Done | 391 | – | NYC | 12/12/1952 | – |
856 | The Mello-Moods | I’m Lost | 385 | – | NYC | 11/6/1952 | – |
856 | The Mello-Moods | When I Woke Up This Morning | 386 | – | NYC | 11/6/1952 | – |
857 | Paula Grimes | It’s Your Own Darn Fault | 375 | – | NYC | 11/6/1952 | – |
857 | Paula Grimes | Makin‘ a Fool of Myself | 378 | – | NYC | 11/6/1952 | – |
858 | Eddie Jefferson | Stop Talkin‘ Start Walkin‘ | 429 | – | NYC | 2/20/1953 | Ferguson; Tunero |
858 | Eddie Jefferson | Strictly Instrumental | 427 | – | NYC | 2/20/1953 | Marcus; Benjamen; Seiler |
859 | Rudy Ferguson | Cool Competition | – | – | – | – | – |
859 | Rudy Ferguson | Ooh, Baby | – | – | – | – | – |
860 | King Pleasure | Sometimes I’m Happy | 513 | – | NYC | 9/29/1953 | – |
860 | King Pleasure | This Is Always | 514 | – | NYC | 9/29/1953 | – |
861 | Joe Carroll | Pennies from Heaven | 412 | – | NYC | 12/30/1952 | – |
861 | Joe Carroll | Make It Right | 414 | – | NYC | 12/30/1952 | – |
862 | Lars Gullin | Brazil | MR-455-A | – | Stockholm | 2/18/1953 | – |
862 | Lars Gullin | Four and One Moore | MR-456-A | – | Stockholm | 2/18/1953 | – |
863 | Arne Domnerus | The Way You Look Tonight | MR-76 | – | Stockholm | 3/15/1950 | – |
863 | Arne Domnerus | Sensual | MR-77 | – | Stockholm | 3/15/1950 | – |
864 | Bengt Hallberg | Flying Saucer | MR-404 | – | Stockholm | 10/27/1952 | – |
864 | Bengt Hallberg | Zig Zag | MR-405 | – | Stockholm | 10/27/1952 | – |
865 | Reinhold Svensson | Because of George | MR-385 | – | Stockholm | 9/10/1952 | – |
865 | Reinhold Svensson | Tasty Pastry | MR-386 | – | Stockholm | 9/10/1952 | – |
866 | Eddie „Lock Jaw“ Davis | Sweet and Lovely | BL-1207 | – | NYC | 2/7/1950 | – |
866 | Eddie „Lock Jaw“ Davis | Squattin‘ | BL-1209 | – | NYC | 2/7/1950 | – |
867 | Stan Getz | Introit | JRC-1210 | – | NYC | 1/6/1950 | – |
867 | Stan Getz | You Stepped Out of a Dream | JRC-75C | – | NYC | 4/14/1950 | – |
868 | Miles Davis | Conception | 228 | – | NYC | 10/5/1951 | – |
868 | Miles Davis | Bluing, pt3 | 231-3 | – | NYC | 10/5/1951 | – |
869 | Billy Taylor | I Love a Mambo | 475 | – | NYC | 5/7/1953 | – |
869 | Billy Taylor | Early Morning Mambo | 477 | – | NYC | 5/7/1953 | – |
870 | Billy Taylor Mambos | Candido | 476 | – | NYC | 5/7/1953 | Taylor |
870 | Billy Taylor Mambos | Mambo Azul | 478 | – | NYC | 5/7/1953 | Taylor |
871 | Joe Holiday | Cotton Candy | 457 | – | NYC | 3/4/1953 | Holiday |
871 | Joe Holiday | And Now It Is Love | 458 | – | NYC | 3/4/1953 | Holiday |
872 | – | – | – | – | – | – | – |
872 | – | – | – | – | – | – | – |
873 | Milt Jackson and the Modern Jazz Quartet | The Queen’s Fancy | 499 | – | NYC | 6/25/1953 | Lewis |
873 | Milt Jackson and the Modern Jazz Quartet | But Not for Me | 502 | – | NYC | 6/25/1953 | – |
874 | Sonny Rollins with Modern Jazz Quartet | In a Sentimental Mood | 509 | – | NYC | 10/7/1953 | Ellington |
874 | Sonny Rollins with Modern Jazz Quartet | The Stopper | 510 | – | NYC | 10/7/1953 | Rollins |
875 | Art Farmer | Mau Mau (pt1) | 505-1 | – | NYC | 7/2/1953 | Jones; Farmer |
875 | Art Farmer | Mau Mau (pt2) | 505-2 | – | NYC | 7/2/1953 | Jones; Farmer |
876 | Miles Davis | Out of the Blue pt1 | 229-1 | – | NYC | 10/5/1951 | – |
876 | Miles Davis | Out of the Blue pt2 | 229-2 | – | NYC | 10/5/1951 | – |
877 | Gene Ammons & Sonny Stitt with Larry Townsend | New Blues Up and Down (pt1) | 136A | – | NYC | 1/31/1951 | – |
877 | Gene Ammons & Sonny Stitt with Larry Townsend | New Blues Up and Down (pt2) | 137A | – | NYC | 1/31/1951 | – |
878 | Joe Holiday | Besame Mucho | 535 | – | NYC | 12/9/1953 | – |
878 | Joe Holiday | Fiesta | 537 | – | NYC | 12/9/1953 | Holiday |
879 | Annie Ross | Jackie | MR-517 | – | Stockholm | 9/14/1953 | Ross; Howes |
879 | Annie Ross | The Song Is You | MR-516 | – | Stockholm | 9/14/1953 | – |
880 | King Pleasure | Parker’s Mood | 538 | – | NYC | 12/24/1953 | Parker; Pleasure |
880 | King Pleasure | What Can I Say Dear After I Say I’m Sorry | 539 | – | NYC | 12/24/1953 | – |
881 | James Moody | N.J.R. | 548 | – | Hackensack | 1/8/1954 | – |
881 | James Moody | A Hundred Years from Today | 549 | – | Hackensack | 1/8/1954 | – |
882 | Modern Jazz Quartet | Delaunay’s Dilemma | 500 | – | NYC | 6/25/1953 | – |
882 | Modern Jazz Quartet | Autumn in New York | 501 | – | NYC | 6/25/1953 | – |
883 | Joe Holiday | Sleep | 534 | – | NYC | 12/9/1953 | – |
883 | Joe Holiday | My Funny Valentine | 459 | – | NYC | 3/4/1953 | Rodgers; Hart |
884 | Miles Davis | Tasty Pudding pt1 | 423-1 | – | NYC | 2/19/1953 | – |
884 | Miles Davis | Tasty Pudding pt2 | 423-2 | – | NYC | 2/19/1953 | – |
885 | James Moody | Workshop (v. Eddie Jefferson) | 551 | – | Hackensack | 1/8/1954 | – |
885 | James Moody | Keepin‘ Up with Jonesy | 550 | – | Hackensack | 1/8/1954 | – |
886 | Sonny Stitt | Sonny Sounds | 336 | PR 824 | NYC | 2/25/1952 | – |
886 | Sonny Stitt | Stairway to the Stars | JRC-1012 | PR 824 | NYC | 2/17/1950 | – |
887 | Joe Holiday | Martha’s Harp | 460 | – | NYC | 3/4/1953 | Holiday; Prestige |
887 | Joe Holiday | I Don’t Want to Walk Without You | 536 | – | NYC | 12/9/1953 | Stein; Lesser |
888 | Billy Taylor | That’s All | 540 | – | NYC | 12/29/1953 | Bob Haymes |
888 | Billy Taylor | I’ve Got the World on a String | 527 | – | NYC | 11/2/1953 | Arlen; Kohler |
889 | Teddy Charles | So Long Broadway | 469 | – | LA | 2/20/1953 | Charles |
889 | Teddy Charles | Nobody’s Heart | 545 | – | NYC | 1/6/1954 | Rodgers; Hart |
890 | James Moody (v. Iona Wade) | That Man of Mine | 564 | – | Hackensack | 4/12/1954 | Wade; Jones; Newbolt |
890 | James Moody | Mambo With Moody | 567 | – | Hackensack | 4/12/1954 | Quincy Jones |
891 | Art Farmer | Wildwood | 583 | – | Hackensack | 6/7/1954 | Gigi Gryce |
891 | Art Farmer | Tiajuana | 585 | – | Hackensack | 6/7/1954 | – |
892 | Billy Taylor | The Little Things | 541 | – | NYC | 12/29/1953 | – |
892 | Billy Taylor | Nice Work If You Can Get It | 542 | – | NYC | 12/29/1953 | – |
893 | Miles Davis | Blue Haze pt1 | 558-1 | – | NYC | 3/15/1954 | – |
893 | Miles Davis | Blue Haze pt2 | 558-2 | – | NYC | 3/15/1954 | – |
894 | Art Farmer | Evening in Paris | 582 | – | Hackensack | 6/7/1954 | Quincy Jones |
894 | Art Farmer | Elephant Walk | 584 | – | Hackensack | 6/7/1954 | Quincy Jones |
895 | Billy Taylor | Cool and Caressing | 523 | – | NYC | 11/2/1953 | Taylor |
895 | Billy Taylor | Bird Watcher | 528 | – | NYC | 11/2/1953 | Taylor |
896 | James Moody | Over the Rainbow | – | – | Hackensack | 4/12/1954 | – |
896 | James Moody | Jack Raggs | – | – | Hackensack | 4/12/1954 | – |
897 | Joe Holiday | I Love You Much | 610 | – | NYC | 8/25/1954 | Holiday |
897 | Joe Holiday | Tea for Two | 611 | – | NYC | 8/25/1954 | – |
898 | Miles Davis | Four | 556 | – | NYC | 3/15/1954 | – |
898 | Miles Davis | That Old Devil Called Love | 557 | – | NYC | 3/15/1954 | – |
899 | James Moody and His Band | Moody’s Mood for Blues | 625-1 | – | Hackensack | 9/29/1954 | Moody |
899 | James Moody and His Band | Moody’s Mood for Blues pt2 | 625-2 | – | Hackensack | 9/29/1954 | Moody |
900 | Billy Taylor’s Trio | Who Can I Turn To | 524 | – | NYC | 11/2/1953 | – |
900 | Billy Taylor’s Trio | My One And Only Love | 525 | – | NYC | 11/2/1953 | – |
901 | Joe Holiday | It Might As Well Be Spring pt1 | 612 | – | NYC | 8/25/1954 | – |
901 | Joe Holiday | It Might As Well Be Spring pt2 | – | – | – | – | – |
902 | Miles Davis | When Lights Are Low | 479 | – | NYC | 5/19/1953 | – |
902 | Miles Davis | Miles Ahead | 481 | – | NYC | 5/19/1953 | – |
903 | James Moody | It Might As Well Be Spring pt1 | – | – | Hackensack | 9/29/1954 | – |
903 | James Moody | It Might As Well Be Spring pt2 | – | – | Hackensack | 9/29/1954 | – |
904 | Billy Taylor | Eddie’s Theme | 598 | – | Hackensack | 7/30/1954 | Newman |
904 | Billy Taylor | Goodbye | 600 | – | Hackensack | 7/30/1954 | Gordon Jenkins |
905 | – | – | – | – | – | – | – |
905 | – | – | – | – | – | – | – |
906 | Art Farmer | I’ll Walk Alone | 634 | – | Hackensack | 11/9/1954 | – |
906 | Art Farmer | Autumn Nocturne | 638 | – | Hackensack | 11/9/1954 | – |
906 A | Ralph Willis & Brownie McGhee | Goodbye Blues | MO-1007-A | – | – | – | R. Willis |
906 B | Ralph Willis & Brownie McGhee | Lazy Woman Blues | MO-1007-B | – | – | – | R. Willis |
907 | Gene Ammons | Count Your Blessings | 645 | – | Hackensack | 11/26/1954 | – |
907 | Gene Ammons | Cara Mia | 646 | – | Hackensack | 11/26/1954 | – |
908 | Quincy Jones and his band | You’re Crying | 661 | – | Hackensack | 12/7/1954 | Quincy Jones |
908 | King Pleasure & The Three Riffs with the Quincy Jones band | I’m Gone | 660 | – | Hackensack | 12/7/1954 | Pleasure; Jones |
909 | Juan Tirado | Shake It Easy | 648 | – | Hackensack | 12/2/1954 | – |
909 | Juan Tirado | Cha Cheando | 649 | – | Hackensack | 12/2/1954 | – |
910 | Earl Coleman; Gene Ammons | I’m Had My Last Affair | 696 | – | Hackensack | 2/8/1955 | Carpenter; Dunlop |
910 | Earl Coleman; Gene Ammons | This Is Always | 694 | – | Hackensack | 2/8/1955 | Warren; Gordon |
910alt | Rev. Felix Johnson and congregation | The 23rd Psalm | J-9 | – | – | – | (-) |
910alt | Rev. Felix Johnson and congregation | When a Man Dies | J-10 | – | – | – | (-) |
911 | Gene Ammons | Sock | 643 | – | Hackensack | 11/26/1954 | Boyd |
911 | Gene Ammons | Blue Roller | 695 | – | Hackensack | 2/8/1955 | Valentine |
912 | Wills – Davis Combo | Problem Child | 219 | – | – | 1952 | – |
912 | Wills – Davis Combo | She’s A Wine-O | 220 | – | – | 1952 | – |
913 | King Pleasure | Don’t Get Scared | 659 | – | Hackensack | 12/7/1954 | Pleasure; Getz; Hendriks |
913 | King Pleasure | Funk Junction | 662 | – | Hackensack | 12/7/1954 | Quincy Jones |
914 | Gene Smith | Make Believe | 138 | – | – | – | – |
914 | Gene Smith | Late Hour Boogie | 690 | – | – | – | Smith |
914 | James Moody | Nobody Knows the Trouble I’ve Seen | 687 | – | Hackensack | 1/28/1955 | – |
914 | James Moody | Faster James | 690 | – | Hackensack | 1/28/1955 | – |
915 | Miles Davis | But Not for Me pt1 | 592-1 | – | Hackensack | 6/29/1954 | Gershwin |
915 | Miles Davis | But Not for Me pt2 | 592-2 | – | – | – | Gershwin |
916 | Gene Ammons | What I Say | 644 | – | Hackensack | 11/26/1954 | – |
916 | Gene Ammons | Our Love Is Here to Stay | 697 | – | Hackensack | 2/8/1955 | – |
917 | James Moody | I Got the Blues (v. Eddie Jefferson) | 688 | – | Hackensack | 1/28/1955 | – |
917 | James Moody | Blue Walk | 689 | – | Hackensack | 1/28/1955 | – |
918 | Bennie Green | Sometimes I’m Happy | 751 | – | Hackensack | 6/10/1955 | – |
918 | Bennie Green | Say Jack | 754 | – | Hackensack | 6/10/1955 | – |
919 | J. J. Johnson and Kai Winding | Don’t Argue | 656 | – | NYC | 12/3/1954 | Winding |
919 | J. J. Johnson and Kai Winding | Bag’s Groove | 658 | – | NYC | 12/3/1954 | Milt Jackson |
920 | Bennie Green | Groovin‘ the Blues | 794-1 | – | Hackensack | 9/22/1955 | Green ; Johnson |
920 | Bennie Green | Hi Yo Silver | 796 | – | Hackensack | 9/22/1955 | Green; Johnson |
921 | Gene Ammons | Rock Roll | 811 | – | Hackensack | 11/4/1955 | Ammons |
921 | Gene Ammons | I Haven’t Changed a Thing | 813 | – | Hackensack | 11/4/1955 | I. Mills |
922 | – | – | – | – | – | – | – |
922 | – | – | – | – | – | – | – |
923 | Ralph Willies Country Boys | Cold Chills | 308 | – | – | – | Willis |
923 | Ralph Willies Country Boys | Amen | 310 | – | – | – | Willis |
924 | King Pleasure with Teacho and band | Exclamation Blues | 332 | – | – | – | Pleasure |
924 | King Pleasure with Teacho and band | Moody Mood for Love | 330 | – | – | – | (-) |
1308 | Billy Valentine | I Wanta Love You | 453 | – | – | – | Valentine |
1308 | Billy Valentine | Gamblin‘ Man | 456 | – | – | – | – |
9001 | Sonny Stitt | Sunset | JRC1003A | – | – | – | – |
9001 | Sonny Stitt | All God’s Children (Got Rhythm) | JRC1000A | – | – | – | – |
9002 | Sonny Stitt Quartet | Bud’s Blues | JRC-100-2B / 1002 | – | – | – | – |
9002 | Sonny Stitt Quartet | Fine And Dandy | JRC-1007 | – | – | – | – |
PRESTIGE Series (1949 – 1953)The 78rpm-Club2023-10-28T12:53:56+02:00