| Cat. # | Artist | Title | Matrix | XREF | Date | Composer(s) |
| 201 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In D Major | GM148A | – | – | Mozart |
| 201 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In D Major | GM147B | – | – | Mozart |
| 202 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In D Major | GM150A | – | – | Mozart |
| 202 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In D Major | GM149B | – | – | Mozart |
| 203 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In D Major | GM119E | – | – | Mozart |
| 203 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In D Major | GM120B | – | – | Mozart |
| 204 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In D Major | GM121C | – | – | Mozart |
| 204 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In D Major | GM122C | – | – | Mozart |
| 205 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In E Flat Major | GM143B | – | – | Mozart |
| 205 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In E Flat Major | GM144B | – | – | Mozart |
| 206 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In E Flat Major | GM145B | – | – | Mozart |
| 206 | OXFORD ENSEMBLE | Quartet for Flutes & Strings In E Flat Major | GM146A | – | – | Mozart |
| 207 | CARL SANDBURG & HIS GUITAR | I Ride An Old Paint | GM101A | – | – | – |
| 207 | CARL SANDBURG & HIS GUITAR | Gallows Song | GM173A | – | – | – |
| 208 | CARL SANDBURG | Foggy, Foggy Dew | GM117A | – | – | – |
| 208 | CARL SANDBURG | The Horse Named Bill | GM178A | – | – | – |
| 209A | CARL SANDBURG | I’m Sad And I’m Lonely | GM178A | Album 11 | – | (-) |
| 209B | CARL SANDBURG | Woven Spirituals | GM174A | Album 11 | – | (-) |
| 210 | CARL SANDBURG | The Good Boy | GM190A | – | – | – |
| 210 | CARL SANDBURG | Mama Have You Heard The News | GM184A | – | – | – |
| 211 | THE MADRIGALISTS | Or Sus Serviteurs Du Seignor | GM342D | – | – | – |
| 211 | THE MADRIGALISTS | Hodie Christus Natus Est | GM341C | – | – | – |
| 212 | THE MADRIGALISTS | Baisiez Moy | GM343A | – | – | – |
| 212 | THE MADRIGALISTS | O Occhi Manza Mia | GM344A | – | – | – |
| 213 | THE MADRIGALISTS | I Bianco E Dolce Gigno, part 1 | GM345B | – | – | – |
| 213 | THE MADRIGALISTS | I Bianco E Dolce Gigno, part 2 | GM346A | – | – | – |
| 214 | THE MADRIGALISTS | Petite Nymphe Folastre | GM347A | – | – | – |
| 214 | THE MADRIGALISTS | Matona Mia Cara Quand Mon Mary | GM348A | – | – | – |
| 215 | THE MADRIGALISTS | Dolcissima Mia Vita | GM349A | – | – | – |
| 215 | THE MADRIGALISTS | Gia Torna | GM350A | – | – | – |
| 216 | CARL WEINRICH, organ | Wachet Auf, Part 1 | GM371A | – | – | – |
| 216 | CARL WEINRICH, organ | Wachet Auf, Part 2 | GM372A | – | – | – |
| 217 | CARL WEINRICH, organ | Wrr Nur Den Lieben Gott Laesst Walten | GM373A | – | – | – |
| 217 | CARL WEINRICH, organ | Meinie Seele Erhebt Den Herren | GM374A | – | – | – |
| 218 | CARL WEINRICH, organ | Kommst Du Nuni Jesu | GM376B | – | – | – |
| 218 | CARL WEINRICH, organ | Ach Bleib Bei Uns | GM375B | – | – | – |
| 219 | CARL WEINRICH, organ | An Wasser Fluessen Babylon, part 1 | GM377A | – | – | – |
| 219 | CARL WEINRICH, organ | An Wasser Fluessen Babylon, part 2 | GM378A | – | – | – |
| 220 | CARL WEINRICH, organ | An Wasser Fluessen Babylon, part 3 | GM379A | – | – | – |
| 220 | CARL WEINRICH, organ | Ein Feste Burg Ist Unser Gott | GM380A | – | – | – |
| 221 | OLD HARP SINGERS | Poor Wayfaring Stranger | GM192 | – | – | – |
| 221 | OLD HARP SINGERS | The Old Ship Of Zion | GM193 | – | – | – |
| 222 | OLD HARP SINGERS | The Barnyard Song/On Springfield Mountain | GM195 | – | – | – |
| 222 | OLD HARP SINGERS | Frog Went A-Courtin’/Sourwood Mountain | GM196 | – | – | – |
| 223 | LEADBELLY | Frankie And Albert – part 1 | GM499K | – | 4/1/1939 | Lead Belly |
| 223 | LEADBELLY | Frankie And Albert – (completion) | GM499 | – | 4/1/1939 | Lead Belly |
| 223 | LEADBELLY | Looky, Looky, Yonder/Black Betty/Yallow Woman’s Do | GM503 | – | 4/1/1939 | – |
| 224 | LEADBELLY | Frankie And Albert – part 2 | GM499A | – | 4/1/1939 | Lead Belly |
| 224 | LEADBELLY | LOOKY LOOKY YONDER, YALLOW WOMAN’S DOORBELL | GM509K | – | – | – |
| 224 | LEADBELLY | Ain’t Goin‘ Down To The Well No Mo/Go Down Old Hannah | GM509K | – | 4/1/1939 | – |
| 225 | LEADBELLY | POOR HOWARD, GREEN CORN | GM505 | – | 4/1/1939 | – |
| 225 | LEADBELLY | Fanning Street | GM498 | – | 4/1/1939 | – |
| 226 | LEADBELLY | De Kalb Blues | GM501 | – | 4/1/1939 | – |
| 226 | LEADBELLY | The Boll Weevil | GM507 | – | 4/1/1939 | – |
| 227 | LEADBELLY | The Bourgeois Blues | GM504 | – | 4/1/1939 | – |
| 227 | LEADBELLY | The Gallis Pole | GM509A | – | 4/1/1939 | – |
| 228 | LOIS WANN,FERDINAND PRIOR & Englebert Brenner | Variations On A Theme By Mozart – part 1 | – | – | – | – |
| 228 | LOIS WANN,FERDINAND PRIOR & Englebert Brenner | Variations On A Theme By Mozart – part 2 | – | – | – | – |
| 229 | LOIS WANN,FERDINAND PRIOR & Englebert Brenner | Variations On A Theme By Mozart – part 3 | – | – | – | – |
| 229 | LOIS WANN,FERDINAND PRIOR & Englebert Brenner | Variations On A Theme By Mozart – part 4 | – | – | – | – |
| 230 | HAMPTON INSTITUTE QUARTET | GOIN‘ TO SHOUT ALL OVER GOD’S HEAVEN | GM555=B | – | 06/??/39 | – |
| 230 | HAMPTON INSTITUTE QUARTET | REIGN MASSA JESUS, REIGN | GM566=A | – | 06/??/39 | – |
| 231 | HAMPTON INSTITUTE QUARTET | Little David Play On Your Harp | GM559=C | – | 06/??/39 | – |
| 231 | HAMPTON INSTITUTE QUARTET | IN BRIGHT MANSIONS ABOVE | GM565=A | – | 06/??/39 | – |
| 232 | HAMPTON INSTITUTE QUARTET | MARY AN‘ MARTHA JES GONE ‚LONG | GM564=D | – | 06/??/39 | – |
| 232 | HAMPTON INSTITUTE QUARTET | EZEKIEL SAW DE WHEEL | GM561=A | – | 06/??/39 | – |
| 233 | HAMPTON INSTITUTE QUARTET | OLE TIME RELIGION | GM568=C | – | 06/??/39 | – |
| 233 | HAMPTON INSTITUTE QUARTET | I WANT TO BE READY | GM557=E | – | 06/??/39 | – |
| 234 | HAMPTON INSTITUTE QUARTET | DE OLE ARK A-MOVERIN‘ ALONG | GM563=C | – | 06/??/39 | – |
| 234 | HAMPTON INSTITUTE QUARTET | I WANT TO GO TO HEAVEN WHEN I DIE | GM560=C | – | 06/??/39 | – |
| 235 | JOHN HOYSRADT | European Diplomacy 1940 | GM648 | – | – | – |
| 235 | JOHN HOYSRADT | I Am Not An Opera Goer Any More | GM646 | – | – | – |
| 236 | JOHN HOYSRADT | The Eternal Triangle | GM647 | – | – | – |
| 236 | JOHN HOYSRADT | The Senator Speaks On Arbor Day | GM650 | – | – | – |
| 237 | JOHN HOYSRADT | The Big Fight | GM642 | – | – | – |
| 237 | JOHN HOYSRADT | Football Is A Wonderful Sport | GM651 | – | – | – |
| 238 | JOHN HOYSRADT | The Bedside Manner Dentist | GM643 | – | – | – |
| 238 | JOHN HOYSRADT | The Choir Rehearsal | GM649 | – | – | – |
| 239 | WEI CHUNG LOH | Soliliquy Of A Convalescent | RS737A | – | – | – |
| 239 | WEI CHUNG LOH | March | RS738A | – | – | – |
| 240 | WEI CHUNG LOH | – | RS739E | – | – | – |
| 240 | WEI CHUNG LOH | Flying Flowers Falling | RS740C | – | – | – |
| 241 | WEI CHUNG LOH | Parting At Yang Kwan | RS752A | – | – | – |
| 241 | WEI CHUNG LOH | The Drunken Fisherman | RS741A | – | – | – |
| 242 | WEI CHUNG LOH | The Flight Of The Partridge | RS757B | – | – | – |
| 242 | WEI CHUNG LOH | Temple Meditation | RS755B | – | – | – |
| 243 | WANA SINGH & HIS NATIVE INDIAN ORCH | Yogi Meditation At Daybreak | RS754E | – | – | – |
| 243 | WANA SINGH & HIS NATIVE INDIAN ORCH | In The Moonlight | RS760B | – | – | – |
| 244 | WANA SINGH & HIS NATIVE INDIAN ORCH | Song Of The Moauntains | RS750B | – | – | – |
| 244 | WANA SINGH & HIS NATIVE INDIAN ORCH | Wrath Of Shiva | RS758B | – | – | – |
| 245 | WANA SINGH & HIS NATIVE INDIAN ORCH | Herdsman’s Merriment – part 1 | RS753C | – | – | – |
| 245 | WANA SINGH & HIS NATIVE INDIAN ORCH | Herdsman’s Merriment – part 2 | RS818A | – | – | – |
| 246 | WANA SINGH & HIS NATIVE INDIAN ORCH | Midnight In The Temple | RS751D | – | – | – |
| 246 | WANA SINGH & HIS NATIVE INDIAN ORCH | On A Merry Afternoon | RS752A | – | – | – |
| 247 | WANA SINGH & HIS NATIVE INDIAN ORCH | Evening Tenderness | RS755B | – | – | – |
| 247 | WANA SINGH & HIS NATIVE INDIAN ORCH | Rejoicing In Victory | RS757B | – | – | – |
| 248 | JOSH WHITE TRIO | Prison Bound | 674 | – | – | – |
| 248 | JOSH WHITE TRIO | Careless Love | 673 | – | – | – |
| 249 | JOSH WHITE TRIO | Monday, Tuesday, Wednesday | 675-A | – | – | – |
| 249 | JOSH WHITE TRIO | Hard Time Blues | 675-B | – | – | – |
| 250 | JOSH WHITE TRIO | Motherless Children – part 2 | 677 | – | – | – |
| 250 | JOSH WHITE TRIO | Motherless Children – part 1 | 677 | – | – | – |
| 251 | SIDOR BELARKSY | We Sat Together | RS857A | – | – | – |
| 251 | SIDOR BELARKSY | Not A Word | RS859B | – | – | – |
| 252 | SIDOR BELARKSY | Lullaby | RS862A | – | – | – |
| 252 | SIDOR BELARKSY | Night | RS863A | – | – | – |
| 253 | SIDOR BELARKSY | Florentine Song | RS863A | – | – | – |
| 253 | SIDOR BELARKSY | Autumn | RS861B | – | – | – |
| 254 | DAVID ROSS | Readings In Lyric Poetry – Part 1 | RS746 | – | – | – |
| 254 | DAVID ROSS | Readings In Lyric Poetry – Part 2 | RS747 | – | – | – |
| 255 | DAVID ROSS | Readings In Lyric Poetry – Part 3 | RS748 | – | – | – |
| 255 | DAVID ROSS | Readings In Lyric Poetry – Part 4 | RS749 | – | – | – |
| 256 | – | – | – | – | – | – |
| 256 | – | – | – | – | – | – |
| 257 | – | – | – | – | – | – |
| 257 | – | – | – | – | – | – |
| 258 | JERONIMO VALLERINO (guitar) | Fandanguillo | RS922B | – | – | – |
| 258 | JERONIMO VALLERINO (guitar) | La Canastera | RS972A | – | – | – |
| 259 | JERONIMO VALLERINO (guitar) | Zambra Mora | RS921A | – | – | – |
| 259 | JERONIMO VALLERINO (guitar) | Rocio | RS924A | – | – | – |
| 260 | JERONIMO VALLERINO (guitar) | Medias Granadinas | RS919C | – | – | – |
| 260 | JERONIMO VALLERINO (guitar) | Ay Mari Cru! | RS923A | – | – | – |
| 261 | JERONIMO VALLERINO (guitar) | Herencia Gitana | RS973A | – | – | – |
| 261 | JERONIMO VALLERINO (guitar) | Soleares Con Rosa | RS920A | – | – | – |
| 262 | G. MARSTON HADDOCK | Barbara Allen | RS947A | – | – | – |
| 262 | G. MARSTON HADDOCK | Cos I Were Shy The Derby Tup | RS944A | – | – | – |
| 263 | G. MARSTON HADDOCK | Edward, Edward – part 2 | RS946B | – | – | – |
| 263 | G. MARSTON HADDOCK | Edward, Edward – part 1 | RS945B | – | – | – |
| 264 | G. MARSTON HADDOCK | Oh No John | RS949A | – | – | – |
| 264 | G. MARSTON HADDOCK | Lilliburlero | RS950A | – | – | – |
| 265 | G. MARSTON HADDOCK | The Sweet Nightingale | RS948A | – | – | – |
| 265 | G. MARSTON HADDOCK | The Crocodile | RS943A | – | – | – |
| 266 | LAS TRES GUITARRAS | El Demonio | RS1128A | – | – | – |
| 266 | LAS TRES GUITARRAS | Mi Perico | RS1129B | – | – | – |
| 267 | LAS TRES GUITARRAS | Corazones Partidos | RS1130A | – | – | – |
| 267 | LAS TRES GUITARRAS | Grato Silencio | RS1131B | – | – | – |
| 268 | LAS TRES GUITARRAS | Ausenica | RS1126A | – | – | – |
| 268 | LAS TRES GUITARRAS | La Consjera | RS1127B | – | – | – |
| 269 | MABLE LUCE | Ojod Brijos | RS1135B | – | – | – |
| 269 | MABLE LUCE | El Tortillero | RS1134B | – | – | – |
| 270 | MABLE LUCE | Clavelitos | RS1136C | – | – | – |
| 270 | MABLE LUCE | Flores Negras | RS1137A | – | – | – |
| 271 | MABLE LUCE | Vidalita | RS1132A | – | – | – |
| 271 | MABLE LUCE | Cuatro Milpas | RS1133A | – | – | – |
| 272 | SIDOR BELARSKY | Kacha, Kach | RS1149B | – | – | – |
| 272 | SIDOR BELARSKY | Yo Adir | RS1148C | – | – | – |
| 273 | SIDOR BELARSKY | A Maisele | RS1150B | – | – | – |
| 273 | SIDOR BELARSKY | Ergetz Vait | RS1155A | – | – | – |
| 274 | SIDOR BELARSKY | Frumeleh | RS1151D | – | – | – |
| 274 | SIDOR BELARSKY | A Din-toire Mit Got | RS1154C | – | – | – |
| 275 | SIDOR BELARSKY | Der Becher | RS1153A | – | – | – |
| 275 | SIDOR BELARSKY | Drenlender Yingele | RS1152C | – | – | – |
| 276 | THE POLKATEERS | Cuckoo Waltz | 5104-2 | – | – | – |
| 276 | THE POLKATEERS | Rain Rain Polka | 5103-2 | – | – | – |
| 277 | THE POLKATEERS | G.I. Polka | 5106 | – | – | – |
| 277 | THE POLKATEERS | Echo Polka | 5108 | – | – | – |
| 278 | THE POLKATEERS | Barbara Polka | 5107 | – | – | – |
| 278 | THE POLKATEERS | Picnic In The Woods | 5109 | – | – | – |
| 279 | THE POLKATEERS | Riverside Polka | 5102 | – | 1944 | – |
| 279 | THE POLKATEERS | Tummy Ache Polka | 5105 | – | 1944 | – |
| 280 | FRANK NOVAK & POLKATEERS | Momma Polka | 5201 | – | – | Miles; Siegel |
| 280 | FRANK NOVAK & POLKATEERS | Poppa Polka | 5202 | – | – | Miles; Siegel |
| 281 | FRANK NOVAK & POLKATEERS | Continental Swing Waltz | 5204 | – | – | Mart Freyberg |
| 281 | FRANK NOVAK & POLKATEERS | Whistling Waltz | 5205 | – | – | Mart Freyberg |
| 282 | FRANK NOVAK & POLKATEERS | Showin‘ Off Polka | 5198 | – | – | Miles; Segal |
| 282 | FRANK NOVAK & POLKATEERS | Stop Polka | 5199 | – | – | Miles; Segal |
| 283 | FRANK NOVAK & POLKATEERS | Stomp Polka | 5197 | – | – | Novak; Romanoff |
| 283 | FRANK NOVAK & POLKATEERS | Polka Polka | 5203 | – | – | Mart Freyberg |
| 284 | FRANK NOVAK & POLKATEERS | RAG THE SCALE POLKA | 5200 | – | 1944 | Mart Freyberg |
| 284 | FRANK NOVAK & POLKATEERS | BETSY POLKA | 5101 | – | 1944 | – |
| 285 | RED RIVER DAVE | Little Red Caboose Behind The Train | 5146 | – | – | – |
| 285 | RED RIVER DAVE | The Convict And The Rose | 5148 | – | – | – |
| 286 | RED RIVER DAVE | The Death Of Floyd Collins | 5150 | – | – | Jenkins; Spain |
| 286 | RED RIVER DAVE | I WISH I HAD MY FIRST WIFE BACK AGAIN | 5147 | – | – | Bob Miller |
| 287 | RED RIVER DAVE | Twenty-One Years | 5151 | – | – | Bob Miller |
| 287 | RED RIVER DAVE | She’ll Be Comin‘ ‚Round The Mountain | 5149 | – | – | – |
| 288 | RED RIVER DAVE with Frank Nova | Altoona Freight Wreck | 5155 | – | – | – |
| 288 | ESMERELDY & DICK THOMAS | Seven Years With The Wrong Woman | 5152 | – | – | – |
| 289A | ESMERELDY (Frank Novak & Sourwood Mountain Boys) |
Don’t Make Me Go To Bed and I’ll Be Good | 5124 | – | – | Hugh Cross |
| 289B | ESMERELDY (Frank Novak & Sourwood Mountain Boys) |
On Top Of Old Smoky | 5123 | – | – | (-) |
| 290 | HARRY (THE HIPSTER) GIBSON | The Hipster’s Blues Opus 6 7/8 | 5175 | – | 4/21/1944 | Harry Gibson |
| 290 | HARRY (THE HIPSTER) GIBSON | HANDSOME HARRY THE HIPSTER | 5169 | – | 4/21/1944 | Harry Gibson |
| 291A | HARRY (THE HIPSTER) GIBSON | Riot In Boogie | 5171 | – | 4/21/1944 | Harry Gibson |
| 291B | HARRY GIBSON | STOP THAT DANCIN‘ UP THERE | 5172 | – | 4/21/1944 | Harry Gibson |
| 292 | HARRY (THE HIPSTER) GIBSON | The HIPSTER’S BLUES (Op. 7 1/2) | 5176 | – | 4/21/1944 | Harry Gibson |
| 292 | HARRY (THE HIPSTER) GIBSON | GET YOUR JUICES AT THE DEUCES | 5174 | – | 4/21/1944 | Harry Gibson |
| 293A | HARRY (THE HIPSTER) GIBSON | Barrelhouse Boogie | 5170=1 | – | 4/21/1944 | Harry Gibson |
| 293B | HARRY GIBSON (piano) | 4F FERDINAND, THE FRANTIC FREAK | 5173-1 | – | 4/21/1944 | Harry Gibson |
| 294 | PAUL LAVALLE & HIS STRING ORCH | My Wonderful One | 5168 | – | 1944 | Whitman; Grofe; Terris |
| 294 | PAUL LAVALLE & HIS STRING ORCH | A Kiss In The Dark | 5163 | – | 1944 | Herbert; DeSylva |
| 295 | PAUL LAVALLE & HIS STRING ORCH | Remember | 5165-3 | – | 1944 | Irving Berlin |
| 295 | PAUL LAVALLE & HIS STRING ORCH | That Naughty Waltz | 5166 | – | 1944 | Levy; Stanley |
| 296A | PAUL LAVALLE & HIS STRING ORCH | Missouri Waltz | 5167 | – | 1944 | Logan; Shannon |
| 296B | PAUL LAVALLE & HIS STRING ORCH | Beautiful Ohio | 5164 | – | 1944 | Earl; MacDonald |
| 297A | PAUL LAVALLE & HIS STRING ORCH | Always | 5162-A | – | – | Irving Berlin |
| 297B | PAUL LAVALLE & HIS STRING ORCH | Let Me Call You Sweetheart | 5161-A | – | 1944 | Friedman; Whitson |
| 298 | ESMERELDY with Frank Novak | Cowboy Jack | 5153 | – | – | (-) |
| 298 | DICK THOMAS with Frank Novak | Take Me Back To Boots And Saddle | 5119 | – | – | Samuels; Whitcup; Powell |
| 299A | DICK THOMAS with FRANK NOVAK and the Sourwood Mountain BOYS |
OLD CHISHOLM TRAIL | 5121 | – | – | (-) |
| 299B | DICK THOMAS with FRANK NOVAK and the Sourwood Mountain BOYS |
Bury Me Not On The Lone Prairie | 5120 | – | – | (-) |
| 300 | ESMERELDY with Frank Novak | Billy Boy | 5122 | – | – | – |
| 300 | DICK THOMAS with Frank Novak | The Last Round-Up | 5118 | – | – | Billy Hill |
| 301 | DICK THOMAS with Frank Novak | Home On The Range | 5125 | – | – | – |
| 301 | & The Sourwood Mountain Boys | Red River Valley | 5154 | – | – | – |
| 302 | MILTON CROSS | Peter And The Wolf – part 1 | 5177 | – | – | Serge Prokofieff |
| 302 | MILTON CROSS | Peter And The Wolf – part 8 | 5184 | – | – | Serge Prokofieff |
| 303 | MILTON CROSS | Peter And The Wolf – part 7 | 5183 | – | – | Serge Prokofieff |
| 303 | MILTON CROSS | Peter And The Wolf – part 2 | 5178 | – | – | Serge Prokofieff |
| 304 | MILTON CROSS | Peter And The Wolf – part 3 | 5179 | – | – | Serge Prokofieff |
| 304 | MILTON CROSS | Peter And The Wolf – part 6 | 5182 | – | – | Serge Prokofieff |
| 305 | MILTON CROSS | Peter And The Wolf – part 4 | 5180 | – | – | Serge Prokofieff |
| 305 | MILTON CROSS | Peter And The Wolf – part 5 | 5181 | – | – | Serge Prokofieff |
| 306 | AL DUFFY & RHYTHM MASTERS Duffy(vln) Jimmy Lytell(cl) |
Hot Fiddle Poet A Pesth | 5190 | – | – | Henri Kowalski |
| 306 | AL DUFFY & RHYTHM MASTERS Duffy(vln) Jimmy Lytell(cl) |
HOT FIDDLE POET & PEASANT OVERTURE | 5196 | – | – | Franz von Suppe |
| 307 | AL DUFFY & RHYTHM MASTERS Duffy(vln) Jimmy Lytell(cl) |
Hot Fiddle Anitra’s Dance | 5193 | – | – | Edvard Grieg |
| 307 | AL DUFFY & RHYTHM MASTERS Duffy(vln) Jimmy Lytell(cl) |
Hot Fiddle Danza Delle Ore | 5194 | – | 1944/11 | Amilcare Ponchielli |
| 308 | AL DUFFY & RHYTHM MASTERS Duffy(vln) Jimmy Lytell(cl) |
Hot Fiddle Puople Varsane | 5191 | – | 1944/11 | Eduard Poldini |
| 308 | AL DUFFY & RHYTHM MASTERS Duffy(vln) Jimmy Lytell(cl) |
Hot Fiddle Le Secret | 5189 | – | 1944/11 | Leonard Gautier |
| 309 | AL DUFFY & RHYTHM MASTERS Duffy(vln) Jimmy Lytell(cl) |
Hot Fiddle Raymond Overture | 5192 | – | – | – |
| 309 | AL DUFFY & RHYTHM MASTERS Duffy(vln) Jimmy Lytell(cl) |
Hot Fiddle Light Cavalry Overture | 5195 | – | – | – |
| 310 | LEADBELLY | When The Boys Were On The Western Plains | 5130 | – | – | – |
| 310 | LEADBELLY | Yellow Gal | 5129 | – | – | – |
| 311 | LEADBELLY | John Hardy | 5133 | – | – | – |
| 311 | LEADBELLY | Roberta | 5126 | – | – | – |
| 312 | LEADBELLY | Where Did You Sleep Last Night? | 5128 | – | – | – |
| 312 | LEADBELLY | In New Orleans | 5132 | – | – | – |
| 313 | LEADBELLY | Pretty Flowers In Your Backyard | 5131 | – | – | – |
| 313 | LEADBELLY | Bill Brady | 5127 | – | – | – |
| 314 | HERMAN CHITTISON TRIO | THERE’S BEAUTY EVERYWHERE | 5229 | – | 12/8/1944 | Warren |
| 314 | HERMAN CHITIISON TRIO | SERENADE (Franz Schubert) | 5227 | – | 12/8/1944 | Herman Chittison |
| 315 | HERMAN CHITTISON TRIO | THE SONG IS ENDED | 5226 | – | 1945 | Irving Berlin |
| 315 | HERMAN CHITTISON TRIO | HOW HIGH THE MOON | 5228 | – | 1945 | Hamilton; Lewis |
| 316A | TEDDY WILSON QUINTET | JUST FOR YOU BLUES | 5237 | – | 1/15/1945 | Teddy Wilson |
| 316B | TEDDY WILSON QUINTET | JUST YOU, JUST ME | 5236 | – | 1/15/1945 | Greer; Klages |
| 317 | TEDDY WILSON QUINTET | THIS HEART OF MINE (v. Maxine Sullivan) |
5234-1 | – | 1/15/1945 | Freed; Warren |
| 317 | TEDDY WILSON QUINTET | EV’RY TIME WE SAY GOODBYE (v. Maxine Sullivan) |
5235 | – | 1/15/1945 | Cole Porter |
| 318A | TEDDY WILSON QUINTET | MEMORIES OF YOU | 5241 | – | 1/15/1945 | Eubie Blake; Andy Razaf |
| 318B | TEDDY WILSON QUINTET | BUGLE CALL RAG | 5238 | – | 1/15/1945 | Schoebel; Meyers; Pattis |
| 319 | TEDDY WILSON QUINTET | Runnin‘ Wild | 5239 | – | 1/15/1945 | Gibbs; Grey; Wood |
| 319 | TEDDY WILSON QUINTET | I SURRENDER DEAR | 5240 | – | 1/15/1945 | Gordon; Clifford; Harry Barris |
| 320 | HERMAN CHITTISON TRIO | ALL MY LIFE (v. Thelma Carpenter) | 5243=1 | – | 2/2/1945 | – |
| 320 | HERMAN CHITTISON TRIO | I SHOULD CARE (v. Thelma Carpenter) | 5242=1 | – | 2/2/1945 | – |
| 321 | JOSE BETHANCOURT & HIS ORCH | Good Good Good (v. Marion Mann) | 5265 | – | 1945 | Roberts |
| 321 | JOSE BETHANCOURT & HIS ORCH | Negra Consentida (My Pet Brunette) | 5263 | – | 1945 | Pardave |
| 322 | JOSE MORAND & HIS ORCHESTRA | Laura – Beguine | 5275 | – | 1945 | Marcer; Raskin |
| 322 | JOSE MORAND & HIS ORCHESTRA | In Acapulco (v. Harris Trio) | 5278 | – | 1945 | Gordon; Warren |
| 323 | HERMAN CHITTISON TRIO | POOR BUTTERFLY | 5245 | – | 2/2/1945 | – |
| 323 | HERMAN CHITTISON TRIO | THESE FOOLISH THINGS | 5246 | – | 2/2/1945 | – |
| 324 | ART VAN DAMME QUARTET | Body And Soul | 5262 | – | 1945 | Green; Sour; Heyman; Eyton |
| 324 | ART VAN DAMME QUARTET | Honey Come Back Again | 5261 | – | 1945 | Art Van Damme; Sunny Skylar |
| 325 | – | – | – | – | – | – |
| 325 | – | – | – | – | – | – |
| 326 | JOSE BETHANCOURT & HIS ORCH | Say It Over Again (v. Marion Mann) | 5264 | – | 1945-09 | Skylar; Farres |
| 326 | JOSE BETHANCOURT & HIS ORCH | Zunil | 5266 | – | 1945-09 | Jose Bethancourt |
| 327 | JOSE MORAND & HIS ORCHESTRA | Spanish Rhapsody | 5276 | – | 1945 | Jose Morand |
| 327 | JOSE MORAND & HIS ORCHESTRA | Rhumbamba (v. Harris Trio) | 5277 | – | 1945 | Cooper |
| 328 | JOE MARSALA SEPTET | GOTTA BE THIS OR THAT (v. Joe Marsala) |
5287 | – | 5/4/1945 | Sunny Skylar |
| 328 | JOE MARSALA SEPTET | SOUTHERN COMFORT | 5284 | – | 5/4/1945 | Marsala; Wayne; Doraine |
| 329 | JOE MARSALA SEPTET | DON’T LET IT END | 5286 | – | 5/4/1945 | Joe Marsala |
| 329 | JOE MARSALA SEPTET | LOVER | 5285 | – | 5/4/1945 | Rodgers; Hart |
| 330 | HERMAN CHITTISON TRIO | Where Or When | 5280-1 | – | 5/1/1945 | Rogers; Hart |
| 330 | HERMAN CHITTISON TRIO | Triste | 5281-1 | – | 5/1/1945 | Frederic Chopin |
| 331 | HILDE SOMER (piano) | Polonaise – part 2 | 5289 | – | – | – |
| 331 | HILDE SOMER (piano) | Polonaise – part 1 | 5288 | – | – | – |
| 332A | TEDDY WILSON SEXTET | I CAN’T GET STARTED | 5297 | – | 8/14/1945 | Ira Gershwin; Vernon Duke „The Ziegfeld Follies of 1936“ |
| 332B | TEDDY WILSON SEXTET | STOMPIN‘ AT THE SAVOY | 5293 | – | 8/14/1945 | Goodman; Webb; Sampson |
| 333A | EARL ROGERS | Our Good Man / Blow The Man Down | RS1121A | – | – | (-) |
| 333B | EARL ROGERS | The Brookfield Murder | RS1122A | – | – | (-) |
| 334A | EARL ROGERS | The Old Man Who Lived In The Wood | RS1124A | – | – | (-) |
| 334B | EARL ROGERS | Canada / The Woman All Skin And Bones | RS1125A | – | – | (-) |
| 335A | EARL ROGERS | The Jamb On Jerry’s Rock | RS1120A | – | – | (-) |
| 335B | EARL ROGERS | The Ocean Burial | RS1123A | – | – | (-) |
| 336 | TEDDY WILSON SEXTET | IF DREAMS COME TRUE | 5296 | – | 8/14/1945 | Mills; Sampson; Goodman |
| 336 | TEDDY WILSON SEXTET | BLUES TOO | 5299 | – | 8/14/1945 | Teddy Wilson |
| 337 | STUFF SMITH AND HIS TRIO | TIME AND AGAIN (v. Sarah Vaughn) | 5304 | – | 10/1/1945 | Stuff Smith |
| 337 | STUFF SMITH AND HIS TRIO | IS IS (v. Stuff Smith) | 5305 | – | 10/1/1945 | Stuff Smith |
| 338 | BILL GOODEN TRIO | I See You Face Before Me | 5306 | – | – | Dietz; Schwartz |
| 338 | BILL GOODEN TRIO | My Trust | 5308 | – | – | Bill Gooden |
| 339 | – | – | – | – | – | – |
| 339 | – | – | – | – | – | – |
| 340 | – | – | – | – | – | – |
| 340 | – | – | – | – | – | – |
| 341 | TEDDY WILSON & HIS ORCH | YOU GO TO MY HEAD | 5330 | – | 11/5/1945 | – |
| 341 | TEDDY WILSON & HIS ORCH | – | – | – | – | – |
| 342 | – | – | – | – | – | – |
| 342 | – | – | – | – | – | – |
| 343 | BILL GOODEN TRIO | Sugar Hill | 5307 | – | – | BILL GOODEN |
| 343 | BILL GOODEN TRIO | I Lied To You | 5309 | – | – | JAFFE-BOLAND-AMSTERDAM |
| 344 | JOE MARSALA SEPTET | EAST OF THE SUN | 5346 | – | 11/30/1945 | Brooks Bowman |
| 344 | JOE MARSALA SEPTET | SLIGHTLY DIZZY | 5348 | – | 11/30/1945 | Chuck Wayne |
| 345 | LEONARD FEATHER’S BLUE SIX | THE LADY IN DEBT | 5343 | – | 11/26/1945 | Leonard Feather |
| 345 | LEONARD FEATHER’S BLUE SIX | LOST WEEKEND BLUES | 5341 | – | 11/26/1945 | Feather; Bernhardt |
| 346 | HARRY „THE HIPSTER“ GIBSON | Who Put The Benzedrine In Mrs. Murphy’s Ovaltine? | 5349 | – | – | – |
| 346 | HARRY „THE HIPSTER“ GIBSON | I Stay Brown All Year ‚Roun‘ vHarry Gibson | 5351 | – | – | – |
| 347 | HARRY „THE HIPSTER“ GIBSON | What’s His Story? | 5352 | – | 1946/02 | Harry Gibson |
| 347 | HARRY „THE HIPSTER“ GIBSON | Who’s Goin‘ Steady With Who? | 5350 | – | 1946/02 | Harry Gibson |
| 348 | LEONARD FEATHER’S BLUE SIX | SCANDAL-MONGER MAMA | 5344 | – | 11/26/1945 | Leonard Feather |
| 348 | LEONARD FEATHER’S BLUE SIX | BLUES IN THE RED | 5342 | – | 11/26/1945 | Leonard Feather |
| 349 | – | – | – | – | – | – |
| 349 | – | – | – | – | – | – |
| 350 | RICHARD WILSON | Onward Christian Soldiers | MM1145 | – | 1946 | – |
| 350 | RICHARD WILSON | Now The Day Is Over | MM1146 | – | 1946 | – |
| 351 | RICHARD WILSON | Rock Of Ages | MM1143 | – | – | – |
| 351 | RICHARD WILSON | Nearer My God To Thee | MM1142 | – | – | – |
| 352 | RICHARD WILSON | The Lost Chord | MM1147B | – | – | – |
| 352 | RICHARD WILSON | Abide With Me | MM1144C | – | – | – |
| 353 | MAURICE ROCCO’S ROCKIN‘ RHYTHM | Begin The Beguine | 5390 | – | – | – |
| 353 | MAURICE ROCCO’S ROCKIN‘ RHYTHM | St. Louis Blues (v. Maurice Rocco) | 5391 | – | 1946 | Handy |
| 354 | DIZZY GILLESPIE ALL-STARS | SHAW ‚NUFF | 5389 | – | – | Parker; Gillespie |
| 354 | DIZZY GILLESPIE QUINTET | LOVER MAN (v. Sarah Vaughn) | 5388 | GLD1002 567 | 5/11/1945 | Ramirez; Davis; Sherman |
| 354 | DIZZY GILLESPIE QUINTET | SHAW ‚NUFF | 566 | GLD1002 5389 | 5/11/1945 | Parker; Gillespie |
| 355 | LOUANNE HOGAN (Alfred Newman orch) | In Love In Vain | 5393-4 (A-3760) | – | – | Kern; Robin „Centennial Summer“ |
| 355 | LOUANNE HOGAN (Alfred Newman orch) | All Through The Day | 5401-2 (A-3761) | – | – | Kern; Hammerstein „Centennial Summer“ |
| 356 | Alfred Newman & His Orchestra | Two Hearts Are Better Than One | 5402-3 | – | – | Kern; Merce |
| 356 | LOUANNE HOGAN with | The Right Romance | 5403-3 | – | – | Kern; Robin |
| 357L | ARTIE SHAW & HIS ORCHESTRA | (I DON’T STAND) A GHOST OF A CHANCE (v. Hal Stevens) | 5417 | – | 11/14/1945 | Crosby; Washington; Young |
| 357T | ARTIE SHAW & HIS ORCHESTRA | LET’S WALK | 5408 | – | 11/14/1945 | Shaw; Siravo |
| 358 | WALTER GROSS (piano) and his Orch | Don’t Ever Leave Me | 5397 | – | – | Kern; Hammerstein „Sweet Adeline“ |
| 358 | WALTER GROSS (piano) and his Orch | Why Was I Born? | 5386 | – | – | Kern; Hammerstein „Sweet Adeline“ |
| 359 | WALTER GROSS (piano) and his Orch | Who? | 5395 | – | – | Kern; Harbach; Hammerstein „Sunny“ |
| 359 | WALTER GROSS (piano) and his Orch | All The Things You Are | 5394 | – | – | Kern; Hammerstein “ Very Warm for May“ |
| 360 | WALTER GROSS (piano) and his Orch | The Touch Of Your Hand | 5396 | – | – | Kern; Harbach „Roberta“ |
| 360 | WALTER GROSS (piano) and his Orch | SMOKE GETS IN YOUR EYES | 5385 | – | – | Kern; Harbach „Roberta“ |
| 361 | WALTER GROSS (piano) and his Orch | Make Believe | 5384 | – | – | Kern; Hammerstein „Showboat“ |
| 361 | WALTER GROSS (piano) and his Orch | Why Do I Love You? | 5387 | – | – | Kern – Hammerstein „Showboat“ |
| 362 | MIGUELITO VALDES w W.GROSS | Rhumba Rhapsody | 5425 | – | 1946 | deBru; Audinot |
| 362 | WALTER GROSS & HIS ORCHESTRA | Babalu | 5424 | – | 1946 | Margarita Lecuona |
| 363 | MEL TORME w SONNY BURKE ORCH | There’s No One But You | 5427-B | – | – | Evans; Croom; Johnson |
| 363 | Sonny Burke & his orchestra | Willow Road | 5428-A | – | – | Torme; Wells |
| 364L | Maurice Rocco and his Rockin‘ Rhythm | Sugar | 629 | Guild | 1946 | Pinkard; Mitchell; Alexander |
| 364T | Maurice Rocco and his Rockin‘ Rhythm | Cocktails For Two | G632-A1 | Guild | 1946 | Johnston; Coslow |
| 365 | ARTIE SHAW & HIS ORCHESTRA | ALONG WITH ME (with Mel Torme) |
5474 | MGM10730 – | 4/30/1946 | Harold Rome |
| 365 | ARTIE SHAW & HIS ORCHESTRA | I GOT THE SUN IN THE MORNING | 5473 | MGM10730 – | 4/30/1946 | Irving Berlin |
| 366 | BOYD RAEBURN & HIS ORCH | SUMMERTIME | G549-2 | GLD111 – | 1/??/45 | George Gershwin |
| 366 | BOYD RAEBURN & HIS ORCH | YOU’VE GOT ME CRYING AGAIN | G577 | GLD134 – | 5/??/45 | Newman; Jones |
| 367 | SLAM STEWART QUARTET | OH MY, OH MY, OH GOSH | 5448 | – | 4/29/1946 | – |
| 367 | SLAM STEWART QUARTET | DOCTOR FOO | 5445 | – | 4/29/1946 | – |
| 368 | MAURICE ROCCO & HIS Rockin‘ Rhythm | In The Shade Of The Old Apple Tree | G635A | Guild 103A | – | Van Alstyne; Williams |
| 368 | MAURICE ROCCO & HIS Rockin‘ Rhythm | TUNKE BLUES | G636A | Guild 103B | – | Rocco |
| 369 | TEDDY WILSON | CHEEK TO CHEEK | 5461 | – | 5/1/1946 | Irving Berlin |
| 369 | TEDDY WILSON | YOU’RE MY FAVORITE MEMORY | 5478 | – | 5/2/1946 | Wilson; Johnston |
| 370 | TEDDY WILSON | STRANGE INTERLUDE | 5464 | – | – | – |
| 370 | TEDDY WILSON | HALLELUJAH | 5477 | – | – | Youmans; Robin; Grey |
| 371 | TEDDY WILSON | SUNNY MORNING | 5462 | – | – | – |
| 371 | TEDDY WILSON | WHY SHOULDN’T I? | 5463 | – | – | Cole Porter |
| 372 | TEDDY WILSON | LONG AGO AND FAR AWAY | 5480 | – | – | Kern; Gershwin |
| 372 | TEDDY WILSON | ALL OF ME | 5476 | – | – | Simons; Marks |
| 373 | GEORGIE AULD & HIS ORCHESTRA | HONEY | G573=B | GLD135 | 5/24/1945 | Simons; Whiting; Gillespie |
| 373 | GEORGIE AULD & HIS ORCHESTRA | Air Mail Special | 5312 | – | 10/16/1945 | Benny Goodman |
| 374 | GEORGIE AULD & HIS ORCHESTRA | STORMY WEATHER (vLS) | 5367 | – | 1/15/1946 | Koehler |
| 374 | GEORGIE AULD & HIS ORCHESTRA | CO PILOT | G559=B | GLD128 | 3/23/1945 | Hovesepian |
| 375 | GEORGIE AULD & HIS ORCHESTRA | Georgie Porgie | G550 | GLD113 | 2/7/1945 | – |
| 375 | GEORGIE AULD & HIS ORCHESTRA | IT HAD TO BE YOU (vLynne Stevens) | 5311 | – | 10/8/1945 | – |
| 376 | GEORGIE AULD & HIS ORCHESTRA | In The Middle | G553 | GLD116 | 2/7/1945 | Auld; Hosetian |
| 376 | GEORGIE AULD & HIS ORCHESTRA | Stompin‘ At The Savoy | G574=B | GLD135 | 5/24/1945 | Goodman; Webb; Sampson |
| 377 | GEORGIE AULD & HIS ORCHESTRA | BLUE MOON | 5369 | – | 1/15/1946 | Rogers; Hart |
| 377 | GEORGIE AULD & HIS ORCHESTRA | JUMP, GEORGIE, JUMP | G575=1 | – | 5/24/1945 | Georgie Auld |
| 378 | ARTIE SHAW & HIS ORCHESTRA | THE GLIDER | 5419=2 | – | 11/14/1945 | BASIE – HARDING |
| 378 | ARTIE SHAW & HIS ORCHESTRA | LOVE OF MY LIFE | 5416 | – | 11/14/1945 | SHAW – MERCER |
| 379 | MERCER ELLINGTON & HIS ORCH | Metronome All-Out | 5502 | – | 1946 | Duke Ellington |
| 379 | MERCER ELLINGTON & HIS ORCH | Pass Me By (v. Carmen Clarke(McRae)) | 5503 | – | 1946 | Mercer Ellington |
| 380 | Tadd Dameron & his orchestra | You’re Not The Kind (v. Sarah Vaughn) |
5487 | – | 1946/07 | Hudson; Mills |
| 380 | SARAH VAUGHN | If You Could See Me Now | 5485 | – | 1946/07 | Tad Dameron |
| 381L | MEL TORME & HIS MEL-TONES with Sonny Burke and his orchestra |
Try A Little Tenderness | 5510 | – | – | Woods; Campbell: Connelly |
| 381T | MEL TORME & HIS MEL-TONES with Sonny Burke and his orchestra |
South America, Take It Away | 5509 | – | – | Harold Rome „Call Me Mister“ |
| 382 | LOUANNE HOGAN with orchestra | This Is Always | 5514 | – | 1946 | Gordon; Warren |
| 382 | LOUANNE HOGAN with orchestra | Somewhere In The Night | 5513 | – | 1946 | Gordon; Myrow |
| 383 | DIZZY GILLESPIE & HIS SEXTET | THAT’S EARL, BROTHER | 5500 | – | 5/15/1946 | Ray Brown |
| 383 | DIZZY GILLESPIE & HIS SEXTET | OOP BOP SH‘ BAM | 5498=A | – | 5/15/1946 | Fuller |
| 384 | MIQUELITO VALDES & HIS ORCH | Bruca Manigua | 5426 | – | – | Arsenio Rodriguez |
| 384 | MIQUELITO VALDES & HIS ORCH | Vera Cruz | 5423 | – | – | Valdes |
| 385 | WALTER GROSS at the piano | I Know That You Know | 5493 | – | – | – |
| 385 | WALTER GROSS at the piano | Through The Years | 5496 | – | – | – |
| 386 | WALTER GROSS at the piano | Tea For Two | 5481 | – | – | – |
| 386 | WALTER GROSS at the piano | Without A Song | 5484 | – | – | – |
| 387 | WALTER GROSS at the piano | Sometime’s I’m Happy | 5482 | – | – | – |
| 387 | WALTER GROSS at the piano | More Than You Know | 5495 | – | – | – |
| 388 | WALTER GROSS at the piano | Orchids In The Moonlight | 5494 | – | – | Youmans; Kahn; Eliscu |
| 388 | WALTER GROSS at the piano | Time On My Hands | 5483 | – | – | Youmans; Adamson; Gordon |
| 389 | ARTIE SHAW & HIS ORCHESTRA | NIGHT AND DAY | 5543 | – | 6/25/1946 | Cole Porter „Night and Day“ |
| 389 | ARTIE SHAW & HIS ORCHESTRA | Get Out Of Town (v. Mel Torme) |
5542 | – | 6/25/1946 | Cole Porter „Night and Day“ |
| 390 | ARTIE SHAW’S NEW MUSIC | WHAT IS THIS THING CALLED LOVE (v. Mel Torme) |
5548 | MGM10612 – | 6/25/1946 | Cole Porter „Night and Day“ |
| 390 | ARTIE SHAW’S NEW MUSIC | IN THE STILL OF THE NIGHT | 5547 | – | 6/25/1946 | Cole Porter „Night and Day“ |
| 391 | ARTIE SHAW & HIS ORCHESTRA | BEGIN THE BEGUINE | 5545 | – | 6/26/1946 | Cole Porter „Night and Day“ |
| 391 | ARTIE SHAW & HIS ORCHESTRA | You Do Something To Me (v. Teddy Walters) | 5544 | – | 6/25/1946 | Cole Porter „Night and Day“ |
| 391 | ARTIE SHAW & HIS ORCHESTRA | Love For Sale (*replacement) | 5636 | – | 07/??/46 | – |
| 392 | ARTIE SHAW and his Orchestra feat. Kitty Kallen |
MY HEART BELONGS TO DADDY | 5546=3 | – | 6/26/1946 | Cole Porter „Night and Day“ |
| 392 | Artie Shaw and his Orchestra | I’VE GOT YOU UNDER MY SKIN | 5541 | – | 6/25/1946 | Cole Porter „Night and Day“ |
| 393 | FRANCES WAYNE with Walter Gross & his orchestra |
If You Were There | 5555 | – | – | Ackers; Slawson; Farrow |
| 393 | FRANCES WAYNE with Walter Gross & his orchestra |
All By Myself | 5554 | – | – | Irving Berlin |
| 394 | GEORGIE AULD & HIS ORCH | MO MO | 5563 | – | 6/14/1946 | Hefti; Altwerger |
| 394 | GEORGIE AULD & HIS ORCH | You’re Blase (v. Sarah Vaughn) | 5561 | – | 6/14/1946 | Hamilton |
| 395 | DENNIS SISTERS | Listen | 5557 | – | – | – |
| 395 | SPUR DENNIS & SISTERS | Just Like That | 5556 | – | – | – |
| 396 | SLAM STEWART QUARTET | COPPIN‘ OUT | 5446 | – | 4/29/1946 | – |
| 396 | SLAM STEWART QUARTET | BLUES COLLINS | 5447 | – | 4/29/1946 | – |
| 397 | MEL TORME & HIS MEL-TONES (Sonny Burke orchestra) |
It Happened In Monterey | 5511 | – | – | Wayne; Rose |
| 397 | MEL TORME & HIS MEL-TONES (Sonny Burke orchestra) |
Born To Be Blue | 5512 | – | – | Torme; Wells |
| 398 | SARAH VAUGHN with Tadd Dameron & his orchestra |
My Kinda Love | 5488 | – | – | Alter; Trent |
| 398 | SARAH VAUGHN with Tadd Dameron & his orchestra |
I Can Make You Love Me | 5486 | – | – | Russell; De Rose |
| 399 | DIZZY GILLESPIE & HIS ORCH | Our Delight | 5550=A | – | 6/16/1946 | Dameron |
| 399 | DIZZY GILLESPIE & HIS ORCH | Good Dues Blues | 5551=A | – | 6/16/1946 | Brown; Gillespie |
| 400 | RILEY SHEPARD & THOMAS SISTERS | Vip-I-Addy, Nevady | 5558 | – | – | – |
| 400 | RILEY SHEPARD & THOMAS SISTERS | Missouri | 5559 | – | – | – |
| 401 | MILTON CROSS | The Sorcerer’s Apprentice – part 1 | 5529 | – | – | Paul Dukas; Krasno; Steele |
| 401 | MILTON CROSS | The Sorcerer’s Apprentice – part 4 | 5532 | – | – | Paul Dukas; Krasno; Steele |
| 402 | MILTON CROSS | The Sorcerer’s Apprentice – part 3 | 5530 | – | – | Paul Dukas; Krasno; Steele |
| 402 | MILTON CROSS | The Sorcerer’s Apprentice – part 2 | 5531 | – | – | Paul Dukas; Krasno; Steele |
| 403 | MIGUELITO VALDES & HIS ORCH | El Cua Cua | 5539 | – | – | – |
| 403 | MIGUELITO VALDES & HIS ORCH | Casablanca | 5537 | – | – | – |
| 404 | DIZZY GILLESPIE SEXTET | ONE BASS HIT | 5497 | – | 5/15/1946 | Dizzy Gillespie; Gillespie; Brown |
| 404 | DIZZY GILLESPIE & HIS ORCH | ONE BASS HIT PART 2 | 5609 | – | 7/9/1946 | Dizzy Gillespie; Gillespie; Brown |
| 405 | ARTHUR MURRAY | Arthur Murray Teaches The Fox Trot | – | – | – | – |
| 405 | ARTHUR MURRAY | Arthur Murray Teaches The Fox Trot | – | – | – | – |
| 406 | ARTHUR MURRAY | Arthur Murray Teaches The Fox Trot | – | – | – | – |
| 406 | ARTHUR MURRAY | Arthur Murray Teaches The Fox Trot | – | – | – | – |
| 407 | ARTHUR MURRAY | Arthur Murray Teaches The Fox Trot | – | – | – | – |
| 407 | ARTHUR MURRAY | Arthur Murray Teaches The Fox Trot | – | – | – | – |
| 408 | ARTHUR MURRAY | Arthur Murray Teaches The Fox Trot | – | – | – | – |
| 408 | ARTHUR MURRAY | Arthur Murray Teaches The Fox Trot | – | – | – | – |
| 408 | DIZZY GILLESPIE SEXTET | DIZZY ATMOSPHERE | – | (Alb-S7) | – | – |
| 408 | DIZZY GILLESPIE SEXTET | ALL THE THINGS YOU ARE | – | (Alb-S7) | – | HAMPTON HAWES |
| 409 | ARTIE SHAW & HIS NEW MUSIC | How Deep Is The Ocean? (vHal Stevens) | 5418 | – | 11/14/1945 | Irving Berlin |
| 409 | ARTIE SHAW & HIS NEW MUSIC | THE HORNET | 5420 | – | 11/14/1945 | Buster Harding |
| 410 | ADELE CLARK with Walter Gross & his orchestra |
Don’t Blame Me | 5626 | – | – | McHugh; Fields |
| 410 | ADELE CLARK with Walter Gross & his orchestra |
S h hhh! Don’t Wake The Baby | 5584 | – | – | Brandwynne; Ross |
| 411 | MIGUELITO VALDES & HIS ORCH | Negra Leono | 5538 | – | 1946 | Fernandez |
| 411 | MIGUELITO VALDES & HIS ORCH | You, So It’s You | 5540 | – | 1946 | Brown; Brent |
| 412 | ARTIE SHAW & HIS ORCHESTRA | For You, For Me, Forevermore (v. Mel Torme) |
5629 | – | 7/??/46 | George & Ira Gershwin |
| 412 | ARTIE SHAW & HIS ORCHESTRA | Changing My Tune (v. Mel Torme & Mel-Tones) |
5635 | – | 7/??/46 | George & Ira Gershwin |
| 413 | ADELE CLARK with Walter Gross & his orchestra |
A Lady With A Parasol | 5628 | – | – | Newman; Wrubel |
| 413 | ADELE CLARK with Walter Gross & his orchestra |
You Don’t Know What You Started | – | – | – | Wolf; Miles |
| 414 | MILTON CROSS | The Nutcracker Suite – part 6 | 5522 | – | – | Tchaikovsky |
| 414 | MILTON CROSS | The Nutcracker Suite – part 1 | 5517 | – | – | Tchaikovsky |
| 415 | MILTON CROSS | The Nutcracker Suite – part 5 | 5521 | – | – | Tchaikovsky |
| 415 | MILTON CROSS | The Nutcracker Suite – part 2 | 5518 | – | – | Tchaikovsky |
| 416 | MILTON CROSS | The Nutcracker Suite – part 4 | 5520 | – | – | Tchaikovsky |
| 416 | MILTON CROSS | The Nutcracker Suite – part 3 | 5519 | – | – | Tchaikovsky |
| 417 | MORDY BAUMAN | Rio Grande | 5606 | – | 7/??/46 | – |
| 417 | MORDY BAUMAN | Home Dearie Home/The Codfish Song | 5607 | – | 7/??/46 | – |
| 418 | MORDY BAUMAN | Whiskey Johnny/Haul Away Joe | 5604 | – | 7/??/46 | – |
| 418 | MORDY BAUMAN | The Constitution And Guerriere | 5605 | – | 7/??/46 | – |
| 419 | MORDY BAUMAN | Shenandoah | 5602 | – | 7/??/46 | – |
| 419 | MORDY BAUMAN | A-Roving/The Drunken Sailor | 5603 | – | 7/??/46 | – |
| 420 | MORDY BAUMAN | Can’t You Dance To Polka; Galloping Randy Dandy | 5608 | – | 7/??/46 | – |
| 420 | MORDY BAUMAN | Blow The Man Down | 5601 | – | 7/??/46 | – |
| 421T | TEDDY WILSON OCTET | Don’t Worry ‚Bout Me (v. Sarah Vaughn) |
5653-1 | – | 8/19/1946 | Kohler; Bloom |
| 421L | TEDDY WILSON OCTET | I WANT TO BE HAPPY (v. Sarah Vaughn) |
5654 | – | 8/19/1946 | Youmans; Caesar |
| 422 | DAVE DENNY | Cheatin‘ On Your Baby | 5380 | – | – | – |
| 422 | DAVE DENNY | Weary With Worry | 5381 | – | – | – |
| 423 | ARTHUR MURRAY | Arthur Murray Teaches The Rhumba | 5593 | – | 7/??/46 | – |
| 423 | ARTHUR MURRAY | Arthur Murray Teaches The Rhumba | 5594 | – | 7/??/46 | – |
| 424 | ARTHUR MURRAY | Arthur Murray Teaches The Rhumba | 5595 | – | 7/??/46 | – |
| 424 | ARTHUR MURRAY | Arthur Murray Teaches The Rhumba | 5596 | – | 7/??/46 | – |
| 425 | ARTHUR MURRAY | Arthur Murray Teaches The Rhumba | 5597 | – | 7/??/46 | – |
| 425 | ARTHUR MURRAY | Arthur Murray Teaches The Rhumba | 5598 | – | 7/??/46 | – |
| 426 | ARTHUR MURRAY | Arthur Murray Teaches The Rhumba | 5599 | – | 7/??/46 | – |
| 426 | ARTHUR MURRAY | Arthur Murray Teaches The Rhumba | 5600 | – | 7/??/46 | – |
| 427 | MAURICE ROCCO | Blue Skies | G630-1 | – | 1946 | Irving Berlin |
| 427 | MAURICE ROCCO | I Can’t Get Started | G631 | – | 1946 | Gerswhin; Duke |
| 428 | ARTIE SHAW & HIS NEW MUSIC | Guilty (v. Mel Torme & Mel-Tones) | 5648=2 | – | 08/??/46 | Kahn; Akst; Whiting |
| 428 | ARTIE SHAW & HIS NEW MUSIC | Anniversary Song (v. Mel Torme) | 5649=2 | – | 08/??/46 | Jolson; Chaplin; Ivanovici |
| 429 | DAVE DENNY | Little Brown | – | – | – | – |
| 429 | DAVE DENNY | Would You Like To See A Picture Of My Baby? | – | – | – | – |
| 430 | MILTON CROSS | Peer Gynt & The Trolls – part 6 | 5688 | – | 08/??/46 | – |
| 430 | MILTON CROSS | Peer Gynt & The Trolls – part 1 | 5683 | – | 08/??/46 | – |
| 431 | MILTON CROSS | Peer Gynt & The Trolls – part 5 | 5687 | – | 08/??/46 | – |
| 431 | MILTON CROSS | Peer Gynt & The Trolls – part 2 | 5684 | – | 08/??/46 | – |
| 432 | MILTON CROSS | Peer Gynt & The Trolls – part 3 | 5685 | – | 08/??/46 | – |
| 432 | MILTON CROSS | Peer Gynt & The Trolls – part 4 | 5686 | – | 08/??/46 | – |
| 433 | THE LION with Gerald Clark’s Original Calypsos |
Ugly Woman | 437 | – | 1946 | Hubert Charles |
| 433 | THE LION with Gerald Clark’s Original Calypsos |
Fan Me, Saga Boy | 429 | – | 1946 | Hubert Charles |
| 434 | MACBETH, THE GREAT (w. Gerald Clark and his Original Calypsos) |
Man Smart – Woman Smarter | OM 438 | – | 1946 | King Radio |
| 434 | MACBETH, THE GREAT | My Donkey Want Water | OM 440 | – | 1946 | Hold ‚Em Joe |
| 435 | LORD INVADER (w. Gerald Clark and his Original Calypsos) |
You Don’t Need Glasses To See | 427 | – | 1946 | Gerald Clark |
| 435 | LORD INVADER (w. Gerald Clark and his Original Calypsos) |
Down At Rockaway | 425 | – | 1946 | Gerald Clark |
| 436 | ATILLA THE HUN | Professor Carver | 416 | – | – | Gerald Clark |
| 436 | ATILLA THE HUN | Coffee Coffee | 408 | – | – | Gerald Clark |
| 437 | MIGUELITO VALDES SEXTET | Tambombea | 5574 | – | – | Miguelito Valdes |
| 437 | MIGUELITO VALDES SEXTET | El Cajon | 5571 | – | – | Rivero |
| 438 | MIGUELITO VALDES SEXTET | La Comparsa | 5570 | – | – | Lecuona |
| 438 | MIGUELITO VALDES SEXTET | Algo Nuevo | 5573 | – | – | Miguelito Valdes |
| 439 | MIGUELITO VALDES SEXTET | Recuerden La Ola Marina | 5572 | – | – | Gonzales |
| 439 | MIGUELITO VALDES SEXTET | El Tumbaito | 5569 | – | – | Miguelito Valdes; Viro; Delgardo |
| 440 | MIGUELITO VALDES SEXTET | Ahora Seremos Felices (v. Miguelito Valdes) |
5568 | – | – | Hernandez |
| 440 | MIGUELITO VALDES SEXTET | El Maraquero (v. Miguelito Valdes) | 5575 | – | – | Grenet |
| 441 | ARTIE SHAW & HIS ORCHESTRA | They Can’t Convince Me (v. Mel Torme) |
5647 | – | 08/??/46 | Roberts; Fisher |
| 441 | ARTIE SHAW & HIS ORCHESTRA | And So To Bed (v. Mel Torme & Mel-Tones) |
5650 | – | 08/??/46 | Mercer; Dolan |
| 442 | RILEY SHEPARD & HIS SANTA FE RANGERS | I’ve Got A Gal | 5730 | – | 09/??/46 | – |
| 442 | RILEY SHEPARD & HIS SANTA FE RANGERS | Honey, Be My Honey Bee | 5726 | – | 09/??/46 | Shephard; Foley |
| 443 | MAURICE ROCCO | My Tzatzadeka | 5709 | – | 09/??/46 | Menaker |
| 443 | MAURICE ROCCO | At Sundown | 5713 | – | 09/??/46 | Donaldson from the picture „The Fabulous Dorseys“ |
| 444 | RILEY SHEPARD & HIS SANTA FE RANGERS | Wear A Little Sunshine In Your Smile | 5723 | – | 09/??/46 | Shepard; Long; Day |
| 444 | RILEY SHEPARD & HIS SANTA FE RANGERS | The Postman Doesn’t Call At My Door | 5727 | – | 09/??/46 | Shepard; Long; Keefer |
| 445 | ARTIE SHAW & HIS ORCHESTRA | Don’t You Believe It Dear (v. Mel Torme & Mel-Tones) |
5701 | – | 09/??/46 | Shaw; Lehman |
| 445 | ARTIE SHAW & HIS ORCHESTRA | Connecticut (v. Ralph Blane) | 5651 | – | 08/??/46 | Martin; Blane |
| 446 | TEDDY WILSON QUARTET | September Song (v. Sarah Vaughn) | 5811-1 | – | 11/19/1946 | Anderson; Weill |
| 446 | TEDDY WILSON QT | MOONLIGHT ON THE GANGES | 5812 | – | 11/19/1946 | Meyers; Wallace |
| 447 | DIZZY GILLESPIE & HIS ORCH | EMANON | 5789 | – | 11/12/1946 | Gillespie; Shaw |
| 447 | DIZZY GILLESPIE & HIS ORCH | THINGS TO COME | 5611 | – | 7/9/1946 | Fuller; Gillespie |
| 448 | RILEY SHEPARD SANTE FE RANGERS | Hoosier Baby | – | – | 09/??/46 | – |
| 448 | RILEY SHEPARD SANTE FE RANGERS | Train Whistle Blues | 5729 | – | 10/??/46 | – |
| 449 | MAURICE ROCCO and his Rockin‘ Rhythm |
Invitation To The Blues | 5710 | – | 09/??/46 | Fisher; Roberts; Gershwin |
| 449 | MAURICE ROCCO and his Rockin‘ Rhythm |
Somebody Loves Me | 5711 | – | 09/??/46 | DeSylva; McDonald; Gershwin „George White’s Scandals“ |
| 450 | MAURICE ROCCO | On The Sunny Side Of The Street | 5714 | – | 09/??/46 | – |
| 450 | MAURICE ROCCO | You Can Depend On Me | 5716 | – | 09/??/46 | – |
| 451 | MAURICE ROCCO | The Hour Of Parting | 5715 | – | 09/??/46 | Kahn; Spoliansky |
| 451 | MAURICE ROCCO | Rose Room | 5705 | – | 09/??/46 | Hickman; Williams |
| 452 | MAURICE ROCCO and his Rockin‘ Rhythm |
Easter Parade | 5707 | – | 09/??/46 | Irving Berlin „As Thousands Cheer“ |
| 452 | MAURICE ROCCO and his Rockin‘ Rhythm |
Wrap Your Troubles In Dreams | 5712 | – | 09/??/46 | Koehler; Mol; Barris |
| 453 | PHIL BRITO | O Sole Mio | 5751 | – | 09/??/46 | Phil Brito; Capuno; DiCapua; Walter Gross |
| 453 | PHIL BRITO | Dictencello Vine | 5755 | – | 09/??/46 | Phil Brito; Capuno; DiCapua; Walter Gross |
| 454 | PHIL BRITO | O Marie | 5753 | – | 09/??/46 | Phil Brito; DiCapua; Walter Gross |
| 454 | PHIL BRITO | Veni Su | 5754 | – | 09/??/46 | Phil Brito; Granozio; Gambe; Albin; Walter Gross |
| 455 | PHIL BRITO | Comme Bella A Stacione | 5757 | – | 09/??/46 | Phil Brito; Pisano; Salvo; Walter Gross |
| 455 | PHIL BRITO | Mattinata | 5758 | – | 09/??/46 | Phil Brito; Leoncavallo; Walter Gross |
| 456 | PHIL BRITO | Tango De La Rosa | 5752 | – | 09/??/46 | Phil Brito; Schreier; Bottero; Walter Gross |
| 456 | PHIL BRITO | O Marenanello | 5756 | – | 09/??/46 | Phil Brito; Gambardella; Ottaviano; Walter Gross |
| 457 | PAUL LAVALLE & HIS ORCH | Absinthe Frappe | 5762 | – | 10/??/46 | Victor Herbert |
| 457 | PAUL LAVALLE & HIS ORCH | A Kiss In The Dark | 5759 | – | 10/??/46 | Victor Herbert |
| 458 | PAUL LAVALLE & HIS ORCH | Fleurette | 5760 | – | 10/??/46 | Victor Herbert |
| 458 | PAUL LAVALLE & HIS ORCH | Kiss Me Again | 5747 | – | 09/??/46 | Victor Herbert |
| 459 | PAUL LAVALLE & HIS ORCH | Love Is A Tyrant | 5764 | – | 10/??/46 | Victor Herbert |
| 459 | PAUL LAVALLE & HIS ORCH | Sweethearts | 5748 | – | 09/??/46 | Victor Herbert |
| 460 | PAUL LAVALLE & HIS ORCH | I’m Falling In Love With Someone | 5761 | – | 10/??/46 | Victor Herbert |
| 460 | PAUL LAVALLE & HIS ORCH | When You’re Away | 5763 | – | 10/??/46 | Victor Herbert |
| 461 | DUKE ELLINGTON & HIS ORCH | Happy Go Lucky Local – part 1 | 5816 | – | 11/25/1946 | ELLINGTON „DEEP SOUTH SUITE“ |
| 461 | DUKE ELLINGTON FAMOUS ORCH | Happy Go Lucky Local – part 2 | 5814 | – | 10/23/1946 | ELLINGTON „DEEP SOUTH SUITE“ |
| 462 | SARAH VAUGHN & TEDDY WILSON QUARTET | MOON FACED AND STARRY EYED | 5810 | – | 11/19/1946 | Hughes; Weill; From the show „Street Scene“ |
| 462 | TEDDY WILSON QUARTET | Time After Time (v. Sarah Vaughn) | 5809 | – | 11/19/1946 | Cahn; Styne MGM Picture „It Happened in Brooklyn“ |
| 463 | DUKE ELLINGTON & HIS ORCH | OVERTURE TO A JAM SESSION | 5845 | 17147 | 10/23/1946 | Strayhorn |
| 463 | DUKE ELLINGTON & HIS ORCH | Overture To A Jam Session – part 2 | 5846 | – | 12/11/1946 | Strayhorn |
| 464 | DUKE ELLINGTON & HIS ORCH | Beautiful Indians part 1 (Hiawatha) | 5817 | – | 11/25/1946 | Ellington; Sears; Duke Ellington |
| 464 | DUKE ELLINGTON & HIS ORCH | Beautiful Indians part 2 (Minnihaha) (v. Kay Davis) |
5824 | – | 12/5/1946 | Ellington; Sears; Duke Ellington |
| 465 | DUKE ELLINGTON & HIS ORCH | FLIPPANT FLURRY | 5818 | – | 10/23/1946 | J. Hamilton |
| 465 | DUKE ELLINGTON & HIS ORCH | GOLDEN FEATHER | 5823 | – | 12/5/1946 | Harry Carney |
| 466 | DUKE ELLINGTON & HIS ORCH | Jam-A-Ditty (Concerto For Four Jazz Horns) |
5847=1 | – | 12/5/1946 | DUKE ELLINGTON |
| 466 | DUKE ELLINGTON & HIS ORCH | SULTRY SUNSET | 5813=2 | – | 11/25/1946 | DUKE ELLINGTON |
| 467 | TODD DUNCAN | Song Of The Flea | 5794 | – | 10/??/46 | – |
| 467 | TODD DUNCAN | In The Silence Of The Night | 5795 | – | 10/??/46 | – |
| 468 | TODD DUNCAN | I GOT PLENTY OF NUTTIN‘ | 5796 | – | 10/??/46 | – |
| 468 | TODD DUNCAN | Oh, Bess, Where Is My Bess? | 5797 | – | 10/??/46 | – |
| 469 | TODD DUNCAN | Omimba | 5799 | – | 10/??/46 | – |
| 469 | TODD DUNCAN | Waters Of Tralee | 5798 | – | 10/??/46 | – |
| 470 | TODD DUNCAN | Ole Man River | 5791 | – | 10/??/46 | – |
| 470 | TODD DUNCAN | Everytime I Feel The Spirit | 5793 | – | 10/??/46 | – |
| 471 | – | – | – | – | – | – |
| 471 | – | – | – | – | – | – |
| 472 | PAUL LAVALLE ORCHESTRA | Hora Staccato | 5749 | – | 09/??/46 | Dinicu |
| 472 | PAUL LAVALLE ORCHESTRA | Souvenir | 5750 | – | 09/??/46 | Drdla |
| 473 | – | – | – | – | – | – |
| 473 | – | – | – | – | – | – |
| 474 | – | – | – | – | – | – |
| 474 | – | – | – | – | – | – |
| 475 | RUSSELL BENNETT | Hoops | – | – | – | – |
| 475 | RUSSELL BENNETT | With A Song In My Heart | – | – | – | – |
| 476 | – | – | – | – | – | – |
| 476 | – | – | – | – | – | – |
| 477 | – | – | – | – | – | – |
| 477 | – | – | – | – | – | – |
| 478 | – | – | – | – | – | – |
| 478 | – | – | – | – | – | – |
| 479 | – | – | – | – | – | – |
| 479 | – | – | – | – | – | – |
| 480 | – | – | – | – | – | – |
| 480 | – | – | – | – | – | – |
| 481 | – | – | – | – | – | – |
| 481 | – | – | – | – | – | – |
| 482 | – | – | – | – | – | – |
| 482 | – | – | – | – | – | – |
| 483 | DUKE ELLINGTON & HIS ORCH | Tulip Or Turnip (v. Ray Nance) | 5841 | – | 12/18/1946 | George – Ellington |
| 483 | DUKE ELLINGTON & HIS ORCH feat. Johnny Hodges |
MAGENTA HAZE | 5766 | – | 12/11/1946 | Duke Ellington |
| 484 | DUKE ELLINGTON & HIS ORCH | Trumpet No End (v. Albert Hibbler) |
5815 | – | 11/25/1946 | Irving Berlin |
| 484 | DUKE ELLINGTON & HIS ORCH | It Shouldn’t Happen To A Dream (v. Albert Hibbler) |
5842 | – | 12/18/1946 | George; Hodges; Ellington |
| 484 | DUKE ELLINGTON & HIS ORCH | Blue Skies | 5815 | – | 11/25/1946 | Irving Berlin |
| 485 | DIZZY GILLESPIE SEXTET | BLUES N‘ BOOGIE | G555 | GLD1001 (NYC) | 2/9/1945 | – |
| 485 | DIZZY GILLESPIE SEXTET | A Hand Fulla Gimme (v. Alice Roberts) | 5499 | – | 5/15/1946 | Dizzy Gillespie |
| 486 | DIZZY GILLESPIE SEXTET | GROOVIN‘ HIGH | G554 | GLD1001 | 2/9/1945 | Dizzy Gillespie |
| 486 | DIZZY GILLESPIE QUINTET | HOT HOUSE | G568 | GLD1003 | 5/11/1945 | – |
| 487 | DIZZY GILLESPIE & HIS ORCH | RAY’S IDEA | 5610 | – | 7/9/1946 | Brown; Gillespie |
| 487 | DIZZY GILLESPIE & HIS ORCH | He Beeped When He Shoulda Bopped (v. Alice Roberts) |
5612 | – | 7/9/1946 | Shaw; Fields |
| 488 | DIZZY GILLESPIE SEXTET | DIZZY ATMOSPHERE | G557 | – | 2/28/1945 | Dizzy Gillespie |
| 488 | DIZZY GILLESPIE SEXTET | All The Things You Are | G556 | – | 2/28/1945 | Gillespie; Jerome Kern |
| 489 | BOYD RAEBURN’S ORCHESTRA | MARCH OF THE BOYDS | G543 | GLD111 – | 1/??/45 | Boyd Raeburn |
| 489 | BOYD RAEBURN & HIS ORCH | INTERLUDE – NIGHT IN TUNISIA | G542 | GLD107 – | 1/??/45 | Paparelli; Gillespie; Laveen |
| 490 | BOYD RAEBURN & HIS ORCH | BLUE PRELUDE | G580 | GLD134 – | 5/??/45 | Jenkins; Bishop |
| 490 | BOYD RAEBURN’S ORCHESTRA | BOYD’S NEST | G579 | GLD133 – | 5/??/45 | Boyd Raeburn |
| 491 | BOYD RAEBURN & HIS ORCH | I Didn’t Know About You (v. Don Darcy) | G546 | GLD107 – | 1/??/45 | – |
| 491 | BOYD RAEBURN & HIS ORCH | YOU CAME ALONG, OUT OF NOWHERE | G578 | – | 5/??/45 | – |
| 492 | ARTIE SHAW & HIS MUSIC | I Believe (v. Mel Torme) | 5703 | – | 09/??/46 | Cahn; Styne |
| 492 | ARTIE SHAW & HIS MUSIC | It’s The Same Old Dream (v. Mel Torme) |
5702 | – | 09/??/46 | Cahn; Styne |
| 493 | – | – | – | – | – | – |
| 493 | – | – | – | – | – | – |
| 494 | George Treadwell’s orchestra | Body And Soul (v. Sarah Vaughn) | 5616 | – | 07/??/46 | Heyman; Sour; Eyton; Green |
| 494 | SARAH VAUGHN w G.TREADWELL | Everything I Have Is Yours | 5615 | – | 1947 | Adamson; Lane |
| 495 | MEL TORME & HIS MEL-TONES (Sonny Burke orchestra) |
Try A Little Tenderness | 5510 | – | – | – |
| 495 | MEL TORME & HIS MEL-TONES (Sonny Burke orchestra) |
Willow Road | 5428 | – | – | – |
| 496 | – | – | – | – | – | – |
| 496 | – | – | – | – | – | – |
| 497 | PHIL BRITO | Come Back To Sorrento | 5117 | – | 1946 | E. DeCurtis |
| 497 | PHIL BRITO | Mama | 5410 | – | 1946 | Barlow; Bixio; Brito |
| 498 | Sarah Vaughan (sic) with Georgie Auld and his Orchestra |
You’re Blasé | 5561 | – | 07/??/46 | Hamilton; Al Cohn |
| 498 | Sarah Vaughan (sic) with Georgie Auld and his Orchestra |
A Hundred Years From Today | 5458 | – | – | Young; Washington; Young |
| 499 | SARAH VAUGHN (George Treadwell orch) | I’m Through With Love | 5614 | – | 1947/07 | Malneck; Kahn; Livingston |
| 499 | SARAH VAUGHN with Dizzy Gillespie and his All Star Quintet |
LOVER MAN (v. Sarah Vaughn) | G567-A | – | 1947/07 | Ramirez; Davis; Sherman |
| 500 | SARAH VAUGHN | September Song | 5811-1 | – | 10/??/46 | Anderson; Weill |
| 500 | SARAH VAUGHN | Don’t Worry About Me | 5653-1 | – | 08/??/46 | Kohler; Bloom |
| 501 | ERSKINE BUTTERFIELD | ‚S’posin‘ | G643 | – | – | – |
| 501 | ERSKINE BUTTERFIELD | Cecilia | G642 | – | – | – |
| 501 | GEORGIE AULD & HIS ORCHESTRA | SWEETHEART OF MY DREAMS | G551=A1 | GLD113 – | 2/7/1945 | – |
| 501 | GEORGIE AULD & HIS ORCHESTRA | LOVER MAN | G558=A | – | 3/23/1945 | – |
| 502 | THE LION | Don’t Bother Mathilda | G428 | – | – | – |
| 502 | THE LION | Dorothy Went To Bathe | G430 | – | – | – |
| 503 | SARAH VAUGHN with George Treadwell’s orchestra |
I Don’t Stand A Ghost Of Chance With You | 5871 | – | 11/??/46 | Crosby; Young; Washington |
| 503 | SARAH VAUGHN with George Treadwell’s orchestra |
I Cover The Waterfront | 5870 | – | 1947 | Green; Heyman |
| 504 | SARAH VAUGHN with George Treadwell’s orchestra |
Don’t Blame Me | 5873 | – | 1947 | Fields; McHugh |
| 504 | SARAH VAUGHN with George Treadwell’s orchestra |
Tenderly | 5872 | – | 1947 | Gorss; Lawrence |
| 505 | SARAH VAUGHN w TEDDY WILSON Octet | Penthouse Serenade (When We’re Alone) | 5652 | – | 8/19/1946 | – |
| 505 | SARAH VAUGHN w/George Treadwel | I’ve Got A Crush On You | 5613 | – | 07/??/46 | Ira and George Gershwin „Strike Up the Band“ |
| 506 | LEONARD FEATHER’S BLUE SIX | Blues Without Booze (v. Clyde Bernhardt) | 5405 | – | 2/21/1946 | Leonard Feather |
| 506 | LEONARD FEATHER’S BLUE SIX | Blues Behind Bars (v. Clyde Bernhardt) | 5404 | – | 2/21/1946 | – |
| 507 | POLKA DOTS HARMONICA BAND | Brahms Waltz In A Flat | 5882 | – | – | – |
| 507 | POLKA DOTS HARMONICA BAND | Peggy O’Neil | 5884 | – | – | – |
| 508 | POLKA DOTS HARMONICA BAND | Wonderful One | 5883 | – | – | – |
| 508 | POLKA DOTS HARMONICA BAND | Daisy, Daisy | 5885 | – | – | – |
| 509 | – | – | – | – | – | – |
| 509 | – | – | – | – | – | – |
| 510 | SANTA FE RANGERS | I Can’t Give You Back Your Heart | – | – | 09/??/46 | – |
| 510 | RILEY SHEPARD SANTA FE RANGERS | Honey, Be My Honey Bee | 5726 | – | 09/??/46 | – |
| 511 | DUKE ELLINGTON & HIS ORCH | Jam-A-Ditty (Concerto For 4 Jazz Horns) | 5847 | – | – | Duke Ellington |
| 511 | DUKE ELLINGTON & HIS ORCH | Diminuendo In Blue | 5765 | – | – | Duke Ellington |
| 512 | ARTIE SHAW & HIS ORCHESTRA | The Glider | 5419 | – | – | Basie; Harding |
| 512 | ARTIE SHAW & HIS ORCHESTRA | When You’re Around | 5704 | – | 09/??/46 | Shaw; Lehmann |
| 513 | MILTON CROSS | Aladdin And His Wonderful Lamp, Part 1 | 5901 | – | – | – |
| 513 | MILTON CROSS | Aladdin And His Wonderful Lamp, Part 4 | 5904 | – | – | – |
| 514 | MILTON CROSS | Aladdin And His Wonderful Lamp, Part 3 | 5903 | – | – | – |
| 514 | MILTON CROSS | Aladdin And His Wonderful Lamp, Part 2 | 5902 | – | – | – |
| 515 | BUDDY GRECO & HIS 3 SHARPS | Don’t You Think I Ought To Know | 5914 | – | 1946 | Wittergreen; Johnson |
| 515 | BUDDY GRECO & HIS 3 SHARPS | Ooh! Look-A There, Ain’t She Pretty | 5913 | – | 1946 | Lombardo; Todd |
| 516 | – | – | – | – | – | – |
| 516 | – | – | – | – | – | – |
| 517 | Ted Dale & his orchestra | Ave Maria | 5910 | – | – | – |
| 517 | PHIL BRITO w TED DALE ORCH | White Christmas | 5909 | – | – | – |
| 518 | DIZZY GILLESPIE & HIS ORCH | I WAITED FOR YOU | 5788 | – | 11/12/1946 | Russell; Gillespie |
| 518 | DIZZY GILLESPIE QUINTET | SALT PEANUTS | G565 | GLD1003 – | 5/11/1945 | Gillespie; Clarke |
| 519 | – | – | – | – | – | – |
| 519 | – | – | – | – | – | – |
| 520 | POLKA DOTS HARMONICA BAND | Jalousie | 5917 | – | – | – |
| 520 | POLKA DOTS HARMONICA BAND | Dark Eyes | 5920 | – | – | – |
| 521 | POLKA DOTS HARMONICA BAND | Beer Barrel Polka | – | – | 1948 | Vejvoda; Timm; Brown |
| 521 | POLKA DOTS HARMONICA BAND | Bubble Gum Polka | – | – | 1948 | Files |
| 522 | SHEP FIELDS & HIS ORCHESTRA | Two Loves Have I | 5924-4 | – | – | Kogen; Varna; Murray; Trivers; Scotto |
| 522 | SHEP FIELDS & HIS ORCHESTRA | My Rancho Rio Grande | 5925-2 | – | – | Cindy Walker |
| 523 | SHEP FIELDS & HIS ORCH | Let’s Be Sweethearts Again | 5923-4 | – | – | – |
| 523 | SHEP FIELDS & HIS ORCH | Carioca | 5926-1 | – | – | – |
| 524 | ESMERELDY & HER NOVELTY BAND | Red Wing | 5938 | – | – | – |
| 524 | ESMERELDY & HER NOVELTY BAND | Slap Her Down Again, Paw | 5936 | – | – | – |
| 525 | SARAH VAUGHN with Ted Dale & his Orchestra |
Sometimes I Feel Like A Motherless Child | 5944 | – | 1947/12 | – |
| 525 | SARAH VAUGHN with Ted Dale & his Orchestra |
The Lord’s Prayer | 5943 | – | 1947/12 | Malotte |
| 526 | MIGUELITO VALDES & HIS ORCH | Negro | – | – | – | – |
| 526 | MIGUELITO VALDES & HIS ORCH | Canto Siboney | 5928 | – | – | – |
| 527 | MINDY CARSON with Glenn Osser & his Orchestra |
Pianissimo | 5948-2 | – | 1948 | Benjamin; Weiss |
| 527 | MINDY CARSON with Glenn Osser & his Orchestra |
What Do You Want To Make Those Eyes At Me For | 5950-3 | – | 1948 | McCarthy; Johnson; Monaco |
| 528 | MEL TORME with Orchestra | I Can’t Give You Anything But Love, Baby | 5886-3 | – | – | – |
| 528 | MEL TORME with Orchestra | Three Little Words | 5887-4 | – | – | – |
| 529 | MEL TORME with Orchestra | Love, You Funny Thing | 5892 | – | – | – |
| 529 | MEL TORME with Orchestra | I’ll Always Be In Love With You | 5890 | – | – | Ruby; Green; Stept; Turk; Ahlert |
| 530 | MEL TORME with Orchestra | Fine And Dandy | 5900 | – | – | – |
| 530 | MEL TORME with Orchestra | The Day You Came Along | 5893 | – | – | – |
| 531 | PHIL BRITO | Where Do You Work-A-John | 5959 | – | – | Weinberg; Marks; Warren |
| 531 | PHIL BRITO | An Old Sombrero | 5962 | – | – | Lew Brown; Roy Henderson |
| 532 | SHEP FIELDS RIPPLING RHYTHM | Now Is The Hour (vToni Arden) | 5941 | – | – | – |
| 532 | SHEP FIELDS RIPPLING RHYTHM | Lone Star Moon (vBob Johnstone) | 5942 | – | – | – |
| 533 | SARAH VAUGHN with TED DALE ORCH | TROUBLE IS A MAN | 5946=3 | – | – | ALEC WILDER |
| 533 | SARAH VAUGHN with TED DALE ORCH | I FEEL SO SMOOCHIE | 5958=2 | – | – | PHIL MOORE |
| 534 | MEL TORME with Orchestra | Making Whoopee | 5980-3 | – | – | Walter Donaldson; Gus Kahn |
| 534 | MEL TORME with Orchestra | Do It Again | 5982-3 | – | – | George Gershwin; Buddy De Silva |
| 535 | MIGUELITO VALDES & HIS ORCH | Elube Chango | 5933 | – | 1948 | Alberto Rivera |
| 535 | MIGUELITO VALDES & HIS ORCH | Cubalou | 5934 | – | 1948 | Arnold Kappitch |
| 536 | ESMERALDY & HER NOVELTY BAND | Ain’t Nature Grand? | 5985 | – | 1948 | Harry Oentes |
| 536 | ESMERALDY & HER NOVELTY BAND | I’m My Own Grandmaw | 5986 | – | 1948 | Moe Jaffe; Dwight Latham |
| 537 | THE FOUR MUSETTES | Papa, Won’t You Dance With Me? | 5989 | – | 1948 | Jules Styne; Sandy Cahn |
| 537 | THE FOUR MUSETTES | Swinging Down The Lane | 5990-3D3 | – | 1948 | Sandy Cahn; Isham Jones |
| 538 | MEL TORME with orchestra | But Beautiful | 5971 | – | – | John Burke; James Van Heusen |
| 538 | MEL TORME with orchestra | Night And Day | 5983 | – | – | Cole Porter |
| 539 | SARAH VAUGHN w/Ted Dale orches | Love Me Or Leave Me | 5951-3 | – | 1948 | Gus Kahn; Walter Donaldson |
| 539 | SARAH VAUGHN w/Jimmy Jones Qua | Gentleman Friend | 6070-1 | – | 1948 | Arnold B. Hurwitt; Richard Lewine |
| 540 | PHIL BRITO | Drkeam Girl | 5961 | – | – | – |
| 540 | PHIL BRITO | I’ve Only Myself To Blame | 5960 | – | – | – |
| 541 | MINDY CARSON | The Feathery Feelin‘ | – | – | – | – |
| 541 | MINDY CARSON | I Hate To Lose You | 5949 | – | – | – |
| 542 | THE FOUR MUSETTES | Everybody Loves My Baby | 6003-1D4 | – | – | Al Nevins; Morty Nevins; Art Dunn |
| 542 | THE FOUR MUSETTES | Oh What I Know About You | 6002-2D3 | – | – | Sammy Gallop; Art Kassel |
| 543 | KING ODOM QUARTET | Mary Lou | – | – | – | – |
| 543 | KING ODOM QUARTET | I’m Looking Over A Four Leaf Clover | – | – | – | – |
| 544 | Jerry Bittick & The CBS Orches | Seven Days A Week | 5209 | – | – | – |
| 544 | JOAN BROOKS with | If You Were The Only Girl In The World | 5208 | – | – | – |
| 545 | ESMERELDY & CLEMENTINE BOYS | Clementine | 5994 | – | 1948 | – |
| 545 | ESMERELDY & HER SHOTGUN FIVE | Put Down Yore Shootin‘ Iron, Pappy | 5995 | – | 1948 | Fine; Sonner |
| 546 | SHEP FIELDS & HIS RIPPLING RHYTHM | Laroo, Laroo, Lilli Bolero | 6015-5 | – | – | Lipman; Dee; Moore |
| 546 | SHEP FIELDS & HIS RIPPLING RHYTHM | Hold It Joe | 6050-2 | – | – | Maschwitz; Melachrino |
| 547 | TEDDY WILSON SEXTET | The Sheik Of Araby | 5998-2 | – | 1948 | Smith; Wheeler; Snyder |
| 547 | TEDDY WILSON TRIO | Something I Dreamed Last Night | 6026 | – | 1948 | Magidson; Yellen; Fain |
| 548 | BUDDY GRECO & THE SHARPS | Keep Me In Mind | 6044 | – | – | Adrian Zing |
| 548 | BUDDY GRECO & THE SHARPS | Scratch My Back | 6037 | – | – | Brent; Fields |
| 549 | PHIL BRITO | Encore Cherie | 6055 | – | – | – |
| 549 | PHIL BRITO | A Little Imagination | 6056 | – | – | – |
| 550 | STIMULATED SIX | I’m Gonna Get Drunk | 6013 | – | 1948/04 | Jack Wilcher |
| 550 | SHERMAN’S STEWPOTS | Drinkin‘ Likka In Costa Rica | 6012 | – | 1948/04 | Jack Wilcher |
| 551 | SHERMAN STEWPOT and his Stimulated Six | The Guy At The End Of The Bar | 6011 | – | 1948 | Wilcher; Tepper |
| 551 | SHERMAN STEWPOT and his Stimulated Six | Loafers‘ Song | 6010 | – | 1948 | Jack Wilcher |
| 552 | SARAH VAUGHN w/Jimmy Jones Quartet | What A Diff’rence A Day Made | 6069-3 | – | 1948 | Adams; Greber |
| 552 | SARAH VAUGHN w/Ted Dale Orchestra | The One I Love (Belongs to Somebody Else) |
5956-2 | – | 1948 | Jones; Kahn |
| 553 | SHEP FIELDS & HIS RIPPLING RHYTHM | What Do I Have To Do? (v. Toni Arden) | 6018-2 | – | – | – |
| 553 | SHEP FIELDS & HIS RIPPLING RHYTHM | We Just Couldn’t Say Goodbye (v. TA, Bob Johnstone) |
5939-2 | – | – | – |
| 554 | KING ODOM QUARTET | I’m Livin‘ Humble | 6074 | – | 1948 | – |
| 554 | KING ODOM QUARTET | They Put John On An Island | 6073-1D3 | – | 1948 | J. C. Ginyard |
| 555 | THE FOUR MUSETTES | Daddy Surprise Me | 6004-3 | – | 1948 | Miller; James |
| 555 | THE FOUR MUSETTES | Yearning (Just For You) | 5988-3 | – | 1948 | Davis; Burke |
| 556 | GORDON MacRAE | Talking Is A Woman | 5680 | – | 1948 | Sigmund; Russell |
| 556 | GORDON MacRAE | Stars Fell On Alabama | 5566 | – | 1948 | Parish; Perkins |
| 557 | SARAH VAUGHN with Richard Maltby & his orchestra |
It’s Magic (v. Sarah Vaughn) | 6062-3 | – | 1948/08 | Styne; Cahn |
| 557 | SARAH VAUGHN with Richard Maltby & his orchestra |
It’s You Or No One (v. Sarah Vaughn) | 6061-3 | – | 1948/08 | Styne; Cahn |
| 558 | MEL TORME with Hal Mooney & his orchestra |
Little White Lies | 5981-4 | – | – | – |
| 558 | MEL TORME with Hal Mooney & his orchestra |
Gone With The Wind | 5975-3 | – | – | Wrubel; Magidson |
| 559 | SHEP FIELDS & HIS RIPPLING RHYTHM | I Went Down To Virginia | 6049-5 | – | 1948 | Evans; Mann |
| 559 | SHEP FIELDS & HIS RIPPLING RHYTHM | Baby don’t be mad at me | 6051-2 | – | 1948 | David; Freeman |
| 560 | PHIL BRITO | A Boy From Texas – A Girl From Tennessee | 6065 | – | – | McCarthy; Segal; Brooks |
| 560 | PHIL BRITO | Rambling Rose | 6066 | MO6066-4D4 | – | Burke; McCarthy |
| 561 | JOSE BETHANCOURT & HIS ORCH | Good Good Good (v. Marion Mann) | 5265 | – | – | Fisher; Roberts |
| 561 | JOSE BETHANCOURT & HIS ORCH | Negra Consentida | 5263 | – | – | Pardave; Harper |
| 562 | JOSE MORAND & HIS ORCHESTRA | Laura | 5275 | – | – | Mercer; Raskin |
| 562 | JOSE MORAND & HIS ORCHESTRA | In Acapulco (v. Harris Trio) | 5278 | – | – | Gordon; Warren |
| 563 | JOSE BETHANCOURT & HIS ORCH | Zunil | 5266 | – | – | Jose Bethancourt |
| 563 | JOSE BETHANCOURT & HIS ORCH | Say It Over Again (v. Marion Mann) | 5264 | – | – | Skylar; Farres |
| 564 | JOSE MORAND & HIS ORCHESTRA | Rhumbamba (v. Harris Trio) | 5277 | – | – | Morand; Cooper |
| 564 | JOSE MORAND & HIS ORCHESTRA | Spanish Rhapsody | 5276 | – | – | Jose Morand |
| 565 | TEENA DENNY with orchestra | Can’t Believe It | 6079-1 | – | – | Jack Wilcher |
| 565 | TEENA DENNY with orchestra | Jukebox Tune | – | – | – | Jack Wilcher |
| 566 | ROAMING PHILOSOPHER | Deck Of Cards | – | – | – | – |
| 566 | ROAMING PHILOSOPHER | Conversation With A Mule | – | – | – | – |
| 567 | SARAH VAUGHN with Earl Rodger’s Choir |
I’m Glad There Is You | 6083 | – | – | Maderia; Dorsey |
| 567 | SARAH VAUGHN with Earl Rodger’s Choir |
Nature Boy | 6082-1 | – | – | Eden Ahbez |
| 568 | Russ Brooks | Yours for the Asking | 6084-3 | – | – | Harber; Romero |
| 568 | Russ Brooks | You Can’t Be True Dear | 6087-2 | – | – | Ebeler; Otten; Griffen; Cotton |
| 569 | BUDDY GRECO & THE SHARPS | How Many Times I Think Of You | 6042-4 | – | – | – |
| 569 | BUDDY GRECO & THE SHARPS | Baby I’m True To You | 6038-1 | – | – | – |
| 570 | SHEP FIELDS & HIS RIPPLING RHYTHM | WHERE GYPSY VIOLINS PLAY (v. Bob Johnstone) |
6016-2 | – | – | – |
| 570 | SHEP FIELDS & HIS RIPPLING RHYTHM | DIANE (v. Bob Johnstone & Ens) | 5940-3 | – | – | – |
| 571 | ESMERELDY & THE SQUARE CUTTERS | Naughty Girl | 5993 | – | – | – |
| 571 | ESMERELDY & THE SQUARE CUTTERS | Skip To My Lou | 5987 | – | – | – |
| 572 | RUSS BROOKS | Angel Child | 6085-1D2 | – | 1948 | Price; Silver; Davis |
| 572 | RUSS BROOKS | Lulu Belle | 6086-2 | – | 1948 | Cole; Liebmann; Romero |
| 573 | MEL TORME with Hal Mooney orch | A Cottage For Sale | 5972-5 | – | Jun-48 | Conley; Robison |
| 573 | MEL TORME with orchestra | If I Had A Girl Like You | 5899-3 | – | Jun-48 | – |
| 574 | MINDY CARSON with Glenn Osser & his orchestra |
You Took Advantage Of Me | 6048-6 | – | – | Rogers; Hart |
| 574 | MINDY CARSON with Glenn Osser & his orchestra |
Some Things Will Never Change | 6045-5 | – | – | Mossman; Anson {Tchaikovsky} |
| 575 | KING ODOM QUARTET | Moonlight Frost | 6060-2 | – | – | – |
| 575 | KING ODOM QUARTET | Who Struck John? | 6057-4 | – | – | – |
| 576 | LOUANNE HOGAN | Autumn In New York | – | – | – | – |
| 576 | LOUANNE HOGAN | Look For The Silver Lining | 5516-2 | – | – | – |
| 577 | PHIL BRITO with organ accompaniment | When Day Is Done | 6095 | – | – | De Sylva; Katcher |
| 577 | PHIL BRITO with organ accompaniment | Neapolitan Nights | 6094 | – | – | Zamecnik; Kerr |
| 578 | MINDY CARSON | Ev’ryday I Love You Just A Little Bit More | – | – | – | – |
| 578 | MINDY CARSON | I Can’t Believe That You’re In Love With Me | 5947-3 | – | – | – |
| 579 | KING ODOM QUARTET | I Found A Twinkle | – | – | – | – |
| 579 | KING ODOM QUARTET | Pickin‘ A Chicken | – | – | – | – |
| 580 | TEDDY WILSON TRIO | Whispering | 6006-11 | – | – | Schonberger; Coburn; Rose |
| 580 | TEDDY WILSON TRIO | As Time Goes By (v. Kay Penton) | 6027-13 | – | – | Herman Hupfield |
| 581 | SHEP FIELDS & HIS RIPPLING RHYTHM | Where Flamingos Fly | – | – | – | – |
| 581 | SHEP FIELDS & HIS RIPPLING RHYTHM | Mist On The Moon | – | – | – | – |
| 582 | THE FOUR MUSETTES | Beside A Bubbling Brook | 6001-2 | – | – | – |
| 582 | THE FOUR MUSETTES | Azusa, Cucamonga And Anaheim | 5991-2 | – | – | – |
| 583 | MIGUELITO VALDES & HIS ORCH | En Tampa | 5969-3 | – | – | – |
| 583 | MIGUELITO VALDES & HIS ORCH | Loca Pasion | 5967-1 | – | – | – |
| 584 | – | – | – | – | – | – |
| 584 | – | – | – | – | – | – |
| 585 | – | – | – | – | – | – |
| 585 | – | – | – | – | – | – |
| 586 | Sarah Vaughn with Ted Dale & his orch | I’ll Wait And Pray | 5952-3 | – | – | Valentine; Treadwell |
| 586 | Sarah Vaughn with Ted Dale & his orch | I Get A Kick Out Of You | 5954-1 | – | – | Cole Porter |
| 587 | – | – | – | – | – | – |
| 587 | – | – | – | – | – | – |
| 588 | – | – | – | – | – | – |
| 588 | – | – | – | – | – | – |
| 589 | MEL TORME | A Foggy Day | 5979 | – | – | – |
| 589 | MEL TORME | My Baby Just Cares For Me | 5889 | – | – | – |
| 590 | PHIL BRITO | Bella Bella Marie | 6096 | – | – | – |
| 590 | PHIL BRITO | I Could Swear It Was You | 5966 | – | – | – |
| 591 | MINDY CARSON with orchestra | Tara Talara Tala | 6097 | – | – | – |
| 591 | MINDY CARSON with orchestra | Just For A While | 6098 | – | – | – |
| 592 | SHEP FIELDS & HIS RIPPLING RHYTHM | On A Slow Boat To China | – | – | – | – |
| 592 | SHEP FIELDS & HIS RIPPLING RHYTHM | Just Once More | – | – | – | – |
| 593 | SARAH VAUGHN w/Ted Dale orches | Button Up Your Overcoat | 5957-2 | – | – | DeSylva; Brown; Henderson; From the Motion Picture „Follow Thru“ |
| 593 | SARAH VAUGHN w/Earl Rodgers Ch | I’m Glad There Is You | 5954-1 | – | – | Madeira; Dorsey |
| 594 | – | – | – | – | – | – |
| 594 | – | – | – | – | – | – |
| 595 | MEL TORME | You’re Driving Me Crazy | – | – | – | – |
| 595 | MEL TORME | County Fair | 5978 | – | – | – |
| 596 | A.PAULEY | If I Live To Be A Hundred | – | – | – | – |
| 596 | A.PAULEY | Where The | – | – | – | – |
| 597 | DELTA RHYTHM BOYS | Fantastic | 6150 | – | – | – |
| 597 | DELTA RHYTHM BOYS | Don’t Ask Me Why | 6149 | – | – | – |
MUSICRAFT RECORDS series (201 – 597)The 78rpm-Club2023-10-28T13:00:39+02:00