Label: | Artist: | Tune: | MX: | Xref: | Ctrl: | Date: | Comp: |
100 | PHIL MOORE ORCH | 125TH STREET PROPHET | D110 | – | – | -1947 | Moore |
100 | PHIL MOORE ORCH | CORNNUCOPIA | D111 | – | – | -1947 | – |
101 | PHIL MOORE ORCH | FUGUE FOR BAR ROOM PIANO | D107 | – | – | -1947 | – |
101 | PHIL MOORE ORCH | MISTY MOON BLUES | D108 | – | – | -1947 | – |
102 | GEORGIE AULD | HOLLYWOOD BAZAAR | D141 | – | – | 1/17/49 | – |
102 | GEORGIE AULD | THEY DIDN’T BELIEVE ME | D142 | – | – | 1/17/49 | – |
103 | GEORGE SHEARING QUINTET | LIFE WITH FEATHER | D155 | – | – | 2/8/49 | Leonard Feather |
103 | GEORGE SHEARING QUINTET | MOON OVER MIAMI | D154 | – | – | 2/8/49 | Leslie – Burke |
103 | GEORGE SHEARING QUINTET | LIFE WITH FEATHER | D155 | – | – | 1/31/49 | – |
103 | GEORGE SHEARING QUINTET | MOON OVER MIAMI | D154 | – | – | 1/31/49 | – |
105 | GEORGE SHEARING QUINTET | MIDNIGHT ON CLOUD 69 | D151 | – | – | 1/31/49 | – |
105 | GEORGE SHEARING QUINTET | BEBOP’S FABLES | D150 | – | – | 2/8/49 | Feather |
106 | GEORGE SHEARING QUINTET | SORRY WRONG RHUMBA | D152 | – | – | 1/31/49 | Feather |
106 | GEORGE SHEARING QUINTET | COTTON TOP | D153 | – | – | 2/8/49 | – |
107 | GEORGE SHEARING QUINTET | CHEROKEE | D148 | – | – | 2/8/49 | Ray Noble |
107 | GEORGE SHEARING QUINTET | FOUR BARS SHORT | D149 | – | – | 2/8/49 | – |
108 | GIL FULLER ORCH | BLUES FOR A DEBUTANTE | D173 | – | – | 6/11/49 | – |
108 | GIL FULLER ORCH | TROPICANA | D175 | – | – | 6/11/49 | – |
109 | GEORGIE AULD & HIS ORCH | VOX BOP | D166 | – | – | 3/21/49 | (-) |
109 | GEORGIE AULD & HIS ORCHESTRA | DARN THAT DREAM | D140 | – | – | 1/17/49 | Van Heusen – DeLange |
110 | CALVIN JACKSON (piano) | LAURA | D116 | – | – | -1947 | – |
110 | CALVIN JACKSON (piano) | BLUE SKIES | D115 | – | – | -1947 | – |
111 | CALVIN JACKSON (piano) | LADY BE GOOD | D119 | – | – | -1947 | – |
111 | CALVIN JACKSON (piano) | LOVER | D113 | – | – | -1947 | – |
112 | CALVIN JACKSON (piano) | PRELUDE IN C SHARP | D114 | – | – | -1947 | – |
112 | CALVIN JACKSON (piano) | I CAN’T GET STARTED | D112 | – | – | -1947 | – |
113 | IKE CARPENTER ORCH | DANCERS IN LOVE | D185 | – | – | 8/?/49 | – |
113 | IKE CARPENTER ORCH | AFTER ALL | D188 | – | – | 8/?/49 | – |
114 | IZLER SOLOMON COLUMBUS PHIL. | GALLOPING COMEDIANS | D205 | – | – | 8/?/49 | – |
114 | Phil Moore Orch with Dan Lube, vln | DAY DREAM | D206 | – | – | 8/?/49 | – |
115 | GIL FULLER ORCH | THE SCENE CHANGES | D174 | – | – | 6/11/49 | – |
115 | GIL FULLER ORCH | MEAN TO ME | D172 | – | – | 6/11/49 | – |
116 | GEORGIE AULD & HIS ORCH | NASHOOMA | D165 | – | – | 3/21/49 | – |
116 | GEORGIE AULD | YOU’VE GOT ME JUMPIN’ | D139 | – | – | 1/17/49 | – |
117 | GEORGIE AULD & HIS ORCH | SETTIN’ THE PACE | D168 | – | – | 3/21/49 | – |
117 | GEORGIE AULD & HIS ORCH | MILD AND MELLOW | D167 | – | – | 3/21/49 | – |
118 | IKE CARPENTER ORCH | CHELSEA BRIDGE | D184 | – | – | 8/?/49 | – |
118 | IKE CARPENTER ORCH | SCREAMLINER | D190 | – | – | 8/?/49 | – |
119 | IKE CARPENTER ORCH | FLAMINGO | D186 | – | – | 8/?/49 | – |
119 | IKE CARPENTER ORCH | SCREAMLINER | D190 | – | – | 8/?/49 | – |
120 | PAUL SMITH QT | APART | – | – | – | – | – |
120 | PAUL SMITH QT | TOGETHER | – | – | – | – | – |
121 | PHIL MOORE (piano and orchestra) | MOONGLOW | DBW-547 | – | – | – | Mills – Hudson – DeLange |
121 | PHIL MOORE (piano and orchestra) | JUNE EVE | DBW-551 | – | – | – | Phil Moore |
122 | PHIL MOORE ORCHESTRA | THE MOON WAS YELLOW | – | – | – | – | – |
122 | PHIL MOORE ORCHESTRA | EVENTIDE | – | – | – | – | – |
123 | PHIL MOORE ORCHESTRA | GOIN’ HOME | – | – | – | – | – |
123 | PHIL MOORE ORCHESTRA | BARCAROLLE FOR BABY | – | – | – | – | – |
124 | PHIL MOORE ORCHESTRA | EAST OF THE SUN | – | – | – | – | – |
124 | PHIL MOORE ORCHESTRA | DREAMER’S WALTZ | – | – | – | – | – |
125 | PHIL MOORE and RHYTHM | LONG AGO AND FAR AWAY | – | – | – | – | – |
125 | PHIL MOORE and RHYTHM | I KNOW THAT YOU KNOW | – | – | – | – | – |
126 | PHIL MOORE and RHYTHM | AIN’T MISBEHAVIN’ | – | – | – | – | – |
126 | PHIL MOORE and RHYTHM | WHEN I GROW TOO OLD TO DREAM | – | – | – | – | – |
127 | PHIL MOORE and RHYTHM | NOBODY KNOWS THE TROUBLE | – | – | – | – | – |
127 | PHIL MOORE and RHYTHM | DEEP PURPLE | – | – | – | – | – |
128 | PHIL MOORE and RHYTHM | MOOD INDIGO | – | – | – | – | – |
128 | PHIL MOORE and RHYTHM | SOPHISTICATED LADY | – | – | – | – | – |
129 | BARBARA CARROLL TRIO | YOU STEPPED OUT OF A DREAM | D258 | – | LA | 2/15/50 | BROWN-KAHN |
129 | BARBARA CARROLL TRIO | BARBARA’S CAROL | D257 | – | LA | 2/15/50 | BARBARA CARROLL |
130 | BARBARA CARROLL TRIO | THE PUPPET THAT DANCES BOP | D259 | – | LA | 2/15/50 | – |
130 | BARBARA CARROLL | DANCING ON THE CEILING | D256 | – | LA | 2/15/50 | – |
131 | BEN POLLACK’s PICK-A-RIB BOYS | San Sue Strut | D275 | – | – | 2/28/50 | Mannone – Guarino |
131 | BEN POLLACK’s PICK-A-RIB BOYS | I CAN’T GIVE YOU ANYTHING BUT LOVE | D273 | – | – | 2/28/50 | DOROTHY FIELDS – JIMMY McHUGH |
132 | BEN POLLOCK PICKARIB BOYS | TIN ROOF BLUES | D272 | – | – | 2/28/50 | MELROSE-RAPPOLO-MARES |
132 | BEN POLLOCK PICKARIB BOYS | SAN ANTONIO SHOUT | D274 | – | – | 2/28/50 | – |
133 | BEN POLLACK’s PICK-A-RIB BOYS | MARYLAND, MY MARYLAND | D270 | – | – | 2/28/50 | trad. |
133 | BEN POLLACK’s PICK-A-RIB BOYS | SENSATION RAG | D271 | – | – | 2/28/50 | {EDDIE} EDWARDS – {J. R. ROBINSON} |
134 | RED NORVO TRIO | TIME AND TIDE | D308 | – | – | 5/3/50 | – |
134 | RED NORVO TRIO | CHEEK TO CHEEK | D306 | – | – | 5/3/50 | – |
135 | RED NORVO TRIO | NIGHT AND DAY | D307 | – | – | 5/3/50 | – |
135 | RED NORVO TRIO | SWEDISH PASTRY | D305 | – | – | 5/3/50 | – |
136 | PAUL SMITH QT | THE WAY YOU LOOK TONIGHT | D301 | – | – | 4/18/50 | – |
136 | PAUL SMITH QT | OUT OF NOWHERE | D297 | – | – | 4/18/50 | – |
137 | PAUL SMITH QT | THE GREAT LIE | D304 | – | – | 4/18/50 | – |
137 | PAUL SMITH QT | S WONDERFUL | D299 | – | – | 4/18/50 | – |
138 | PAUL SMITH Quartet | OVER THE RAINBOW | D303 | – | – | 4/18/50 | Arlen – Harburg |
138 | PAUL SMITH Quartet | WANDERING | D296 | – | – | 4/18/50 | – |
139 | PAUL SMITH QT | CUPID TOOK ME FOR A RIDE | D300 | – | – | 4/18/50 | – |
139 | PAUL SMITH Quartet | BY THE FIRESIDE | D302 | – | – | 4/18/50 | Noble – Campbell – Connelly |
140 | DIZZY GILLESPIE w J.RICHARDS | INTERLUDE IN C | D392 | – | D400 | 11/1/50 | – |
140 | DIZZY GILLESPIE w J.RICHARDS | SWING LOW SWEET CHARIOT | D385 | SAV4512 | D393 | 10/31/50 | – |
141 | DIZZY GILLESPIE w J.RICHARDS | THESE ARE THE THINGS I LOVE | D390 | – | D398 | 11/1/50 | – |
141 | DIZZY GILLESPIE w J.RICHARDS | ALONE TOGETHER | D389 | – | D397=45rpm | 11/1/50 | – |
142 | DIZZY GILLESPIE w J.RICHARDS | LULLABY OF THE LEAVES | D386 | – | D394=45rpm | 10/31/50 | – |
142 | DIZZY GILLESPIE w J.RICHARDS | ON THE ALAMO | D391 | – | D399=45rpm | 11/1/50 | – |
143 | DIZZY GILLESPIE with Johnny RICHARDS | WHAT IS THERE TO SAY | D388 | – | D396=45rpm | 10/31/50 | Harburg – Duke |
143 | DIZZY GILLESPIE with Johnny RICHARDS | MILLION DOLLAR BABY | D387 | SAV4512 | D395=45rpm | 10/31/50 | – |
144 | RED NORVO TRIO | I CAN’T BELIEVE THAT YOU’RE IN LOVE WITH ME | D380 | – | – | 10/13/50 | Gaskill – McHugh |
144 | RED NORVO TRIO | I’VE GOT YOU UNDER MY SKIN | D377 | – | – | 10/13/50 | Cole Porter “The Gay Divorcee” |
145 | RED NORVO TRIO | LITTLE WHITE LIES | D381 | – | – | 10/13/50 | – |
145 | RED NORVO TRIO | Move | D-376 | – | – | – | Miles Davis |
146 | RED NORVO TRIO | I GET A KICK OUT OF YOU | D378 | – | – | 10/13/50 | – |
146 | RED NORVO TRIO | I’LL REMEMBER APRIL | D379 | – | – | 10/13/50 | – |
147 | RED NORVO TRIO | SEPTEMBER SONG | D375 | – | CHIC | 10/13/50 | – |
148 | ZOOT SIMS QT | SLINGIN’ HASH | D424 | – | D430 | 6/16/50 | – |
148 | ZOOT SIMS QT | NIGHT AND DAY | D422 | – | PARIS | 6/16/50 | – |
149 | ZOOT SIMS QT | I UNDERSTAND | D423 | – | D429 | 6/16/50 | – |
149 | ZOOT SIMS QT | TENDERLY | D427 | – | D433 | 6/16/50 | – |
149 | ZOOT SIMS QT | I UNDERSTAND | – | – | – | – | – |
149 | ZOOT SIMS QT | TENORLY | – | – | – | – | – |
150 | ZOOT SIMS Quartet | CRYSTALS | D426 | – | Paris | 6/16/50 | ZOOT SIMS |
150 | ZOOT SIMS Quartet | DON’T WORRY ABOUT ME | D425 | – | Paris | 6/16/50 | KOELHER – BLOOM |
151 | ROY ELDRIDGE SEXTET | WRAP YOUR TROUBLES IN DREAMS | D449 | – | PARIS | 6/14/50 | – |
151 | ROY ELDRIDGE SEXTET | UNDECIDED | D448 | – | PARIS | 6/14/50 | – |
152 | ROY ELDRIDGE SEXTET | WILD DRIVER | D451 | – | PARIS | 6/14/50 | – |
152 | ROY ELDRIDGE SEXTET | THE MAN I LOVE | D450 | – | PARIS | 6/14/50 | – |
153 | ROY ELDRIDGE SEXTET | KING DAVID | D452 | – | PARIS | 6/14/50 | – |
153 | ROY ELDRIDGE SEXTET | EASTER PARADE | D453 | – | PARIS | 6/14/50 | – |
154 | GERRY WIGGINS TRIO | WHY WAS I BORN | D463 | – | – | 9/20/50 | – |
154 | GERRY WIGGINS TRIO | ALL THE THINGS YOU ARE | D462 | – | – | 9/20/50 | – |
155 | GERRY WIGGINS TRIO | S’POSIN’ | D464 | – | – | 9/20/50 | – |
155 | GERRY WIGGINS TRIO | SANDRA LEE | D465 | – | – | 9/20/50 | – |
156 | GERRY WIGGINS TRIO | CANDY | D467 | – | – | 9/20/50 | – |
156 | GERRY WIGGINS TRIO | THREE LITTLE WORDS | D466 | – | – | 9/20/50 | – |
157 | ART PEPPER Quartet | BROWN GOLD | D6001-7 | – | – | 3/4/52 | Art Peper |
157 | ART PEPPER Quartet | THESE FOOLISH THINGS | D6002 | SAV4518 | – | 3/4/52 | – |
158 | ART PEPPER Quartet | SURF RIDE | D6003-5 | – | – | 3/4/52 | Art Pepper |
158 | ART PEPPER Quartet | HOLIDAY FLIGHT | D6004-4 | – | – | 3/4/52 | Art Pepper |
159 | TROTTA | SOMETIMES I’M HAPPY | D6025 | – | – | – | – |
159 | TROTTA | NIGHT MUST FALL | D6022 | – | – | – | – |
160 | Jerry Trotta and his Orch | Don’t Worry About Me (v. Margie Schaffer) | D6024 | – | – | – | Ruby Bloom – Ted Koehler |
160 | Jerry Trotta and his Orch | Amigo Mio | – | – | – | – | – |
161 | PAUL SMITH TRIO | EL CUMBANCHERO | D6009 | – | – | 3/?/52 | – |
161 | PAUL SMITH TRIO | LAURILOU | D6007 | – | – | 3/?/52 | – |
162 | PAUL SMITH TRIO | THE JUMPER | D6006 | – | – | 3/?/52 | Paul T. Smith |
162 | PAUL SMITH TRIO | PICK YOURSELF UP | D6010 | – | – | 3/?/52 | – |
163 | HARRY BABASIN TRIO | S WONDERFUL | D6040 | – | D6042 | 12/7/52 | – |
163 | HARRY BABASIN TRIO | NIGHT AND DAY | D6039 | – | – | 12/7/52 | – |
164 | HAMPTON HAWES TRIO | THOU SWELL | D6053 | – | – | 9/10/52 | – |
164 | HAMPTON HAWES TRIO | JUMPIN’ JACQUE | D6050 | – | – | 9/10/52 | – |
165 | HAMPTON HAWES TRIO | DON’T GET AROUND MUCH ANYMORE | D6051 | – | – | 9/10/52 | – |
165 | HAMPTON HAWES TRIO | IT’S YOU OR NO ONE FOR ME | D6052 | – | – | 9/10/52 | – |
166 | RED NORVO TRIO | I’M YOURS | D483 | – | – | 4/13/51 | – |
166 | RED NORVO TRIO | IF I HAD YOU | D480 | – | – | 4/13/51 | – |
167 | RED NORVO TRIO | GODCHILD | D482 | – | – | 4/13/51 | – |
167 | RED NORVO TRIO | THIS CAN’T BE LOVE | D481 | – | – | 4/13/51 | – |
168 | EDDIE BERT QUINTET | FIRST DAY OF SPRING | D6055 | – | NYC | 3/19/52 | – |
168 | EDDIE BERT QUINTET | Mol-Shaja | D6054 | – | NYC | 3/19/52 | – |
169 | EDDIE BERT QUINTET | THE MING TREE | D6057 | – | – | 3/19/52 | – |
169 | EDDIE BERT QUINTET | ALL THE THINGS YOU ARE | D6056 | – | – | 3/19/52 | – |
170 | ART PEPPER Quartet | SUZY THE POODLE | D6059 | – | – | 3/29/52 | Art Pepper |
170 | ART PEPPER Quartet | TICKLE TOE | D6061 | – | – | 3/29/52 | – |
171 | ART PEPPER QT | EVERYTHING HAPPENS TO ME | D6060 | – | – | 3/29/52 | – |
171 | ART PEPPER QT | CHILI PEPPER | D6058 | – | – | 3/29/52 | – |
172 | PAUL SMITH TRIO | HOW ABOUT YOU? | D6008 | – | – | 3/?/52 | – |
172 | PAUL SMITH TRIO | I ONLY HAVE EYES FOR YOU | D6005 | – | – | 3/?/52 | – |
173 | THORE SWANERUD SEXTET | TOUT D’SUITE | D6113 | – | STOCKHOLM | 9/19/49 | – |
173 | THORE SWANERUD SEXTET | HOW HIGH THE MOON | D6112 | – | STOCKHOLM | 9/19/49 | – |
174 | BARBARA CARROLL TRIO | MOROCCO (vBC) | D6119 | – | LA | -1953 | – |
174 | BARBARA CARROLL TRIO | MOROCCO | D6118 | – | LA | -1953 | – |
176 | BERYL BOOKER | EBONY | D6146 | – | LA | 10/14/53 | – |
176 | BERYL BOOKER | THOU SWELL | D6147 | – | LA | 10/14/53 | – |
233 | ERROLL GARNER | DON’T BLAME ME | – | – | – | – | – |
500 | BETTY BARCLAY | ALL I DO IS DREAM OF YOU | – | – | – | -1947 | – |
500 | BETTY BARCLAY | I LOVE JEEMY | – | – | – | -1947 | – |
501 | BETTY BARCLAY | WOULD YOU LIKE TO TAKE A WALK | – | – | – | -1947 | – |
501 | BETTY BARCLAY | TRY, TRY AGAIN | – | – | – | -1947 | – |
502 | MARY ANN McCALL (Phil Moore Orch) | I HADN’T ANYONE TILL YOU | D134 | – | – | 12/27/48 | Ray Noble “In A Lonely Place” |
502 | MARY ANN McCALL (Phil Moore Orch) | YOU’RE MINE, YOU | D135 | – | – | 12/27/48 | – |
503 | MARTHA RAYE (Phil Moore Orch) | OOH, DOCTOR KINSEY | D156 | – | – | 2/5/49 | Phil Moore |
503 | MARTHA RAYE (Phil Moore Orch) | AFTER YOU’VE GONE | D158 | – | – | 2/5/49 | Creamer – Layton |
504 | LES BAXTER | NIGHT AND DAY | D145 | – | – | 1/22/49 | – |
504 | LES BAXTER | TICO TICO | D143 | – | – | 1/22/49 | – |
505 | MARTHA RAYE | MISS OTIS REGRETS | D169 | – | – | 3/26/49 | – |
505 | MARTHA RAYE | LIFE’S ONLY JOY | D171 | – | – | 3/26/49 | – |
506 | KING COLE QUINTET | IT HAD TO BE YOU | – | – | – | -1947 | – |
507 | JUNIOR DANIELS w AL HAIG TRIO | AUTUMN SERENADE | D181 | – | – | 7/15/49 | – |
507 | JUNIOR DANIELS w AL HAIG TRIO | THE LAMP IS LOW | D182 | – | – | 7/15/49 | – |
508 | DANDY PAYNE w AL HAIG TRIO | A WORLD OF MY OWN | D178 | – | – | 7/14/49 | – |
508 | DANDY PAYNE w AL HAIG TRIO | MY MOTHER’S BIRTHDAY | D177 | – | – | 7/14/49 | – |
509 | MARY ANN McCALL | YOU’RE MY THRILL | D133 | – | – | 12/27/48 | – |
509 | MARY ANN McCALL | SUNDAY | D138 | – | – | 1/3/49 | – |
510 | DAVID ALLEN & JOHNNY RICHARDS | WHEN LOVE COMES | D210 | – | – | 9/19/49 | – |
510 | DAVID ALLEN & JOHNNY RICHARDS | I CAN’T BE WRONG | D209 | – | – | 9/19/49 | – |
511 | DAVID ALLYN | WAIT TILL YOU SEE HER | D208 | – | (LA) | 9/13/49 | – |
511 | DAVID ALLYN | IT NEVER ENTERED MY MIND | D207 | – | (LA) | 9/13/49 | – |
512 | MARY ANN McCALL | NICE WORK | D137 | – | – | 1/3/49 | – |
512 | MARY ANN McCALL | I’M YOURS | D136 | – | – | 1/3/49 | – |
513 | LES BAXTER | BAHIA | D146 | – | – | 1/22/49 | – |
513 | LES BAXTER | CARIOCA | D144 | – | – | 1/22/49 | – |
514 | EMMA LOU WELCH | TIS AUTUMN | JES100 | – | – | – | – |
514 | EMMA LOU WELCH | SPECIALLY WHEN I’M IN A LOVIN’ MOOD | JES102 | – | – | – | – |
516 | DANDY PAYNE w AL HAIG TRIO | GEE, HOW YOU THRILL ME | D176 | – | – | 7/14/49 | – |
516 | DANDY PAYNE w AL HAIG TRIO | ONCE IN A WHILE | D179 | – | – | 7/14/49 | – |
517 | MARTHA RAYE | THE BOY NEXT DOOR | D170 | – | – | 3/26/49 | – |
517 | MARTHA RAYE | LOTUS LAND | D157 | – | – | 2/5/49 | – |
518 | DAVID ALLEN w PAUL SMITH GRP | DID YOU EVER SEE A DREAM WALKING | D228 | – | LA | 12/30/49 | – |
518 | DAVID ALLEN w PAUL SMITH GRP | I CAN’T BELIEVE YOU’RE IN LOVE WITH | D229 | – | LA | 12/30/49 | – |
519 | HELEN HUMES w MARSHALL ROYAL | ROCK ME TO SLEEP | D310 | – | – | 5/9/50 | – |
519 | HELEN HUMES w MARSHALL ROYAL | SAD FEELING | D309 | – | – | 5/9/50 | – |
520 | HELEN HUMES w MARSHALL ROYAL | HE MAY BE YOURS | D312 | – | – | 5/9/50 | – |
520 | HELEN HUMES w MARSHALL ROYAL | THIS LOVE OF MINE | D311 | – | – | 5/9/50 | – |
521 | DAMITA JO | HERE I AM | D317 | – | – | 5/21/50 | – |
521 | DAMITA JO | BELIEVE ME | D315 | – | – | 5/21/50 | – |
522 | NICK DELANO | MAD, MAD, MAD | D318 | – | – | 6/?/50 | – |
522 | NICK DELANO | A HUNDRED YEARS FROM TODAY | D320 | – | – | 6/?/50 | – |
523 | DAMITA JO | ANYTIME, ANY PLACE, ANYWHERE | D316 | – | – | 5/21/50 | – |
523 | DAMITA JO | UNTIL THE REAL THING COMES ALONG | D314 | – | – | 5/21/50 | – |
524 | MIGHTY MAN MAXWELL | GOODNIGHT IRENE | D329 | – | – | 8/9/50 | – |
524 | MIGHTY MAN MAXWELL | I FEEL LIKE SHOUTING | D328 | – | – | 8/9/50 | – |
525 | KEN SCHIRENE TRIO | ONE ROSE | D326 | – | – | 7/28/50 | – |
525 | KEN SCHIRENE TRIO | HARVEST TIME | D325 | – | – | 7/28/50 | – |
526 | EDDIE WILLIAMS | MANDERING | D330 | – | – | 8/9/50 | – |
526 | EDDIE WILLIAMS | BLUES FOR CUBA | D331 | – | – | 8/9/50 | – |
527 | PAGE CAVANAUGH TRIO Add Two Wives | DON’T YOU GO AWAY MAD (v. Gale Allan, Lynn Davis) | D333 | – | – | 8/12/50 | Mundy – Stillman |
527 | PAGE CAVANAUGH TRIO | EXCEPT FOR LOVIN’ YOU (v. Gale Allen) | D334 | – | – | 8/12/50 | Allen – Parnell |
528 | PAGE CAVANAUGH TRIO add Two Wives | THIS TIME THE DREAM’S ON ME (v. Gale Allen and Lynn Davis) | D335 | – | – | 8/12/50 | Mercer – Arlen “Blues In The Night” |
528 | PAGE CAVANAUGH TRIO add Two Wives | OF ALL THINGS | D332 | – | – | 8/12/50 | – |
529 | HELEN HUMES | ATOMIC BLUES | D338 | – | – | 8/?/50 | – |
529 | HELEN HUMES | ATOMIC BLUES PT.2 | D339 | – | – | 8/?/50 | – |
530 | HELEN HUMES | IF I COULD BE WITH YOU | D337 | – | – | 8/?/50 | – |
530 | HELEN HUMES | E BABA LE BA | D336 | – | – | 8/?/50 | – |
531 | LENNY CARSON and the Whiz Kids | MOLASSES, MOLASSES | D341 | – | – | 8/27/50 | Larry Clinton |
531 | LENNY CARSON and the Whiz Kids | EVERBODY CLAP HANDS | D342 | – | – | 8/27/50 | Hoffman – Curtis – Kramer |
532 | DAVID ALLEN w PAUL SMITH GRP | THE TOUCH OF YOUR LIPS | D227 | – | LA | 12/30/49 | – |
533 | LURLEAN HUNTER | MY HOME TOWN CHICAGO | A13699 | – | – | – | – |
533 | LURLEAN HUNTER | I GOT A WARM FEELING | A13698 | – | – | – | – |
534 | LENNY CARSON | HUG ME, KISS ME, LOVE ME | D343 | – | – | 8/27/50 | – |
534 | LENNY CARSON | OOH WHAT A GOO SLAM | D344 | – | – | 8/27/50 | – |
535 | HELEN HUMES | AIRPLANE BLUES | D421 | – | LA | 11/20/50 | – |
535 | HELEN HUMES | HELEN’S ADVICE | D419 | – | LA | 11/20/50 | – |
536 | CLEO BROWN | COFFEE COLORED CHILD | D438 | – | – | 6/?/50 | – |
536 | CLEO BROWN | TWO LITTLE TWAINS | D436 | – | – | 6/?/50 | – |
1200 | PHIL MOORE ORCH | CONCERTO FOR TROMBONE | D105 | – | – | -1947 | – |
1200 | PHIL MOORE ORCH | CONCERTO FOR PIANNO AND ORCHESTRA | D101 | – | – | -1947 | – |
1201 | IZLER SOLOMON COLUMBUS PHIL.OR | TEQUILA | D249 | – | – | 1/?/50 | – |
1201 | IZLER SOLOMON COLUMBUS PHIL.OR | BARTOK SIX DANCES | D248 | – | – | 1/?/50 | – |
1202 | MONTE EASTER & HIS ORCH | PASTEL | D6044 | – | – | 9/?/52 | – |
1202 | MONTE EASTER & HIS ORCH | CASABLANCA BOOGIE | D6043 | – | – | 9/?/52 | – |
1203 | JESSIE MAE ROBINSON | THAT’S HIS SECRET | D6046 | – | – | 9/?/52 | – |
1203 | JESSIE MAE ROBINSON | JESSIE MAE’S BLUES | D6045 | – | – | 9/?/52 | – |
1204 | JESSIE MAE ROBINSON | LONELY, LONELY ME | D6048 | – | – | 9/?/52 | – |
1204 | JESSIE MAE ROBINSON | IN MOTHER’S ARMS | D6049 | – | – | 9/?/52 | – |
1205 | BOBBY FRANCO | HEAR MY CONFESSION | D6080 | – | – | – | – |
1205 | BOBBY FRANCO | LOVE OF MINE | D6081 | – | – | – | – |
1206 | CLIFF AYERS | SMILE WITH THE SUN | D6083 | – | – | – | – |
1206 | CLIFF AYERS | ROSARY LANE | D6082 | – | – | – | – |
1207 | BILL ANDREWS | ONCE IN A LIFETIME | D6086 | – | – | – | – |
1207 | BILL ANDREWS | LONESOME STREET | D6087 | – | – | – | – |
1210 | LES BAXTER TRIO | NIGHT and DAY | – | – | – | – | – |
1210 | LES BAXTER TRIO | BAIA | – | – | – | – | – |
1731 | REINHOLD SVENSSON’S ORCH | STRIKE UP THE BAND | D6066 | – | STOCKHOLM | 4/24/51 | – |
1731 | REINHOLD SVENSSON’S ORCH | THE NEARNESS OF YOU (vRolf Erickson) | D6067 | – | STOCKHOLM | 1/10/51 | – |
1732 | ROLF ERICKSON ORCH | MILES AWAY | D6062 | – | STOCKHOLM | 9/19/50 | – |
1733 | ROLF ERICKSON ORCH | CONVERSATION | D6064 | – | STOCKHOLM | 9/19/50 | – |
1733 | REINHOLD SVENSSON’S ORCH | LULLABY IN RHYTHM | D6068 | – | STOCKHOLM | 1/10/51 | – |
1741 | HANS KOLLER QT | I COVER THE WATERFRONT | D6073 | – | MUNICH | 5/20/52 | – |
1741 | HANS KOLLER QT | HANS IS HIP | D6072 | – | MUNICH | 5/20/52 | – |
1742 | HANS KOLLER QT | UP FROM MUNICH | D6088 | – | – | 5/20/52 | – |
1742 | HANS KOLLER QT | BEAT | D6089 | – | – | 5/20/52 | – |
1743 | HANS KOLLER QT | MY MELANCHOLY BABY | D6111 | – | MUNICH | 5/20/52 | – |
1743 | HANS KOLLER QT | JUTTA IS HIP | D6110 | – | MUNICH | 5/20/52 | – |
1751 | RONNIE BALL QT | CUBA | D6075 | – | LONDON | 1/9/52 | – |
1751 | RONNIE BALL QT | SPIKE’S DELIGHT | D6074 | – | LONDON | 7/7/51 | – |
1752 | RONNIE BALL w VIC LEWIS ORCH | SOLITAIRE | D6093 | – | LONDON | 2/27/51 | – |
1752 | RONNIE BALL w VIC LEWIS ORCH | THE APPLE | D6092 | – | LONDON | 5/7/51 | – |
1753 | RONNIE SCOTT SEXTET | LITTLE WILLIE LEAPS | D6108 | – | LONDON | 4/21/51 | – |
1753 | RONNIE SCOTT SEXTET | CHASIN’ THE BIRD | D6109 | – | LONDON | 4/21/51 | – |
DISCOVERY SeriesThe 78rpm-Club2023-12-30T20:45:23+01:00