Cat No | Artist Credit | Title: | Mx | Xref | Ctrl | Rec Date | Composer |
751 | TYREE GLENN and his orch |
I SURRENDER, DEAR | ST1874 | Blue Star 25 | Paris | 13-Jan-1947 | – |
751 | DON BYAS et SES RYTHMES | THESE FOOLISH THINGS | ST2067 | Blue Star 45, Blue Star 238 | Paris | 12-Jun-1947 | – |
752 | DODO MARMAROSA TRIO | BOPMATISM | D1131-F | – | Hwd | 3-Dec-1947 | – |
752 | DODO MARMAROSA TRIO | TRADE WINDS | D1133-A | – | Hwd | 3-Dec-1947 | – |
753 | EARL COLEMAN and his ALL STARS |
YARDBIRD SUITE | D1163-C | – | NYC | 29-Nov-1948 | – |
753 | EARL COLEMAN and his ALL STARS |
STRANGER IN TOWN | D1164-A | – | NYC | 29-Nov-1948 | – |
754A | DJANGO REINHARDT and his BAND |
SWING 49 | ST 2092-1 | Blue Star 37 | Paris | 6-Jul-1947 | (-) |
754B | DJANGO REINHARDT and his BAND |
BLUES BARBIZON | ST 2108-1 | Blue Star 38 | Paris | 18-Jul-1947 | (-) |
755 | REX STEWART and his orch |
BOY MEETS HORN | ST2204-1 | – | Paris | 8-Dec-1947 | – |
755 | REX STEWART and his orch |
BUZZ BOMB | ST2205-B | – | Paris | 8-Dec-1947 | – |
756 | EARL COLEMAN and his ALL STARS |
I WISHED ON THE MOON | D1161 | – | NYC | 29-Nov-1948 | – |
756 | EARL COLEMAN and his ALL STARS |
GUILTY | D1162-A | Dial 1049, Prestige 905 | NYC | 29-Nov-1948 | – |
759 | TEDDY EDWARDS QUARTET | BLUES IN TEDDY’S FLAT | D1145-AA | Dial 1033 | NYC | 12/4/1947 | – |
759 | DEXTER GORDON QUARTET | BIKINI | D1087-A | Dial 1022, Dial 1054 | Hwd | 6/12/1947 | – |
760 | ERROLL GARNER DUO | LOVE FOR SALE | D1096-A | Dial 1031 | Hwd | 6/10/1947 | – |
760 | ERROLL GARNER DUO | SLOE GIN FIZZ | D1098-A | Dial 1031 | Hwd | 6/10/1947 | – |
1001A | TEMPO JAZZ MEN feat. GABRIEL on trumpet |
DYNAMO A | D1003-A | Dial 1001 alt 1, Dial 1001 alt 3 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | Dizzy Gillespie |
1001B | TEMPO JAZZ MEN | DYNAMO B | D1003-B | Dial 1001 alt 2, Dial 1001 alt 4, Dial 1001 alt 5 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1001 alt 1 | TEMPO JAZZ MEN | DYNAMO A | D1003-A | Dial 1001, Dial 1001 alt 3 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1001 alt 1 | TEMPO JAZZ MEN | ROUND ABOUT MIDNIGHT | D1005-A | – | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1001 alt 2 | TEMPO JAZZ MEN | DYNAMO A | D1003-B | Dial 1001. Dial 1001 alt 4, Dial 1001 alt 5 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1001 alt 2 | TEMPO JAZZ MEN | ROUND ABOUT MIDNIGHT | D1005-A | – | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1001 alt 3 | TEMPO JAZZ MEN | DYNAMO | D1003-A | Dial 1001, Dial 1001 alt 1 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1001 alt 3 | TEMPO JAZZ MEN | ROUND ABOUT MIDNIGHT | D1005-B | Dial 1001, Dial 1001 alt 2, Dial 1001 alt 5 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1001 alt 4 | TEMPO JAZZ MEN | DYNAMO B | D1003-B | – | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1001 alt 4 | TEMPO JAZZ MEN | ROUND ABOUT MIDNIGHT | D1005-A | – | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1001 alt 5 | TEMPO JAZZ MEN | DYNAMO B | D1003-B | Dial 1001, Dial 1001 alt 2, Dial 1001 alt 4 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1001 alt 5 | TEMPO JAZZ MEN | ROUND ABOUT MIDNIGHT | D1005-B | – | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1002A | CHARLIE PARKER SEPTET | A NIGHT IN TUNISIA | D1013-5 | – | Radio Recorders, Hollywood, CA | 28-Mar-1946 | Gillespie |
1002B | CHARLIE PARKER SEPTET | ORNITHOLOGY | D1012-4 | – | Radio Recorders, Hollywood, CA | 28-Mar-1946 | Parker |
1003A | TEMPO JAZZ MEN feat. GABRIEL on trumpet |
ROUND ABOUT MIDNIGHT | D1005-A | 402076c | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | arr: Dizzy Gillespie |
1003B | CHARLIE PARKER SEPTET | YARDBIRD SUITE | D1011-4 | 40286b; Dial 1003 alt 1, Dial 1003 alt 2, Dial 1004 alt 3 | Radio Recorders, Hollywood, CA | 28-Mar-1946 | Parker |
1003 alt 1 | CHARLIE PARKER SEPTET | YARDBIRD SUITE | D1011-4 | Dial 1003, Dial 1003 alt 2 Dial 1004 alt 3 | Radio Recorders, Hollywood, CA | 28-Mar-1946 | Parker |
1003 alt 1 | CHARLIE PARKER SEPTET | MOOSE THE MOOCHE | D1010-2 | Dial 1003 alt 2, Dial 1004, Dial 1004 alt 1, Dial 1004 alt 3 | Radio Recorders, Hollywood, CA | 28-Mar-1946 | – |
1003 alt 2 | CHARLIE PARKER SEPTET | MOOSE THE MOOCHE | D1010-2 | Dial 1003 alt 1, Dial 1004, Dial 1004 alt 1, Dial 1004 alt 3 | Radio Recorders, Hollywood, CA | 28-Mar-1946 | – |
1003 alt 2 | CHARLIE PARKER SEPTET | YARDBIRD SUITE | D1011-4 | Dial 1003, Dial 1003 alt 1, Dial 1004 alt 3 | Radio Recorders, Hollywood, CA | 28-Mar-1946 | Parker |
1004 | CHARLIE PARKER SEPTET | MOOSE THE MOOCHE | D1010-2 | Dial 1003 alt 1, Dial 1003 alt 2, Dial 1004 alt 1, Dial 1004 alt 3 | Radio Recorders, Hollywood, CA | 28-Mar-1946 | – |
1004 | TEMPO JAZZ MEN | WHEN I GROW TOO OLD TO | D1004-B | Dial 1008 alt 1 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1004 alt 1 | CHARLIE PARKER | MOOSE THE MOOCHE | D1010-2 | Dial 1003 alt 1, Dial 1003 alt 2, Dial 1004 alt 3 | Radio Recorders, Hollywood, CA | 28-Mar-1946 | – |
1004 alt 1 | TEMPO JAZZ MEN | DIGGIN‘ DIZ (BONGO BEEP) | D1000 | Dial 1004 alt 2 | Electro Broadcast Studios, Glendale, CA | 5-Feb-1946 | – |
1004 alt 2 | DIZZY GILLESPIE JAZZMEN | CONFIRMATION | D1001-E | Dial 1008, Dial 1008 alt 1, Dial 1008 alt 2 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1004 alt 2 | DIZZY GILLESPIE JAZZMEN | DIGGIN‘ DIZ (BONGO BEEP) | D1000 | Dial 1004 alt 1 | Electro Broadcast Studios, Glendale, CA | 5-Feb-1946 | – |
1004 alt 3 | CHARLIE PARKER SEPTET | YARDBIRD SUITE | D1011-4 | Dial 1003, Dial 1003 alt 1, Dial 1003 alt 2 | Radio Recorders, Hollywood, CA | 28-Mar-1946 | Parker |
1004 alt 3 | CHARLIE PARKER SEPTET | MOOSE THE MOOCHE | D1010-2 | Dial 1003 alt 1, Dial 1003 alt 2, Dial 1004, Dial 1004 alt 1 | Radio Recorders, Hollywood, CA | 28-Mar-1946 | – |
1005 | TEMPO JAZZ MEN | DIGGIN‘ FOR DIZ | D1002-E | D1002-E; 402076b | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1005 | HOWARD McGHEE QUINTET | TRUMPET AT TEMPO | D1025-B | 407296e | C.P. MacGregor Studios, Hollywood CA | 1946 | – |
1006A | SONNY BERMAN’S BIG EIGHT | CURBSTONE SCUFFLE | D1031-G | Dial 1006 alt, Dial 1029 | Hwd | 21-Sep-1946 | Shorty Rogers |
1006B | CHARLIE PARKER SEPTET | BIRD LORE (Third Master) | D1012-3 | – | Radio Recorders, Hollywood, CA | 28-Mar-1946 | – |
1006 alt | SONNY BERMAN’S BIG EIGHT | CURBSTONE SCUFFLE | D1031-G | Dial 1006, Dial 1029 | Hwd | 21-Sep-1946 | Short Rogers |
1006 alt | BILL HARRIS QUINTET | WOODCHOPPER’S HOLIDAY | D1033-C | Dial 1009 | Hwd | 21-Sep-1946 | – |
1007A | HOWARD McGHEE QUINTET | BE-BOP | D1024-A | – | C.P. MacGregor Studios, Hollywood CA | 1946 | Gillespie |
1007B | CHARLIE PARKER | LOVER MAN | D1022-A | – | C.P. MacGregor Studios, Hollywood CA | 29-Jul-1946 | Davis-Ramirez |
1008 | RALPH BURNS QUINTET | DIAL-OGUE (BLUE SERGE II) | D1035-C | 409216e | Hwd | 21-Sep-1946 | – |
1008 | TEMPO JAZZ MEN | CONFIRMATION | D1001-E | 402076a; Dial 1004 alt 2, Dial 1008 alt 1, Dial 1008 alt 2 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | Charlie Parker |
1008 alt 1 | DIZZY GILLESPIE JAZZMEN | CONFIRMATION | D1001-E | Dial 1004 alt 2, Dial 1008, Dial 1008 alt 2 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1008 alt 1 | DIZZY GILLESPIE JAZZMEN | WHEN I GROW TOO OLD TO DREAM | D1004-B | Dial 1004 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1008 alt 2 | DIZZY GILLESPIE JAZZMEN | CONFIRMATION | D1001-E | Dial 1004 alt 2, Dial 1008, Dial 1008 alt 1 | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1008 alt 2 | DIZZY GILLESPIE JAZZMEN | WHEN I GROW TOO OLD TO DREAM | D1004-E | – | Electro Broadcast Studios, Glendale, CA | 7-Feb-1946 | – |
1009A | BILL HARRIS BIG EIGHT | WOODCHOPPER’S HOLIDAY | D1033-C | Dial 1006 alt. | Hwd | 21-Sep-1946 | Sonny Berman |
1009B | BILL HARRIS QUINTET | SOMEBODY LOVES ME | D1034-F | – | Hwd | 21-Sep-1946 | – |
1010A | HOWARD McGHEE SEXTET feat. Dodo Marmarosa |
UP IN DODO’S ROOM | D1043-2 | Dial 1010 alt 1, Dial 1050 | Hwd | 18-Oct-1946 | McGhee |
1010B | HOWARD McGHEE SEXTET feat. Dodo Marmarosa |
HIGH WIND IN HOLLYWOOD | D1044-2 | Dial 1010 alt 2 | Hwd | 18-Oct-1946 | McGhee |
1010 alt 1 | HOWARD McGHEE SEXTET | UP IN DODO’S ROOM | D1043-2 | Dial 1010, Dial 1050 | Hwd | 18-Oct-1946 | McGhee |
1010 alt 1 | HOWARD McGHEE SEXTET | DIALATED PUPILS (HIGH WIND IN HOLLYWOOD) | D1041-4 | Dial 1011 | Hwd | 18-Oct-1946 | – |
1010 alt 2 | HOWARD McGHEE SEXTET | UP IN DODO’S ROOM | D1043-1 | – | Hwd | 10/18/1946 | McGhee |
1010 alt 2 | HOWARD McGHEE SEXTET | HIGH WIND IN HOLLYWOOD | D1044-2 | Dial 1010 | Hwd | 10/18/1946 | McGhee |
1011 A | HOWARD McGHEE SEXTET | DIALATED PUPILS | D1041-4 | Dial 1010 alt 1 | Hwd | 10/18/1946 | Parker; McGhee |
1011 B | HOWARD McGHEE SEXTET | MIDNITE AT MINTON’S | D1042-4 | Dial 1011 alt | Hwd | 10/18/1946 | McGhee |
1011 alt | HOWARD McGHEE SEXTET | DIALATED PUPILS | D1041-5 | – | Hwd | 10/18/1946 | – |
1011 alt | HOWARD McGHEE SEXTET | MIDNITE AT MINTON’S | D1042-4 | Dial 1011 | Hwd | 10/18/1946 | – |
1012A | CHARLIE PARKER ALL STARS | RELAXIN‘ AT CAMARILLO | D1071-C | – | C.P. MacGregor Studios, Hollywood, CA | 2/16/1947 | Parker |
1012B | THE MAD MONKS feat. SERGE CHALOFF, baritone sax |
BLUE SERGE | D1035-AA | – | Hwd | 9/21/1946 | Chaloff |
1013A | CHARLIE PARKER ALL STARS | CHEERS | D1072-D | Dial 1013 alt | C.P. MacGregor Studios, Hollywood, CA | 2/26/1947 | McGhee |
1013B | CHARLIE PARKER ALL STARS | CARVING THE BIRD | D1073-B | – | C.P. MacGregor Studios, Hollywood, CA | 2/26/1947 | McGhee |
1013 alt | CHARLIE PARKER ALL STARS | CHEERS | D1072-D | Dial 1013 | C.P. MacGregor Studios, Hollywood, CA | 2/26/1947 | McGhee |
1013 alt | CHARLIE PARKER ALL STARS | CARVING THE BIRD | D1073-A | – | C.P. MacGregor Studios, Hollywood, CA | 2/26/1947 | – |
1014A | CHARLIE PARKER QUARTET feat. ERROLL GARNER, Piano |
BIRD’S NEST | D1053-C | Dial 1015 alt 1 | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | Parker |
1014B | CHARLIE PARKER QUARTET with EARL COLEMAN |
DARK SHADOWS | D1052-C | Dial 1014 alt 1, Dial 1014 alt 2 | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | Shifty Henry |
1014 alt 1 | CHARLIE PARKER QUARTET with EARL COLEMAN |
DARK SHADOWS | D1052-C | Dial 1014, dial 1014 alt 2 | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | – |
1014 alt 1 | CHARLIE PARKER QUARTET feat. ERROLL GARNER |
BIRD’S NEST | D1053-B | – | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | Parker |
1014 alt 2 | CHARLIE PARKER QUARTET with EARL COLEMAN |
DARK SHADOWS | D1052-C | Dial 1014, Dial 1014 alt 1 | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | – |
1014 alt 2 | CHARLIE PARKER QUARTET feat. ERROLL GARNER, piano |
BIRD’S NEST | D1053-A | Dial 1015 | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | Parker |
1015 | CHARLIE PARKER QUARTET feat. ERROL GARNER, Piano |
BLOW TOP BLUES (COOL BLUES) | D1054-A | – | – | 2/19/1947 | – |
1015 | CHARLIE PARKER QUARTET feat. ERROLL GARNER, PIano |
BIRD’S NEST | D1053-A | Dial 1014 alt 2 | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | – |
1015 | CHARLIE PARKER QUARTET feat. ERROLL GARNER, PIano |
COOL BLUES | D1054-C | – | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | Parker |
1015 alt 1 | CHARLIE PARKER QUARTET feat. ERROLL GARNER, pIano |
BIRD’S NEST | D1053-C | Dial 1014 | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | Parker |
1015 alt 1 | CHARLIE PARKER QUARTET | COOL BLUES | D1054-CC | Dial 1015 alt 2 | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | Parker |
1015 alt 2A | CHARLIE PARKER QUARTET feat. ERROLL GARNER, piano |
COOL BLUES | D1054-C-D | Dial 1015 alt 1 | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | Parker |
1015 alt 2B | CHARLIE PARKER SEXTET | QUASIMADO | D1152-B | Dial 1015 alt 3 | WOR Studios, NYC | 12/17/1947 | (-) |
1015 alt 3 | CHARLIE PARKER QUARTET with EARL COLEMAN |
THIS IS ALWAYS | D1051-C | Dial 1019 | C.P. MacGregor Studios, Hollywood, CA | 2/19/1947 | – |
1015 alt 3 | ORIGINAL CHARLIE PARKER QUINTET with J.J. JOHNSON | QUASIMODO | D1152-B | Dial 1015 alt 2 | WOR Studios, NYC | 12/17/1947 | – |
1016 | ERROLL GARNER TRIO | PASTEL | D1055-B | – | Hollywood (NHD) | 2/19/1947 | Callender |
1016 | ERROLL GARNER TRIO | TRIO | D1056-B | Dial 1016 alt | Hollywood (NHD) | 2/19/1947 | Garner |
1016 alt | ERROLL GARNER TRIO | PASTEL | D1055-BB | – | – | 2/19/1947 | – |
1016 alt | ERROLL GARNER TRIO | TRIO | D1056-B | Dial 1016 | – | 2/19/1947 | – |
1017A | WARDELL GRAY-DEXTER GORDON et al. | THE CHASE, PT. 1 | D1083-D | – | Hwd | 6/12/1947 | (-) |
1017B | WARDELL GRAY-DEXTER GORDON et al. | THE CHASE, PT. 2 | D1084-D | – | Hwd | 6/12/1947 | – |
1018 | DEXTER GORDON QUINTET | MISCHIEVOUS LADY | D1081-D | – | Hwd | 6/5/1947 | – |
1018 | DEXTER GORDON QUARTET | GHOST OF A CHANCE | D1141-E | – | NYC | 12/4/1947 | – |
1019A | CHARLIE PARKER QUINTET | DEWEY SQUARE | D1103-C | – | WOR Studios, NYC | 10/28/1947 | (-) |
1019B | CHARLIE PARKER QUARTET feat.EARL COLEMAN, Vocal | THIS IS ALWAYS | D1051-C | Dial 1015 alt 3 | C.P. MacGregor Studios, Holywoo, CA | 2/19/1947 | (-) |
1020 | HOWARD McGHEE QUINTET | THERMODYNAMICS | D1026-C | – | C.P. MacGregor Studios, Hollywood, CA | 7/29/1946 | – |
1020 | SONNY BERMAN’S BIG EIGHT | NOCTURNE | D1032-D | Dial 1029 | Hollywood, CA | 9/21/1946 | – |
1021A | CHARLIE PARKER QUINTET | SCRAPPLE FROM THE APPLE | D1113-C | – | WOR Studios, NYC | 11/4/1947 | (-) |
1021B | CHARLIE PARKER QUINTET | DON’T BLAME ME | D1116-A | – | WOR Studios, NYC | 11/4/1947 | (-) |
1022A | CHARLIE PARKER ALL STARS | STUPENDOUS | D1074-A | Dial 1022 alt, Dial 1030 | C.P. MacGregor Studios, Hollywood, CA | 2/26/1947 | McGhee |
1022B | DEXTER GORDON QUARTET | BIKINI | D1087-A | Dial 759, Dial 1054 | Hollywood, CA | 6/12/1947 | Gordon |
1022 alt | CHARLIE PARKER ALL STARS | STUPENDOUS | D1074-A | Dial 1022, Dial 1030 | C.P. MacGregor Studios, Hollywood, CA | 2/26/1947 | McGhee |
1022 alt | SERGE CHALOFF-RALPH BURNS QUINTET | BLUE SERGE (MAD MONK) | D1035-A | – | Hwd | 9/21/1946 | Chaloff |
1023 | DON BYAS Et SES RYTHMES | HUMORESQUE | ST2068 | Blue Star 41 | Paris | 6/12/1947 | – |
1023 | DON BYAS Et SES RYTHMES | STORMY WEATHER | ST2069 | Blue Star 39 | Paris | 6/12/1947 | – |
1024A | CHARLIE PARKER QUINTET | BONGO BOP | D1102-A | – | WOR Studios, NYC | 10/28/1947 | (-) |
1024B | CHARLIE PARKER QUINTET | EMBRACEABLE YOU | D1106-B | – | WOR Studios, NYC | 10/28/1947 | (-) |
1024 alt | CHARLIE PARKER QUINTET | EMBRACEABLE YOU | D1106-A | – | WOR Studios, NYC | 10/28/1947 | – |
1024 alt | CHARLIE PARKER QUINTET | BONGO BOP | D1102-B | – | WOR Studios, NYC | 10/28/1947 | – |
1025A | DODO MARMAROSA TRIO | LOVER | D1135-E | Dial 1025 alt | Hwd | 12/3/1947 | (-) |
1025B | DODO MARMAROSA TRIO | DARY DEPARTS | D1134-G | – | Hwd | 12/3/1947 | (-) |
1025 alt | DODO MARMAROSA TRIO | LOVER (COSMO STREET) | D1135-E | Dial 1025 | Hwd | 12/3/1947 | (-) |
1025 alt | DODO MARMAROSA TRIO | DARY DEPARTS | D1134-E | – | Hwd | 12/3/1947 | – |
1026A | ERROLL GARNER DUO | PLAY, PIANO PLAY | D1091C | 11091 | Hwd | 6/10/1947 | Garner |
1026B | ERROLL GARNER DUO | FANTASY ON FRANKIE AND JOHNNY |
D1097A | 11097 | Hwd | 6/10/1947 | – |
1027A | HOWARD McGHEE ORCHESTRA | NIGHT MIST | D1122-B | – | NYC | 12/3/1947 | (-) |
1027B | HOWARD McGHEE ORCHESTRA | DOROTHY | D1121-A | – | NYC | 12/3/1947 | – |
1028 | DEXTER GORDON-TEDDY EDWARDS QUINTET | THE DUEL, PT. 1 | D1143-DD | – | NYC | 12/4/1947 | – |
1028 | DEXTER GORDON-TEDDY EDWARDS QUINTET | THE DUEL, PT. 2 | D1144-DF | – | NYC | 12/4/1947 | – |
1028 alt | DEXTER GORDON-TEDDY EDWARDS QUINTET | THE DUEL, PT. 1 | D1143-C | – | NYC | 12/4/1947 | – |
1028 alt | DEXTER GORDON-TEDDY EDWARDS QUINTET | THE DUEL, PT. 2 | D1144-C | – | NYC | 12/4/1947 | – |
1029 | SONNY BERMAN’S BIG EIGHT | CURBSTONE SCUFFLE | D1031-G | – | Hwd | 9/21/1946 | – |
1029 | SONNY BERMAN’S BIG EIGHT | NOCTURNE | D1032-D | Dial 1020 | Hwd | 9/21/1946 | – |
1030A | CHARLIE PARKER ALL STARS | RELAXIN‘ AT CAMARILLO | D1071-A | – | C.P. MacGregor Studios, Hollywood, CA | 2/26/1947 | Parker |
1030B | CHARLIE PARKER ALL STARS | STUPENDOUS | D1074-A | Dial 1022, Dial 1022 alt | C.P. MacGregor Studios, Hollywood, CA | 2/26/1947 | McGhee |
1031 | ERROLL GARNER DUO | LOVE FOR SALE | D1096-A | Dial 760 | Hollywood, CA | 6/10/1947 | – |
1031 | ERROLL GARNER DUO | SLOE GIN FIZZ | D1098-A | Dial 760 | Hollywood, CA | 6/10/1947 | – |
1032A | CHARLIE PARKER | BIRD OF PARADISE | D1105-A | – | WOR Studios, NYC | 10/28/1947 | (-) |
1032B | CHARLIE PARKER QUINTET | DEXTERITY | D1101-B | Dial 1032 alt | WOR Studios, NYC | 10/28/1947 | (DEXTER GORDON) |
1032 alt | CHARLIE PARKER QUINTET | DEXTERITY | D1101-B | Dial 1032 | WOR Studios, NYC | 10/28/1947 | (DEXTER GORDON) |
1032 alt | CHARLIE PARKER | BIRD OF PARADISE | D1105-C | – | WOR Studios, NYC | 10/28/1947 | – |
1033A | FATS NAVARRO QUINTET | MOVE | D1166-B | Dial 1033 alt | NYC | 11/29/1948 | (-) |
1033B | TEDDY EDWARDS | BLUES IN TEDDY’S FLAT | D1145-AA | Dial 759 | NYC | 12/4/1947 | (-) |
1033 alt | FATS NAVARRO QUINTET | MOVE | D1166-B | Dial 1033 | NYC | 11/29/1948 | – |
1033 alt | TEDDY EDWARDS | BLUES IN TEDDY’S FLAT | D1145-A | – | NYC | 12/4/1947 | – |
1034A | CHARLIE PARKER SEXTET | CRAZEOLOGY | D1155-DDD | – | WOR Studios, NYC | 12/17/1947 | (-) |
1034B | CHARLIE PARKER Alto Sax acc by CHARLIE PARKER SEXTET | CRAZEOLOGY II: THREE WAYS OF PLAYING A CHORUS | D1155-ABX | Dial 1034 alt | WOR Studios, NYC | 12/17/1947 | (-) |
1034 alt | JEAN GERMAIN | THE CHASE | Part 6758 | Dial 1037 | – | – | – |
1034 alt | ORIGINAL CHARLIE PARKER QUINTET with J.J. JOHNSON | CRAZEOLOGY II 3 WAYS OF PLAYING A CHORUS |
D1155-ABX | Dial 1034 | WOR Studios, NYC | 12/17/1947 | – |
1035A | RED NORVO ALL STARS | CONGO BLUES | D-T7B | – | NYC | 6/6/1945 | (-) |
1035B | RED NORVO ALL STARS | GET HAPPY | D-T7A | – | NYC | 6/6/1945 | (-) |
1036 | ART TATUM TRIO | THE MAN I LOVE | T-1-A-1/D-T49 | Comet T-1, Blue Star 179 | NYC | 5/1/1944 | – |
1036 | ART TATUM TRIO | I KNOW THAT YOU KNOW | T-2-B-3/D-T50 | Comet T-2, Blue Star 179 | NYC | 5/1/1944 | – |
1037-A | HANK JONES | NIGHT MUSIC (Fantasy For Piano and Jazz Band) |
D1124-B | – | NYC | 12/3/1947 | – |
1037 | JEAN GERMAIN | THE CHASE | Part 6758 | Dial 1034 alt | – | – | Béla Bartók |
1038 | DEXTER GORDON QUINTET | LULLABY IN RHYTHM | D1082-C | – | Hwd | 6/5/1947 | – |
1038 | DEXTER GORDON QUARTET | TALK OF THE TOWN | D1086-B | – | Hwd | 6/12/1947 | – |
1039 | JAMES MOODY | COOLIE-RINI | D1123-C | Dial 1039 alt | NYC | 12/3/1947 | – |
1039 | JAMES MOODY | SURRENDER | D1126-C | – | NYC | 12/3/1947 | – |
1039 alt | JAMES MOODY | COOLIE-RINI | D1123-C | Dial 1039 | NYC | 12/3/1947 | – |
1039 alt | JAMES MOODY | SLEEP WALKER BOOGIE | D1127-A | Dial 1047 | NYC | 12/3/1947 | – |
1040A | CHARLIE PARKER QUINTET | KLACTOVEEDSEDSTENE | D1112-A | – | WOR Studios, NYC | 11/4/1947 | (-) |
1040B | CHARLIE PARKER QUINTET | CHARLIE’S WIG | D1153-E | – | WOR Studios, NYC | 12/17/1947 | (-) |
1041-B | ERROLL GARNER, Piano solo | LOVE IS THE STRANGEST GAME | D1092-B | – | Hwd | 6/10/1947 | Lee Jacobs |
1041-A | ERROLL GARNER, Piano solo | LOOSE NUT | D1095-A | – | Hwd | 6/10/1947 | Garner |
1042-B | DEXTER GORDON, Tenor Sax solo | SWEET AND LOVELY | D1142-D | – | NYC | 12/4/1947 | – |
1042-A | JAMES MOODY QUINTET | OH, WELL! | ST2729-2 | Blue Star 130 | Paris | 7/7/1949 | – |
1042 alt | DEXTER GORDON QUARTET | SWEET AND LOVELY | D1142-D | – | NYC | 12/4/1947 | – |
1042 alt | DEXTER GORDON QUARTET | GHOST OF A CHANCE | D1141-C | – | NYC | 12/4/1947 | – |
1043A | CHARLIE PARKER QUINTET | DRIFTING ON A REED | D1151-E | Dial 1056 alt 2 | WOR Studios, NYC | 12/17/1947 | (-) |
1043B | CHARLIE PARKER | THE GYPSY | D1023-A | – | C.P. MacGregor Studios, Hollywood, CA | 7/29/1946 | (-) |
1044 | ARNE DOMNERUS FAVOURITE GROUP | CARRIDER | MR-20-A | – | Stockholm | 10/6/1949 | – |
1044 | ARNE DOMNERUS FAVOURITE GROUP | DEEP PURPLE | MR-21-A | – | Stockholm | 10/6/1949 | – |
1045A | RED NORVO ALL STARS | BIRD’S BLUES (SLAM SLAM BLUES) | D-T6B | Comet T-6 | NYC | – | (-) |
1045B | RED NORVO ALL STARS | SING HALLELUJAH! (HALLELUJAH) | D-T6A | Comet T-6 | NYC | – | (-) |
1046 | ART TATUM TRIO | BODY AND SOUL | T-2-A-4/D-T51 | Comet T-2 | NYC | 5/1/1944 | – |
1046 | ART TATUM TRIO | FLYING HOME | T-3-B-3/D-T53 | Comet T-3, Blue Star 191 | NYC | 5/1/1944 | – |
1047-B | JAMES MOODY | TURNIP BLOOD | D1125-B | – | NYC | 12/3/1947 | – |
1047-A | JAMES MOODY | SLEEP WALKER BOOGIE | D1127-A | Dial 1039 alt | NYC | 12/3/1947 | – |
1048 | DEXTER GORDON-TEDDY EDWARDS QUINTET | HORNING IN PT. 1 (THE DUEL PT 1) | D1143-C | Dial 1028 alt | NYC | 12/4/1947 | – |
1048 | DEXTER GORDON-TEDDY EDWARDS QUINTET | HORNING IN PT. 2 (THE DUEL PT 2) | D1144-C | Dial 1028 alt | NYC | 12/4/1947 | – |
1049 | EARL COLEMAN and his ALL STARS | GUILTY | D1162-A | Dial 756, Prestige 905 | NYC | 11/29/1948 | – |
1049 | EARL COLEMAN and his ALL STARS | AS TIME GOES BY | D1165-A | – | NYC | 11/29/1948 | – |
1050 | DODO MARMAROSA TRIO | DODO’S DANCE | D1132-C | Dial 1010, Dial 1010 alt 1 | Hwd | 12/3/1947 | – |
1050 | HOWARD McGHEE SEXTET | UP IN DODO’S ROOM | D1043-2 | – | Hwd | 10/18/1946 | – |
1051 | DJANGO REINHARDT et le QUINTETTE DU HOT CLUB De FRANCE |
JUMPING THE BRIDE | Part 4764-1 | Blue Star 53 | Paris | 10/4/1947 | – |
1051 | DJANGO REINHARDT et le QUINTETTE DU HOT CLUB De FRANCE |
AIR FRANCE | Part 4766-1 | Blue Star 54 | Paris | 10/4/1947 | – |
1052 | ERROLL GARNER DUO | BLUES GARNI | D1093-A | – | Hwd | 6/10/1947 | – |
1052 | ERROLL GARNER DUO | DON’T WORRY ‚BOUT ME | D1094-B | – | Hwd | 6/10/1947 | – |
1053 | – | – | – | – | – | – | – |
1053 | – | – | – | – | – | – | – |
1054A | DEXTER GORDON QUARTET | CHROMATIC ABERRATION | D1085-B | – | Hwd | 6/12/1947 | – |
1054B | DEXTER GORDON QUARTET | BLUES BIKINI (BIKINI) | D1087-A | Dial 759, Dial 1022 | Hwd | 6/12/1947 | – |
1055A | CHARLIE PARKER SEXTET | HOW DEEP IS THE OCEAN | D1156-A | – | WOR Studios, NYC | 12/17/1947 | (-) |
1055B | CHARLIE PARKER SEXTET | CRAZEOLOGY | D1155-D | – | WOR Studios, NYC | 12/17/1947 | (-) |
1056A | CHARLIE PARKER QUINTET | THE HYMN | D1104-A | – | WOR Studios, NYC | 10/28/1947 | (-) |
1056B | CHARLIE PARKER QUINTET | AIR CONDITIONING | D1103-A | – | WOR Studios, NYC | 10/28/1947 | (-) |
1056 alt 1 | CHARLIE PARKER QUINTET | THE HYMN | D1104-A | – | WOR Studios, NYC | 10/28/1947 | – |
1056 alt 1 | CHARLIE PARKER QUINTET with J.J. JOHNSON |
GIANT SWING | D1151-B | – | WOR Studios, NYC | 12/17/1947 | – |
1056 alt 2 | CHARLIE PARKER QUINTET | SUPERMAN (THE HYMN) | D1104-A | – | WOR Studios, NYC | 10/28/1947 | – |
1056 alt 2 | CHARLIE PARKER QUINTET with J.J. JOHNSON |
PREZOLOGY | D1151-E | Dial 1043 | WOR Studios, NYC | 12/17/1947 | – |
1057 | ART TATUM TRIO | DARK EYES (OTCHICHORNYIA) | T-1-B-1/D-T57A | Comet T-1 | NYC | 5/1/1944 | – |
1057 | ART TATUM TRIO | ON THE SUNNY SIDE OF THE STREET | T-3-A-3/D-T57-B | Comet T-3, Blue Star 191 | NYC | 5/1/1944 | – |
1058A | CHARLIE PARKER QUINTET | MY OLD FLAME (BLUE LAMP) | D1114-A | Dial 1058 alt | WOR Studos, NYC | 11/4/1947 | (-) |
1058B | CHARLIE PARKER QUINTET | BIRD FEATHERS | D1111-C | – | WOR Studos, NYC | 11/4/1947 | – |
1058 alt | ORIGINAL CHARLIE PARKER QUINTET with J.J. JOHNSON | HABANERA MAMBOBOP (BONGO BEEP) |
D1154-C | – | WOR Studios, NYC | 12/17/1947 | – |
1058 alt | ORIGINAL CHARLIE PARKER QUINTET | BLUE LAMP (MY OLD FLAME) | D1114-A | Dial 1058 | WOR Studios, NYC | 11/4/1947 | – |
DIAL (751 – 1078)The 78rpm-Club2023-10-28T13:35:27+02:00