Cat # | Artist: | Tune: | MX: | Xref: | Ctrl: | Date: | Comp: |
50001 | Simon Paskal | Ich Benk Nuch Mein Schtetole | – | – | – | – | – |
50001 | Simon Paskal | Leshuno Tovoh | – | – | – | – | – |
50002 | Richard STRAUSS and SYMPHONY ORCH | Salome’s Dance pt.1 | – | – | – | – | R. Strauss |
50002 | Richard STRAUSS and SYMPHONY ORCH | Salome’s Dance pt.2 | – | – | – | – | R. Strauss |
50003A | MARIO CHAMLEE | BOHEME: RACCONOTO DI RUDOLFO | – | – | – | – | Puccini |
50003B | MARIO CHAMLEE | MANON: AH FUYEZ DOUCE IMAGE | – | – | – | – | Massenet |
50004A | GUISEPPE DANISE | ANDREA CHENIER – NEMICO DELLA PATRIA | – | – | – | – | Giordano |
50004B | GUISEPPE DANISE | OTELLO: CREDO | – | – | – | – | Verdi |
50005A | MAX ROSEN | HUMORESQUE | – | – | – | – | Dvorak |
50005B | MAX ROSEN | THAIS – MEDITATION | – | – | – | – | – |
50006 | Giuseppe Danise | Ballo in Maschera-Eri tu che macchiavi | – | – | – | – | – |
50006 | Giuseppe Danise | Pagliacci-Prologo | – | – | – | – | – |
50007A | GUISEPPE DANISE | TRAVIATA: DI PROVENZA IL MAR | – | – | – | – | – |
50007B | GUISEPPE DANISE | FAUST: AVANT DE QUITTER CES LIEUX | – | – | – | – | – |
50008 | Leopold Godowsky, piano | Marche Militaire | – | – | – | – | Schubert |
50008 | Leopold Godowsky, piano | Fantaisie Impromptu | – | – | – | – | Chopin |
50009 | – | – | – | – | – | – | – |
50009 | – | – | – | – | – | – | – |
50010 | – | – | – | – | – | – | – |
50010 | – | – | – | – | – | – | – |
50011 | GUISEPPE DANISE | Tarantelle | X7470 | – | NYC | ~Feb-1922 | Rossini |
50011 | GUISEPPE DANISE | LA PARTIDA | X7263 | – | – | – | Alverez |
50012A | Florence Easton | Pagliacci: Che volo d’augelli | X7651/2 | – | NYC | ~Mar-1922 | Leoncavallo |
50012B | Florence Easton | Carmen: Je dis que rien ne m ‘épouvante | X7275 | – | – | – | Bizet |
50013A | GUISEPPE DANISE | BARBER DI SEVILLE: LARGO AL FACTORUM | X5450 | – | – | – | Rossini |
50013B | GUISEPPE DANISE | ERNANI: O DE VERD’ANNI MIEI | X7264 | – | – | – | Verdi |
50014 | Giuseppe Danise | La Paloma | – | – | – | – | Yradier |
50014 | Giuseppe Danise | Torna A Surriento | – | – | – | – | de Curtis |
50015A | Leopold Godowsky | Polonaise Militaire | 8053-2 | – | – | – | Chopin |
50015B | Leopold Godowsky | Waltz In E Flat | 8081-2 | – | – | – | Chopin |
50016 | Leopold Godowsky | Tarantelle Venezia e Napoli | X8070 | – | – | – | – |
50016 | – | – | – | – | – | – | – |
50017 | Richard Strauss Symphony orch | Der Burger als Edelmann-Intermezzo | – | – | – | – | – |
50017 | Richard Strauss Symphony orch | Der Burger als Edelmann-Menuett des Lully | – | – | – | – | – |
50018A | Sigrid Onégin | Samson et Dalila – Mon coeur s’ouvre a ta voix | – | – | – | – | – |
50018B | Sigrid Onégin | CARMEN: CHANSON BOHEME | – | – | – | – | – |
50019 | Bronislaw Huberman, violin | Ballade | – | – | – | – | – |
50019 | Bronislaw Huberman, violin | Polonaise | – | – | – | – | Vieuxtemps |
50020 | Mario Chamlee | Triste Ritorno! | – | – | – | 1922 | Berthelemy |
50020 | Mario Chamlee | Alba Separa Dalla Luce L’ombra | – | – | – | 1922 | Tosti |
50021A | MARIO CHAMLEE (organ Frank La Forge, Frederic Fradkin, violin) | AGNUS DEI | – | – | – | – | Bizet |
50021B | MARIO CHAMLEE (organ Frank La Forge, Frederic Fradkin, violin) | AVE MARIA | – | – | – | – | Kahn |
50022 | Bronislaw Huberman, violin | Kol Nidrei | – | – | – | – | Bruch |
50022 | Bronislaw Huberman, violin | Mazourka | – | – | – | – | Zarazycke |
50023A | Josef Hofmann | HUNGARIAN RHAPSODY NO.2 pt1 | – | – | – | – | Liszt |
50023B | Josef Hofmann | HUNGARIAN RHAPSODY NO.2 pt2 | – | – | – | – | Liszt |
50024 | Leopold Godowsky | Polonaise in A-flat | X8787 | – | – | ~Sep-1922 | Chopin |
50024 | Leopold Godowsky | – | – | – | – | – | – |
50025A | FLORENCE EASTON – Frederic FRADKIN | AVE MARIA | – | – | – | – | Bach – Gounod |
50025B | FLORENCE EASTON | O DIVINE REDEEMER | – | – | – | – | Gounod |
50026A | Bronislaw Huberman | La Clochette, Rondo from 2nd Concerto Op 7 | – | – | – | – | Paganini |
50026B | Bronislaw Huberman | Canzonetta from Violin Concerto Op. 35 | – | – | – | – | Tchaikovsky |
50027A | Ukranian National Chorus, dir. Alexander Koshetz | Ulianka cut the Silken Grass | – | – | – | – | Stupnitsky |
50027B | Ukranian National Chorus, dir. Alexander Koshetz | Early Morning | – | – | – | – | Stupnitsky |
50028A | Sigrid Onégin | PROPHETE: Ah, mon fils I | – | – | – | – | Meyerbeer |
50028B | Sigrid Onégin | SAMSON AND DELILAH: Love, Lend Me Thy Might | – | – | – | – | Saint-Saens |
50029 | MARIA IVOGUN | PERLE DU BRESIL: CHARMANT OISEAU | – | – | – | – | – |
50029 | MARIA IVOGUN | BACIO | – | – | – | – | Arditi |
50030 | Mario Chamlee | FAUST: ALL HAIL | – | – | – | – | – |
50030 | Mario Chamlee | ELISIR D’AMORE: FURTIVE TEAR | – | – | – | – | – |
50031A | Bronislaw Huberman | Capriccio Valse | – | – | – | – | Wieniawski |
50031B | Bronislaw Huberman | 2nd Concerto in D Minor-Romance | – | – | – | – | Wieniawski |
50032 | Elly Ney | Hungarian Rhapsody #8 | X10156 | – | NYC | 3/21/1923 | Liszt |
50032 | Elly Ney | Etude Op. 10 No. 3 | X10157 | – | NYC | 3/21/1923 | Chopin |
50033 | Michael Bohnen | Die Beiden Grenadiere | – | – | – | – | Schumann |
50033 | Michael Bohnen | Tannhauser-Blick’ ich umher | – | – | – | – | – |
50034 | Giuseppe Danise | Core’ngrato | – | – | – | – | Cardillo |
50034 | Giuseppe Danise | Canta Pe’ Me | – | – | – | – | de Curtis |
50035A | Josef Hofmann | Walkure: Magic Fire Spell | – | – | NYC | 4/11/1923 | Wagner |
50035B | Josef Hofmann | Pastorale and Capriccio | X10352 | – | NYC | 4/11/1923 | Scarlatti |
50036 | – | – | – | – | – | – | – |
50036 | – | – | – | – | – | – | – |
50037A | MICHAEL BOHNEN | GOLDEN KREUZ: WIE ANDERS WAR ES | – | – | – | – | – |
50037B | MICHAEL BOHNEN | BOM! BOM! BOM! | – | – | – | – | – |
50038A | GIACOMO LAURI-VOLPI | ANDREA CHENIER: UN DI ALL’AZZURRO | – | – | – | – | Giordano |
50038B | GIACOMO LAURI-VOLPI | CAVALLERIA RUSTICANA: ADDIO ALLA | X9958 | – | – | – | Mascagni |
50039 | SIGRID ONEGIN | ORFEO E EURIDICE: CHA FARO SENZA | – | – | – | – | – |
50039 | SIGRID ONEGIN | GIOCONDA: VOCE DI DONNA | – | – | – | – | – |
50040 | MARIO CHAMLEE | AH MOON OF MY DELIGHT | – | – | – | – | LEHMANN “In a Persian Garden” |
50040 | MARIO CHAMLEE | WHEN MY SHIPS COME SAILING HOME | – | – | – | – | STEWART – DOREL |
50041 | Bronislaw Huberman | Symphonie Espagnole – 4th Mvt | – | – | – | – | Lalo |
50041 | Bronislaw Huberman | Symphonie Espagnole – 5th Mvt | – | – | – | – | Lalo |
50042A | Leopold Godowsky | Ballade in A Flat | X8785/6 | – | – | ~Sep-1922 | Chopin |
50042B | Leopold Godowsky | Nocturne in D-flat | – | – | – | – | Chopin |
50043 | ELISABETH RETHBERG | Aida- RITORNA VINCITOR | – | – | – | – | – |
50043 | ELISABETH RETHBERG | AIDA: O PATRIA MIA | – | – | – | – | – |
50044A | Josef Hofmann | Scherzo in b minor | – | – | – | – | Chopin |
50044B | Josef Hofmann | Nocturne in F-sharp Major | – | – | – | – | Chopin |
50045 | Josef Hofmann | Prelude in g-minor | X10434 | – | – | 4/20/1923 | Rachmaninoff |
50045 | Josef Hofmann | – | – | – | – | – | – |
50046 | Mario Chamlee | Oh, Dry Those Tears | – | – | – | – | del Riego |
50046 | Mario Chamlee | On The Road To Mandalay | – | – | – | – | Kipling – Speaks |
50047 | Cleveland Orchestra | OVERTURE 1812 pt1 | – | – | – | – | Tchaikovsky |
50047 | Cleveland Orchestra | OVERTURE 1812 pt2 | – | – | – | – | Tchaikovsky |
50048 | Michael Bohnen | Tannhäuser-O du mein holder | – | – | – | – | – |
50048 | Michael Bohnen | Walküre-Der Augen leuchtendes Paar | – | – | – | – | – |
50049 | Bronislaw Huberman | Concerto in e-minor – finale | – | – | – | – | Mendelssohn |
50049 | Bronislaw Huberman | – | – | – | – | – | – |
50050 | MARIA IVOGUN | LIEBESFREUD | – | – | – | – | – |
50050 | MARIA IVOGUN | O SCHONER MAI | – | – | – | – | – |
50051 | – | – | – | – | – | – | – |
50051 | – | – | – | – | – | – | – |
50052 | – | – | – | – | – | – | – |
50052 | – | – | – | – | – | – | – |
50053 | Nikolai Sokoloff and the Cleveland Orchestra | Finlandia | – | – | – | – | Sibelius |
50053 | Nikolai Sokoloff and the Cleveland Orchestra | Symphony No. 2 – Alegretto, 3rd mvt | – | – | – | – | Brahms |
50054 | ELISABETH RETHBERG | BOHEME: MI CHIAMANO MIMI | – | – | – | – | – |
50054 | ELISABETH RETHBERG | ANDREA CHENIER: LA MAMMA MORTE | – | – | – | – | – |
50055 | Minneapolis Symphony Orch cond. Henri Verbrugghen | Freischutz Overture pt1 | – | – | NYC | 4/16/1924 | – |
50055 | Minneapolis Symphony Orch cond. Henri Verbrugghen | Freischutz Overture pt2 | – | – | – | – | – |
50056A | MICHAEL BOHNEN | MAGIC FLUTE: O Isis und Osiris | – | – | – | – | – |
50056B | MICHAEL BOHNEN | Zauberflöte: IN DIESEN HEILIGEN HALLEN | – | – | – | – | – |
50057 | Claire Dux | Nozze di Figaro-Voi che sapete | – | – | – | – | – |
50057 | Claire Dux | Deh vieni | – | – | – | – | – |
50058 | – | Le demier sommeil de la vierge | – | – | – | – | – |
50058 | – | Coppelia ballet – Prelude and Mazurka | – | – | NYC | 2/8/1925 | – |
50059 | – | – | – | – | – | – | – |
50059 | – | – | – | – | – | – | – |
50060 | – | – | – | – | – | – | – |
50060 | – | – | – | – | – | – | – |
50061 | – | – | – | – | – | – | – |
50061 | – | – | – | – | – | – | – |
50062 | – | – | – | – | – | – | – |
50062 | – | – | – | – | – | – | – |
50063 | – | – | – | – | – | – | – |
50063 | – | – | – | – | – | – | – |
50064 | – | – | – | – | – | – | – |
50064 | – | – | – | – | – | – | – |
50065 | ELISABETH RETHBERG (in Italian) | MADAMA BUTTERFLY: Un bel de vedremo | – | – | – | – | – |
50065 | ELISABETH RETHBERG (in Italian) | TOSCA: VISSI D’ARTE | – | – | – | – | – |
50066A | ALBERT SPALDING | AVE MARIA | – | – | – | – | Schubert |
50066B | ALBERT SPALDING | ON THE WINGS OF SONG | – | – | – | – | Mendelssohn |
50067 | – | – | – | – | – | – | – |
50067 | – | – | – | – | – | – | – |
50068 | – | – | – | – | – | – | – |
50068 | – | – | – | – | – | – | – |
50069 | – | – | – | – | – | – | – |
50069 | – | – | – | – | – | – | – |
50070 | – | – | – | – | – | – | – |
50070 | – | – | – | – | – | – | – |
50071A | JOHN CHARLES THOMAS | HERODIADE – VISION FUGITIVE | – | – | – | – | Massenet |
50071B | JOHN CHARLES THOMAS | BALLO IN MASCHERA – ERI TU CHE MACCHIAVI | – | – | – | – | Verdi |
50072 | Willem Mengelberg & the NY Philharmonic | Marche Slave pt1 | XE1733/24 | – | NYC | 1/4/1926 | Tchaikovsky |
50072 | Willem Mengelberg & the NY Phil. | Marche Slave pt2 | XE1736 | – | NYC | 1/4/1926 | Tchaikovsky |
50073 | GIACOMO LAURI-VOLPI | Bohème: RACCONTO DI RODOLFO | – | – | – | – | – |
50073 | GIACOMO LAURI-VOLPI | SCHIAVO: QUANDO NASCESTI U | – | – | – | – | – |
50074A | New York Philharmonic (Arturo Toscanini, dir) with John Amans, flute | Midsummer Night’s Dream: Scherzo | XE17797 | Br 50161 | NYC | 2/4/1926 | Mendelssohn |
50074B | New York Philharmonic (Arturo Toscanini, dir) | Midsummer Night’s Dream: Nocturne | – | – | NYC | 2/4/1926 | Mendelssohn |
50075A | Mario Chamlee | BOHEME: RACCONTO DI RODOLFO | – | – | – | – | – |
50075B | Mario Chamlee | MANON: AH! FUYEZ DOUCE IMAGE | – | – | – | – | – |
50076A | Sigrid Onégin | Prophète-Ah, mon fils! | – | – | – | – | – |
50076B | Sigrid Onégin | Samson et Dalila-Amour viens aider | – | – | – | – | Saint-Saens |
50077A | SIGRID ONEGIN | SAMSON ET DELILAH: Mon coeur s’ouvre a ta voix | – | – | – | – | Saint-Saens |
50077B | SIGRID ONEGIN | CARMEN: Cahnson Boheme | – | – | – | – | Bizet |
50078A | Leopold Godowsky | Marche Militaire (Concert Paraphrase) | – | – | – | – | Schubert – Tausig |
50078B | Leopold Godowsky | Polonaise in a Flat, Op 53 | – | – | – | – | Chopin |
50079A | GIUSEPPE DANISE | ANDRE CHENIER: NEMICO DELLA PATRIA | – | – | – | – | Giodano |
50079B | GIUSEPPE DANISE | OTELLO: CREDO | – | – | – | – | Verdi |
50080 | EDITH MASON | FAUST: AIR DES BIJOUX | – | – | – | – | – |
50080 | EDITH MASON | MME BUTTERFLY: UN BEL DI VEDREMO | – | – | – | – | – |
50081 | Maria Ivogun | Manon-Je marche sur tous les chemins | – | – | – | – | – |
50081 | Maria Ivogun | Rigoletto-Caro nome | – | – | – | – | – |
50082 | GIUSEPPE DANISE | JONGLER DE NOTRE DAME:LEGENDE DE LA SAUGE | – | – | – | – | – |
50082 | GIUSEPPE DANISE | ROI DE LAHORE: PROMESSE | – | – | – | – | – |
50083 | GIUSEPPE DANISE | FAUST: EVEN THE BRAVEST HEART | – | – | – | – | – |
50083 | GIUSEPPE DANISE | TRAVIATA: FAIR PROVINCE | – | – | – | – | – |
50084 | ELISABETH RETHBERG | RITORNA VINCITOR | – | – | – | – | – |
50084 | ELISABETH RETHBERG | AIDA: O PATRIA MIA | – | – | – | – | – |
50085A | LAURITZ MELCHIOR | WALKURE: WINTERSTURME WICHEN DEM WONNEMOND | – | – | – | – | – |
50085B | LAURITZ MELCHIOR | MEISTERSINGER: MORGENLICH LEUCHTEND IM ROSIGEN | – | – | – | – | Wagner |
50086 | ELISABETH RETHBERG | LOHENGRIN: ELSA’S TRAUM | – | – | – | – | – |
50086 | ELISABETH RETHBERG | TANNHAUSER: ELISABETH’S GEBET | – | – | – | – | – |
50087 | – | – | – | – | – | – | – |
50087 | – | – | – | – | – | – | – |
50088 | – | – | – | – | – | – | – |
50088 | – | – | – | – | – | – | – |
50089 | – | – | – | – | – | – | – |
50089 | – | – | – | – | – | – | – |
50090A | Cleveland Orch; Nikoli Sokoloff cond. | 1812 Overture (Solennelle), part 1 | – | – | – | – | Tcshaikowsky |
50090B | Cleveland Orch; Nikoli Sokoloff cond. | 1812 Overture (Solennelle), part 2 | – | – | – | – | Tcshaikowsky |
50091 | – | – | – | – | – | – | – |
50091 | – | – | – | – | – | – | – |
50092 | – | – | – | – | – | – | – |
50092 | – | – | – | – | – | – | – |
50093 | – | – | – | – | – | – | – |
50093 | – | – | – | – | – | – | – |
50094 | – | – | – | – | – | – | – |
50094 | – | – | – | – | – | – | – |
50095 | unissued? | – | – | – | – | – | – |
50095 | unissued? | – | – | – | – | – | – |
50096A | Willem Mengelberg New York Philharmonic Orchestra | Tales From The Vienna Woods | – | – | – | – | Johann Strauss |
50096B | Willem Mengelberg New York Philharmonic Orchestra | Artist’s Life | – | – | – | – | Johann Strauss |
50097 | – | – | – | – | – | – | – |
50097 | – | – | – | – | – | – | – |
50098 | – | – | – | – | – | – | – |
50098 | – | – | – | – | – | – | – |
50099 | ALBERT SPALDING | NOCTURNE IN G MAJOR | – | – | – | – | – |
50099 | ALBERT SPALDING | INTRODUCTION AND TARANTELLE | – | – | – | – | – |
50100A | ALBERT SPALDING | Andante Cantabile (String Qt. Op 11) | – | – | – | – | Tcshaikowsky |
50100B | ALBERT SPALDING | Canzonetta (Violin concerto, Op 35) | – | – | – | – | Tcshaikowsky |
50101 | – | – | – | – | – | – | – |
50101 | – | – | – | – | – | – | – |
50102 | – | – | – | – | – | – | – |
50102 | – | – | – | – | – | – | – |
50103 | – | – | – | – | – | – | – |
50103 | – | – | – | – | – | – | – |
50104 | Walter Gieseking | Silver Cascade | – | – | – | – | Niemann |
50104 | Walter Gieseking | La Plus Que Lente | – | – | – | – | Debussy |
50105 | – | – | – | – | – | – | – |
50105 | – | – | – | – | – | – | – |
50106 | – | – | – | – | – | – | – |
50106 | – | – | – | – | – | – | – |
50107 | – | – | – | – | – | – | – |
50107 | – | – | – | – | – | – | – |
50108 | – | – | – | – | – | – | – |
50108 | – | – | – | – | – | – | – |
50109 | – | – | – | – | – | – | – |
50109 | – | – | – | – | – | – | – |
50110 | MAX ROSEN | THAIS – MEDITATION | – | – | – | – | – |
50110 | MAX ROSEN | HUMORESQUE | – | – | – | – | – |
50111 | – | – | – | – | – | – | – |
50111 | – | – | – | – | – | – | – |
50112 | – | – | – | – | – | – | – |
50112 | – | – | – | – | – | – | – |
50113 | MARIO CHAMBLEE | LIEBESTRAUM | – | – | – | – | – |
50113 | MARIO CHAMBLEE | GOING HOME | – | – | – | – | – |
50114 | – | – | – | – | – | – | – |
50114 | – | – | – | – | – | – | – |
50115 | – | – | – | – | – | – | – |
50115 | – | – | – | – | – | – | – |
50116 | – | – | – | – | – | – | – |
50116 | – | – | – | – | – | – | – |
50117 | – | – | – | – | – | – | – |
50117 | – | – | – | – | – | – | – |
50118 | ELISABETH RETHBERG | SNOWY BREASTED PEARL | – | – | – | – | – |
50118 | ELISABETH RETHBERG | WOULD GOD I WERE THE TENDER APPLE BLOSSOM | – | – | – | – | – |
50119 | – | – | – | – | – | – | – |
50119 | – | – | – | – | – | – | – |
50120 | – | – | – | – | – | – | – |
50120 | – | – | – | – | – | – | – |
50121 | – | – | – | – | – | – | – |
50121 | – | – | – | – | – | – | – |
50122 | – | – | – | – | – | – | – |
50122 | – | – | – | – | – | – | – |
50123 | – | – | – | – | – | – | – |
50123 | – | – | – | – | – | – | – |
50124 | – | – | – | – | – | – | – |
50124 | – | – | – | – | – | – | – |
50125 | – | – | – | – | – | – | – |
50125 | – | – | – | – | – | – | – |
50126 | Roman Polyphonic Society | AVE MARIA | XL25870 | (label 25871) | – | – | da Victoria |
50126 | Roman Polyphonic Society | Alleluja: Tulerunt | XL25903 | – | – | – | Giovanni Pierluigi da Palestrina |
50127 | – | – | – | – | – | – | – |
50127 | – | – | – | – | – | – | – |
50128 | – | – | – | – | – | – | – |
50128 | – | – | – | – | – | – | – |
50129 | – | – | – | – | – | – | – |
50129 | – | – | – | – | – | – | – |
50130 | – | – | – | – | – | – | – |
50130 | – | – | – | – | – | – | – |
50131 | Giacomo Rimini | Don Giovanni-La ci daren la mano | – | – | – | – | – |
50131 | Giacomo Rimini | Magic Flute-La dove prende | – | – | – | – | – |
50132 | – | – | – | – | – | – | – |
50132 | – | – | – | – | – | – | – |
50133 | LEOPOLD GODOWSKY | GREETING | – | – | – | – | Schubert |
50133 | LEOPOLD GODOWSKY | GOOD NIGHT | – | – | – | – | Schubert |
50134 | – | – | – | – | – | – | – |
50134 | – | – | – | – | – | – | – |
50135 | – | – | – | – | – | – | – |
50135 | – | – | – | – | – | – | – |
50136 | – | – | – | – | – | – | – |
50136 | – | – | – | – | – | – | – |
50137 | – | – | – | – | – | – | – |
50137 | – | – | – | – | – | – | – |
50138 | ALBERT SPALDING | PRIZE SONG | 842 | – | – | – | – |
50138 | ALBERT SPALDING | NOCTURNE IN E FLAT | 845 | – | – | – | – |
50139 | – | – | – | – | – | – | – |
50139 | – | – | – | – | – | – | – |
50140 | Grace Moore | LA BOHEME–ACT 1 | – | – | – | – | – |
50140 | Grace Moore | FAREWELL | – | – | – | – | – |
50141 | – | – | – | – | – | – | – |
50141 | – | – | – | – | – | – | – |
50142 | Mario Chamlee and Richard Bonelli | FORZA DEL DESTINO: Solenne in quest’ora | – | – | – | – | Verdi |
50142 | Mario Chamlee and Richard Bonelli | MARTHA: Solo Profugo | – | – | – | – | Flotow |
50143 | – | – | – | – | – | – | – |
50143 | – | – | – | – | – | – | – |
50144 | – | – | – | – | – | – | – |
50144 | – | – | – | – | – | – | – |
50145 | – | – | – | – | – | – | – |
50145 | – | – | – | – | – | – | – |
50146 | – | – | – | – | – | – | – |
50146 | – | – | – | – | – | – | – |
50147 | – | – | – | – | – | – | – |
50147 | – | – | – | – | – | – | – |
50148 | – | – | – | – | – | – | – |
50148 | – | – | – | – | – | – | – |
50149 | – | – | – | – | – | – | – |
50149 | – | – | – | – | – | – | – |
50150 | – | – | – | – | – | – | – |
50150 | – | – | – | – | – | – | – |
50151 | – | – | – | – | – | – | – |
50151 | – | – | – | – | – | – | – |
50152 | – | – | – | – | – | – | – |
50152 | – | – | – | – | – | – | – |
50153 | – | – | – | – | – | – | – |
50153 | – | – | – | – | – | – | – |
50154 | ELISABETH RETHBERG | OTELLO: AVE MARIA | – | – | – | – | – |
50154 | ELISABETH RETHBERG | FREISCHUTZ: GEBET | – | – | – | – | – |
50155 | – | – | – | – | – | – | – |
50155 | – | – | – | – | – | – | – |
50156 | – | – | – | – | – | – | – |
50156 | – | – | – | – | – | – | – |
50157 | – | – | – | – | – | – | – |
50157 | – | – | – | – | – | – | – |
50158A | KARIN BRANZELL | SAMSON & DELILAH: PRINTEMPS QUI COMMENCE | – | – | – | – | – |
50158B | KARIN BRANZELL | LA FAVORITA: O MIO FERNANDO | – | – | – | – | – |
50159 | – | – | – | – | – | – | – |
50159 | – | – | – | – | – | – | – |
50160 | – | – | – | – | – | – | – |
50160 | – | – | – | – | – | – | – |
50161 | Willem Mengelberg & the NY Philharmonic | Die Walküre-Ride of the Valkyries | XE17330 | Br 50106 | NYC | 1/4/26 | Richard Wagner |
50161 | Arturo Toscanini & the NY Philharmonic w/John Amans, flute | Midsummer Night’s Dream-Scherzo | XE17797 | Br 50074, 50106, A67007 | NYC | 2/4/1926 | Felix Mendelssohn |
50162A | MICHAEL BOHNEN | DAS RHEINGOLD: ABENDLICH STRAHT DER SONNE AUGE | – | – | – | – | – |
50162B | MICHAEL BOHNEN | MAGIC FLUTE: IN DIESEN HEILIGEN HALLEN | – | – | – | – | – |
50163 | Michael Bohnen | Carmen-Toreador song | – | – | – | – | – |
50163 | Michael Bohnen | Pagliacci-Prologue | – | – | – | – | – |
BRUNSWICK 50000 Series | 12 inch | gold label | Operatic/ClassicalThe 78rpm-Club2022-03-07T13:18:34+01:00