Cat # | Artist: | Tune: | MX: | Xref: | Ctrl: | Date: | Comp: |
15000A | FLORENCE EASTON | BOHEME: ADDIO | 6949 | – | – | – | Puccini |
15000B | FLORENCE EASTON | CARMEN: HABANERA | 7274 | – | – | – | Bizet |
15001 | Leopold Godowsky, pno | Flatterer | – | – | – | – | Chaminade |
15001 | Leopold Godowsky, pno | Spring Song | – | – | – | – | Mendelssohn |
15002 | BRONISLAW HUBERMAN; PIANOFORTE | MELODIE (Op.42 no.3) | 7200 | – | – | – | Tschaikowsky |
15002 | BRONISLAW HUBERMAN; PIANOFORTE | SECOND MAZURKA (Le Menetrier) (Op. 19) | 7219 | – | – | – | Wieniawski |
15003A | MAX ROSEN, violin (Frederic Persson, piano) | SOUVENIR | 3443 | – | – | – | Drdla |
15003B | MAX ROSEN, violin (Frederic Persson, piano) | LA GITANA | 4513 | – | – | – | Kreisler |
15006A | MAX ROSEN | TRAUMEREI | 5455 | – | 110039 | – | – |
15006B | MAX ROSEN | MAZURKA IN A MINOR | 4181 | – | 110032 | – | – |
15007A | Mario Chamlee | Pagliacci-Vesti la giubba (On With The Play) | 3007 | – | – | – | Leoncavallo |
15007B | Mario Chamlee | Tosca-E lucevan le stelle (The Stars Were Shining) (Act III) | 3647 | – | – | – | Puccini |
15008A | Mario Chamlee | Cavalleria Rusticana-Siciliana | 3017 | 10008 | – | – | Mascagni |
15008B | Mario Chamlee | TOSCA: Recondita armonia | 4103 | 10020 | – | – | PUCCINI |
15011A | MARIO CHAMLEE | A PERFECT DAY | 2611 | 10002 | – | – | – |
15011B | MARIO CHAMLEE | ABSENT | 4759 | 10001 | – | – | – |
15012 | MARIO CHAMLEE | For You Alone | – | – | – | – | – |
15012 | MARIO CHAMLEE | Dreams Of Long Ago | – | – | – | – | – |
15017A | Leopold Godowsky | Rustle of Spring | – | – | – | – | Sindling |
15017B | Leopold Godowsky | Witches Dance | – | – | – | – | – |
15018 | LEOPOLD GODOWSKY | MELODY IN F | – | – | – | – | – |
15018 | LEOPOLD GODOWSKY | WALTZ IN C SHARP MINOR | – | – | – | – | – |
15019A | Tino Pattiera | GIOCONDA: CIELO E MAR | 7324 | – | – | – | GIOCONDA: HEAVEN AND OCEAN |
15019B | Tino Pattiera | TROVATORE: DI QUELLA PIRA | 7320 | – | – | – | TROVATORE: TREMBLE YE TYRANTS |
15020A | FLORENCE EASTON | CHANSON INDOUE | – | – | – | – | – |
15020B | FLORENCE EASTON | SONG OF THE SHEPHERD LEHL | – | – | – | – | Rimsky-Korsakov |
15021A | ELLY NEY | Nocturne in F Sharp Minor (Op. 15, No. 2) | 7381 | – | – | – | Chopin |
15021B | ELLY NEY | Hungarian Dance No. 2 | 7233 | – | – | – | Brahms |
15022A | Bronislaw Huberman, violin | Ronde des Lutins | 7208 | – | – | – | Bazzini |
15022B | Bronislaw Huberman, violin | Hungarian Dance No. 1 | 7205 | – | – | – | Brahms – Joachim |
15023 | MARIO CHAMLEE | MY DREAMS | – | – | – | – | – |
15023 | MARIO CHAMLEE | PARTED | – | – | – | – | WEATHERLY-TOSTI |
15024 | ELLY NEY | STANDCHEN VON SHAKESPEARE | – | – | – | – | Schubert – Liszt |
15024 | ELLY NEY | SOIREES DE VIENNE | – | – | – | – | Schubert – Liszt |
15025 | GIUSEPPE DANISE | ZAZA: LITTLE GYPSY | – | – | – | – | – |
15025 | GIUSEPPE DANISE | ZAZA: DEAR ZAZA | – | – | – | – | – |
15026 | LEOPOLD GODOWSKY | PRELUDE IN C SHARP MINOR | – | – | – | – | – |
15026 | LEOPOLD GODOWSKY | BLACK KEYS STUDY | – | – | – | – | – |
15027A | CLAIRE DUX (Violin obbligato by Fredric Fradkin, pIanoforte by Frederic Persson) | Morgen | – | – | – | – | Strauss |
15027B | CLAIRE DUX | Mondnacht | – | – | – | – | Schumann |
15029 | Nina Koshetz | None But The Lonely Heart | – | – | – | – | Tckaikovsky |
15029 | Nina Koshetz | At The Ball | – | – | – | – | Tckaikovsky |
15030A | FLORENCE EASTON | MIGNON: CONNAIS TU LE PAYS? | 8825 | – | – | – | Thomas |
15030B | FLORENCE EASTON | FAUST: LE ROI DE THULE | 8827 | – | – | – | Gounod |
15031 | NINA KOSHETZ | EASTERN ROMANCE | – | – | – | – | – |
15031 | NINA KOSHETZ | HUMORESQUE | – | – | – | – | – |
15032A | Ukrainian National Chorus (dir. Alexander Koshetz) | Over the Plains | 8897 | – | – | – | Stetzenko |
15032B | Ukrainian National Chorus (dir. Alexander Koshetz) | Our Lady of Potchaiv | 8899 | – | – | – | Leontovich |
15033 | Ukrainian National Chorus | The High Mountain | – | – | – | – | – |
15033 | Ukrainian National Chorus | Hey! Near Baryshpol | – | – | – | – | – |
15036A | ELLY NEY | SPINNING SONG / MOMENT MUSICALE | 9304 | – | – | – | Mendelssohn / Schubert |
15036B | ELLY NEY | ECOSSAISES | 9305 | – | – | – | Beethoven |
15037 | Mario Chamlee | Mattinata | – | – | – | – | Leoncavallo |
15037 | Mario Chamlee | Lolita | – | – | – | – | Buzzi-Peccia |
15038 | Florence Easton | El Cefiro | – | – | – | – | arr. La Forge |
15038 | Florence Easton | Preguntales A Las Estrellas | – | – | – | – | arr. La Forge |
15039A | SIGRID ONEGIN | LUCRETIA BORGIA: BRINDISI (Drinking Song) (It Is Better To Laugh) | 9383 | – | – | – | Donizetti |
15039B | SIGRID ONEGIN | ORE: STRIDE LA VAMPA (Fierce Flames Are Soaring) (Act II Scene 1) | 9385 | – | – | – | Verdi |
15040A | MARIO CHAMLEE | AFRICANA: O PARADISO | 9601 | – | – | – | – |
15040B | MARIO CHAMLEE | MANON: THE DREAM | 9604 | – | – | – | MANON: LE REVE |
15044A | TINO PATTIERA | PAGLIACCI: VESTI LA GUIBBA | – | – | – | – | – |
15044B | TINO PATTIERA | TOSCA: ZVEZDE SU SJALE / LUCEVAN E STELLE | – | – | – | – | Puccini |
15045A | GIUSEPPE DANISE | HERIODADE: Vision fugitive | – | – | – | – | Massenet |
15045B | GIUSEPPE DANISE | FORCE OF DESTINY: Urna fatale | – | – | – | – | – |
15046A | JOSEF HOFMANN | MURMURS OF THE FOREST | – | – | – | – | Liszt |
15046A | JOSEF HOFMANN | GAVOTTE | – | – | – | – | Gluck – Brahms |
15047A | Giacomo Lauri-Volpi | RIGOLETTO: La donna e mobile | 9985 | – | – | – | Verdi |
15047B | Giacomo Lauri-Volpi | RIGOLETTO: Questa o quella | 10026 | – | – | – | Verdi |
15048 | Sigrid Onégin | SAPPISCHE ODE | – | – | – | – | – |
15048 | Sigrid Onégin | AUF DEM KIRCHHOFE | – | – | – | – | Brahms |
15049 | Leopold Godowsky, pno | A La Bien Aimée | – | – | – | – | Schuett |
15049 | Leopold Godowsky, pno | Capriccio | – | – | – | – | Dohnanyi |
15050 | Giacomo Lauri-Volpi | CARME | – | – | – | – | de Curtis |
15050 | Giacomo Lauri-Volpi | MAMMA MI CHE VO SAPE | – | – | – | – | Nutile |
15051 | MARIO CHAMLEE | YOUR VOICE | – | – | – | – | Williams – Quirke |
15051 | MARIO CHAMLEE | CALL ME NO MORE | – | – | – | – | Eberhart – Cadman |
15054A | Florence Easton | Still Wie Die Nacht | – | – | – | – | Böhm |
15054B | Florence Easton | Treue Liebe | – | – | – | – | Kücken |
15055 | NINA KOSHETZ | OI MAMO | – | – | – | – | – |
15055 | NINA KOSHETZ | WINDS ARE BLOWING | – | – | – | – | – |
15056 | Mario Chamlee | Cavalleria Rusticana-Brindisi | – | – | – | – | – |
15056 | Mario Chamlee | Gioconda-Cielo e mar | – | – | – | – | – |
15057 | JOSEF HOFMANN | TURKISH MARCH | – | – | – | – | Beethoven |
15057 | JOSEF HOFMANN | WALTZ IN C SHARP MINOR | – | – | – | – | Chopin |
15058 | Florence Easton | Holy Night | – | – | – | – | – |
15058 | Florence Easton | Silent Night | – | – | – | – | Gruber |
15061A | CLAIRE DUN | HAIDEN – ROSSILIN | 11666 | – | – | – | Schubert |
15061B | CLAIRE DUN | IN EINEM KUHLEN GRUND | 11668 | – | – | – | Gluck |
15062 | Sigrid Onégin | Es Ist Bestimmt In Gottes Rath | – | – | – | – | Mendelssohn |
15062 | Sigrid Onégin | Der Lindenbaum | – | – | – | – | Schubert |
15063A | BRONISLAW HUBERMAN | ORFEO MELODIE | – | – | – | – | – |
15063B | BRONISLAW HUBERMAN | HUNGARIAN DANCE NO.7 | – | – | – | – | – |
15065 | MARIO CHAMLEE | THE LAST HOUR | – | – | – | – | Brown – Kramer |
15065 | MARIO CHAMLEE | DREAMS DIMLY LYING | – | – | – | – | Baker – Roxas |
15066 | Florence Easton | Songs My Mother Taught Me | – | – | – | – | Dvorak |
15066 | Florence Easton | Cradle Song | – | – | – | – | Iljinsky |
15067A | GIACOMO LAURI-VOLPI | IDEALE | 9947 | – | – | – | TOSTI |
15067B | GIACOMO LAURI-VOLPI | LA MIA CANZONE | – | – | – | – | CIMMINO-TOSTI |
15071 | MARIO CHAMLEE | OUT OF THE DUSK TO YOU | – | – | – | – | Lamb – Lee |
15071 | MARIO CHAMLEE | MOON DREAM SHORE | – | – | – | – | Lockhart |
15072A | GIACOMO LAURI-VOLPI | SERENATA | – | – | – | – | – |
15072B | GIACOMO LAURI-VOLPI | LUNA D’ESTATE | – | – | – | – | – |
15073A | Sigrid Onegin (Michael Rancheisen, piano) | Vaggvisa (Swedish Lullaby) | – | – | – | – | arr. Rancheisen |
15073B | Sigrid Onegin (Michael Rancheisen, piano) | Herdegossen (Herdsman’s Song) | – | – | – | – | Berg |
15074 | Michael Bohnen | Freischütz-Drinking Song | – | – | – | – | – |
15074 | Michael Bohnen | Wenn Ich Einmal Der Herrgott War‘ | – | – | – | – | Amthor-Binder |
15079 | KARIN BRANZELL | SAETERGIENTENS SONDAG | – | – | – | – | – |
15079 | KARIN BRANZELL | SYNNOVES SANG | – | – | – | – | – |
15085A | GIACOMO LAURI-VOLPI | PAGLIACCI: VESTI LA GIUBBA | – | – | – | – | Leoncavallo |
15085B | GIACOMO LAURI-VOLPI | CAVALLERIA RUSTICANA: BRINDISI | 10274 | – | – | – | Mascagni |
15089 | MINNEAPOLIS SYMPH ORCH | WAITA POI | – | – | – | – | – |
15089 | MINNEAPOLIS SYMPH ORCH | MELODRAMA (Verbrugghen) | – | – | – | – | – |
15092A | Cleveland Orch (Nikolai Sokoloff, cond.) | Valse Triste | – | – | – | – | Sibelius (Op.44) |
15092B | Cleveland Orch (Nikolai Sokoloff, cond.) | Hungarian Dance No. 5 in g minor | – | – | – | – | Brahms |
15093 | SIGRID ONEGIN & M.CHAMLEE | TROVATORE: HOME TO OUR MOUNTAINS | – | – | – | – | (AI NOSTRI MONTI |
15093 | ONEGIN & CHAMLEE | TROVATORE: MAL REGGENDO ALL ASPRO ASSALTO | – | – | – | – | (FEEBLY DEFENDED |
15094 | ELLY NEY | FEUX D’ARTIFICE | – | – | – | – | – |
15094 | ELLY NEY | VALSE PETITE | – | – | – | – | – |
15096 | EDITH MASON | FAUST: AIR DES BIJOUX | – | – | – | – | – |
15096 | EDITH MASON | MME BUTTERFLY: ANCORA UN PASSO | – | – | – | – | PUCCINI |
15097 | Michael Bohnen | Robert le Diable-Invocation | – | – | – | – | – |
15097 | MICHAEL BOHNEN | DINORAH: TIS MY REMORSE | – | – | – | – | – |
15098 | Josef Hoffmann, pno | Melody In F | – | – | – | – | Rubinstein |
15098 | Josef Hoffmann, pno | Polonaise Militaire | – | – | – | – | Chopin |
15107A | ALBERT SPALDING (violin) (Andre Benoist, piano) | GUITARRE | – | – | – | – | MOSZKOWSKI |
15107B | ALBERT SPALDING (violin) (Andre Benoist, piano) | NOBODY KNOWS DE TROUBLE I’VE SEEN | – | – | – | – | WHITE |
15110A | SIGRID ONEGIN | Lucrezia Borgia-Brindisi | – | – | – | – | Donizetti |
15110B | SIGRID ONEGIN | Trovatore-Stride la vampa! | – | – | – | – | – |
15111A | MARIO CHAMLEE | AFRICANA: O PARADISO (Oh, Paradise) (Act IV) | – | – | – | – | Meyerbeer |
15111B | MARIO CHAMLEE | MANON: La Reve (THE DREAM) | – | – | – | – | Massenet |
15114A | MICHAEL BOHNEN | FAUST: SERENATA MEPHISTOPHELES | – | – | – | – | – |
15114B | MICHAEL BOHNEN | FAUST: INVOCATION | – | – | – | – | – |
15115 | MICHAEL BOHNEN | FIDELIO: NOT TOO LATE | – | – | – | – | – |
15116A | Elisabeth Rethberg | Tannhauser-Dich, teure halle (Oh, Hall Of Song)(Act II) | – | – | – | – | Wagner |
15116B | Elisabeth Rethberg | Lohengrin-Euch luften, die mein klagen | – | – | – | – | – |
15120A | CLEVELAND ORCH (Sokoloff) | SONG OF INDIA | – | – | – | – | – |
15120B | CLEVELAND ORCH (Sokoloff) | SLEEPING BEAUTY | – | – | – | – | – |
15121 | Cleveland Orchestra (Sokoloff) | Lohengrin: Prelude to Act III | – | – | – | – | Wagner |
15121 | Cleveland Orchestra (Sokoloff) | Lohengrin Wedding Music (Act III Scene 1) | – | – | – | – | Wagner |
15122 | Elisabeth Rethberg | Magic Flute-Ach, ich fühl’s, es ist verschwunden | – | – | – | – | – |
15122 | Elisabeth Rethberg | Marriage of Figaro-Deh vieni, non tardar | – | – | – | – | – |
15124A | LEOPOLD GODOWSKY | MELODY INF (Op. 3, No. 1) | – | – | – | – | Rubinstein |
15124B | LEOPOLD GODOWSKY | WALTZ IN C SHARP MINOR | – | – | – | – | Chopin |
15125 | LEOPOLD GODOWSKY | RUSTLE OF SPRING | – | – | – | – | – |
15125 | LEOPOLD GODOWSKY | WITCHES DANCE | – | – | – | – | – |
15127A | ALBERT SPALDING (Andre Benoist, piano) | WALTZ IN A MAJOR | – | – | – | – | Brahms |
15127B | ALBERT SPALDING (Andre Benoist, piano) | MINUET | – | – | – | – | Mozart |
15128A | SIGRID ONEGIN | CARMEN: Habanera (Love Is Like A Wood Bird) (Act 1) | – | – | – | – | Bizet |
15128B | SIGRID ONEGIN | CARMEN: Seguidilla (Near The Walls Of Seville) (Act I) | – | – | – | – | Bizet |
15131 | RAISA & RIMINI | DON GIOVANI: LA CI DAREM LA MANO | – | – | – | – | – |
15131 | RAISA & RIMINI | MAGIC FLUTE: LA DOVE PRENDE | – | – | – | – | – |
15134A | MARIO CHAMLEE | PAGLIACCI: VESTI LE GIUBBA (On With The Play) (Act I) | – | – | – | – | Leoncavallo |
15134B | MARIO CHAMLEE | TOSCA: E LUCEVAN LE STELLE (The Stars Were Shining) (Act III) | – | – | – | – | Puccini |
15137 | Sigrid Onégin | Swedish Lullaby | – | – | – | – | Vaggvisa |
15137 | Sigrid Onégin | Herdman’s Song | – | – | – | – | Berg |
15140 | GIUSEPPE DANISE | SERENADE NAPOLITAINE (Neapolitan Serenade) | – | – | – | – | Collet – Leoncavallo |
15140 | GIUSEPPE DANISE (Dan Lieberfeld, piano) | SERENADE | – | – | – | – | Verlaine – Panizza |
15145 | ELISABETH RETHBERG | THE NUT TREE | – | – | – | – | Schumann |
15145 | ELISABETH RETHBERG | AVE MARIA | – | – | – | – | Schubert |
15146 | Elisabeth Rethberg | A Spring Fancy | – | – | – | – | Densmore |
15146 | Elisabeth Rethberg | By A Lonely Forest Pathway | – | – | – | – | Griffes |
15147 | Elisabeth Rethberg | A Moonlight Song | – | – | – | – | Cadman |
15147 | Elisabeth Rethberg | It Was A Dream | – | – | – | – | Lassen |
15148 | ELISABETH RETHBERG | MURMELNDES LUFTCHEN | – | – | – | – | – |
15148 | ELISABETH RETHBERG | DU BIST WIE EINE BLUME | – | – | – | – | – |
15152 | John Charles Thomas | Where Is My Boy Tonight? | – | – | – | – | – |
15152 | John Charles Thomas | Abide With Me | – | – | – | – | Lyte |
15155 | SIGRID ONEGIN | BLIND PLOUGHMAN | – | – | – | – | – |
15155 | SIGRID ONEGIN | FAIRY PIPERS | – | – | – | – | – |
15166 | JOHN CHARLES THOMAS | MY MESSAGE | – | – | – | – | – |
15166 | JOHN CHARLES THOMAS | NOCTURNE | – | – | – | – | – |
15167 | JOHN CHARLES THOMAS | GYPSY LOVE SONG | – | – | – | – | – |
15167 | JOHN CHARLES THOMAS | DUNA | – | – | – | – | – |
15178 | Mario Chamlee | Had You But Known | – | – | – | – | Bordese – Denza |
15178 | Mario Chamlee | Serenade Francaise | – | – | – | – | Leoncavallo |
15179A | Marie Tiffany and male trio | Darling Nellie Gray | – | – | – | – | Henby |
15179B | Marie Tiffany and male trio | Ol‘ Car’lina | – | – | – | – | Cooke |
15180 | KARIN BRANZELL | MIGNON: KNOWEST THY LAND | – | – | – | – | – |
15180 | KARIN BRANZELL | PROPHETE: GIVE ALMS | – | – | – | – | – |
15181 | Cleveland Orchestra (Nikolai Sokoloff, cond.) | Shepherd’s Hey, a Morris Dance | – | – | – | – | Grainger |
15181 | Cleveland Orchestra (Nikolai Sokoloff, cond.) | The School of the Fauns | – | – | – | – | Pierne „Cydalise and the Satyr“ |
15184 | Cleveland Orchestra (Nikolai Sokoloff, cond.) | Prince Igor: Polovtsian Dances, pt1 | – | – | – | – | Borodin |
15184 | Cleveland Orchestra (Nikolai Sokoloff, cond.) | Prince Igor: Polovtsian Dances, pt2 | – | – | – | – | Borodin |
15185 | Cleveland Orchestra (Nikolai Sokoloff, cond.) | Prince Igor: Polovtsian Dances, pt3 | – | – | – | – | Borodin |
15185 | Cleveland Orchestra (Nikolai Sokoloff, cond.) | Prince Igor: Polovtsian Dances, pt4 | – | – | – | – | Borodin |
15186 | Grace Moore with Orch | BY THE BEND OF THE RIVER | GB 7075 | – | – | – | Haig – Edwards |
15186 | Grace Moore | FOR YOU | – | – | – | – | – |
15188 | Michael Bohnen | The Trumpeter of Säckingen-God’s love be thine! | – | – | – | – | – |
15188 | Michael Bohnen | Song Of The Volga Boatman | – | – | – | – | – |
15190 | Karin Branzell | Faust-Faites lui mes aveux | – | – | – | – | – |
15190 | Karin Branzell | Si le bonheur a sourire t’invite | – | – | – | – | – |
15192 | MARIO CHAMLEE | LA GIOCONDA: Heaven and Ocean (Cielo e Mar) (Act II) | – | – | – | – | Ponchielli |
15192 | MARIO CHAMLEE | TOSCA: Strange Harmony (Recondita Armonia) (Act I) | – | – | – | – | Puccini |
15194 | MARIO CHAMLEE | RIGOLETTO: WOMAN IS FICKLE (La Donna E Mobile) (Act III) | – | – | – | – | Verdi |
15194 | MARIO CHAMLEE | DON PASQUALE: SOFT BEAMS THE LIGHT (Com’e Gentil) (Act III) | – | – | – | – | Donizetti |
15195 | MARIE MORRISSEY | OH, PROMISE ME | – | – | – | – | – |
15195 | MARIE MORRISSEY | Cradle Song | – | – | – | – | – |
15197 | Marie Tiffany | Pale Moon | – | – | – | – | Logan |
15197 | Marie Tiffany | Little Grey Home In The West | – | – | – | – | Löhr |
15201 | Giacomo Rimini | Jewels of the Madonna-Serenade | – | – | – | – | – |
15201 | Giacomo Rimini | Hamlet-Brindisi | – | – | – | – | – |
15204 | KATHRYN MEISLE – MARIE TIFFANY | WHISPERING HOPE | – | – | – | – | – |
15204 | KATHRYN MEISLE – MARIE TIFFANY | TALES OF HOFFMAN BACAROLLE | – | – | – | – | – |
15207 | MARIO CHAMLEE | LOLITA (Spanish Serenade) | – | – | – | – | Buzzi Peccia |
15207 | MARIO CHAMLEE (Violin Obbligato by Fredric Fradkin) | MATTINATA (Tis The Day) | – | – | – | – | Leoncavallo |
BRUNSWICK 15000 Series | 10-inch | gold label | Operatic/ClassicalThe 78rpm-Club2022-03-07T13:15:14+01:00