| Cat. # | Artist: | Tune: | MX: | Xref: | Ctrl: | Date: | Comp: |
| 1A | Art Hodes | SNOWY MORNING BLUES | 54-RS | – | – | 7/17/1942 | Johnson |
| 1B | Art Hodes | FOUR OR FIVE TIMES | 55-RS | – | – | 7/17/1942 | Hellman; Gay |
| 2A | Art Hodes | ART’S BOOGIE | 2A-3 | – | – | 7/17/1942 | ART HODES |
| 2B | Art Hodes | ST. LOUIS BLUES | 2B-4 | – | – | 7/17/1942 | Handy |
| 3 | CLIFF JACKSON Quartet | QUIET PLEASE | HS1206 | – | – | 3/4/1944 | JACKSON |
| 3 | CLIFF JACKSON Quartet | SQUEEZE ME | HS1207 | – | – | 3/4/1944 | WALLER; WILLIAMS |
| 4B | CLIFF JACKSON B/W STOMPERS | IF I COULD BE WITH YOU | 6 | – | – | 3/4/1944 | Henry Creamer; Jimmy Johnson |
| 4A | CLIFF JACKSON B/W STOMPERS | WEARY BLUES | 7 | – | – | 3/4/1944 | Matthews |
| 5A | GENE SCHROEDER | SWEET GEORGIA BROWN | BW 27 | – | – | 7/29/1944 | BERNIE; PINKARD; CASEY |
| 5B | GENE SCHROEDER | TEA FOR TWO | BW 28 | – | – | 7/29/1944 | CAESAR; YOUMANS |
| 6A | The Lion and the Cubs | LET’S MOP IT | BW29 | – | NYC | 8/19/44 | William Smith; Jack Edwards; Fred Norman |
| 6B | The Lion and the Cubs | HOW COULD YOU PUT ME DOWN | BW32 | – | NYC | 8/19/44 | WILLIAM SMITH; JAMES P. JOHNSON |
| 7A | GEORGE WETTLING JAZZ TRIO | SOME OF THESE DAYS | BW18 | – | – | 7/1/1944 | BROOKS |
| 7B | GEORGE WETTLING JAZZ TRIO | EVERYBODY LOVES MY BABY | BW17 | – | – | 7/1/1944 | Jack Parker; Spencer Williams |
| 8A | BLACK and WHITE QUARTET | MAKE ME A PALLET ON THE FLOOR | BW34 | QC2564 | NYC | 9-1-44 | BROOKS |
| 8B | CLIFF JACKSON | IT HAD TO BE YOU (piano solo) | BW22 | – | – | 7/16/1944 | ISHAM JONES; GUS KAHN |
| 9A | ETTA JONES acc. BARNEY BIGARD and his Orch | BLOW TOP BLUES | BW53 | – | – | 12/29/1944 | LEONARD FEATHER |
| 9B | ETTA JONES acc. BARNEY BIGARD and his Orch | SALTY PAPA BLUES | BW51 | – | – | 12/29/1944 | LEONARD FEATHER |
| 10 | ETTA JONES acc. BARNEY BIGARD and his Orch | EVIL GAL BLUES | BW52 | – | – | 12/29/1944 | LEONARD FEATHER |
| 10 | ETTA JONES acc. BARNEY BIGARD and his Orch | LONG LONG JOURNEY | BW54 | – | – | 12/29/1944 | LEONARD FEATHER |
| 11 | Ray Stokes Trio | STOKIN’ THE BOOGIE | BW59 | – | NYC | 1/3/1945 | RAMON STOKES |
| 11 | Ray Stokes Trio | PREACHIN’ BLUES | BW61 | – | NYC | 1/3/1945 | WILSON MEYERS |
| 12A | Ray Stokes Trio | LITTLE GOOSE | BW62 | – | NYC | 1/3/1945 | FEAGLE – HILLARD |
| 12B | Ray Stokes Trio | BLUES FOR CLARENCE PROFIT | BW60 | – | NYC | 1/3/1945 | RAMON STOKES |
| 13A | Barney Bigard Sextet | SWEET MARIJUANA BROWN | BW65 | – | – | 1/5/1945 | LEONARD FEATHER |
| 13B | Barney Bigard Sextet | BLUES FOR ART’S SAKE | BW66 | – | – | 1/5/1945 | Bigard; Tatum |
| 14 | Barney Bigard Sextet | CAN’T HELP LOVIN’ DAT MAN | BW63 | – | – | 1/5/1945 | – |
| 14 | Barney Bigard Sextet | PLEASE DON’T TALK ABOUT ME WHEN I’M GONE | BW64 | – | – | 1/5/1945 | STEPT; CLARE |
| 15A | Errol Garner Trio | NIGHT AND DAY | BW70 | – | – | 1/10/1945 | Cole Porter |
| 15B | Errol Garner Trio | WHITE ROSE BOUNCE | BW67 | – | – | 1/10/1945 | Erroll Garner |
| 16 | Errol Garner Trio | Movin’ Around | BW69 | – | – | 1945 | ERROLL GARNER |
| 16 | Errol Garner Trio | TWISTIN’ THE CAT’S TAIL | BW68 | – | – | 1945 | ERROLL GARNER |
| 17 | Joe Marsala Sextet | PERDIDO | BW71 | – | – | – | – |
| 17 | Joe Marsala Sextet | ON THE ALAMO | BW73 | – | – | – | – |
| 18 | Joe Marsala Septet | CHEROKEE | BW 74 | – | – | 1/12/1945 | Ray Noble |
| 18 | Joe Marsala Septet | MY MELANCHOLY BABY | BW 72 | – | – | 1/12/1945 | Burnett; Norton |
| 19A | Linda Keene | Gee Baby, Ain’t I Good to You | BW 85 | – | NYC | 2/16/1945 | Andy Razaf; Don Redman |
| 19B | Linda Keene | Blues on My Weary Mind | BW 87 | – | NYC | 2/16/1945 | Leonard Feather |
| 20A | Linda Keene (Charlie Shavers septet) | I DON’T STAND A GHOST OF A CHANCE With You | BW86 | – | – | – | Bing Crosby; Ned Washington; Victor Young |
| 20B | Linda Keene (Charlie Shavers sextet) | I MUST HAVE THAT MAN | BW88 | – | – | – | DOROTHY FIELDS; JIMMY McHUGH |
| 21A | Spirits Of Rhythm | SUSPICIOUS BLUES | BW77 | – | Hwd | 1/24/1945 | LEONARD FEATHER |
| 21B | Spirits Of Rhythm | COQUETTE (Chicken Croquette) | BW80 | – | Hwd | 1/24/1945 | Berlin |
| 22A | Spirits Of Rhythm | HONEYSUCKLE ROSE | BW75 | – | Hwd | 1/24/1945 | RAZAF; WALLER |
| 22B | Spirits Of Rhythm | LAST CALL BLUES | BW79 | – | Hwd | 1/24/1945 | LEONARD FEATHER |
| 23A | Spirits Of Rhythm | SHE AIN’T NO SAINT | BW78 | – | Hwd | 1/24/1945 | LEONARD FEATHER |
| 23B | Spirits Of Rhythm | SCATTIN’ THE BLUES | BW76 | – | Hwd | 1/24/1945 | – |
| 24 | WILLIE SMITH’S JAZZ BAND | BUGLE CALL RAG | BW 31 | – | – | 9/29/1944 | Schoebel; Meyers; Pettis |
| 24 | LION’S JAZZ BAND | MUSKRAT RAMBLE | BW 30 | – | – | 9/29/1944 | Ory |
| 25 | CLIFF JACKSON | IT HAD TO BE YOU | QC2563-1 | BW 8 | – | 7/16/1944 | – |
| 25 | CLIFF JACKSON | WHO | 24 | – | – | 7/16/1944 | – |
| 26 | CLIFF JACKSON | LIME HOUSE BLUES | BW23 | – | – | – | Furber; Graham |
| 26 | CLIFF JACKSON | ROYAL GARDEN BLUES | BW21 | – | – | – | Williams |
| 27A | GEORGE WETTLING JAZZ TRIO | CHINA BOY | BW19 | – | – | 7/1/1944 | Winfree; Boutelje |
| 27B | GEORGE WETTLING JAZZ TRIO | THAT’S A PLENTY | BW20 | – | – | 7/1/1944 | – |
| 28 | DICK CARY | THOUGHT ABOUT YOU | BW10 | – | – | – | – |
| 28 | DICK CARY | YOU TOOK ADVANTAGE OF ME | BW12 | – | – | 6/?/44 | – |
| 29 | ROD CLESS Quartet | FROGGY MOORE | BW33 | – | – | – | – |
| 29 | ROD CLESS Quartet | HAVE YOU EVER FELT THAT WAY | BW36 | – | – | – | – |
| 30 | ROD CLESS Quartet | I KNOW THAT YOU KNOW | BW35 | – | – | – | Youmans; Caldwell |
| 30 | ROD CLESS Quartet | MAKE ME A PALLET ON THE FLOOR | BW34 | – | – | – | Brooks |
| 31 | HANK DUNCAN TRIO | I GAVE YOU MY WORD | BW16 | – | – | 6/?/44 | – |
| 31 | HANK DUNCAN TRIO | MAPLE LEAF RAG | BW13 | – | – | – | – |
| 32 | HANK DUNCAN TRIO | CHANGES ALWAYS On MY MIND | BW15 | – | – | – | Duncan |
| 32 | HANK DUNCAN TRIO | UPBEAT | BW14 | – | – | – | – |
| 33A | GENE SCHROEDER Trio | LIZA | BW25 | – | NYC | 7/29/1944 | Kahn; G. & I. Gershwin |
| 33B | GENE SCHROEDER Trio | I AIN’T GOT NOBODY | BW26 | – | NYC | 7/29/1944 | – |
| 37A | CHARLES VENTURO SEXTET | C. V. JAM | T-13 | – | – | 8/17/1945 | VENTURO |
| 37B | CHARLES VENTURO SEXTET | OUT YOU GO | T-12 | – | – | 8/17/1945 | Venturo |
| 38A | CHARLES VENTURO SEXTET | TAMMY’S DREAM | T-14 | – | – | 8/17/1945 | Venturo |
| 38B | CHARLES VENTURO SEXTET | LET’S JUMP FOR RITA | T-15 | – | – | 8/17/1945 | Venturo |
| 39 | ETTA JONES, CYRIL HAYNES QUARTET | ONCE UPON A TIME | BW96 | – | – | – | – |
| 39 | ETTA JONES, CYRIL HAYNES QUARTET | DO WHAT’S RIGHT | BW97 | – | – | – | – |
| 40 | ETTA JONES, CYRIL HAYNES QUARTET | SO TIRED | BW95 | – | – | – | BAKER; ROSS; PINDER; KARMILE |
| 40 | ETTA JONES, CYRIL HAYNES QUARTET | SOLITUDE | BW98 | – | – | – | ELLINGTON |
| 41A | Wilbert Baranco and his Rhythm Bombardiers | Night And Day | BW 183 | – | – | – | Cole Porter |
| 41B | Wilbert Baranco and his Rhythm Bombardiers | Weeping Willie | BW 184 | – | – | – | W. Baranco |
| 42A | WILBERT BARANCO and his Rhythm BOMBADIERS | EVERY TIME I THINK OF YOU | 185=2- | – | – | – | W. Baranco |
| 42B | WILBERT BARANCO and his Rhythm BOMBADIERS | BARANCO BOOGIE | 186=2 | – | – | – | W. Baranco |
| 100A | ROOSEVELT SYKES And TRIO | TENDER HEARTED WOMAN BLUES (I’LL WEAR THE PANTS) | – | – | – | – | Roosevelt Sykes |
| 100B | ROOSEVELT SYKES And TRIO | THIS TAVERN BOOGIE | QB3351 | – | – | – | Roosevelt Sykes |
| 101 | SAMMY FRANKLIN & HIS ATOMICS | THE HONEYDRIPPER pt1 | BW110 | – | – | – | JOE LIGGINS |
| 101 | Sammy Franklin’s Atomics | THE HONEYDRIPPER pt2 | BW111 | – | – | – | JOE LIGGINS |
| 102 | SAMMY FRANKLIN & HIS ATOMICS | Lonesome Boy Blues | BW112 | – | – | – | SAMMY FRANKLIN |
| 102 | SAMMY FRANKLIN & HIS ATOMICS | ATOM BOOGIE | BW113 | – | – | – | SAMMY FRANKLIN |
| 103A | Alton Redd and his Low Down Blues Band | You’re A No Good Woman | BW 152 | – | – | – | Alton Redd |
| 103B | Alton Redd and his Low Down Blues Band | Jimmies Blues | BW 151 | – | – | – | Jimmie Rushing |
| 104A | MUSHMOUTH ROBINSON | LET’S GET SOME | C5 | – | (NYC) | 1/9/1945 | – |
| 104B | MUSHMOUTH ROBINSON | I GOT THE BLUES | C8 | – | (NYC) | 1/9/1945 | – |
| 105 | MUSHMOUTH ROBINSON | BOOGIE BOO BLUES | C6 | – | (NYC) | 1/9/1945 | ROBINSON |
| 105 | MUSHMOUTH ROBINSON | I’M HIP TO THESE WOMEN | C7 | – | (NYC) | 1/9/1945 | ROBINSON |
| 106 | POOR BOY (ST. LOUIS JIMMY) | NEW GOING DOWN SLOW | BW153 | – | – | – | – |
| 106 | ALTON REDD, LOW DOWN BLUES BAND | WHEN THE SUN GOES DOWN | BW154 | – | – | – | Alton Redd |
| 107A | The Robinson Bros. (R. L. Daniels, piano) | Come Back to Me Baby | BW 321 | – | – | – | Scotty |
| 107B | The Robinson Bros. | I Got to Go | BW319 | – | – | – | A.C. ROBINSON |
| 108 | ROBINSON BROTHERS | L.C. BOOGIE | BW322 | – | – | – | – |
| 108 | ROBINSON BROTHERS | HURRY, HURRY, HURRY BABY | BW320 | – | – | – | – |
| 109 | HELEN HUMES & ALL STARS | BE BA BA LE BA BOOGIE | BW250 | – | – | – | HELEN HUMES |
| 109 | HELEN HUMES & ALL STARS | MARRIED MAN BLUES | BW251 | – | – | – | – |
| 110A | T-BONE WALKER, JACK MCVEA ALL STARS | Bobby Sox Blues | BW412 | – | – | 9/30/1946 | DOOTSIE WILLIAMS |
| 110B | T-BONE WALKER, JACK MCVEA ALL STARS | I’m Gonna Find My Baby | BW413 | – | – | 9/30/1946 | T Bone; Criner |
| 111A | T-Bone Walker and his guitar with Jack McVea and All Stars | No Worry Blues | BW 410 | – | – | – | T-Bone and Baxter |
| 111B | T-Bone Walker and his guitar with Jack McVea and All Stars | Don’t Leave Me Baby | BW411 | – | – | 9/30/1946 | T-Bone and Baxter |
| 112 | HELEN HUMES & HER ALL STARS | DRIVE ME DADDY | BW252 | – | – | – | – |
| 112 | HELEN HUMES, BUCK CLAYTON & ALL STARS | IF I COULD BE WITH YOU ONE HOUR TONIGHT | BW414 | – | – | – | JOHNSON; CREAMER |
| 113A | Maggie Hathaway and her Bluesmen | Here Goes a Fool | BW 555 | – | – | – | Maggie Hathaway |
| 113B | Maggie Hathaway and her Bluesmen | Too Late To Be Good Blues | BW556 | – | – | – | Maggie Hathaway |
| 114 | HELEN HUMES, BUCK CLAYTON & ALL STARS | BE BOP BOUNCE | BW416 | – | – | – | – |
| 114 | HELEN HUMES, BUCK CLAYTON & ALL STARS | I DON’T KNOW HIS NAME | BW415 | – | – | – | – |
| 115A | T-Bone Walker with the AL KILLIAN QUINTET | DON’T GIVE ME THE RUNAROUND | BW 506 | – | – | – | Walker |
| 115B | T-Bone Walker with the AL KILLIAN QUINTET | It’s A Low Down Dirty Deal | BW505 | – | – | Dec-46 | Walker; Criner |
| 116 | T-Bone Walker | I’M IN AN AWFUL MOOD | BW504 | – | – | – | – |
| 116 | T-Bone Walker | HARD PAIN BLUES | BW507 | – | – | – | – |
| 117 | AL KILLIAN | THE KILLER’S BOOGIE | BW467 | – | – | – | KILLIAN |
| 117 | AL KILLIAN | BOOGIE IN MY FLAT | BW468 | – | – | – | – |
| 118 | JO EVANS | COLD-BLOODED | BW361 | – | – | – | – |
| 118 | JO EVANS | LOVING COURSE BLUES | BW358 | – | – | – | EVANS; DAVIS |
| 119A | RABON TARRANT, JACK MCVEA & HIS DOOR OPENERS | SLOWLY GOIN’ CRAZY | 598-1 | – | – | – | Tarrant – McVea |
| 119B | RABON TARRANT w JACK McVEA | BLUES WITH A FEELING | 590-2 | – | – | – | Tarrant |
| 120 | WILBERT BARANCO TRIO | BLUES IN C MINOR | BW604 | – | – | – | – |
| 120 | WILBERT BARANCO TRIO | LI’L VICTOR’S BOOGIE | BW605 | – | – | – | – |
| 121A | T-BONE WALKER.and his Guitar w/ Al Killian Quintet | I’M IN AN AWFUL MOOD | BW 504 | – | – | – | Walker; Criner |
| 121B | T-BONE WALKER.and his Guitar w/ Al Killian Quintet | HARD PAIN BLUES | BW 507 | – | – | – | Goldberg – Walker – Criner |
| 122A | T-Bone Walker | I Know Your Wig Has Gone | BW635 | – | – | 9/13/1947 | T-BONE – GEORGE |
| 122B | T-Bone Walker | Call It Stormy Monday But Tuesday Is Just as Bad | BW 637 | – | – | 9/13/1947 | Walker |
| 123 | T-Bone Walker | Long Skirt Baby Blues | BW648 | – | – | 11/6/1947 | JOHN HENRY |
| 123 | T-Bone Walker | GOODBYE BLUES | BW649 | – | – | – | JOHN HENRY |
| 124 | MAGGIE HATHAWAY & HER BLUESMEN | YOU HAVE FALLEN IN LOVE | BW674 | – | – | – | MAGGIE HATHAWAY |
| 124 | MAGGIE HATHAWAY & HER BLUESMEN | NOBODY’S BUSINESS WHAT I DO | BW672 | – | – | – | MAGGIE HATHAWAY |
| 125A | T-Bone Walker and his Guitar | I Want A Little Girl | BW 695 | – | – | – | Moll; Mencher |
| 125B | T-Bone Walker and his Guitar | T-Bone Jumps Again | BW636 | – | – | 9/13/1947 | WALKER |
| 126A | T-Bone Walker | I’M WAITING FOR YOUR CALL | BW 651 | – | – | – | Oscar M. Lollie |
| 126B | T-Bone Walker | That’s Better For Me | BW 656 | – | – | 11/12/1947 | – |
| 127A | T-Bone Walker | Plain Old Down Home Blues | BW 684 | – | – | 12/18/1947 | – |
| 127B | T-Bone Walker | Midnight Blues | BW645 | – | – | 11/6/1947 | – |
| 128 | RAMON BRUCE, FOUR BARONS | SWOON TIME | BW1-B | – | – | – | RAMON BRUCE; STEVE MILLER |
| 128 | RAMON BRUCE, FOUR BARONS | BECAUSE MY SKIN IS BROWN | BW1-A | – | – | – | STEVE MILLER; COOK HERTZ |
| 150 | Junior Jazz at the Auditorium (Howard McGhee and his Orch) | OODLE COO BOP | BW726 | – | – | – | (trad.) |
| 150 | Junior Jazz at the Auditorium (Howard McGhee and his Orch) | OODLE COO BOP PT.2 | BW727 | – | – | – | (trad.) |
| 151 | Junior Jazz at the Auditorium (Howard McGhee and his Orch) | BOPPIN’ BOP, PT.1 | BW728 | – | – | – | (trad.) |
| 151 | Junior Jazz at the Auditorium (Howard McGhee and his Orch) | BOPPIN’ BOP, PT.2 | BW729 | – | – | – | (trad.) |
| 200 | TRIO PERLA DE OCCIDENTE | EL CUERVO | BW711 | – | – | – | – |
| 200 | TRIO PERLA DE OCCIDENTE | LA LLORONA | BW712 | – | – | – | – |
| 201 | – | – | – | – | – | – | – |
| 201 | – | – | – | – | – | – | – |
| 202 | Julia Elena | Te Arrancaron De Mi | BW716 | – | – | – | Julia Elena |
| 202 | Julia Elena | Sin Luz | BW715 | – | – | – | Julia Elena |
| 203 | SECUNDIDO DELGADO | EL CORRIDO DE SAN LUIS | BW718 | – | – | – | – |
| 203 | CONCEPCION LEMUS | LA INUNDACION DE ACAPONETA | BW717 | – | – | – | – |
| 242 | VIC CORWIN & HIS ORCH | APRIL IN PORTUGAL | BR242=A | – | – | – | FERRAO |
| 242 | MARY ANN MORGAN w VIC CORWIN | SONG FROM MOULIN ROUGE (Where Is Your Heart?) | BR242=B | – | – | – | W. ENGVICK; G. AURIC |
| 300 | DEACONS | PREACHIN’ BLUES (see 11) | BW61 | – | – | – | – |
| 300 | WATCHMEN | THE GORGEOUS GRUEN (see 11) | BW59 | – | – | – | – |
| 401 | JERRY MARLOWE | THE SILLY DONKEY, PT.1 | BW289 | Set 57 | – | – | AESOP |
| 401 | JERRY MARLOWE | THE SILLY DONKEY, PT.2 | BW290 | Set 57 | – | – | AESOP |
| 402A | JERRY MARLOWE | THE TURTLE AND THE RABBIT, PT.1 | BW285 | Set 57 | – | – | AESOP |
| 402B | JERRY MARLOWE | THE TURTLE AND THE RABBIT, PT.2 | BW286 | Set 57 | – | – | AESOP |
| 402C | JERRY MARLOWE | THE TURTLE AND THE RABBIT, PT.3 | BW287 | Set 57 | – | – | AESOP |
| 402D | JERRY MARLOWE | THE TURTLE AND THE RABBIT, PT.4 | BW288 | Set 57 | – | – | AESOP |
| 421 | Earle Ross | DOCTOR KNOW ALL, PT.1 | BW135 | Set 51 | – | – | Grimm |
| 421 | Earle Ross | DOCTOR KNOW ALL, PT.2 | BW136 | Set 51 | – | – | Grimm |
| 431 | Earle Ross | THE DRAGON AND HIS GRANDMOTHER, PT.1 | BW137 | Set 51 | – | – | Grimm |
| 431 | Earle Ross | THE DRAGON AND HIS GRANDMOTHER, PT.2 | BW138 | Set 51 | – | – | Grimm |
| 441 | Earle Ross | THREE FEATHERS, PT.1 | BW141 | Set 51 | – | – | Grimm |
| 441 | Earle Ross | THREE FEATHERS, PT.2 | BW142 | Set 51 | – | – | Grimm |
| 451A | Earle Ross | Musicians of Bremen | BW139 | – | – | – | Wright Esser; Howard Halbert |
| 451B | Earle Ross | Musicians of Bremen | BW 140-1 | – | – | – | Wright Esser; Howard Halbert |
| 500A | LENA HORNE (Phil Moore, cond.) | FRANKIE AND JOHNNY pt1 | BW 606 | – | – | – | arr. Moore |
| 500B | LENA HORNE (Phil Moore, cond.) | FRANKIE AND JOHNNY pt2 | BW 607 | – | – | – | arr. Moore |
| 750A | Jack McVea and his All Stars | Ooh Mop | BW114 | – | – | – | Jack McVea |
| 750B | Jack McVea and his All Stars | Bartender Boogie | BW115 | – | – | – | JACK MCVEA; BOB MOSLEY |
| 751A | Jack McVea and his All Stars | Wine-O | BW116 | – | – | – | Bob Mosley |
| 751B | Jack McVea and his All Stars | FRISCO BLUES | BW117 | – | – | – | RABON TARRANT |
| 752 | FOUR ACES | LOST SOUL CRYING IN THE WILDERNESS | N515 BA | – | – | – | C. GRANT |
| 752 | FOUR ACES | IN MY HOME | N514 BA | – | – | – | WESLEY WILSON |
| 753 | SISTER ETTA MOONEY | IF I JUST MAKE IT | N525 | – | – | – | ETTA MOONEY |
| 753 | SISTER ETTA MOONEY | JUST WAIT A LITTLE WHILE | N522 | – | – | – | ETTA MOONEY |
| 754 | SISTER ETTA MOONEY | WHAT ABOUT ME | N524 | – | – | – | – |
| 754 | SISTER ETTA MOONEY | JESUS | N523 | – | – | – | – |
| 755 | CLOVER LEAF JUBILEE QUARTET | CHEER THE WEARY TRAVELER | N531 | – | – | – | – |
| 755 | CLOVER LEAF JUBILEE QUARTET | STALIN WASN’T STALLIN’ | N530 | – | – | – | – |
| 756A | Clover Leaf Jubilee Quartette | God’s Gonna Ride on the Rain and Tide | N 532 | – | – | – | Greene |
| 756B | Clover Leaf Jubilee Quartette | WHAT HE DONE FOR ME | N533 | – | – | – | WARREN GREENE |
| 757 | JOHN SELLERS | GOD’S GONNA SEPARATE THE WHEAT | N547 | – | – | – | – |
| 757 | JOHN SELLERS | YOU SING FOR ME | N546 | – | – | – | – |
| 758A | CEE PEE JOHNSON & Orch | Boogie Woogie Lou | BW155 | – | – | – | Cee Pee Johnson |
| 758B | CEE PEE JOHNSON & Orch | You’re Wig Is Gone | BW156 | – | – | – | – |
| 759 | CEE PEE JOHNSON | MY LITTLE GIRL | BW157 | – | – | – | CEE PEE JOHNSON |
| 759 | CEE PEE JOHNSON | OUT OF THIS WORLD | BW158 | – | – | – | HAROLD ARLEN; JOHNNY MERCER |
| 760A | Estelle Edson with Oscar Pettiford and All Stars | Rhythm in a Riff | BW164 | – | – | – | Eckstine |
| 760B | Estelle Edson with Oscar Pettiford and All Stars | BE-BABA-LE-BA | BW163 | – | – | – | HELEN HUMES |
| 761 | ESTELLE EDSON, OSCAR PETTIFORD | DON’T DRIVE THIS MELLOW JIVE AWAY | BW166 | – | – | – | OSCAR PETTIFORD; ESTELLE EDSON |
| 761 | ESTELLE EDSON, OSCAR PETTIFORD | I CHANGED THE LOCK ON THE DOOR | BW165 | – | – | – | OSCAR PETTIFORD; ESTELLE EDSON |
| 762 | Jack McVea & All Stars | Play it Over | BW167 | – | – | – | JACK MCVEA |
| 762 | Jack McVea & All Stars | My Business is C.O.D (v. Estelle Edson) | BW169 | – | – | – | JACK MCVEA; ESTELLE EDSON |
| 763A | JACK McVEA & HIS ALL STARS | House Party Boogie | BW168 | – | – | – | McVea |
| 763B | JACK McVEA & HIS ALL STARS (v. Estelle Edson) | Baby Make Up Your Mind | BW170 | – | – | – | Edson |
| 764A | BUZZ ADLAM & ORCH | Don’t Forget Tonight Tomorrow (v. Don Leslie) | BW171 | – | – | – | MILTON |
| 764B | BUZZ ADLAM & ORCH | Pin Marin (v. VIRGINIA JACKSON) | BW172 | – | – | – | MILTON; RUSSELL; ADLAM |
| 765A | BUZZ ADLAM & HIS ORCH | DIG YOU LATER (A Hubba-Hubba-Hubba) (v. Don Leslie) | BW 173 | – | – | – | Adamson; McHugh |
| 765B | BUZZ ADLAM & HIS ORCH | I Don’t Wanna Do It Alone (v. Virginia Jackson) | BW 174 | – | – | – | Hampton; Dunning |
| 766 | JACK MCVEA & HIS ALL STARS | BARTENDER BOOGIE | BW115 | Set 54 | – | – | – |
| 766 | JACK MCVEA & HIS ALL STARS | HOUSE PARTY BOOGIE | BW168 | Set 54 | – | – | – |
| 767A | JACK McVEA ALLSTARS | F MINOR BOOGIE | BW196 | – | – | – | JACK McVEA |
| 767B | JACK McVEA ALLSTARS | JACK’S BOOGIE | BW195 | – | – | – | JACK McVEA |
| 768 | JACK MCVEA & HIS ALL STARS | JAM BOOGIE | BW197 | Set 54 | – | – | – |
| 768 | JACK MCVEA & HIS ALL STARS | FRANTIC BOOGIE | BW198 | Set 54 | – | – | – |
| 769A | Will Osborne and his Orch | They Say It’s Wonderful | BW 199-2 | A-3533-x | – | – | Irving Berlin |
| 769B | Will Osborne and his Orch | When the Gooses Come Back to Massachusetts | BW 202-2 | A-3534 | – | – | Osborne; Bittick; Taylor |
| 770A | WILL OSBORNE and his Orch | IN THE MOON MIST | BW200-3 | – | – | – | Jack LAWRENCE |
| 770B | WILL OSBORNE and his Orch | SOMETHING OLD,SOMETHING NEW | BW201-2 | – | – | – | IDRESS; TIBBLES |
| 771A | IVIE ANDERSON and Her All Stars | I GOT IT BAD and That Ain’t Good | BW203-2 | – | – | 01/??/46 | Webster; Ellington |
| 771B | IVIE ANDERSON and Her All Stars | On the SUNNY SIDE OF THE STREET | BW204-3 | – | – | 01/??/46 | Fields; McHugh |
| 772A | IVIE ANDERSON and Her All Stars (dir. Wilbert Barranco) | I Thought YOU OUGHT TO KNOW | BW205 | – | – | 01/??/46 | Dilbeck; Carter |
| 772B | IVIE ANDERSON and Her All Stars (dir. Wilbert Barranco) | THE VOOT IS HERE TO STAY | BW206 | – | – | 01/??/46 | BARANCO; HARPER; ANDERSON |
| 773 | JAN GARBER ORCH., JUNE ARTHUR | ONE-ZY TWO-ZY | BW211 | – | – | – | – |
| 773 | JAN GARBER ORCH., TOMMY TRAYNOR | WELCOME TO MY DREAM | BW213 | – | – | – | – |
| 774A | Jan Garber and his Orch | Doing What Comes Natur’lly | BW212 | – | – | – | Irving Berlin |
| 774B | Jan Garber and his Orch | The Gypsy | BW214 | – | – | – | Billy Reid |
| 775A | Tommy Todd and his Trio | Wagon Wheels | BW215 | – | – | – | De Rose; Hill |
| 775B | Bob Morse w. Tommy Todd and his Trio | Junior in January | BW217 | – | – | – | Bob Morse |
| 776 | Tommy Todd and his Trio | CHLOE | BW216 | – | – | – | KAHN; MORET |
| 776 | Tommy Todd and his Trio | I’VE NEVER SEEN SUCH A SIGHT | BW218 | – | – | – | BOB MORSE |
| 777 | GERALD WILSON and his Orchestra | CRUISIN’ WITH CAB | BW223 | – | – | – | – |
| 777 | GERALD WILSON and his Orchestra | PAMMY | BW226 | – | – | – | – |
| 778A | GERALD WILSON and his Orchestra | ONE O’CLOCK JUMP | BW224=6 | – | – | – | Zurke |
| 778B | GERALD WILSON and his Orchestra | WARM MOOD | BW225=2 | – | – | – | Melba Liston |
| 779 | AL SACK ORCH., BONNIE LOU WILLIAMS | YOU HAVEN’T CHANGED AT ALL | BW245 | – | – | – | – |
| 779 | AL SACK ORCH., JIMMY CASSITY | WHO CARES | BW248 | – | – | – | – |
| 780 | AL SACK ORCH., BONNIE LOU WILLIAMS | LOVE ON A GREYHOUND BUS | BW246 | – | – | – | – |
| 780 | AL SACK ORCH., JIMMY CASSITY | ALL THE TIME | BW247 | – | – | – | – |
| 781 | RED CALLENDER TRIO | BE HAPPY, PAPPY | BW267 | – | – | -1946 | RED CALLENDER |
| 781 | RED CALLENDER TRIO | RED LIGHT | BW265 | – | – | -1946 | RED CALLENDER – LUCKY ENOIS |
| 782 | RED CALLENDER TRIO | BY THE RIVER STE. MARIE | BW266 | – | – | -1946 | WARREN – LESLIE |
| 782 | RED CALLENDER TRIO | RED BOOGIE | BW268 | – | – | -1946 | Red Callender |
| 783 | KAY THOMAS, MAXWELL DAVIS | ITTY BITTY GIRL | BW271 | – | – | – | – |
| 783 | KAY THOMAS, MAXWELL DAVIS | LOVE POISONED | BW269 | – | – | – | – |
| 784 | KAY THOMAS, MAXWELL DAVIS | RAISE UP | BW272 | – | – | – | KAY THOMAS |
| 784 | KAY THOMAS, MAXWELL DAVIS | POP FLY | BW270 | – | – | – | JESSE CRYOR |
| 785A | Jo Evans; Maxwell Davis and His Orchestra |
Goody Goody Baby | BW 295-2 | – | – | – | Jesse Cryor |
| 785B | Jo Evans; Maxwell Davis and His Orchestra |
Root Of All My Evil | BW-298 | – | – | – | Jesse Cryor |
| 786 | Jo Evans; Maxwell Davis and His Orchestra |
GIVE IT UP | BW296 | – | – | – | Cryor; Davis |
| 786 | JO EVANS, MAXWELL DAVIS | PRIVATE STOCK | BW297 | – | – | – | Jo Evans |
| 787 | MARY ANN MORGAN, VIC CORWIN ORCH. | SONG FROM MOULIN ROUGE | BW242A | – | – | – | – |
| 787 | VIC CORWIN ORCH. | APRIL IN PORTUGAL | BW242B | – | – | – | – |
| 788 | JAN GARBER ORCH., ERNIE MATHIAS, KITTY MARTIN | THO I TRIED | BW302 | – | – | – | – |
| 788 | JAN GARBER ORCH., TOMMY TRAYNOR | GOTTA GET ME SOMEBODY TO LOVE | BW304 | – | – | – | – |
| 789 | AL SACK ORCH., JEANNIE MCKEON | WHY DOES IT GET LATE SO EARLY | BW318 | – | – | – | – |
| 789 | AL SACK ORCH., JEANNIE MCKEON | YOU. SO IT’S YOU | BW316 | – | – | – | – |
| 790 | Al Sack | I May Be Wrong | BW317 | – | – | 1946 | Ruskin; Sullivan |
| 790 | Al Sack | You Keep On Coming Back Like A Song | BW315 | – | – | 1946 | Irving Berlin |
| 791A | JACK McVEA & HIS ALL STARS | HEY HEY BABY | BW332 | – | – | – | RABON TARRANT |
| 791B | JACK McVEA & HIS ALL STARS | BULGIN’ EYES | BW330 | – | – | – | JACK McVEA |
| 792A | JACK McVEA and His All Stars | OPEN THE DOOR RICHARD! | BW334-1 | – | – | 1946 | McVea; Clarke |
| 792B | JACK McVEA and His All Stars | LONESOME BLUES | BW-337-1 | – | – | 1946 | Rabon Tarrant |
| 793 | JACK MCVEA & HIS ALL-STARS | DON’T LET THE SUN CATCH YOU CRYING | BW331 | – | – | – | Joe Greene |
| 793 | JACK MCVEA & HIS ALL-STARS | THE CROW’S BOOGIE | BW335 | – | – | – | Thomas Kuhn |
| 794 | – | – | – | – | – | – | – |
| 794 | – | – | – | – | – | – | – |
| 795A | Earle Spencer and his Orch | Bolero in Boogie | 350-1 | – | – | 1947 | Spencer; Gillett |
| 795B | Earle Spencer and his Orch | Production on Melody | 351-2 | – | – | 1947 | Spencer; Gillett |
| 796 | Jo Evans | DRUMMER MAN BLUES | BW360 | – | – | – | – |
| 796 | Jo Evans | COLD BLOODED | BW361 | – | – | – | – |
| 797 | Jo Evans | LOVING COURSE BLUES | BW358 | – | – | – | – |
| 797 | Jo Evans | I WANT SOMEBODY | BW359 | – | – | – | – |
| 798 | Helen Humes | BE BABA LE BA | BW250 | – | – | – | Helen Humes |
| 798 | Helen Humes | MARRIED MAN BLUES | BW251 | – | – | – | – |
| 799 | Earle Spencer | E. S. Boogie | BW385 | Set 62 | – | 1947 | Harry Wham |
| 799 | Earle Spencer | Spencerian Theory pt.2 | 389 | Set 62 | – | 1947 | – |
| 800 | Earle Spencer | E.S.Boogie | 384 | Set 62 | – | 1947 | Harry Wham |
| 800 | Earle Spencer | Spencerian Theory pt1 | 391 | Set 62 | – | 1947 | Polena; Wham |
| 801 | Earle Spencer | Rhapsody in Boogie | BW-387 | – | – | 1947 | Polena |
| 801 | Earle Spencer | Rhapsody in Boogie pt2 | 390 | – | – | 1947 | – |
| 802 | – | – | – | – | – | – | – |
| 802 | – | – | – | – | – | – | – |
| 803 | Phil Moore Four | BIDIN’ MY TIME | BW375 | Set 66 | – | – | – |
| 803 | Phil Moore Four | OVER THE RAINBOW | BW374 | Set 66 | – | – | – |
| 804 | Phil Moore Four | IF YOU WERE THE ONLY GIRL IN THE WORLD | BW377 | Set 66 | – | – | – |
| 804 | Phil Moore Four | THIS LOVE OF MINE | BW376 | Set 66 | – | – | – |
| 805 | Phil Moore Four | DREAMER’S BLUES, PT.1 | BW379 | Set 66 | – | – | – |
| 805 | Phil Moore Four | DREAMER’S BLUES, PT.2 | BW380 | Set 66 | – | – | – |
| 806 | Phil Moore Four | WHERE OR WHEN | BW382 | Set 66 | – | – | – |
| 806 | Phil Moore Four | DANCER’S BLUES | BW381 | Set 66 | – | – | – |
| 807 | Phil Moore Four | MOOD INDIGO | BW378 | – | – | – | – |
| 807 | Phil Moore Four | AIN’T MISBEHAVIN’ | BW383 | – | – | – | – |
| 808 | Jack McVea and his Door Openers | BASSES’ BOOGIE | BW433 | Set 72 | – | – | – |
| 808 | Jack McVea and his Door Openers | BOILERMAKER’S BOOGIE | BW434 | Set 72 | – | – | – |
| 809 | Jack McVea and his Door Openers | BLACKOUT BOOGIE | BW435 | Set 72 | – | – | – |
| 809 | Jack McVea and his Door Openers | REETIE VOOTIE BOOGIE | BW438 | Set 72 | – | – | – |
| 810 | Jack McVea and his Door Openers | GROOVIN’ BOOGIE | BW439 | Set 72 | – | – | – |
| 810 | Jack McVea and his Door Openers | BARRELHOUSE BOOGIE | BW440 | Set 72 | – | – | – |
| 811 | JACK MCVEA & DOOR OPENERS | HANGOVER | BW436 | – | – | – | – |
| 811 | JACK MCVEA & DOOR OPENERS | BABY IT’S FUN | BW437 | – | – | – | – |
| 812 | ELLA LOGAN & ALL-STARS | SOMETIMES I’M HAPPY | BW254 | – | – | – | YOUMANS; CAESAR |
| 812 | ELLA LOGAN & ALL-STARS | TEA FOR TWO | BW253 | – | – | – | – |
| 813 | GERALD WILSON ORCH. | THE SAINT | BW402 | – | – | – | – |
| 813 | GERALD WILSON ORCH. | THE MOORS | BW403 | – | – | – | – |
| 814 | GERALD WILSON ORCH. | EB-LA | BW405 | – | – | – | – |
| 814 | GERALD WILSON ORCH. | PENSIVE MELODY | BW404 | – | – | – | – |
| 815 | LENA HORNE with PHIL MOORE ORCH | LITTLE GIRL BLUE | BW540 | Set 70 | – | – | – |
| 815 | LENA HORNE with PHIL MOORE ORCH | WHISPERING | BW516 | Set 70 | – | – | – |
| 816 | LENA HORNE with PHIL MOORE ORCH | I DON’T WANT TO | BW539 | Set 70 | – | – | – |
| 816 | LENA HORNE with PHIL MOORE ORCH | OLD FASHIONED LOVE | BW537 | Set 70 | – | – | – |
| 817A | LENA HORNE with PHIL MOORE ORCH | GLAD TO BE UNHAPPY | BW538 | Set 70 | – | – | LORENZ HART – RICHARD RODGERS |
| 817B | LENA HORNE with PHIL MOORE ORCH | AT LONG LAST LOVE | BW541 | Set 70 | – | – | COLE PORTER |
| 818 | LENA HORNE with PHIL MOORE ORCH | BLUE PRELUDE | BW543 | Set 70 | – | -1946 | BISHOP – JENKINS |
| 818 | LENA HORNE with PHIL MOORE ORCH | MORE THAN YOU KNOW | BW542 | Set 70 | – | -1946 | – |
| 819 | LENA HORNE (Phil Moore, cond.) | SQUEEZE ME (But Don’t Tease Me) | BW518 | – | – | -1946 | ELLINGTON – GAINS |
| 819 | LENA HORNE (Phil Moore, cond.) | YOU GO TO MY HEAD | BW519 | – | – | -1946 | HAVEN – GILLESPIE – COOTS |
| 820 | Phil Moore Four | EH BABY | BW487 | – | – | – | Phil Moore; Colbert |
| 820 | Phil Moore Four | DEAD MAN’S BLUES | BW490 | – | – | – | Phil Moore |
| 821 | NICK DE LANO, AL SACK ORCH. | GUILTY | BW508 | – | – | – | KAHN – AKST – WHITING |
| 821 | NICK DE LANO, AL SACK ORCH. | HONEY | BW509 | – | – | – | SIMONS – GILLESPIE – WHITING |
| 822A | Earle Spencer and his Orchestra | Five Guitars in Flight | BW529-3 | – | – | 1947 | Arv Garrison |
| 822B | Earle Spencer and his Orchestra | Gangbusters | BW531-2 | – | – | 1947 | Spencer; Polena |
| 823 | IVIE ANDERSON, PHIL MOORE ORCH. | TALL, DARK AND HANDSOME | BW481 | – | – | 10/??/46 | Ivie Anderson |
| 823 | IVIE ANDERSON, PHIL MOORE ORCH. | TWICE TOO MANY | BW483 | – | – | 10/??/46 | Grogan |
| 824 | IVIE ANDERSON, PHIL MOORE ORCH. | EMPTY BED BLUES | BW482 | – | – | 10/??/46 | – |
| 824 | IVIE ANDERSON, PHIL MOORE ORCH. | BIG BUTTER AND EGG MAN | BW484 | – | – | 10/??/46 | – |
| 825 | NICK DE LANO, AL SACK ORCH. | WHEN I’M WITH YOU | BW513 | – | – | – | Gordon & Revel |
| 825 | NICK DE LANO, AL SACK ORCH. | YOU’RE PRICELESS | BW511 | – | – | – | Amsterdam & Romano |
| 826 | ANNETTE WARREN, PHIL MOORE ORCH. | LOTS OF LUCK TO YOU | BW552 | – | – | – | Erby |
| 826 | ANNETTE WARREN, PHIL MOORE ORCH. | AM I BLUE | BW553 | – | – | – | Harry Akst; Grant Clarke |
| 827 | Phil Moore Four | YOU TALK HOLES IN MY CLOTHES | BW488 | – | – | – | Moore |
| 827 | Phil Moore Four | DON’T LIKE ‘EM | BW489 | – | – | – | Moore; Secon |
| 828A | JACK McVEA & HIS DOOR OPENERS | THE KEY’S IN THE MAILBOX | BW589=A (587 label) | – | – | 1947 | Jack McVea |
| 828B | JACK McVEA & HIS DOOR OPENERS | RICHARD GETS HITCHED | BW588 | – | – | 1947 | McVea |
| 829 | BOB HAYWARD & THE ELO-QUINTS | SUMMER SNOW (ALLEN SCHRADER) | BW587B | – | – | – | – |
| 829 | BOB HAYWARD & THE ELO-QUINTS | YOU MADE ME LOVE YOU (ALLEN SCHRADER) | BW584 | – | – | – | – |
| 830 | Jeannie McKeon | IT HAD TO BE YOU | BW561 | Set 71 | – | 1947 | Jones; Kahn |
| 830 | Jeannie McKeon | YESTERDAYS | BW563 | Set 71 | – | 1947 | Kern; Harbach |
| 831 | Jeannie McKeon | I CAN’T BELIEVE THAT YOU’RE IN LOVE WITH ME | BW558 | Set 71 | – | 1947 | Gaskill; McHugh |
| 831 | Jeannie McKeon | STREET OF DREAMS | BW559 | Set 71 | – | 1947 | Young; Lewis |
| 832 | Jeannie McKeon | SWINGING DOWN THE LANE | BW564 | Set 71 | – | 1947 | Jones; Kahn |
| 832 | Jeannie McKeon | THE BOY NEXT DOOR | BW560 | Set 71 | – | 1947 | Martin; Blane |
| 833 | Jeannie McKeon | EMBRACEABLE YOU | BW562 | Set 71 | – | 1947 | Geo. & Ira Gershwin |
| 833 | Jeannie McKeon | LOVE WALKED IN | BW557 | Set 71 | – | 1947 | Geo. & Ira Gershwin |
| 834A | Allen Schrader and His Orch. w. Bob Hayward | Things (I’ll Remember You By) | BW585=3 | – | – | – | Eisenberger; Staver; Hayward |
| 834B | Allen Schrader and His Orch | But Not For Me | BW586=3 | – | – | – | Gershwin |
| 835A | JACK McVEA & HIS DOOR OPENERS | Crows Being Evicted | BW597=3 | – | – | – | Yates; McVea; Kahn |
| 835B | JACK McVEA & HIS DOOR OPENERS | What’s Happening | BW596=2 | – | – | – | Yates; McVea |
| 836 | NICK DE LANO, PHIL MOORE ORCH. | I HEAR A SONG | BW619 | – | – | – | – |
| 836 | NICK DE LANO, PHIL MOORE ORCH. | IT’S YESTERDAY AGAIN | BW620 | – | – | – | – |
| 837 | – | – | – | – | – | – | – |
| 837 | – | – | – | – | – | – | – |
| 838 | – | – | – | – | – | – | – |
| 838 | – | – | – | – | – | – | – |
| 839 | – | – | – | – | – | – | – |
| 839 | – | – | – | – | – | – | – |
| 840 | Estelle Edson w. Oscar Pettiford | Don’t Drive This Jive Away | BW166 | – | – | – | Petitford; Edison |
| 840 | JO EVANS, MAXWELL DAVIS ORCH. | Goody Goody Baby | BW295 | – | – | – | Cryor |
| 841 | Al Lerner Quin | Sometimes I’m Happy | – | – | – | – | – |
| 841 | Al Lerner Quin | Hot Rock | – | – | – | – | – |
| 842 | JACK MCVEA & HIS DOOR OPENERS | BUTCH | BW609 | – | – | – | – |
| 842 | JACK MCVEA & HIS DOOR OPENERS, ARTHUR DUNCAN | TWO TIMIN’ BABY BOOGIE | BW611 | – | – | – | McVea; Tarrant |
| 843 | Earle Spencer | Soft and Warm | 352 | – | – | 1947 | Eppelite |
| 843 | Earle Spencer | Amber Moon | 388 | – | – | 1947 | – |
| 844 | Lena Thorne | HESITATING BLUES | BW593 | – | – | – | – |
| 844 | Lena Thorne | BEALE STREET BLUES | BW599 | – | – | – | – |
| 845 | Lena Thorne | NOBODY KNOWS THE TROUBLE I’VE SEEN | BW594 | – | – | – | – |
| 845 | Lena Thorne | SOMETIMES I FEEL LIKE A MOTHERLESS CHILD | BW600 | – | – | – | – |
| 846 | Lena Thorne | IT’S A RAINY DAY | BW595 | – | – | – | – |
| 846 | Lena Thorne | MY MAN’S GONE NOW | BW616 | – | – | – | – |
| 847 | Lena Thorne | FRANKIE & JOHNNY, PT.1 (also 500) | BW606 | – | – | – | – |
| 847 | Lena Thorne | FRANKIE & JOHNNY, PT.2 (also 500) | BW607 | – | – | – | – |
| 848 | PHIL MOORE FOUR | SWEET EILEEN | BW627 | – | – | – | MOORE; LANCE |
| 848 | PHIL MOORE FOUR | DON’T WORRY ‘BOUT STRANGERS | BW628 | – | – | – | – |
| 849 | ANNETTE WARREN, PHIL MOORE ORCH. | FALLING IN LOVE AGAIN, CAN’T HELP IT | BW614 | – | – | – | HOLLANDER; LERNER |
| 849 | ANNETTE WARREN, PHIL MOORE ORCH. | HOW HIGH THE MOON | BW613 | – | – | – | LEWIS; HAMILTON |
| 850A | JACK McVEA & HIS DOOR OPENERS | Groove Juice (I Need It Bad) | BW610 | – | – | – | Pyles; Shepherd |
| 850B | JACK McVEA & HIS DOOR OPENERS | Darlin’ It’s Just Like a Dream | BW608 | – | – | – | McVea; Kahn |
| 851 | BOB HAYWARD & MELOTONES | IT’S THE SAME OLD LOVE | BW634 | – | – | – | – |
| 851 | BOB HAYWARD & MELOTONES | DEEP PURPLE | BW632 | – | – | – | – |
| 852 | BOB HAYWARD & MELOTONES | EVERY TIME MY PHONE RINGS | BW633 | – | – | 1947 | Goldberg; Suessdorf; Blackburn |
| 852 | BOB HAYWARD & MELOTONES | WAIT’LL I GET MY SUNSHINE IN THE MOONLIGHT | BW631 | – | – | 1947 | Glick; Lambert; Olson |
| 853 | JO EVANS w MAXWELL DAVIS ORCH | DRUMMER MAN BLUES | BW360=1 | – | – | – | JO EVANS; MAXWELL DAVIS |
| 853 | JO EVANS w MAXWELL DAVIS ORCH | I WANT SOMEBODY | BW359 | – | – | – | Cryor; M. Davis |
| 854A | Earle Spencer and his Orch | Concerto for Guitar | 349-3 | – | – | 1947 | Spencer; Gillett; Bill Gillett |
| 854B | Earle Spencer and his Orch | Piano Interlude | 532-3 | – | – | 1947 | Spencer; Polena; Bill Gillett |
| 855 | Phil Moore Four | I FEEL SO SMOOCHIE | BW630 | – | – | – | – |
| 855 | Phil Moore Four | I KNOW A MAN (TUSH-MA-CATTA-MA-BABY) | BW629 | – | – | – | Moore |
| 856 | Wilbert Baranco | GOT AN ACHE IN MY HEART | BW602 | – | – | – | – |
| 856 | Wilbert Baranco | MEMORIES OF YOU | BW626 | – | – | – | – |
| 857 | Wilbert Baranco | BABY LOOK AT YOU | BW603 | – | – | – | – |
| 857 | Wilbert Baranco | ROSETTA | BW625 | – | – | – | – |
| 858 | JO EVANS, MAXWELL DAVIS ORCH. | ROOT OF ALL MY EVIL | BW298 | – | – | – | Cryor |
| 858 | JO EVANS, MAXWELL DAVIS ORCH. | M.T. BOOGIE | BW300 | – | – | – | Davis |
| 859 | WILBERT BARANCO & ORCH. | BLUES RHAPSODY pt1 | BW623 | – | – | – | – |
| 859 | WILBERT BARANCO & ORCH. | BLUES RHAPSODY pt2 | BW624 | – | – | – | – |
| 860 | PHIL DE VORN & BI-TONES | AIN’T GONNA CRY | BW707 | – | – | – | – |
| 860 | PHIL DE VORN & BI-TONES | SOMEDAY | BW708 | – | – | – | – |
| 861 | BOB HAYWARD, ALLEN SCHRADER | NOW AS NEVER BEFORE | BW691 | – | – | 1948 | Carlsen; Dallas |
| 861 | BOB HAYWARD, ALLEN SCHRADER | STOP ME, BABY, IF I’M WRONG | BW693 | – | – | 1948 | Franklin; Schultz |
| 862 | Nick De Lano | DON’T BLAME ME | BW510 | – | – | – | – |
| 862 | Nick De Lano | UNTIL THE REAL THING COMES ALONG | BW512 | – | – | – | – |
| 863 | Ernestine Anderson with Shifty Henry’s Orch | GOOD LOVIN’ MAN | BW690 | – | (LA) | 1947 | Shifty Henry |
| 863 | Ernestine Anderson with Shifty Henry’s Orch | K.C LOVER | BW687 | – | (LA) | 1947 | – |
| 864 | BOB HAYWARD & TWIN-TONES | TILL YOU DECIDE | BW704 | – | – | – | – |
| 864 | BOB HAYWARD & TWIN-TONES | PICK-UP POLKA | BW706 | – | – | – | – |
| 865 | – | – | – | – | – | – | – |
| 865 | – | – | – | – | – | – | – |
| 866 | – | – | – | – | – | – | – |
| 866 | – | – | – | – | – | – | – |
| 867 | LARIESE WILLIAMS, TIM SPINOSA ORCH. | SWING A LULLABY | BW724 | – | – | – | – |
| 867 | LARIESE WILLIAMS, TIM SPINOSA ORCH. | LOVE IS ON A HOLIDAY | – | – | – | – | – |
| 868 | NICK DE LANO, PHIL MOORE ORCH. | AH, BUT IT HAPPENS | BW622 | – | – | – | – |
| 868 | NICK DE LANO, PHIL MOORE ORCH. | THAT’S THE WAY IT GOES | BW621 | – | – | – | – |
| 869 | – | – | – | – | – | – | – |
| 869 | – | – | – | – | – | – | – |
| 870 | ALLEN SCHRADER ORCH. | ROUGH RIDIN’ WILLIE | BW694 | – | – | – | – |
| 870 | ALLEN SCHRADER ORCH. | BLESS THE NIGHT | BW703 | – | – | – | – |
| 871 | Earle Spencer | Oh You Beautiful Doll | 730 | – | – | 1949 | Ayer & Brown |
| 871 | Earle Spencer | Jazzbo | 731 | – | – | 1949 | Paul Nelson |
| 872 | ARTIE WAYNE, DICK LANE TRIO | CANDY KISSES | BW746 | – | – | – | – |
| 872 | ARTIE WAYNE, SKYLARKS | I’M GONNA MISS YOU BABY | BW747 | – | – | – | – |
| 873 | JUNE BREWER, AL GAYLE ORCH. | A FINE FINE DAY | BW749 | – | – | – | – |
| 873 | JUNE BREWER, AL GAYLE ORCH. | DO YOU BELIEVE | BW748 | – | – | – | – |
| 874 | AL GAYLE ORCH. | MISSISSIPPI BLUEBIRD | BW750 | – | – | – | – |
| 874 | AL GAYLE ORCH. | SENORITA, MY SENORITA | BW751 | – | – | – | – |
| 875 | Earle Spencer | BOX LUNCH | 733 | – | – | 1949 | – |
| 875 | Earle Spencer | SUNDAY AFTERNOON | 732 | – | – | 1949 | – |
| 1201A | JOE MARSALA & HIS ORCH | ROMANCE | BW37 | D4-CC-522 | – | 11/29/1944 | Walter Donaldson |
| 1201B | JOE MARSALA & HIS ORCH | ZERO HOUR | BW38 | D4-CC-523 | – | 11/29/1944 | Chuck Wayne |
| 1202A | JOE MARSALA & HIS ORCH | JOE JOE JUMP | BW39 | D4-CC-524 | – | 11/29/1944 | Joe Marsala |
| 1202B | JOE MARSALA & HIS ORCH | DON’T LET IT END | BW42 | – | – | 11/29/1944 | Joe Marsala |
| 1203 | LINDA KEENE w JOE MARSALA ORCH | BLUES IN THE STORM | BW41 | – | – | 11/29/1944 | Carol and Leonard Feather |
| 1203 | LINDA KEENE w JOE MARSALA ORCH | UNLUCKY WOMAN | BW40 | – | – | 11/29/1944 | Leonard Feather |
| 1204A | CLIFF JACKSON’S VILLAGE CATS | QUIET PLEASE | BW44 | D5-CC-19-1A | NYC | 12/21/1944 | Jackson |
| 1204 | CLIFF JACKSON’S VILLAGE CATS | YOU’VE GOT ME WALKIN’ AND TALKIN’ TO MYSELF (v. Gene Sedric) | BW43 | D5-CC-18-1 | NYC | 12/21/1944 | Jackson; Taylor |
| 1205A | CLIFF JACKSON’S VILLAGE CATS | CLIFF’S BOOGIE BLUES | BW45 | D5-CC-20-1 | NYC | 12/21/1944 | Jackson |
| 1205B | CLIFF JACKSON’S VILLAGE CATS | JEEPERS CREEPERS | BW46 | D5-CC-21-1 | NYC | 12/21/1944 | Mercer; Warren |
| 1206A | Barney Bigard & His Orchestra with Georgie Auld | POON TANG | BW56 | – | – | 12/29/1944 | Bigard |
| 1206B | Barney Bigard & His Orchestra | BLUES BEFORE DAWN | BW55 | – | – | 12/29/1944 | – |
| 1207 | Barney Bigard & His Orchestra | HOW LONG BLUES | BW58 | – | – | 12/29/1944 | Carr |
| 1207 | Barney Bigard & His Orchestra | NINE O’CLOCK BEER | BW57 | – | – | 12/29/1944 | – |
| 1208A | Nat Jaffe Trio | BLUES IN NAT’S FLAT | BW48 | D5-CC50 | – | 12/21/1944 | Nat Jaffe |
| 1208B | Nat Jaffe Trio | THESE FOOLISH THINGS | BW50 | D5-CC50 | – | 12/21/1944 | Starchey; Marvell |
| 1209 | Nat Jaffe Trio | A HUNDRED YEARS FROM TODAY | 47 | – | – | 12/21/1944 | Washington; Young |
| 1209 | Nat Jaffe Trio | IF I HAD YOU | 49 | – | – | 12/21/1944 | – |
| 1210 | Lil “Brown Gal” Armstrong & Her All Star Band | CONFESSIN’ | BW84 | – | (NYC) | 1/9/1945 | Dougherty; Reynolds; Neiberg |
| 1210 | Lil “Brown Gal” Armstrong % Her All Star Band | EAST TOWN BOOGIE | BW81 | – | (NYC) | 1/9/1945 | Lil Armstrong |
| 1211 | LIL ARMSTRONG ALLSTAR BAND | LADY BE GOOD | 83 | – | (NYC) | 1/9/1945 | – |
| 1211 | LIL ARMSTRONG ALLSTAR BAND | LITTLE DADDY BLUES | 82 | – | (NYC) | 1/9/1945 | Lil Armstrong |
| 1212 | Mike Loscalzo Dixie Woodsheds | MUSKRAT RAMBLE | RHB 2B | – | – | 2/8/1945 | – |
| 1212 | Mike Loscalzo Dixie Woodsheds | TIN ROOF BLUES | RHB 2 | – | – | 2/8/1945 | – |
| 1213 | Mike Loscalzo Dixie Woodsheds | INDIANA | RHB 3 | – | – | -1945 | – |
| 1213 | Mike Loscalzo Dixie Woodsheds | I Wish I Could Shimmy Like My SISTER KATE | RHB 5 | – | – | -1945 | – |
| 1214 | Mike Loscalzo Dixie Woodsheds | At the JAZZ BAND BALL | RHB 1 | – | – | -1945 | – |
| 1214 | Mike Loscalzo Dixie Woodsheds | ROYAL GARDEN BLUES | RHB 4 | – | – | -1945 | – |
| 1215 | Mike Loscalzo Dixie Woodsheds | Someday Sweetheart | B-1237 | – | – | 2/8/1945 | Spikes and Spikes |
| 1215 | Mike Loscalzo Dixie Woodsheds | That’s A Plenty | B-1236 | – | – | 2/8/1945 | Lew Pollack |
| 1216 | Hip Chicks | I SURRENDER DEAR | BW92 | – | – | – | – |
| 1216 | Hip Chicks | MOONLIGHT ON TURHAN BAY | BW94 | – | – | – | – |
| 1217 | Hip Chicks | STRIP TEASE | BW89 | – | – | – | – |
| 1217 | Hip Chicks | POPSIE | BW90 | – | – | – | – |
| 1218 | Hip Chicks | THE SERGEANT ON FURLOUGH | BW93 | – | – | – | – |
| 1218 | Hip Chicks | SEVEN RIFFS WITH THE RIGHT WOMAN | BW91 | – | – | – | – |
| 1219 | Charlie Venturo Sextet | THE MAN I LOVE | BW209 | – | – | – | – |
| 1219 | Charlie Venturo Sextet | WHO’S SORRY NOW | BW207 | – | – | – | – |
| 1220A | Charlie Venturo Sextet | NOBODY KNOWS THE TROUBLE I’VE SEEN | BW208-3 (B-1715) | – | – | – | (-) |
| 1220B | Charlie Venturo Sextet | S’ WONDERFUL | BW210-1 (B-1717) | – | – | – | Gershwin |
| 1221 | Charlie Venturo Sextet | CHOPIN’S MINUTE WALTZ | BW241 | – | – | – | – |
| 1221 | Charlie Venturo Sextet | SLOW JOE | BW242 | – | – | – | – |
| 1222 | Charlie Venturo Sextet | I’M IN THE MOOD FOR LOVE | BW244 | – | – | – | – |
| 1222 | Charlie Venturo Sextet | WHAT IS THIS THING CALLED LOVE | BW243 | – | – | – | – |
| 1223 | Junior Jazz | BIG NOISE PT. 1 | BW1006 | set 68 | – | Aug-46 | – |
| 1223 | Junior Jazz | BIG NOISE PT. 2 | BW1007 | set 68 | – | Aug-46 | – |
| 1224 | Junior Jazz | BODY AND SOUL | BW1009 | set 68 | – | – | – |
| 1224 | Junior Jazz | BIG NOISE PT. 3 | BW1008 | set 68 | – | Aug-46 | – |
| 2000 | Al Sack and his Orch | WHAT IS THIS THING CALLED LOVE | BW162 | Set 52 | – | – | – |
| 2000 | Al Sack and his Orch | APRIL IN PARIS | BW159 | Set 52 | – | – | – |
| 2001 | Al Sack and his Orch | I’M IN THE MOOD FOR LOVE | BW161 | Set 52 | – | – | – |
| 2001 | Al Sack and his Orch | BLUE SKIES | BW160 | Set 52 | – | – | – |
| 2002 | Al Sack and his Orch | Easy To Love | BW-179 | Set 52 | – | – | Cole Porter |
| 2002 | Al Sack and his Orch | Penthouse Serenade | BW-180 | Set 52 | – | – | Jason; Burton |
| 2003 | Al Sack and his Orch | CARAVAN | – | Set 52 | – | – | – |
| 2003 | Al Sack and his Orch | I DIDN’T KNOW WHAT TIME IT WAS | – | Set 52 | – | – | – |
| 2004 | Al Sack and his Orch | CARIOCA | BW220 | Set 55 | – | – | – |
| 2004 | Al Sack and his Orch | JALOUSIE | BW219 | Set 55 | – | – | Bloom; Gade |
| 2005 | Al Sack and his Orch | La Cumparsita | BW-221-1 | Set 55 | – | – | – |
| 2005 | Al Sack and his Orch | Adios Muchachos | BW222 | Set 55 | – | – | Raven; Sanders; Dedani |
| 2006 | Al Sack and his Orch | MEXICAN HAT DANCE | – | Set 55 | – | – | – |
| 2006 | Al Sack and his Orch | LA CUCARACHA | – | Set 55 | – | – | – |
| 2007A | Al Sack and his Orch | ORCHIDS IN THE MOONLIGHT | BW-229 | – | – | – | Kahn; Youman; Elicu (sic) |
| 2007B | Al Sack and his Orch | JESUSITA | – | – | – | – | – |
| 2008A | Al Sack and his Orch | Hora Stacatto | BW 291 | – | – | – | Dinicu; Heifitz |
| 2008B | Al Sack and his Orch | Piccolino | BW 294 | – | – | – | Irving Berlin |
| 2009 | Al Sack and his Orch | EMBRACEABLE YOU | – | Set 60 | – | – | – |
| 2009 | Al Sack and his Orch | PAGAN LOVE SONG | – | Set 60 | – | – | – |
| 2010 | Al Sack and his Orch | I CAN’T GIVE YOU ANYTHING BUT LOVE | – | Set 60 | – | – | – |
| 2010 | Al Sack and his Orch | PARADISE | – | Set 60 | – | – | – |
| 2011 | Al Sack and his Orch | I GET A KICK OUT OF YOU | – | Set 60 | – | – | – |
| 2011 | Al Sack and his Orch | MIDNIGHT REVERIE | – | Set 60 | – | – | – |
| 3000 | Gaylord Carter | TIGER RAG | BW283 | – | – | – | – |
| 3000 | Gaylord Carter | SMOKE GETS IN YOUR EYES | – | – | – | – | – |
| 3001 | Gaylord Carter | TICO TICO | BW278 | Set 58 | – | – | Abreu |
| 3001 | Gaylord Carter | ALL THE THINGS YOU ARE | – | Set 58 | – | – | – |
| 3002A | Gaylord Carter, organ | Organ Boogie | BW 277-2 | Set 58 | – | – | Gaylord Carter |
| 3002B | Gaylord Carter, organ | Peanut Vendor | BW 282-1 | Set 58 | – | – | Simons |
| 3003 | Gaylord Carter | Flight Of The Doodlebug | – | Set 58 | – | – | Gaylord Carter |
| 3003 | Gaylord Carter | Stardust | BW281 | Set 58 | – | – | Carmichael; Parrish |
| 3004 | Gaylord Carter | HAWAIIAN WAR CHANT | BW305 | – | – | – | Noble |
| 3004 | Gaylord Carter | TEA FOR TWO | – | – | – | – | – |
| 3005 | Gaylord Carter | YOURS | – | – | – | – | – |
| 3005 | Gaylord Carter | QUIEREME MUCHO | – | – | – | – | – |
| 3006A | Gaylord Carter | Minute Waltz | BW 309 | – | – | – | Frederic Chopin |
| 3006B | Gaylord Carter | When Day Is Done | BW 310 | – | – | – | Robert Katscher |
| 3007 | Gaylord Carter | STARS | – | – | – | – | – |
| 3007 | Gaylord Carter | DIANE | – | – | – | – | – |
| 3008 | – | – | – | – | – | – | – |
| 3008 | – | – | – | – | – | – | – |
| 3009 | Gaylord Carter | DARK EYES | BW450 | – | – | – | – |
| 3009 | Gaylord Carter | NIGHT AND DAY | – | – | – | – | – |
| 3010 | Gaylord Carter | HOLIDAY FOR STRINGS | BW445 | – | – | – | Dave Rose |
| 3010 | Gaylord Carter | PLAY FIDDLE PLAY | BW460 | – | – | – | Deutsch |
| 3011 | Gaylord Carter | HUNGARIAN DANCE | – | – | – | – | – |
| 3011 | Gaylord Carter | VIENNA DREAM | – | – | – | – | – |
| 3012 | Gaylord Carter | Dizzy Fingers | BW446 | – | – | – | Confrey |
| 3012 | Gaylord Carter | Dancing Tambourine | BW449 | – | – | – | Polla and Ponce |
| 3013 | – | – | – | – | – | – | – |
| 3013 | – | – | – | – | – | – | – |
| 3014 | – | – | – | – | – | – | – |
| 3014 | – | – | – | – | – | – | – |
| 3015 | Gaylord Carter | TOY TRUMPET | – | – | – | – | – |
| 3015 | Gaylord Carter | TWILIGHT IN TURKEY | – | – | – | – | – |
| 3016A | Gaylord Carter | SONG OF THE VOLGA BOATMEN | BW447=2 | – | – | – | – |
| 3016B | Gaylord Carter | MEADOWLAND | BW448=1 | – | – | – | Knipper |
| 3017A | Gaylord Carter with the Islanders | Missouri Waltz | BW536 | – | – | – | Logan |
| 3017B | Gaylord Carter with the Islanders | Memories | BW492 | – | – | – | Alstyne |
| 3018 | Gaylord Carter | HALUA | – | Set 77 | – | – | – |
| 3018 | Gaylord Carter | MOONLIGHT BAY | – | Set 77 | – | – | – |
| 3019 | Gaylord Carter | MY ISLE OF GOLDEN DREAMS | – | Set 77 | – | – | – |
| 3019 | Gaylord Carter | SONG OF THE ISLANDS | – | Set 77 | – | – | – |
| 3020 | Gaylord Carter | I’LL SEE YOU IN MY DREAMS | – | Set 77 | – | – | – |
| 3020 | Gaylord Carter | TO YOU, SWEETHEART, ALOHA | – | Set 77 | – | – | – |
| 3500 | Gaylord Carter | I LOVE YOU TRULY | BW360-2 | Set 63 | – | – | – |
| 3500 | Gaylord Carter | O PROMISE ME | BW361-2 | Set 63 | – | – | – |
| 3501 | Gaylord Carter | BECAUSE | BW362 | Set 63 | – | – | – |
| 3501 | Gaylord Carter | ALWAYS | BW363 | Set 63 | – | – | – |
| 3502 | Gaylord Carter | AVE MARIA | BW367 | Set 63 | – | – | – |
| 3502 | Gaylord Carter | LA GOLONDRINA (BRIDAL CHORUS) | BW544 | Set 63 | – | – | – |
| 3503 | Gaylord Carter | AH, SWEET MYSTERY OF LIFE | BW372 | Set 63 | – | – | – |
| 3503 | Gaylord Carter | WEDDING MARCH (INTERMEZZO) | BW545 | Set 63 | – | – | – |
| 3504 | Gaylord Carter | BRAHM’S LULLABY | – | – | – | – | – |
| 3504 | Gaylord Carter | STARS IN MY EYES | – | – | – | – | – |
| 3505 | Gaylord Carter | BEGIN THE BEGUINE | – | – | – | – | – |
| 3505 | Gaylord Carter | I’LL SEE YOU IN MY DREAMS | – | – | – | – | – |
| 4000 | McNeil Choir | PO’ MOURNER | BW341 | Set 61 | – | – | – |
| 4000 | McNeil Choir | DON’T CALL THE ROLL, JOHN | BW342 | Set 61 | – | – | – |
| 4001 | McNeil Choir | BABYLON’S FALLEN | BW343 | Set 61 | – | – | – |
| 4001 | McNeil Choir | STEAL AWAY | BW344 | Set 61 | – | – | – |
| 4002A | McNeil Choir | SOON I WILL BE DONE | BW345-1 | Set 61 | – | – | (-) |
| 4002B | McNeil Choir | HOLD ON | BW346-2 | Set 61 | – | – | (-) |
| 4003 | McNeil Choir | BREAK BREAD TOGETHER | BW347 | – | – | – | – |
| 4003 | McNeil Choir | BYE AND BYE | BW348 | – | – | – | – |
| 4006 | McNeil Choir | LORD I CAN’T STAY AWAY | BW432 | – | – | – | – |
| 4006 | McNeil Choir | LORD I TRIED | BW430 | – | – | – | – |
| 4007 | ST. PAUL CHOIR OF CHICAGO | I’LL NEVER TURN BACK | BW569 | – | – | – | – |
| 4007 | ST. PAUL CHOIR OF CHICAGO | WHY SHOULD I WORRY | BW567 | – | – | – | – |
| 4008 | ST PAUL CHOIR OF CHICAGO | AMEN | BW573 | – | – | – | – |
| 4008 | ST PAUL CHOIR OF CHICAGO | SOMEBODY IS KNOCKING | BW568 | – | – | – | – |
| 5004A | Earle Ross | The Dragon and His Grandmother | 137=2 | – | – | – | Howard Halbert |
| 5004B | Earle Ross | The Three Feathers | 142=2 | – | – | – | – |
| 6000 | Cactus Andy & The Texas Dandies | CAGE THE BIRD – SOLDIER’S JOY | BW392 | Set 65 | – | – | – |
| 6000 | Cactus Andy & The Texas Dandies | SALLY GOODIN – CACTUS TWISTER | BW397 | Set 65 | – | – | – |
| 6001 | Cactus Andy & The Texas Dandies | Oh Susanna, Pt.1 | BW393 | Set 65 | – | – | – |
| 6001 | Cactus Andy & The Texas Dandies | Texas Star, Pt.2 | BW396 | Set 65 | – | – | – |
| 6002 | Cactus Andy & The Texas Dandies | Oh Susanna, Pt.2 | BW394 | Set 65 | – | – | – |
| 6002 | Cactus Andy & The Texas Dandies | Texas Star, Pt.1 | BW395 | Set 65 | – | – | – |
| 6003 | Cactus Andy & The Texas Dandies | Smash The Window | BW399 | Set 65 | – | – | – |
| 6003 | Cactus Andy & The Texas Dandies | Tennessee Waggoner | BW398 | Set 65 | – | – | – |
| 7501 | Chino Ortiz & His Orchestra | Rumba Pura | BW118 | – | – | – | Lozaro Herrera |
| 7501 | Chino Ortiz & His Orchestra | PALABRA DE MUJER | BW120 | – | – | – | – |
| 7502A | Chino Ortiz & His Orchestra | LA VIRGEN DE LA MACARENA – DANZON | BW119 | – | – | – | CHINO ORTIZ |
| 7502B | Chino Ortiz & His Orchestra | OYE NEGRA – RUMBA GUARACHA | BW121 | – | – | – | NORO MORALES |
| 7503 | Chino Ortiz & His Orchestra | PARA QUE TU VEAS | BW143 | Set 53 | – | – | Bobby Capo |
| 7503 | Chino Ortiz & His Orchestra | EL APAGON | BW144 | Set 53 | – | – | – |
| 7504 | Chino Ortiz & His Orchestra | VIVA MEXICO | BW145 | Set 53 | – | – | – |
| 7504 | Chino Ortiz & His Orchestra | AMOR CIEGO | BW146 | Set 53 | – | – | – |
| 7505 | Chino Ortiz & His Orchestra | TIQUI TIQUI | – | Set 53 | – | – | Curbelo; Castellanos |
| 7505 | Chino Ortiz & His Orchestra | FUISTE A BAHAI | – | Set 53 | – | – | Dorival Caymmi |
| 7506 | Chino Ortiz & His Orchestra | GUADALAJARA | – | Set 53 | – | – | Pepe Guizar |
| 7506 | Chino Ortiz & His Orchestra | ME VOY MAMA | – | Set 53 | – | – | Oswaldo Estwill |
| 7507 | HECTOR del VILLAR, EDUARDO ABREU ORCH. | VENDRAS | BW187 | – | – | – | – |
| 7507 | HECTOR del VILLAR, EDUARDO ABREU ORCH. | QUE PASE MERCE | BW190 | – | – | – | – |
| 7508 | EDUARDO ABREU & HIS ORCH | ORULA (v. Hector del Villar) | BW189 | – | – | – | Hector Del Villar |
| 7508 | EDUARDO ABREU & HIS ORCH | RICA PULPA (v. Hector del Villar) | BW188 | – | – | – | Eliseo Grenet |
| 7509A | Henry King & His Orch | Grillito (The Little Cricket) | 256=2 | album 56 | – | – | Harold Balter |
| 7509B | Henry King & His Orch | Jungle Drums | 257=2 | album 56 | – | – | E. Lecuona |
| 7510A | Henry King & His Orchestra | Lamp of Memory | BW 259 | album 56 | – | – | Curiel |
| 7510B | Henry King & His Orchestra | Say Si Si | BW 260 | album 56 | – | – | E. Lecuona |
| 7511A | Henry King & His Orchestra | Tabu | BW 261 | album 56 | – | – | Lecuona |
| 7511B | Henry King & His Orchestra | Bruca Manigua | BW 258 | album 56 | – | – | Rodriguez |
| 7512A | Henry King & His Orchestra | Negra Consentida | BW 263 | album 56 | – | – | Paidave |
| 7512B | Henry King & His Orchestra | Batamu | BW 262 | album 56 | – | – | – |
| 7513 | Henry King & His Orchestra | Vem Vem | BW 51 | – | – | – | – |
| 7513 | Henry King & His Orchestra | Chiu Chiu | BW 53 | – | – | – | Molinare |
| 7514 | Henry King & His Orchestra | Tico Tico | – | – | – | – | – |
| 7514 | Henry King & His Orchestra | Mama Yo Quiero | – | – | – | – | – |
| 7515 | Henry King & His Orchestra | CHICO CHICO (FROM PORTO RICO) | – | – | – | – | – |
| 7515 | Henry King & His Orchestra | RICA PULPA | – | – | – | – | – |
| 7516 | Henry King & His Orchestra | CHIU CHIU | – | – | – | – | – |
| 7516 | Henry King & His Orchestra | MAMA YO QUIERO | – | – | – | – | – |
| 7517 | Henry King & His Orchestra | TICO TICO | – | – | – | – | – |
| 7517 | Henry King & His Orchestra | VEM VEM | – | – | – | – | – |
| 7601 | Joe Kusar’s Slovene Orchestra | Carolina Polka | FLBW-01 | – | – | 1945 | J. Kusar |
| 7601 | Joe Kusar’s Slovene Orchestra | Yukon Waltz | FLBW-02 | – | – | 1945 | J. Kusar |
| 7602 | Joe Kusar’s Slovene Orchestra | Strabane-Polka | FLBW-03 | – | – | 1945 | – |
| 7602 | Joe Kusar’s Slovene Orchestra | Sharon – Waltz | FLBW-04 | – | – | 1945 | – |
| 8000 | Original Hurtado Brothers | TU PROMESA | BW418 | Set 69 | – | – | J. B. Hurtado |
| 8000 | Original Hurtado Brothers | LOS ALTOS TREN | BW419 | Set 69 | – | – | D. Betancourt |
| 8001 | Original Hurtado Brothers | PORQUE ENGANAR | BW420 | Set 69 | – | – | M. Hurtado |
| 8001 | Original Hurtado Brothers | QUE QUIRERES MAS DE MI | BW421 | Set 69 | – | – | – |
| 8002 | Original Hurtado Brothers | ADELITA LINDA | BW422 | Set 69 | – | – | J. B. Hurtado |
| 8002 | Original Hurtado Brothers | RUMBARIMBA | BW423 | Set 69 | – | – | J. B. Hurtado |
| 8003 | Original Hurtado Brothers | PAQUITA | BW425 | Set 69 | – | – | C. Hurtado |
| 8003 | Original Hurtado Brothers | SOLAMENTE UNA VEZ | BW426 | Set 69 | – | – | – |
| 10000A | The Six Westernaires | DON’T PLAY WITH MY HEART | BW 127 | – | – | – | Melody Paschall |
| 10000B | The Six Westernaires | A LITTLE WHILE LONGER | BW128 | – | – | – | – |
| 10001A | The Six Westernaires | Why Don’t These Blues Leave Me Alone | BW129 | – | – | – | Melody Paschall |
| 10001B | The Six Westernaires | Singin’ In The Saddle | BW-130 | – | – | – | Jack Cooperman; Robt. Lazerus |
| 10002A | The Six Westernaires | New San Antonio Rose | 175=2 | – | – | 1948 | Bob Wills |
| 10002B | The Six Westernaires | Western Range Ahead | 178=1 | (label 177) | – | 1948 | Porky Freeman |
| 10003 | The Six Westernaires | THE WIND SINGS A COWBOY SONG | BW176 | – | – | – | Smiley Burnette |
| 10003 | The Six Westernaires | REMEMBER ME, DARLING | BW177 | – | – | – | – |
| 10004A | Oklahoma Ed Moody with the Six Westernaires | Forever Is A Long Long Time | BW191-4 | – | – | – | Ed Moody |
| 10004B | Oklahoma Ed Moody with the Six Westernaires | Sitting Alone on My Doorstep | BW 192-1 | – | – | – | Ed Moody |
| 10005A | Oklahoma Ed Moody with the Six Westernaires | NO KISSES FOR YOU | BW 193 | – | – | – | Ed Moody |
| 10005B | Oklahoma Ed Moody with the Six Westernaires | DOWN THE TRAIL TO HOME | BW 194 | – | – | – | Ed Moody |
| 10006 | Oklahoma Ed Moody with the Six Westernaires | CAN’T WIN CAN’T PLACE CAN’T SHOW | – | – | – | – | – |
| 10006 | Oklahoma Ed Moody with the Six Westernaires | WHAT GOOD WOULD IT DO | – | – | – | – | – |
| 10007 | Oklahoma Ed Moody with the Six Westernaires | IF I COULD GO BACK | BW275 | – | – | – | – |
| 10007 | Oklahoma Ed Moody with the Six Westernaires | BAD LITTLE GIRL | BW276 | – | – | – | – |
| 10008 | Slim Newman | AT LEAST A MILLION TEARS | – | – | – | – | – |
| 10008 | Slim Newman | DON’T WASTE YOUR LOVE ON ME | – | – | – | – | – |
| 10009 | Cactus Andy & Texas Dandies | OH WHY (v. Slim Newman) | BW324 | – | – | – | Rogers; Pritchard |
| 10009 | Cactus Andy & Texas Dandies | PLEASE DON’T LEAVE ME BROKEN HEARTED | – | – | – | – | – |
| 10010A | Arthur Smith and his Dixie Liners | I’ll Forget if You’ll Forgive | BW500-1 | – | – | – | Dixie Darling |
| 10010B | Arthur Smith and his Dixie Liners | Follow Thru | BW503 | – | – | – | – |
| 10011 | Rudy Sooter Californians | I CRY ALONE | – | – | – | – | – |
| 10011 | Rudy Sooter Californians | WHO DUG THIS HOLE I’M IN | – | – | – | – | – |
| 10012 | Arthur Smith & Dixie Liners | SUMMER’S ALMOST GONE | BW502 | – | – | – | – |
| 10012 | Arthur Smith & Dixie Liners | I’M ALWAYS BLUE FOR YOU | BW499 | – | – | – | – |
| 10013A | Zeke Clements & Western Swing Gang | NOBODY LOVES ME | BW575 | (ZC-10-A) | – | – | Clements |
| 10013B | Zeke Clements & Western Swing Gang | BLUE MEXICO SKIES | BW574 | (5A-ZC) | – | – | Clements |
| 10014 | Zeke Clements & Western Swing Gang | IT’S MY LIFE | BW577 | – | – | – | – |
| 10014 | Zeke Clements & Western Swing Gang | YOU’RE FREE AGAIN | BW576 | – | – | – | – |
| 10015 | Rudy Sooter Californians | A MILLION DAISIES TOLD ME | – | – | – | – | – |
| 10015 | Rudy Sooter Californians | I CAN TELL BY THE LOOK ON YOUR FACE | – | – | – | – | – |
| 10016 | Arthur Smith & Dixie Liners | ONE BROKEN HEART | BW501 | – | – | – | – |
| 10016 | Arthur Smith & Dixie Liners | I’VE TRIED TO FORGET I LOVE YOU | BW497 | – | – | – | – |
| 10017 | Zeke Clements & Western Swing Gang | I’LL FACE THE WORLD WITH A SMILE | BW578 | – | – | – | Clements |
| 10017 | Zeke Clements & Western Swing Gang | OKLAHOMA BLUES | BW579 | – | – | – | Clements |
| 10018 | BENNIE HESS & TEXAS DANDIES | SOMEDAY YOU’LL KNOW | – | – | – | – | – |
| 10018 | BENNIE HESS & TEXAS DANDIES | YOU JUST WON’T DO | – | – | – | – | – |
| 10021 | Zeke Clements & Western Swing Gang | LOOKIN’ FOR AN ANGEL LIKE YOU | BW583 | – | – | – | – |
| 10021 | Zeke Clements & Western Swing Gang | IT WON’T DO YOU NO GOOD | BW582 | – | – | – | – |
| 10022 | Bennie Hess & Texas Dandies | WASTIN’ MY TIME | BW-615 | – | – | 1947-09 | Hess |
| 10022 | Bennie Hess & Texas Dandies | A BLUE MONDAY NIGHT | BW-618 | – | – | 1947-09 | Hess |
| 10023 | Rudy Sooter Californians | EASY PAYMENT BLUES | BW663 | – | – | – | Sooter |
| 10023 | Rudy Sooter Californians | DON’T COUNT YOUR CHICKENS | BW664 | – | – | – | – |
Based on: 78discography.com