Cat# | Artist: | Title: | MX | Xref: | Loc: | Date: | Comp: |
100 | The One Way Street | Yard Dog | – | – | NYC | 1945 | – |
100 | The One Way Street | Girls, Girls | – | – | NYC | 1945 | – |
101 | Illinois Jacquet & Philo All Stars | Flying Home pt1 | – | – | LA | Jul-1945 | – |
101 | Illinois Jacquet & Philo All Stars | Flying Home pt2 | – | – | LA | Jul-1945 | – |
102 | Duke of Iron & his Calypso Troubadors | Pam-Palam | C-2007 | – | NYC | ~1945 | – |
102 | Duke of Iron & his Calypso Troubadors | Out The Fire | – | – | NYC | ~1945 | – |
103 | FAMOUS GEORGIA PEACH with The Harmonaires | Here Am I, Do Lord Send Me | – | – | NYC | ~1945 | arr. Clara Brock |
103 | FAMOUS GEORGIA PEACH with The Harmonaires | Shady Green Pastures | – | – | NYC | ~1945 | – |
104 | Dixie Humming Birds | In The Storm Too Long | – | – | NYC | ~1945 | – |
104 | Dixie Humming Birds | Every Knee Surely Must Bow | – | – | NYC | ~1945 | – |
105 | CURT BARRETT and the Trailsmen | I’m On My Way Back Home To Oklahoma | – | – | NYC | ~1945 | – |
105 | CURT BARRETT and the Trailsmen | Keep Your Lovelight Burning | S-1186 | – | NYC | ~1945 | Curt Barrett |
106 | Duke of Iron & his Calypso Troubadors | Calypsonian Invasion | – | – | NYC | ~1945 | – |
106 | Duke of Iron & his Calypso Troubadors | Convoy | – | – | NYC | ~1945 | – |
107 | Georgia Peach with the Harmonaires | Who Is That Knocking? | C-2004 | – | NYC | ~1945 | arr. John Myers |
107 | Georgia Peach with the Harmonaires | Where The Sun Will Never Go | – | – | NYC | ~1945 | – |
108 | The Dixie Humming Birds | Amazing Grace | – | – | NYC | ~1945 | – |
108 | The Dixie Humming Birds | My Record Will Be There | C-2008 | – | NYC | ~1945 | Tucker – Thompson – Davis – Bobo |
109 | Curt Barrett | I Might Have Known | – | – | NYC | ~1945 | – |
109 | Curt Barrett | You’ll Regret | – | – | NYC | ~1945 | – |
110 | MAHALIA JACKSON with piano | WAIT TILL MY CHANGE COMES | C-2014 | – | Chi | 10/3/1946 | Thomas A. Dorsey |
110 | MAHALIA JACKSON | I’M GOING TO TELL GOD | – | – | Chi | 10/3/1946 | – |
111 | Bobby Gregory and the Cactus Cowboys | You Were Once My Sunshine | – | – | NYC | ~1945 | – |
111 | Bobby Gregory and the Cactus Cowboys | My Good Gal’s Gone Away | – | – | NYC | ~1945 | – |
112 | RELIABLE JUBILEE SINGERS | Jesus, Lover of My Soul | C2018 | – | NYC | ~1946 | – |
112 | RELIABLE JUBILEE SINGERS | God’s Eye Is On the Sparrow | – | – | NYC | ~1946 | – |
113 | BOBBY GREGORY and his RAMBLIN’ HOBOES | THE HUNGRY HOBO | C-2023 | – | NYC | ~1945 | – |
113 | BOBBY GREGORY and his RAMBLIN’ HOBOES | HOBO POLKA | – | – | NYC | ~1945 | – |
114 | Bobby Gregory & Ramblin’ Hoboes | The Hobo’s Dream | C-2024 | – | NYC | ~1945 | Bobby Gregory |
114 | Bobby Gregory & Ramblin’ Hoboes | The Yodeling Hobo | C-2025 | – | NYC | ~1945 | Bobby Gregory |
115 | Bobby Gregory & Ramblin’ Hoboes | Rambling Hobo Blues | – | – | NYC | ~1945 | – |
115 | Bobby Gregory & Ramblin’ Hoboes | Cryin’ Hobo | – | – | NYC | ~1945 | – |
116 | Oklahoma Roundup Gang | Fireball Mail | – | – | LA | ~1945 | – |
116 | Oklahoma Roundup Gang | Don’t Hang Around Me Anymore | – | – | LA | ~1945 | – |
117 | Oklahoma Roundup Gang | I’m Brandin’ My Darlin’ With My Heart | – | – | LA | ~1945 | – |
117 | Oklahoma Roundup Gang | Rock Me To Sleep In My Saddle | – | – | LA | ~1945 | – |
118 | – | – | – | – | – | – | – |
118 | – | – | – | – | – | – | – |
119 | Ravon Darnell | Chicken Little | – | – | NYC | ~1946 | – |
119 | Ravon Darnell | – | – | – | – | – | – |
120 | Georgia Peach and the Reliable Jubilee Singers | See About Me | C-2029 | – | NYC | 1947 | – |
120 | Georgia Peach and the Reliable Jubilee Singers | Saviour, Don’t Pass Me By | C-2030 | – | NYC | 1947 | – |
121 | Georgia Peach & Harmonaires | Tear Down Confusion In This Land | C-2028 | – | NYC | 1947 | – |
121 | Georgia Peach & Harmonaires | Just One Moment | C-2031 | – | NYC | 1947 | – |
122 | Georgia Peach & Harmonaires | I Don’t Know Why | C-2032 | – | NYC | 1947 | – |
122 | Georgia Peach & Harmonaires | The Sea Gave Way | C-2033 | – | NYC | 1947 | – |
123 | King Houdini & Calypso Parliament | Moan, People, Moan | – | – | NYC | 1947 | – |
123 | King Houdini & Calypso Parliament | Bobby Sox Idol | – | – | NYC | 1947 | – |
124 | King Houdini & Calypso Parliament | HE DEAD, HE GONE ALREADY | – | (A-8) | NYC | 1947 | – |
124 | King Houdini & Calypso Parliament | GRAVEL GERTIE | – | (A-8) | NYC | 1947 | – |
125 | King Houdini & Calypso Parliament | BRAVE SON OF AMERICA | – | (A-8) | NYC | 1947 | – |
125 | King Houdini & Calypso Parliament | QUEEN OF THE AMAZONS | – | (A-8) | NYC | 1947 | – |
126 | King Houdini & Calypso Parliament | LAZY MULE | – | (A-8) | NYC | 1947 | – |
126 | King Houdini & Calypso Parliament | NEW ORLEANS WOMAN | – | (A-8) | NYC | 1947 | – |
127 | The Russians | Quick, Quick, A Bottle Of Beer | – | – | NYC | 1947 | – |
127 | The Russians | Along The Highway | – | – | NYC | 1947 | – |
128 | The Russians | Withered Chrysanthemums | – | – | NYC | 1947 | – |
128 | The Russians | What Do I Care ? | – | – | NYC | 1947 | – |
129 | The Russians | Of These Beautiful Dark Eyes | – | – | NYC | 1947 | – |
129 | The Russians | No, No, I Don’t Want | – | – | NYC | 1947 | – |
130 | The Russians | Driver, Don’t Hurry The Horses | – | – | NYC | 1947 | – |
130 | The Russians | Thank You, My Heart | – | – | NYC | 1947 | – |
131 | Reliable Jubilee Singers (Preston York, solo) | TELL ME WHY YOU Like ROOSEVELT pt1 | C-2074 | – | NYC | 1948 | arr. Preston York |
131 | Reliable Jubilee Singers (Preston York, solo) | TELL ME WHY YOU Like ROOSEVELT pt2 | C-2075 | – | NYC | 1948 | arr. Preston York |
132 | DIXIE HUMMING BIRDS | One Day | – | – | NYC | 1948 | – |
132 | DIXIE HUMMING BIRDS | Don’t You Want To Join That Number? | – | – | NYC | 1948 | – |
133 | The Reliable Gospel Singers | Standing On The Highway | – | – | NYC | 1948 | – |
133 | The Reliable Gospel Singers | Didn’t It Rain ? | – | – | NYC | 1948 | – |
134 | unissued? | – | – | – | – | – | – |
134 | unissued? | – | – | – | – | – | – |
135 | unissued? | – | – | – | – | – | – |
135 | unissued? | – | – | – | – | – | – |
136 | unissued? | – | – | – | – | – | – |
136 | unissued? | – | – | – | – | – | – |
137 | The TWO GOSPEL KEYS | JESUS MET THE WOMAN AT THE WELL | C-2081 | – | NYC | 1948 | Daniel – Jones |
137 | The TWO GOSPEL KEYS | CAN’T NO GRAVE HOLD MY BODY DOWN | C-2080 | – | NYC | 1948 | Daniel – Jones |
138 | BARTON BROTHERS (Orch dir. Irv Carroll) | JOE AND PAUL Pt1 | C-2086 | – | NYC | 1948 | – |
138 | BARTON BROTHERS (Orch dir. Irv Carroll) | JOE AND PAUL Pt2 | C-2087 | – | NYC | 1948 | – |
139 | BARTON BROTHERS (Orch dir. Irv Carroll) | COCK-EYED JENNY | C2088B-2 | – | NYC | 1948 | – |
139 | BARTON BROTHERS (Orch dir. Irv Carroll) | MINNIE THE FLAPPER | C2089A-2 | – | NYC | 1948 | – |
140 | Tommy Sosebee | Scars Upon My Heart | – | – | LA | 1947 | – |
140 | Tommy Sosebee | Death By The Roadside | – | – | LA | 1947 | – |
141 | Smiley Wilson with the Crossroads Gang | Red Silk Stockings And Green Perfume | C-2090 | – | LA | 1947 | – |
141 | Smiley Wilson | I’m Satisfied With Life | – | – | LA | 1947 | – |
142 | Tennessee Mountain Boys | Jole Blon | – | – | LA | 1947 | – |
142 | Tennessee Mountain Boys | Sing Tom Kitty | – | – | LA | 1947 | – |
143 | ABE SCHWARTZ | ICH BIN A DOARDER MY MEIN WEIB | – | – | NYC | 1947 | – |
143 | ABE SCHWARTZ | ICH VILL ZICH SHPIELEN | – | – | NYC | 1947 | – |
144 | Cantor Wagnor | Besame Mucho | – | – | NYC | 1947 | – |
144 | Cantor Wagnor | Anniversary Waltz | – | – | NYC | 1947 | – |
145 | MAHALIA JACKSON | HE KNOWS MY HEART | C-2013 | – | NYC | 10/3/1946 | Harris |
145 | MAHALIA JACKSON with piano | I Want to Rest | C-2012 | – | NYC | 10/3/1946 | Harris |
146 | Oklahoma Roundup Gang | DAISY, PUT ON THE COFFEE POT | – | – | LA | 1945 | – |
146 | Oklahoma Roundup Gang | I’M GOIN’ BACK TO WHAR I COME FROM | – | – | LA | 1945 | – |
147 | Johnny And Jack | Love In The First Degree | – | – | LA | 1945 | – |
147 | Johnny And Jack | Too Many Blues | – | – | LA | 1945 | – |
148 | – | – | – | – | – | – | – |
148 | – | – | – | – | – | – | – |
149 | JOE MERESCO’S ORCHESTRA | CUCKOO POLKA | – | – | – | – | – |
149 | JOE MERESCO’S ORCHESTRA | NEW WARSAW POLKA | – | – | – | – | – |
150 | Chucho Martinez | La Paloma | – | – | LA | 5/6/1947 | – |
150 | Chucho Martinez | Ay, Ay, Ay | – | – | LA | 5/6/1947 | – |
151 | Tennessee “Slim” King with The Crossroads Gang | Tomorrow May Be too Late | C2094 | – | LA | 1947 | – |
151 | Tennessee “Slim” King with The Crossroads Gang | Just an Old Forgotten Letter | – | – | LA | 1947 | – |
152 | Tony Bari | Tango Of Roses | – | – | LA | 1947 | – |
152 | Tony Bari | Mama | – | – | LA | 1947 | – |
153 | Tony Bari | Butcher Boy | – | – | LA | 1947 | – |
153 | Tony Bari | Come Back To Sorrento | – | – | LA | 1947 | – |
154 | JOHNNY & JACK | THIS IS THE END | – | – | NYC | 1945 | – |
154 | JOHNNY & JACK | PAPER BOY | – | – | NYC | 1945 | – |
155 | Dixie Humming Birds | Just A Closer Walk With Thee | – | – | NYC | ~1947 | – |
155 | Dixie Humming Birds | Ezekiel Saw The Wheel | – | – | NYC | ~1947 | – |
156 | SAM LEVENSON | THE FAMILY GOES TO CONEY ISLAND | C-2134 | – | NYC | ~1947 | Levinson |
156 | SAM LEVENSON | STORY OF A BAR MITZVAH BOY | C-2135 | – | NYC | ~1947 | Levinson |
157 | JOSH WHITE | APPLES, PEACHES AND CHERRIES | C2131 | – | NYC | ~1947 | – |
157 | JOSH WHITE | THE MAN WHO COULDN’T WALK AROUND | C2133 | – | NYC | ~1947 | – |
158 | Smilin’ Eddie Hill with the Tennessee Mountain Boys | The Little Shirt My Mommy Made for Me | C2129 | – | – | – | Hill – Anglin – Wright |
158 | Smilin’ Eddie Hill with the Tennessee Mountain Boys | I Never See My Baby Alone | – | – | – | – | – |
159 | Crossroads Gang | Gotta Get To Oklahoma City | – | – | LA | 1947 | – |
159 | Crossroads Gang | My Ranch In California | – | – | LA | 1947 | – |
160 | Crossroads Gang | That Gospel Train Is Coming | – | – | LA | 1947 | – |
160 | Crossroads Gang | Cryin’ In Vain | – | – | LA | 1947 | – |
161 | Smiley Wilson with the Crossroads Gang | You Call Everybody Darling | C2122 | – | LA | 1947 | Trace – Woots |
161 | Smiley Wilson with the Crossroads Gang | What Do I Care | – | – | LA | 1947 | – |
162 | Two Gospel Keys | I Don’t Want To Go Down There (Part 1) | C-2084 | – | NYC | ~1947 | – |
162 | Two Gospel Keys | I Don’t Want To Go Down There (Part 2) | C-2084 | – | NYC | ~1947 | – |
163 | Sister Dorothy Willett | Strange Things Happening Every Day | C-2142 | – | NYC | 1947 | – |
163 | Sister Dorothy Willett | Claim Jesus | – | – | NYC | 1947 | – |
164 | MAHALIA JACKSON | MOVE ON UP A LITTLE HIGHER pt1 | C-2158 | – | – | 9/12/1947 | Jackson – Frye |
164 | MAHALIA JACKSON | MOVE ON UP A LITTLE HIGHER pt2 | C-2159 | – | – | 9/12/1947 | – |
165 | Frank Saunders | Mush Mush | – | – | NYC | 1948 | – |
165 | Frank Saunders | Cockles And Mussels | – | – | NYC | 1948 | – |
166 | Frank Saunders | Believe Me If All Those Endearing Young Charms | – | – | NYC | 1948 | – |
166 | Frank Saunders | She Moves Through The Air | – | – | NYC | 1948 | – |
167 | Frank Saunders | Glory O, Glory O | – | – | NYC | 1948 | – |
167 | Frank Saunders | Ballynure Ballad | – | – | NYC | 1948 | – |
168 | Frank Saunders | Druncollingher | – | – | NYC | 1948 | – |
168 | Frank Saunders | Molly Brannigan | – | – | NYC | 1948 | – |
169 | The BARTON BROTHERS (Irv Carroll orch) | ARRIBA PT 1 | C-2174 | – | NYC | 1948 | M. Barton – E. Barton |
169 | BARTON BROTHERS | The BARTON BROTHERS (Irv Carroll orch) | C-2175 | – | NYC | 1948 | M. Barton – E. Barton |
170 | Josh White | Bon Bons, Choclates and Chewing Gum | – | – | NYC | 1948 | – |
170 | Josh White and his guitar | You Know, Baby | C-2137 | – | NYC | 1948 | Lewis – Williams |
171 | Sammy Smith (BEN PAISNER ORCH) | SIT, SIT, SIT pt1 | C-2162 | – | – | – | Paisner |
171 | Sammy Smith (BEN PAISNER ORCH) | SIT, SIT, SIT pt2 | C-2163 | – | – | – | Paisner |
172 | SAM LEVENSON | BASIC YIDDISH LESSON 1: BUSINESS ADMINISTRATION | C-2164-4 | – | NYC | 1948 | Levenson |
172 | SAM LEVENSON | LESSON 2 – KOSHER KALORIES | C-2167-1 | – | NYC | 1948 | Levenson |
173 | SAM LEVENSON | BASIC YIDDISH LESSON 3: FAMILY LIFE | C-2165-1 | – | – | 1947/12 | Levenson |
173 | SAM LEVENSON | YIDDISH LESSON 4 – KLOLES | C-2166-2 | – | – | 1947/12 | Levenson |
174 | Tommy Sosebee | I Didn’t Have The Time | – | – | LA | 1947 | – |
174 | Tommy Sosebee | Change Your Way Of Livin’ | – | – | LA | 1947 | – |
175 | Cantor Wagnor | A Zion Lullabye | – | – | NYC | 1948 | – |
175 | Cantor Wagnor | Ani-Maamin | – | – | NYC | 1948 | – |
176 | Reliable Jubilee Singers | Open Up Those Pearly Gates | – | – | NYC | 1947 | – |
176 | Reliable Jubilee Singers | God Shall Wipe All Tears Away | – | – | NYC | 1947 | – |
177 | Eddie Hill | Lord, Watch O’er My Daddy | – | – | NYC | 1948 | – |
177 | Eddie Hill | There’s No Housing Shortage In Heaven | – | – | NYC | 1948 | – |
178 | MAHALIA JACKSON | EVEN ME | C-2160-B-3 | – | Chi | 09/12/1947 | Martin |
178 | MAHALIA JACKSON | WHAT COULD I DO | C-2157-B-3 | – | Chi | 09/12/1947 | Dorsey |
179 | Eddie Gronet & His Orchestra | Long Island Polka | – | – | NYC | 1948 | – |
179 | Eddie Gronet & His Orchestra | Trambulanka | – | – | NYC | 1948 | – |
180 | BARTON BROS | CUT – SPEECH part 1 | C2172-4D2 | – | NYC | 1948 | E. Barton – M. Barton – Ellstein |
180 | BARTON BROS | CUT – SPEECH part 2 | C2173-2D2 | – | NYC | 1948 | E. Barton – M. Barton – Ellstein |
181 | MAHALIA JACKSON | IF YOU SEE MY Savior | C2196-1D1 | – | Chi | Dec-47 | Dorsey |
181 | MAHALIA JACKSON | Dig A Little Deeper In God’s Love | C2194-2D1 | – | Chi | Dec-47 | Morris |
182 | SMILIN’ EDDIE HILL | SOMEDAY YOU’LL CALL MY NAME | – | – | NYC | 1948 | – |
182 | Smilin’ Eddie Hill | The Hem Lines Are Getting Longer | – | – | NYC | 1948 | – |
183 | Dixie Humming Birds | Nobody Knows The Trouble I’ve Seen | – | – | NYC | 1948 | – |
183 | Dixie Humming Birds | Wrestling Jacobs | – | – | NYC | 1948 | – |
184 | Cantor Botoshansky | Hartzenue Haktantonet | – | – | NYC | 1948 | – |
184 | Cantor Botoshansky | Habibi | – | – | NYC | 1948 | – |
185 | REV. B. C. CAMPBELL and Congregation | I’ll Fly Away | C2204 | – | NYC | ~1947 | (-) |
185 | REV. B. C. CAMPBELL and Congregation | Promised Land | C2208 | – | NYC | ~1947 | (-) |
186 | SAM LEVENSON | THE LODGE MEETING | C-2236-2D2-KB | – | – | 1948 | Levenson |
186 | SAM LEVENSON | MY LANDLADY | C-2235-3D2-KB | – | – | 1948 | Levenson |
187 | Two Gospel Keys | If I Never See You No More | – | – | NYC | Jan-46 | – |
187 | Two Gospel Keys | Stranger, Don’t Drive Me Away | – | – | NYC | Jan-46 | – |
188 | Bright Lights | Let Us Cheer The Weary Traveler | – | – | NYC | 1948 | – |
188 | Bright Lights | I Just Rose To Tell You | – | – | NYC | 1948 | – |
189 | Golden Tones | Ride With The Lord | – | – | NYC | 1948 | – |
189 | Golden Tones | Move Over Gabriel | – | – | NYC | 1948 | – |
190 | THE BARTON BROTHERS | TZOORIS pt1 | – | – | NYC | 1948 | – |
190 | THE BARTON BROTHERS | TZOORIS pt2 | – | – | NYC | 1948 | – |
191 | Dixie Humming Birds | If We Ever Needed The Lord | – | – | NYC | 1948 | – |
191 | Dixie Humming Birds | Journey To The Sky | – | – | NYC | 1948 | – |
192 | Johnny And Jack | Unloved – Unclaimed | – | – | – | – | – |
192 | Johnny And Jack | That’s Why I’m Cryin’ | – | – | – | – | – |
193 | Rev. B.C.Campbell & Congreg. | Let Me Go Back | – | – | NYC | ~1948 | – |
193 | Rev. B.C.Campbell & Congreg. | Jesus Was Great | – | – | NYC | ~1948 | – |
194 | MAHALIA JACKSON | AMAZING GRACE | – | – | Chi | Dec-47 | – |
194 | MAHALIA JACKSON with organ acc. | TIRED | C-2195 | – | Chi | Dec-47 | J. W. Davis – E. W. Davis |
195 | Ray Whitley | I Wish That I’d Been Satisfied With Mary | – | – | LA | 1948 | – |
195 | Ray Whitley | You’re Barking Up The Wrong Tree Now | – | – | LA | 1948 | – |
196 | Dixie Humming Birds | God Is Now Speaking | – | – | NYC | 1948 | – |
196 | Dixie Humming Birds | Guide My Mind | – | – | NYC | 1948 | – |
197 | Two Gospel Keys | Precious Lord | – | – | NYC | Jan-46 | – |
197 | Two Gospel Keys | This Heart Of Mine | – | – | NYC | Jan-46 | – |
198 | Willett Sisters | One Day | – | – | NYC | Jan-46 | – |
198 | Georgia Lee Willett | If I Were Hungry I Wouldn’t Tell You | – | – | NYC | Jan-46 | – |
199 | Sir Lancelot (Sidney Bean Trio) | Beautiful Bermuda | C-2257 | – | NYC | 1948 | Lancelot Pinard |
199 | Sir Lancelot | West Indian Families | C-2258 | – | NYC | 1948 | Lancelot Pinard |
200 | – | – | – | – | – | – | – |
200 | – | – | – | – | – | – | – |
201 | Dixie Humming Birds | I’ll Forever Stand | – | – | NYC | 1949 | – |
201 | Dixie Humming Birds | Jesus, I Love You | – | – | NYC | 1949 | – |
202 | Eddie Hill | Melting Steel | – | – | NYC | 1947 | – |
202 | Eddie Hill | Alabama | – | – | NYC | 1947 | – |
203 | Curley Perrin | Little Rag Doll | – | – | NYC | 1949 | – |
203 | Curley Perrin | My Cross-Eyed Gal | – | – | NYC | 1949 | – |
204 | Prophet Powell and the Holy Mount Singers | The Wonderful Counselor | C-2243 | – | NYC | 1947 | Mother Bey |
204 | Prophet Powell and the Holy Mount Singers | You’ve Got To Move | – | – | NYC | 1947 | – |
205 | MAHALIA JACKSON with organ acc. | In My Home Over There | C-2197 | – | Chi | Dec-47 | H. J. Ford |
205 | Mahalia Jackson | Since The Fire Started Burning | – | – | Chi | Dec-47 | – |
206 | Eddie Gronet & His Orchestra | Kochlan Ko (Lover Polka) | – | – | NYC | 1948 | – |
206 | Eddie Gronet & His Orchestra | Wanda I Stach | – | – | NYC | 1948 | – |
207 | MAHALIA JACKSON | I HAVE A FRIEND | C2161 | – | Chi | 9/12/1947 | Davis – Frye |
207 | MAHALIA JACKSON with organ acc. | There’s Not a Friend Like Jesus | C2198 | – | Chi | Dec-47 | Oatman – Hugg |
208 | REV. B. C. CAMPBELL and Congregation | Remember Me | C2202 | – | NYC | – | (-) |
208 | REV. B. C. CAMPBELL and Congregation | The Lord Will Make A Way Somehow | C2211 | – | NYC | – | (-) |
209 | Jessie Rogers | The Drunkard’s Child | – | – | NYC | 1949 | – |
209 | Jessie Rogers | It’s Nobody’s Fault But Your Own | – | – | NYC | 1949 | – |
210 | Rev. Harold Williams and His Ivory Gospel Singers | Lord Have Mercy (v. Mary Francis Polk) | – | – | NYC | 1947 | (-) |
210 | Rev. Harold Williams and His Ivory Gospel Singers | Jesus | – | – | NYC | 1947 | – |
211 | J. Robert Bradley | Didn’t My Lord Deliver Daniel? | – | – | NYC | 1947 | – |
211 | Howard T. Dodson | If My Jesus Has To Pray | – | – | NYC | 1947 | – |
212 | Landlighters | You’ve Got To Learn How To Pray | – | – | NYC | 1947 | – |
212 | Landlighters | I’ve Got A Home In That Rock | – | – | NYC | 1947 | – |
213 | Mahalia Jackson | I Can Put My Trust In Jesus | – | – | NYC | Jul-49 | – |
213 | Mahalia Jackson | Let The Power Of The Holy Ghost | – | – | NYC | Jul-49 | – |
214 | ROBERTA MARTIN SINGERS | HE KNOWS HOW MUCH WE CAN BEAR | – | – | NYC | Jul-49 | – |
214 | ROBERTA MARTIN SINGERS | ONLY A LOOK | – | – | NYC | 1949 | – |
215 | REV.B.C.CAMPBELL and Congregation | I’M SATISFIED | – | – | NYC | 1947 | – |
215 | REV.B.C.CAMPBELL and Congregation | SWEEPIN’ THRU THE GATE | – | – | NYC | 1947 | – |
216 | Samuel Patterson | This World Is Not My Home | – | – | NYC | 1949 | – |
216 | Samuel Patterson | Where The Sun Will Never Go Down | – | – | NYC | 1949 | – |
217 | MAHALIA JACKSON | PRAYER CHANGES THINGS | – | – | NYC | Jul-49 | – |
217 | MAHALIA JACKSON | Walk With Me | C-2289 | – | NYC | Jul-49 | – |
218 | ROBERTA MARTIN SINGERS | WHAT A BLESSING IN JESUS I’ve Found | – | – | NYC | Jul-49 | – |
218 | ROBERTA MARTIN SINGERS | I’VE FOUND A FRIEND | – | – | NYC | Jul-49 | – |
219 | Rev. Harry Williams & Ivory Gospel Singers | Out Of The Depths | – | – | NYC | 1949 | – |
219 | Rev. Harry Williams & Ivory Gospel Singers | Make More Room | – | – | NYC | 1949 | – |
220 | Dixie Humming Birds | Jesus Has Traveled This Road | – | – | NYC | 1949 | – |
220 | Dixie Humming Birds | Holy Baby | – | – | NYC | 1949 | – |
221 | Mahalia Jackson with organ acc. | Just Over The Hill (Part 1) | C-2330 | – | NYC | Feb-50 | – |
221 | Mahalia Jackson with organ acc. | Just Over The Hill (Part 2) | C-2331 | – | NYC | Feb-50 | Rev. Brewster |
222 | MAHALIA JACKSON | I’M GLAD SALVATION IS FREE | – | – | NYC | Feb-50 | – |
222 | MAHALIA JACKSON | THE LAST MILE OF THE WAY | – | – | NYC | Feb-50 | – |
223 | ROBERTA MARTIN SINGERS of Chicago | THE OLD SHIP OF ZION (v. Norsalus McKissick) | C2295 | – | NYC | Jul-49 | T. A. Dorsey |
223 | ROBERTA MARTIN SINGERS of Chicago | DO YOU KNOW HIM? (v. Eugene Smith) | C-2322 | – | NYC | Jan-50 | Parker |
224 | Robert Ross Singers | I’ll Tell It | – | – | NYC | ~1949 | – |
224 | Robert Ross Singers | Speak To Me Jesus | – | – | NYC | ~1949 | – |
225 | Golden Tones | Jesus On My Mind | – | – | NYC | ~1948 | – |
225 | Golden Tones | Lookin’ For The City | – | – | NYC | ~1948 | – |
226 | Barton Brothers | Cleaned And Pressed | – | – | NYC | 1948 | – |
226 | Barton Brothers | What Do I Care? | – | – | NYC | 1948 | – |
227 | The Roberta Martin Singers of Chicago | Satisfied | – | – | – | Jan-50 | – |
227 | The Roberta Martin Singers of Chicago | My Eternal Home | C-2327 | – | – | Jan-50 | – |
228 | Rev. B.C.Campbell & Congregation | What Could I Do? | – | – | NYC | ~1949 | – |
228 | Rev. B.C.Campbell & Congregation | Shine, Shine On Me | – | – | NYC | ~1949 | – |
229 | Mahalia Jackson | Shall I Meet You Over Yonder? | – | – | NYC | Feb-50 | – |
229 | Mahalia Jackson | I Do, Don’t You? | – | – | NYC | Feb-50 | – |
230 | Cantor Wagnor | Lost Town | – | – | NYC | ~1949 | – |
230 | Cantor Wagnor | The Lively Jew | – | – | NYC | ~1949 | – |
231 | Robert Ross Singers | How Far Am I From Canaan? (Part 1) | – | – | NYC | ~1949 | – |
231 | Robert Ross Singers | How Far Am I From Canaan? (Part 2) | – | – | NYC | ~1949 | – |
232 | Rev. B.C.Campbell & Congreg. | Jesus Hold My Hand | C-2378 | – | NYC | 1950 | (-) |
232 | Rev. B.C.Campbell & Congreg. | Heaven Bound Train | – | – | NYC | 1950 | – |
233 | Daniels Singers | It Must Be Jesus’ Love Divine | – | – | NYC | 1950 | – |
233 | Daniels Singers | Bye And Bye | – | – | NYC | 1950 | – |
234 | Mahalia Jackson with piano | It Pays To Serve Jesus | C2402 | – | NYC | 9/11/1950 | – |
234 | Mahalia Jackson with piano and organ | These Are They | C2403 | – | NYC | 9/11/1950 | – |
235 | MAHALIA JACKSON | GO TELL IT ON THE MOUNTAIN | – | – | NYC | 10/17/1950 | – |
235 | Mahalia Jackson | Silent Night, Holy Night | – | – | NYC | 10/17/1950 | – |
236 | Gospelaires | I Call Jesus My Rock | – | – | NYC | 1950 | – |
236 | Gospelaires | Every Day | – | – | NYC | 1950 | – |
237 | Southern Harmonaires | Who Will Your Captain Be? | C-2418 | – | – | – | – |
237 | Southern Harmonaires | I’m So Glad | AP-3804 | – | – | – | – |
238 | The Roberta Martin Singers of Chicago | Let It Be | C2324 | – | NYC | Jan-50 | (-) |
238 | The Roberta Martin Singers of Chicago | What a Friend | C2326 | – | NYC | Jan-50 | – |
239 | Daniels Singers | God Answers Prayers | – | – | NYC | 1950 | – |
239 | Daniels Singers | He’s All I Need | – | – | NYC | 1950 | – |
240 | Mahalia Jackson | Get Away Jordan | – | – | NYC | Jul-49 | – |
240 | Mahalia Jackson | I Gave Up Everything To Follow Him | – | – | NYC | 9/11/1950 | – |
241 | The Roberta Martin Singers of Chicago | Where Can I Go | – | – | – | Jan-51 | – |
241 | The Roberta Martin Singers of Chicago | You’ll Understand it Better | – | – | – | Jan-51 | – |
242 | Gospelaires | Oh! What A Time | – | – | NYC | 1949 | – |
242 | Gospelaires | Lifeboat Is Coming | – | – | NYC | 1950 | – |
243 | Rev. B. C. Campbell & his Congregation | Oh! In That Morning | C-2375 | – | NYC | 1949 | – |
243 | Rev. B. C. Campbell & his Congregation | I Know It’s Worth It | C-2383 | – | NYC | 1949 | – |
244 | Prof. Alex Bradford Singers – Willie Lee Owens, solo | Now Lord | – | – | NYC | 1950 | – |
244 | Prof. Alex Bradford Singers – Martha Rose Farrow, solo | Let The Heavenly Light Shine On Me | C-2443 | – | NYC | Dec-50 | – |
245 | Mahalia Jackson | Bless This House | – | – | NYC | 10/17/1950 | – |
245 | Mahalia Jackson | The Lord’s Prayer | – | – | NYC | 10/17/1950 | – |
246 | Mahalia Jackson | His Eye Is On The Sparrow | – | – | NYC | 7/17/1951 | – |
246 | Mahalia Jackson | It Is No Secret | – | – | NYC | 7/17/1951 | – |
247 | The Roberta Martin Singers of Chicago | I Am Sealed | – | – | NYC | Jan-51 | – |
247 | Roberta Martin Singers | The Lord Will Make A Way | – | – | NYC | ~1950 | – |
248 | MAHALIA JACKSON | JUST AS I AM | – | – | NYC | 7/17/1951 | – |
248 | MAHALIA JACKSON | HOW I GOT OVER | – | – | NYC | 7/17/1951 | – |
249 | The Roberta Martin Singers of Chicago | Tell Jesus All | – | – | – | Jan-50 | – |
249 | Roberta Martin Singers | I’ll Follow In His Footsteps | C-2292 | – | – | 1950 | – |
250 | Mahalia Jackson | I Bow On My Knees | C-2454 | – | NYC | 7/17/1951 | – |
250 | Mahalia Jackson | City Called Heaven | C-2455 | – | NYC | 7/17/1951 | – |
251 | The Gospelaires feat. Bessie Folk | He’s Pleading in Glory for Me | C2434 | – | NYC | Dec-50 | (-) |
251 | The Gospelaires feat. Bessie Folk | Talk About the Child | – | – | NYC | 1950 | – |
252 | Daniels Singers | Joy To The World | – | – | NYC | 1950 | – |
252 | Daniels Singers | Mary, What Are You Going To Name The Child ? | – | – | NYC | 1950 | – |
253 | Royal Sons Quintet | Beside Of A Neighbor | – | – | NYC | Aug-52 | – |
253 | Royal Sons Quintet | Journey’s End | C-2459 | – | NYC | Aug-52 | – |
254 | Rev. E. Savage | Christians, Fight On | – | – | NYC | ~1951 | – |
254 | Rev. E. Savage | Just To Behold His Face | – | – | NYC | ~1951 | – |
255 | Cosmopolitan Male Choir | Jesus Is Mine | – | – | NYC | ~1952 | – |
255 | Cosmopolitan Male Choir | Peace In The Valley | – | – | NYC | ~1952 | – |
256 | Rev. B. C. Campbell | We’re Sailing On | – | – | NYC | ~1952 | – |
256 | Rev. B. C. Campbell | There Is Just One Way | C-2379 | – | NYC | ~1952 | – |
257 | Daniels Singers | Guide Me | – | – | NYC | ~1950 | – |
257 | Daniels Singers | I’ve Got An Interest Over There | – | – | NYC | ~1950 | – |
258 | Mahalia Jackson with piano and organ acc | I’m Getting Nearer My Home | C-2400 | – | – | 9/11/1950 | – |
258 | Mahalia Jackson with piano and organ acc | He’s the One | C-2404 | – | – | 9/11/1950 | – |
259 | King Houdini | Ain’t Love Grand? | – | – | NYC | 1951 | – |
259 | King Houdini | The Nagging Wife | – | – | NYC | 1951 | – |
260 | King Houdini | Cuckoo Flying Fish | – | – | NYC | 1951 | – |
260 | King Houdini | Bad Bad Bad Woman | – | – | NYC | 1951 | – |
261 | Roberta Martin Singers featuring Eugene Smith | Come in the Room | C2491 | – | – | Apr-52 | – |
261 | Roberta Martin Singers | HE’S MY LIGHT | – | – | – | May-52 | – |
262 | MAHALIA JACKSON | IN THE UPPER ROOM pt1 | C2484 | – | NYC | 3/21/1952 | (-) |
262 | MAHALIA JACKSON | IN THE UPPER ROOM pt2 | C2485 | – | NYC | 3/21/1952 | – |
263 | Daniels Singers | My Lord And I | – | – | NYC | ~1950 | – |
263 | Daniels Singers | Child Of The King | – | – | NYC | ~1950 | – |
264 | Daniels Singers | Lower Lights | – | – | NYC | ~1950 | – |
264 | Daniels Singers | Just Like Jesus Did | – | – | NYC | ~1950 | – |
265 | Prof. Alex Bradford Singers | Test Of The Judgment | – | – | NYC | ~1950 | – |
265 | Prof. Alex Bradford Singers | Praying To The Power Of The Lord | – | – | NYC | ~1950 | – |
266 | Royal Sons Quintet | Come Over Here | C-2499 | – | NYC | Apr-52 | – |
266 | Royal Sons Quintet | Let Nothing Separate Me | – | – | NYC | 1952 | – |
267 | Daniels Singers | I Shall Be Free Someday | – | – | NYC | ~1950 | – |
267 | Daniels Singers | Jesus | – | – | NYC | ~1950 | – |
268 | Maceo Woods Singers | He Brought Joy To My Soul | C-2516 | – | Chi | Aug-53 | – |
268 | Maceo Woods Singers | Witness | – | – | Chi | Aug-53 | – |
269 | MAHALIA JACKSON | Said He Would | C2486 | – | NYC | 3/21/1952 | (-) |
269 | MAHALIA JACKSON | God Spoke to Me | C2483 | – | NYC | 3/21/1952 | (-) |
270 | The Roberta Martin Singers of Chicago feat. R. M. and Myrtle Jackson | Oh! Lord Stand By Me | – | – | Chi | Apr-53 | – |
270 | The Roberta Martin Singers of Chicago feat. R. M. and Myrtle Jackson | He Didn’t Mind Dying | C-2494 | – | Chi | 1953 | – |
271 | St. Peter’s Gospel Singers | Lord, Hold My Hand | – | – | NYC | May-53 | – |
271 | St. Peter’s Gospel Singers | The Battle Done Got Started Again | C-2504 | – | NYC | 1953 | – |
272 | The Roberta Martin Singers of Chicago | After It’s All Over | C-2517 | – | NYC | Aug-53 | – |
272 | The Roberta Martin Singers of Chicago | The Old Account | – | – | NYC | 1953 | – |
273 | MAHALIA JACKSON | I’m Going Down To The River | – | – | NYC | 5/5/1953 | – |
273 | MAHALIA JACKSON | Do You Know Him? | C-2305 | – | NYC | Feb-50 | – |
274 | Melody Echoes | When I’ve Done The Best I Can | – | – | – | 1953 | – |
274 | Melody Echoes | Dip Your Fingers In The Water | C-2528 | – | – | Oct-53 | – |
275 | ROBERTA MARTIN Singers feat. N. McKissick and Eugene Smith | I WANT TO SEE JESUS | – | – | NYC | 1953 | – |
275 | ROBERTA MARTIN Singers feat. N. McKissick and Eugene Smith | LET GOD ABIDE | C2521 | – | NYC | Sep-53 | (-) |
276 | Prof. Alex Bradford Singers | Who Can I Blame? | – | – | NYC | 1953 | – |
276 | Prof. Alex Bradford Singers | Turn Away From Sin | C-2513 | – | NYC | Jul-53 | – |
277 | Melody Echoes | Yes, They Tell Me | – | – | NYC | 1953 | – |
277 | Melody Echoes | When The Roll Is Called | C-2531 | – | NYC | Oct-53 | – |
278 | Mahalia Jackson with the Melody Echoes | I Wonder If I Will Ever Rest | C-2541 | – | NYC | 10/12/1953 | (-) |
278 | Mahalia Jackson with the Melody Echoes | Coming To Jesus | – | – | NYC | 10/12/1953 | – |
279 | Roberta Martin Singers | I’M TOO CLOSE to Heaven | C-2519 | – | NYC | 1953 | – |
279 | Roberta Martin Singers | MARCHING TO ZION | – | – | NYC | 1953 | – |
280 | The Daniels Singers | I’m Leaning | C-2550 | – | NYC | Nov-53 | (-) |
280 | The Daniels Singers | Wade In The Water | – | – | – | 1953 | – |
281 | The Daniels Singers | Since I Met Jesus | C-2543 | – | NYC | Oct-53 | – |
281 | The Daniels Singers | Keep On Trusting | – | – | NYC | 1953 | – |
282 | Mahalia Jackson (with the Belleville choir) | Hands Of God | C-2536 | – | NYC | 10/9/1953 | Mahalia Jackson |
282 | Mahalia Jackson (with the Belleville choir) | It’s Real | C-2537 | – | NYC | 10/9/1953 | Mahalia Jackson |
283 | Robert Anderson Singers | Sweet As The Day Goes By | C 2553 | – | NYC | Nov-53 | – |
283 | Robert Anderson Singers | He Knows The Reason Why | C 2556 | – | NYC | Nov-53 | – |
284 | ALEX BRADFORD Singers | HE’S SO GOOD TO ME | C-2514 | – | NYC | 1954 | Alex Bradford |
284 | ALEX BRADFORD Singers | HE’S A WONDER | C-2512 | – | NYC | 1954 | Alex Bradford |
285 | Roberta Martin Singers | I’m Just Waiting On The Lord | C-2557 | – | NYC | Nov-53 | – |
285 | Roberta Martin Singers | Shine Heavenly Light | – | – | NYC | 1953 | – |
286 | MAHALIA JACKSON | I’M ON MY WAY | C-2561 | – | NYC | Dec-53 | – |
286 | MAHALIA JACKSON | MY STORY | – | – | NYC | 1953 | – |
287 | Alex Bradford & Singers | Jesus Keeps Nearer The Cross | C-2509 | – | NYC | Apr-53 | Prof. Alex Bradford |
287 | Alex Bradford & Singers | Oh Lord, Remember Me | – | – | NYC | 1953 | – |
288 | Alex Bradford & Singers | Rock Of Ages | – | – | – | 1951 | – |
288 | Alex Bradford & Singers | Tell The World About Jesus | C-2439 | – | – | Jan-51 | – |
289 | MAHALIA JACKSON | What Then | C2535 | 722 | – | 8/8/1953 | (-) |
289 | MAHALIA JACKSON | Walking to Jerusalem | C2540 | 721 | – | 10/12/1953 | (-) |
290 | Robert Anderson Singers | NOTHING Should Disturb MY FAITH | C 2566 | – | NYC | Jan-54 | – |
290 | Robert Anderson Singers | Since My Heart’s Been Changed | C 2567 | – | NYC | Jan-54 | – |
291 | MAHALIA JACKSON | Walking Into the Garden | – | – | NYC | 10/17/1950 | – |
291 | MAHALIA JACKSON | I’M GOING TO TELL GOD | – | – | NYC | 10/17/1950 | – |
292 | ROBERTA MARTIN | PRAISE HIS NAME | – | – | NYC | Nov-53 | – |
292 | ROBERTA MARTIN | I FOUND A FRIEND | – | – | NYC | Nov-53 | – |
293 | The DANIELS SINGERS | YIELD NOT TO TEMPTATION | – | – | NYC | 1950 | – |
293 | The DANIELS SINGERS | THE OLD RUGGED CROSS | C2551 | – | NYC | 1950 | (-) |
294 | MELODY ECHOES | HE ROSE TO TELL ME | – | – | NYC | 1953 | – |
294 | MELODY ECHOES | I TRUST IN GOD | – | – | NYC | 1953 | – |
295 | Anthony Butler Siners | Judgment’s Coming | C-2569 | – | – | Jan-54 | – |
295 | Anthony Butler Siners | World’s Testimonial | – | – | – | 1954 | – |
296 | Robert Anderson Singers | He’s Coming Back For Me | C 2565 | – | NYC | Jan-54 | – |
296 | Robert Anderson Singers | Eyes Have Not Seen | C 2568 | – | NYC | Jan-54 | – |
297 | Roberta Martin Singers | I’ve Got A Home For You | – | – | NYC | 1954 | – |
297 | Roberta Martin Singers | Is There Anybody There? | – | – | NYC | 1954 | – |
298 | Mahalia Jackson | Nobody Knows The Trouble I’ve Seen | – | – | NYC | Mar-54 | – |
298 | Mahalia Jackson | Run All The Way | – | – | NYC | Mar-54 | – |
299 | Roberta Martin | He’s Using Me | – | – | NYC | 1954 | – |
299 | Roberta Martin | Saved | – | – | NYC | 1954 | – |
300 | Robert Anderson | My Possessions | C 2579 | – | NYC | Mar-54 | – |
300 | Robert Anderson | Oh Lord, Is It I ? | C 2581 | – | NYC | Mar-54 | – |
301 | Roberta Martin Singers | I’ll Do What You Want Me To Do | C2573 | – | NYC | 1954 | Kenneth Woods |
301 | Roberta Martin Singers | Come Into My Heart, Lord Jesus | C2574 | – | NYC | 1954 | James Cleveland |
302 | Gate City Singers | Will The Circle Be Unbroken? | C-2586 | – | NYC | Apr-54 | – |
302 | Gate City Singers | The Last Mile Of The Way | C-2584 | – | NYC | Apr-54 | – |
303 | The Soul Satisfiers of Philadelphia | After A While | – | – | NYC | 1954 | – |
303 | The Soul Satisfiers of Philadelphia | I’m His And He’s Mine | – | – | NYC | 1954 | – |
304 | MAHALIA JACKSON | HE’S MY LIGHT | C-2487 | – | NYC | 3/21/1952 | – |
304 | MAHALIA JACKSON | If You Just Keep Still | – | – | NYC | 3/21/1952 | – |
305 | Roberta Martin | There’s A Man | – | – | NYC | 1954 | – |
305 | Roberta Martin | Trouble In My Way | – | – | NYC | 1954 | – |
306 | Gate City Singers | Run On Home And Live With God | – | – | NYC | 1954 | – |
306 | Gate City Singers | I Love To Tell Of His Goodness | C-2592 | – | NYC | 1954 | – |
307 | Robert Anderson Singers | Wait Upon The Lord | C 2554 | – | NYC | Nov-53 | – |
307 | Robert Anderson Singers | If Jesus Had To Pray | C 2582 | – | NYC | Mar-54 | – |
308 | Colemanaires | This May Be My Last Time | AP-106-TS | – | NYC | 1953 | – |
308 | Colemanaires | I Cannot Understand It | AP-108-TS | – | NYC | 1953 | – |
309 | Gospel All-Stars (Clevland, Bates, Mitchell, Greene) | It’s Me Oh Lord | AP-2597 | – | NYC | Jun-54 | Cleveland |
309 | Gospel All-Stars (Clevland, Bates, Mitchell, Greene) | Lord Remember Me | AP-2598 | – | NYC | Jun-54 | arr. Cleveland |
310 | Gospel All Stars/James Cleveland | Every Now And Then | C-2594 | – | NYC | Jun-54 | – |
310 | Gospel All Stars/James Cleveland | Until My Jesus Comes | C-2595 | – | NYC | Jun-54 | – |
311 | Mahalia Jackson | His Eyes Are On The Sparrow | – | – | – | 1/17/1951 | – |
311 | Mahalia Jackson | I Can Put My Trust In Jesus | – | – | – | Jul-49 | – |
312 | Gospel All Stars | What Could I Do ? | – | – | NYC | 1954 | – |
312 | Gospel All Stars | That’s Why I Love Him | – | – | NYC | 1954 | – |
313 | Mahalia Jackson | Didn’t It Rain | – | – | NYC | Feb-54 | – |
313 | Mahalia Jackson | Nobody Knows | – | – | NYC | Feb-54 | – |
314 | Mahalia Jackson | I’m On My Way To Canaan | – | – | NYC | Feb-54 | – |
314 | Mahalia Jackson | My Story | – | – | NYC | Feb-54 | – |
315 | – | – | – | – | – | – | – |
315 | – | – | – | – | – | – | – |
316 | Rev. John Thomas Singers | Old Time Religion | – | – | NYC | Feb-54 | – |
316 | Rev. John Thomas Singers | Lord Walk With Me | – | – | NYC | Feb-54 | – |
351 | CAMPBELL’S BLUENOTES | SEE SEE RIDER | – | – | – | – | – |
351 | CAMPBELL’S BLUENOTES | LAYING MY RACKET | – | – | – | – | – |
352 | BILL CAMPBELL | BABY, DON’T YOU CRY | B1003 | – | – | -1946 | – |
352 | BILL CAMPBELL | TOO HIP TO BE HAPPY | B1004 | – | – | -1946 | – |
353 | BILL CAMPBELL | THE WAY THAT HE DOES IT | B1005 | – | – | -1946 | – |
353 | BILL CAMPBELL | BABY, DO YOU THINK THAT’S RIGHT | B1006 | – | – | -1946 | – |
354 | Sonny Greer and His Rextet | KANSAS CITY CABOOSE | R1013-1 | – | – | 5/16/1944 | Margie Stewart |
354 | Sonny Greer and His Rextet | SLEEPY BABOON | R 1012 | – | – | 5/16/1944 | Leonard Feather |
355 | Sonny Greer and His Rextet | HELENA’S DREAM | R 1015 | – | – | 5/16/1944 | – |
355 | Sonny Greer and His Rextet | RATION STOMP | R 1014 | – | – | 5/16/1944 | – |
356 | EARL HINES SEXTET | I LOVE MY LOVIN’ LOVER | R 1007 | – | – | 4/26/1944 | – |
356 | EARL HINES SEXTET | LIFE WITH FATHA | R1011 | – | – | 4/26/1944 | Earl Hines |
357 | Earl Hines Sextet | Trouble Trouble | R 1008 | – | – | 4/26/1944 | – |
357 | Earl Hines Sextet | Design For Jivin’ | R 1009 | – | – | 4/26/1944 | – |
358 | EARL HINES SEXTET | I’LL GET BY | R 1010 | – | – | 4/26/1944 | – |
358 | Betty Roche with Earl Hines Sextet | Blues On My Weary Mind | R 1006 | – | – | 4/26/1944 | Leonard Feather |
359 | GEORGIE AULD & HIS ORCHESTRA | CONCERT FOR TENOR | R1021 | – | – | 5/22/1944 | Bud Johnson |
359 | GEORGIE AULD & HIS ORCHESTRA | TAPS MILLER | R1022 | – | – | 5/22/1944 | Count Basie |
360 | WYNONIE “Blues” HARRIS (w/ Jack McVea and his All Stars) | Straighten Him Out | S1106 | – | LA | Aug-45 | Wynonie Harris |
360 | WYNONIE “Blues” HARRIS (w/ Jack McVea and his All Stars) | YOUNG MAN’S BLUES | S1107 | – | LA | Aug-45 | Wynonie Harris |
361 | WYNONIE HARRIS with Jack McVea and his All Stars | THAT’S THE STUFF YOU GOTTA WATCH | S 1111 | – | LA | Aug-45 | – |
361 | WYNONIE HARRIS with Jack McVea and his All Stars | BABY, LOOK AT YOU | S 1108 | – | LA | Aug-45 | – |
362 | WYNONIE HARRIS (with Illinois Jacquet and his All Stars) | WYNONIE’S BLUES | S1104 | – | LA | Aug-45 | Wynonie Harris |
362 | WYNONIE HARRIS (with Illinois Jacquet and his All Stars) | SOMEBODY CHANGED THE LOCK ON MY HEART | S1110 | – | – | Aug-45 | William Weldon |
363 | WYNONIE HARRIS (with Illinois Jacquet and his All Stars) | HERE COMES THE BLUES | S1105 | – | LA | Aug-45 | Wynonie Harris |
363 | WYNONIE “Blues” HARRIS (with Jack McVea and his All Stars) | SHE’S GONE WITH THE WIND | S 1109 | – | LA | Aug-45 | – |
364 | Willie Bryant with TAB SMITH SEPTET | BLUES AROUND THE CLOCK pt1 | R1034 | – | NYC | 10/15/1945 | (-) |
364 | Willie Bryant with TAB SMITH SEPTET | BLUES AROUND THE CLOCK pt2 | R1035 | – | NYC | 10/15/1945 | (-) |
365 | Rabon Tarrant w. Jack McVea | I Live TrueTo You | S 1120-2 | – | LA | Aug-45 | – |
365 | Rabon Tarrant w. Jack McVea | Naggin’ Woman Blues | S 1122-1 | – | LA | Aug-45 | – |
366 | Rabon Tarrant w. Jack McVea | WE’RE TOGETHER AGAIN | S 1117 | – | LA | Aug-45 | – |
366 | Rabon Tarrant w. Jack McVea | LISTEN, BABY BLUES | S 1124 | – | LA | Aug-45 | – |
367 | Duke Henderson with Jack McVea and His All Stars | Oo Wee Baby, Oo Wee | S1163 | – | LA | Dec-45 | Duke Henderson |
367 | Duke Henderson with Jack McVea and His All Stars | Wiggle Wiggle Woogie | S 1166 | – | LA | Dec-45 | Duke Henderson |
368 | DINAH WASHINGTON with Lucky Thompson’s All Stars | NO VOOT – NO BOOT | S1172-2 | – | LA | 12/10/1945 | – |
368 | DINAH WASHINGTON with Lucky Thompson’s All Stars | WISE WOMAN BLUES | S1170-3 | – | LA | 12/10/1945 | John Henry |
369 | WILLIE BRYANT-TAB SMITH SEPTET | IT’S OVER BECAUSE WE’RE THROUGH | R1036 | – | NYC | 10/15/1945 | – |
369 | WILLIE BRYANT-TAB SMITH SEPTET | AMATEUR NIGHT IN HARLEM | R1037 | – | NYC | 10/15/1945 | – |
370 | Rabon Tarrant with Jack McVea | Tarrant Blues | S 1112 | – | LA | Aug-45 | – |
370 | Rabon Tarrant with Jack McVea | I Never Should Have Been This Way | S 1118-4 | – | LA | Aug-45 | – |
371 | DINAH WASHINGTON with Lucky Thompson’s All Stars | MELLOW MAMA BLUES | S1178 | – | LA | 12/12/1945 | – |
371 | DINAH WASHINGTON with Lucky Thompson’s All Stars | MY LOVIN’ PAPA | S1174-2 | – | LA | 12/12/1945 | – |
372 | WYNONIE “Blue” HARRIS with Johnny Alston and His All Stars | PLAYFUL BABY | S1182 | – | LA | Dec-45 | Helen Miller |
372 | WYNONIE “Blue” HARRIS with Johnny Alston and His All Stars | PAPA TREE TOP | S 1184 | – | LA | Dec-45 | – |
373 | Duke Henderson with Lucky Thompson | Fool – Hated Woman | S 1164 | – | LA | Dec-45 | – |
373 | Duke Henderson with Lucky Thompson | Lottery Blues | S 1165 | – | LA | Dec-45 | – |
374 | DINAH WASHINGTON with Lucky Thompson’s All Stars | Walkin’ Blues | S1171-2 | – | LA | 12/10/1945 | – |
374 | DINAH WASHINGTON with Lucky Thompson’s All Stars | RICH MAN’S BLUES | S1175-1 | – | LA | 12/12/1945 | – |
375 | Laurel Watson with the Tab Smith Septet | Honey in a Hurry | R1041 | – | NYC | Oct-45 | Leonard Feather |
375 | Laurel Watson with the Tab Smith Septet | Kangaroo Blues | R1039 | – | NYC | Oct-45 | Laurel Watson |
376 | Blue Lu Barker with Danny Barker | THAT MADE HIM MAD | R1053 | – | NYC | 1946 | – |
376 | Blue Lu Barker with Danny Barker | DON’T YOU FEEL MY LEG | R1051 | – | NYC | 1946 | – |
377 | Rabon Tarrant w. Lucky Thompson | Blues This Morning | S 1167 | – | LA | Dec-45 | – |
377 | Rabon Tarrant w. Lucky Thompson | Opus Boogie | S 1168 | – | LA | Dec-45 | – |
378 | WYNONIE “Blues” HARRIS With OSCAR PETTIFORD AND HIS ALL STARS | TIME TO CHANGE YOUR Town | S1138-1 | – | LA | Sep-45 | Wynonie Harris |
378 | WYNONIE “Blues” HARRIS With OSCAR PETTIFORD AND HIS ALL STARS | EVERYBODY’S BOOGIE | S1137 | – | LA | Sep-45 | Wynonie Harris |
379 | Melody Masters | Wig Blues | – | – | NYC | 1945 | – |
379 | Melody Masters | My Baby | – | – | NYC | 1945 | – |
380 | BILL CAMPBELL HARLEM 8 | I WANT TO SEE MY DADDY | R1089 | – | – | ~1946 | – |
380 | BILL CAMPBELL HARLEM 8 | BABY DEE BLUES | R1090 | – | – | ~1946 | – |
381 | Wynonie “Blues” Harris with Johnnie Alston and His All Stars | YOUNG AND WILD | S1185 | – | LA | Dec-45 | Wynonie Harris |
381 | Wynonie “Blues” Harris with Johnnie Alston and His All Stars | TAKE ME OUT OF THE RAIN | S1183 | – | LA | Dec-45 | Wynonie Harris |
382 | Danny Barker Sextette | I FEEL LIKE LAYING IN ANOTHER WOMAN’S ARMS (v. Blu Lu Barker) | R1066 | – | NYC | 10/3/1946 | Danny Barker |
382 | Danny Barker Sextette | THERE WAS A LIL MOUSE THAT LIVED ON A HILL (v. Blu Lu Barker) | R1052 | – | NYC | 10/3/1946 | – |
383 | Melody Masters | Don’t You Ever Mind Them | R-1080 | – | NYC | 1946 | – |
383 | Melody Masters | Subway Cutie | – | – | NYC | 1946 | – |
384 | Duke Henderson w. John Henry | Woman’s Blues (Part 1) | S 1158 | – | LA | 12/4/1945 | – |
384 | Duke Henderson w. John Henry | Woman’s Blues (Part 2) | S 1159 | – | LA | 12/4/1945 | – |
385 | Ollie Shepard | Hey Boogie Schewoogie | – | – | NYC | 1945 | – |
385 | Ollie Shepard | It’s A Low Down Dirty Shame | – | – | NYC | 1945 | – |
386 | BILL CAMPBELL and his Orch | Daddy Feel It | – | – | NYC | 1946 | – |
386 | BILL CAMPBELL and his Orch | LOOK WHAT Baby’s GOT FOR YOU | R1088 | – | NYC | 1946 | Campbell |
387 | Wynonie Harris with Oscar Pettiford | I Got A Lyin’ Woman | S 1135 | – | LA | Sep-45 | – |
387 | Wynonie Harris with Oscar Pettiford | Rebecca’s Blues | S 1136 | – | LA | Sep-45 | – |
388 | DINAH WASHINGTON with Lucky Thompson’s All Stars | MY VOOT IS REALY VOUT | S1179 | – | LA | 12/13/1945 | – |
388 | DINAH WASHINGTON with Lucky Thompson’s All Stars | BLUES FOR A DAY | S1180 | – | LA | 12/13/1945 | – |
389 | Sax Kari Combo | Play It Cool Blues | R 1224 | – | – | 1947 | – |
389 | Sax Kari Combo | The Signifyin’ Monkey | R 1225 | – | – | 1947 | – |
390 | ISRAEL CROSBY QUARTETTE | THE DEATH OF PINEY BROWN (v. Jack Cooley) | R1241 | – | – | – | Jack Cooley |
390 | ISRAEL CROSBY QUARTETTE | I KNOW THE BLUES (v. Jack Cooley) | – | – | – | – | – |
391 | Arnold Wiley | Wiley’s Boogie | – | – | – | – | – |
391 | Arnold Wiley | Plain Food (Boogie Blue Blues) | – | – | – | – | – |
392 | Alec Seward and the Back Porch Boys | King Kong Blues | – | – | NYC | – | – |
392 | Alec Seward and the Back Porch Boys | Big Hip Mama | – | – | NYC | – | – |
393 | Doc Pomus (Tab Smith Band) | Blues In The Red | R 1038 | – | NYC | 10/15/1945 | – |
393 | Doc Pomus (Tab Smith Band) | Blues Without Booze | R 1040 | – | NYC | 10/15/1945 | – |
394 | ARNETT COBB & HIS ORCHESTRA | BIG LEAGUE BLUES (v. Milt Larkin) | R1284 | – | NYC | Nov-47 | – |
394 | ARNETT COBB & HIS ORCHESTRA | FLOWER GARDEN BLUES (v. Milt Larkin) | R1283 | – | NYC | Nov-47 | – |
395 | RABON TARRANT (with LUCKY THOMPSON and his All Stars) | HEY HEY Hey BABY | S1150 | – | LA | 11/28/1945 | Tarrant |
395 | RABON TARRANT (with LUCKY THOMPSON and his All Stars) | I’LL BE TRUE | S1146 | – | LA | 11/28/1945 | Tarrant |
396 | Duke Henderson with Lucky Thompson | PACIFIC COAST BLUES | S1181 | – | LA | 12/13/1945 | – |
396 | Duke Henderson with Lucky Thompson | CHEWIN’ WOMAN BLUES | S1173 | – | LA | 12/10/1945 | – |
397 | Sax Kari Combo | I’LL NEVER LEAVE YOU, BABY | R 1223 | – | – | 1947 | – |
397 | Sax Kari Combo | THURSDAY BLUES | R 1226 | – | – | 1947 | – |
398 | The Four Blues | It Takes A Long Tall Brownskin Gal | R 1285 | – | NYC | 12/17/1947 | – |
398 | The Four Blues | Honey Chile | R 1290 | – | NYC | 12/17/1947 | – |
399 | Blue Lu Barker with Danny Barker | BUY ME SOME JUICE | R1067 | – | – | 10/3/1946 | – |
399 | Blue Lu Barker with Danny Barker | You Gotta Show It To Me Baby | R1050 | – | – | 10/3/1946 | – |
400 | Duke Henderson with Lucky Thompson | S.H. Blues | S 1148 | – | LA | 11/28/1945 | – |
400 | Duke Henderson with Lucky Thompson | H.D. Blues | S 1152 | – | LA | 11/28/1945 | – |
401 | Doc Pomus (Tab Smith Band) | Naggin’ Wife Blues | R 1313 | – | – | ~1947 | – |
401 | Doc Pomus (Tab Smith Band) | Alley Alley Blues | R 1315 | – | – | ~1947 | – |
402 | PINEY BROWN | MORNING BLUES | R1331 | – | NYC | 11/1/1948 | – |
402 | PINEY BROWN | GLOOMY MONDAY BLUES | R1330 | – | NYC | 11/1/1948 | – |
403 | Cee Pee Johnson | Hour After Hour | S 1143 | – | LA | 11/2/1945 | – |
403 | Cee Pee Johnson | I’m So Lonesome | S 1142 | – | LA | 11/2/1945 | – |
404 | BOB MERRILL & HIS BAND | I’LL ALWAYS BE IN LOVE WITH YOU | R1333 | – | LA | – | – |
404 | BOB MERRILL & HIS BAND | BABY, I’M TIRED | R1334 | – | LA | – | – |
405 | Israel Crosby Quartet | I Feel The Blues | – | – | NYC | – | – |
405 | Israel Crosby Quartet | I Deal In Cats | – | – | NYC | – | – |
406 | The Back Porch Boys | Sweet Woman Blues | – | – | NYC | – | – |
406 | The Back Porch Boys | Be Kind Blues | – | – | NYC | – | – |
407 | Jack Dupree | Come Back Baby | R-1325-2 | – | NYC | Oct-48 | – |
407 | Jack Dupree | Chittlins And Rice | R-1328 | – | NYC | Oct-48 | – |
408 | WILLIE BRYANT | ALGIERS BLUES | R1339 | – | NYC | – | – |
408 | WILLIE BRYANT | BECAUSE YOUR BABY IS ON YOUR MIND | R1340 | – | NYC | – | – |
409 | WILLIE BRYANT | BLUES AROUND THE COUNTRY pt1 | R1337 | – | NYC | – | – |
409 | WILLIE BRYANT | BLUES AROUND THE COUNTRY pt2 | R1338 | – | NYC | – | – |
410 | BOB MERRILL & HIS BAND | I WANT A LITTLE GIRL | R1335 | – | NYC | – | – |
410 | BOB MERRILL & HIS BAND | BABY, I’M TIRED | R1334 | – | NYC | – | – |
411 | Hot Lips Page | Birmingham Boogie | R 1098 | – | NYC | Oct-46 | – |
411 | Hot Lips Page | Gimme Gimme Gimme | R 1099 | – | NYC | Oct-46 | – |
412 | Jelly Belly Hayes and Slam Stewart | SORRY WOMAN BLUES | – | – | NYC | – | – |
412 | Jelly Belly Hayes and Slam Stewart | Wait Through Blues | – | – | NYC | – | – |
413 | CHAMPION JACK DUPREE | ONE SWEET Letter | R-1362 | – | NYC | Jul-49 | – |
413 | CHAMPION JACK DUPREE | MEAN MISTREATIN’ Mama | R-1366 | – | NYC | Jul-49 | – |
414 | EDDIE MACK (BOBBY SMITH ORCH) | KIND LOVIN’ DADDY | R1371 | – | NYC | Oct-49 | – |
414 | EDDIE MACK (BOBBY SMITH ORCH) | BEHIND CLOSED DOORS | R1374 | – | NYC | Oct-49 | – |
415 | Bob Range | You Never Miss Your Water | – | – | – | – | – |
415 | Bob Range | I Found Out | – | – | – | – | – |
416 | Sunnyland Slim | I’m Just A Lonesome Man | R-1386-1 | – | Chi | 8/26/1949 | – |
416 | Sunnyland Slim | Bad Times | R-1383-2 | – | Chi | 8/26/1949 | – |
417 | EDDIE MACK (BOBBY SMITH ORCH) | COOL MAMA | R1400 | – | NYC | 12/21/1949 | Rudolph Toombs |
417 | EDDIE MACK (BOBBY SMITH ORCH) | HOOT AND HOLLER SATURDAY NIGHT | R1401 | – | NYC | 12/21/1949 | – |
418 | PINEY BROWN | WHY DO I CRY OVER YOU? | R1409 | – | NYC | Jan-50 | – |
418 | PINEY BROWN | THAT’S RIGHT, BABY | R1410 | – | NYC | Jan-50 | Piney Brown |
419 | BEA BOOZE | DON’T TELL ME NOTHIN’ BOUT MY MAN | R1417 | – | – | 5/15/1950 | – |
419 | BEA BOOZE with Larry Johnson Quintet | I’M GONNA PUT YOU DOWN | R1416 | – | – | 5/15/1950 | Bea Booze |
420 | ST LOUIS JIMMY | MOTHER’S DAY | R-1379-6 | – | Chi | 8/26/1949 | – |
420 | ST LOUIS JIMMY | CHICAGO WOMAN BLUES | R-1380 | – | Chi | 8/26/1949 | – |
421 | Jack Dupree | Lonesome Bedroom Blues | R-1364 | – | NYC | Jul-49 | – |
421 | Jack Dupree | Old Women Blues | R-1365 | – | NYC | Jul-49 | – |
422 | EDDIE MACK w BOBBY SMITH ORCH | HOW ABOUT THAT | R1373 | – | NYC | 10/?/49 | – |
422 | EDDIE MACK w BOBBY SMITH ORCH | HEART THROBBING BLUES | R1372 | – | NYC | 10/?/49 | B. Smith – E. Mack |
423 | PINEY BROWN | HOW ABOUT ROCKIN’ WITH ME | R1408 | – | NYC | ~1950 | BROWN |
423 | PINEY BROWN | LOVIN’ GAL BLUES | R1411 | – | NYC | ~1950 | BROWN |
424 | BEA BOOZE (Larry Johnson Band) | I JUST AIN’T FEELING RIGHT | R1418 | – | NYC | 5/15/1950 | – |
424 | BEA BOOZE (Larry Johnson Band) | EASY RIDING BLUES | R1419 | – | NYC | 5/15/1950 | – |
425 | EDDIE MACK w BOBBY SMITH ORCH | LONG TIME | R1445 | – | NYC | 12/21/1949 | – |
425 | EDDIE MACK w BOBBY SMITH ORCH | IF YOU WANT ME TO COME HOME, BABY | R1444 | – | NYC | 12/21/1949 | – |
426 | Jack Dupree | Deacon’s Party | R-1446 | – | NYC | ~1950 | – |
426 | Jack Dupree | I’m Gonna Find You Someday | R-1447 | – | NYC | ~1950 | – |
427 | The LARKS | EYESIGHT TO THE BLIND | AP-3391 | – | NYC | 7/26/1951 | – |
427 | The LARKS | I AIN’T FATTENIN’ FROGS FOR SNAKES | AP-3382 | – | NYC | 3/27/1951 | – |
428 | Jack Dupree | I’m Gonna Find You Somebody | R-1449 | – | NYC | ~1950 | – |
428 | Jack Dupree | Just Plain Tired | R-1448 | – | NYC | ~1950 | – |
429 | The Larks (Bobby Smith orch) | LITTLE SIDE CAR | AP-3393 | – | NYC | 7/26/1951 | – |
429 | Bobby Smith’s Orchestra and The Larks | Hey, Little Girl | AP 3392 | – | NYC | 7/26/1951 | Hill |
430 | The Larks | I Don’t Believe In Tomorrow | AP-3387 | – | NYC | 3/27/1951 | Welsman – Fred Wise |
430 | The Larks | Ooh…It Feels So Good | AP-3385 | – | NYC | 3/27/1951 | – |
431 | Bobby Smith | BAD PECKER | AP 3394 | – | – | Mar-51 | – |
431 | Bobby Smith | UNDER COVER BABY | AP 3396 | – | – | Mar-51 | – |
432 | River Rovers (Lydia Larson) | Delta Drag | AP 3398 | – | NYC | 1951 | – |
432 | River Rovers (Lydia Larson) | Bald Headed Daddy | AP 3399 | – | NYC | 1951 | – |
433 | Bobby Smith | Just In Case | – | – | NYC | Mar-51 | – |
433 | Bobby Smith | Be Good To Yourself | – | – | NYC | Mar-51 | – |
434 | The “5” Royals | Too Much Of A Little Bit | AP-3400 | – | NYC | Oct-51 | – |
434 | The “5” Royals | Give Me One More Chance | AP-3401 | – | NYC | Oct-51 | – |
435 | The Larks | My Lost Love | AP 3403 | – | NYC | 10/18/1951 | – |
435 | The Larks | How Long Must I Wait For You? | AP-3402 | – | NYC | 10/18/1951 | – |
436 | Allen Bunn | She’ll Be Sorry | – | – | NYC | Feb-52 | – |
436 | Allen Bunn | Guy With The 45 | – | – | NYC | Feb-52 | – |
437 | The Larks | Darlin’ | AP-3383 | – | NYC | 3/27/1951 | – |
437 | The Larks | Lucy Brown | AP-3386 | – | NYC | 3/27/1951 | – |
438 | Bill Harvey orch | I Hear You Knockin’ | – | – | NYC | ~1950 | – |
438 | Bill Harvey orch | Walk Right In | – | – | NYC | ~1950 | – |
439 | Allen Bunn | Discouraged | – | – | NYC | Jul-52 | – |
439 | Allen Bunn | Got You Covered | – | – | NYC | Jul-52 | – |
440 | Duke Bayou and Mystic 6 | Rub A Little Boogie (v. Champion Jack Dupree) | R-1391 | – | NYC | 12/29/1950 | – |
440 | Duke Bayou and Mystic 6 | Doomed (v. Bob Hares) | R-1394 | – | NYC | 12/29/1950 | – |
441 | FIVE ROYALES (Charlie Ferguson Orch) | COURAGE TO LOVE | AP-3420 | – | NYC | Aug-52 | Lowman Pauling |
441 | FIVE ROYALES (Charlie Ferguson Orch) | YOU KNOW I KNOW | AP-3419 | – | NYC | Aug-52 | Lowman Pauling |
442 | Duke Bayou {Allen Bunn} | Two Time Loser | – | – | NYC | Sep-52 | – |
442 | Duke Bayou {Allen Bunn} | My Flight | – | – | NYC | Sep-52 | – |
443 | FIVE ROYALES with Charlie Ferguson His Tenor and Orchestra | BABY, DON’T DO IT | AP3428 | – | – | Nov-52 | Lowman Pauling |
443 | FIVE ROYALES with Charlie Ferguson His Tenor and Orchestra | TAKE ALL OF ME | AP2427 | – | – | Nov-52 | Lowman Pauling |
444 | The Hearts (Bill Austin) | Angel Baby | AP 3429 | – | – | ~1953 | – |
444 | The Hearts (Bill Austin) | Night Has Come | AP 3430 | – | – | ~1953 | – |
445 | Walter Spriggs | I Don’t Want You | – | – | NYC | ~1952 | – |
445 | Walter Spriggs | Let Me Love You | – | – | NYC | ~1952 | – |
446 | Five Royales w. Charlie (Little Jazz) Ferguson and His Orch | CRAZY, CRAZY, CRAZY | AP3438 | – | – | 3/11/1953 | Lowman Pauling |
446 | Five Royales w. Charlie (Little Jazz) Ferguson and His Orch | HELP ME SOMEBODY | AP3436 | – | – | 3/11/1953 | – |
447 | Allen Bunn | Baby, I’m Gonna Throw You Out | – | – | – | Jun-53 | – |
447 | Allen Bunn | Wine | AP-3421 | – | – | Jun-53 | – |
448 | Five Royales w. Charlie (Little Jazz) Ferguson and His Orch | LAUNDROMAT BLUES | AP3425 | – | NYC | Nov-52 | Medley |
448 | Five Royales w. Charlie (Little Jazz) Ferguson and His Orch | Too Much Lovin’ (Much Too Much) | AP3435 | – | NYC | 3/11/1953 | Pauling |
449 | FIVE ROYALES (Charlie Ferguson Orch) | ALL RIGHTY! | AP 3440 | – | – | Mar-53 | Pauling |
449 | FIVE ROYALES (Charlie Ferguson Orch) | I WANT TO THANK YOU | AP 3449 | – | – | Mar-53 | Pauling |
450 | Big Willie {Mabon} | It Keeps Raining | R-1390 | – | Chi | 8/26/1949 | – |
450 | Big Willie {Mabon} | Boogie Man | R-1389 | – | Chi | 8/26/1949 | – |
451 | Louise Williams & Orch | Don’t Fool Me Daddy | AP-3446 | – | NYC | Nov-53 | Williams – Smith |
451 | Louise Williams & Orch | The Talkiest Man In Town | AP 3445 | – | NYC | Nov-53 | – |
452 | The “5” Royales | GOOD THINGS | AP3450 | – | NYC | 12/16/1953 | Lowman Pauling |
452 | The “5” Royales (Charlie “Little Jazz” Ferguson orch) | I DO | AP3451 | – | NYC | 12/16/1953 | Lowman Pauling |
453 | CARL MATTHEWS and Orch | NO MAN IS HONEST | AP3455 | – | NYC | 1954 | Matthews – Smith |
453 | CARL MATTHEWS and Orch | BIG MAN | AP3454 | – | NYC | 1954 | Matthews – Smith |
454 | FIVE ROYALES (Charlie Ferguson Orch) | CRY SOME MORE | AP3452 | – | NYC | 12/16/1953 | Lowman Pauling |
454 | FIVE ROYALES (Charlie Ferguson Orch) | I LIKE IT LIKE THAT | AP3453 | – | NYC | 12/16/1953 | Lowman Pauling |
455 | CARL MATTHEWS and his Orch | I LOVE MY FOLKS | – | – | NYC | 1954 | – |
455 | CARL MATTHEWS and his Orch | TROUBLE, TROUBLE | – | – | NYC | 1954 | – |
456 | CHERRI LYNN (SMITH) | IF IT HADN’T BEEN FOR YOU | AP3477 | – | NYC | 1954 | – |
456 | CHERRI LYNN (SMITH) | YOUR MONEY AIN’T LONG ENOUGH | AP3474 | – | NYC | Jul-54 | – |
457 | DON REED | CUTIE | – | – | NYC | 1954 | – |
457 | Don Reed | Have A Laugh On Me | – | – | NYC | 1954 | – |
458 | FIVE ROYALES (Charlie Ferguson Orch) | LET ME COME BACK HOME | AP-3426 | – | NYC | Nov-52 | Lowman Pauling |
458 | FIVE ROYALES (Charlie Ferguson Orch) | WHAT’S THAT | AP-3441 | – | NYC | Mar-53 | Lowman Pauling |
459 | CARL MATTHEWS and his Orch | CO-OPERATION | AP3484 | – | NYC | 1954 | – |
459 | CARL MATTHEWS and his Orch | CO-OPERATION No. 2 | AP3483 | – | NYC | 1954 | – |
460 | Night Riders | Women And Cadillacs | 8-AP-3485 | – | NYC | Oct-54 | – |
460 | Night Riders | Say Hey | 8-AP-3496 | – | NYC | Oct-54 | – |
461 | The Romeos | I Beg You Please | A3495 | – | NYC | Oct-54 | – |
461 | The Romeos | Love Me | A3493 | – | NYC | Oct-54 | McGill – Spillman |
462 | OPALS | Ooh BUT SHE DID | 3497 | – | – | 5/13/1954 | – |
462 | OPALS | MY HEART’S DESIRE | 3498 | – | – | 5/13/1954 | – |
463 | CHERRI LYNN (SMITH) | WAIT | AP3476 | – | NYC | 1954 | Charlie Singleton |
463 | CHERRI LYNN (SMITH) | BABY, I’M GONE | AP3475 | – | NYC | 1954 | Lynn – Smith |
464 | The GENTLEMEN | TIRED OF YOU | AP3500 | – | – | May-54 | Johnson – Bogar |
464 | The GENTLEMEN | SOMETHING TO REMEMBER YOU BY | AP3499 | – | – | May-54 | Cook |
465 | CARL MATTHEWS and his Orch | I WAS WRONG | AP3490 | – | NYC | 1954 | – |
465 | CARL MATTHEWS and his Orch | I’M GOING BACK HOME | AP3491 | – | NYC | 1954 | – |
466 | The Romeos | RAGS | AP-3482 | – | NYC | 6/21/1954 | – |
466 | Nite Riders | Dr. Velvet | AP-3486 | – | NYC | Aug-54 | – |
467 | FIVE ROYALES | SIX O’CLOCK IN THE MORNING | – | – | – | ~1954 | – |
467 | FIVE ROYALES | WITH ALL YOUR HEART | – | – | – | ~1954 | – |
468 | The Up Starts | Feed Me, Baby | – | – | – | – | – |
468 | The Up Starts | Open The Door Baby | – | – | – | – | – |
469 | Babs Gonzales | A Cool Tale Of Louis | – | – | – | – | – |
469 | Babs Gonzales | When Rigamortis Sets In | – | – | – | – | – |
470 | The Gentlemen | Don’t Leave Me | – | – | NYC | 1954 | – |
470 | The Gentlemen | Baby Don’t Go | – | – | NYC | 1954 | – |
471 | The Casanovas | THAT’S ALL | AP3510 | – | – | 11/29/1954 | – |
471 | The Casanovas | ARE YOU FOR REAL | AP3509 | – | – | 11/29/1954 | – |
472 | Miriam Grate with The Dovers | My Angel | – | – | – | ~1955 | – |
472 | Miriam Grate with The Dovers | Please Squeeze | – | – | – | ~1955 | – |
473 | Lou Bartel | I Pray | – | – | – | – | – |
473 | Lou Bartel | Give Me Your Tonight | – | – | – | – | – |
474 | Casanovas | HUSH-A-MECA | AP3507 | – | – | 11/29/1954 | – |
474 | Casanovas | IT’S BEEN A LONG TIME | AP3508 | – | – | 11/29/1954 | – |
475 | The Larks | Honey From The Bee | L-1037 | – | NYC | 9/2/1954 | – |
475 | The Larks | No, Mama, No | L-1026 | – | NYC | 9/2/1954 | – |
476 | Charlie LaVerne and His Quitars (Day, Dawn and Dusk) | LET THE TEARS FALL | – | – | NYC | – | – |
476 | Charlie LaVerne and His Quitars (Day, Dawn and Dusk) | Miss Petunia | – | – | NYC | – | – |
477 | Casanovas | I Don’t Want You To Go | AP3525 | – | – | 7/8/1955 | – |
477 | Casanovas | Please Be My Love | AP3526 | – | – | 7/8/1955 | – |
478 | KEYNOTES | SUDDENLY | – | – | – | – | – |
478 | KEYNOTES | ZENDA | – | – | – | – | – |
479 | SPARKS OF RHYTHM | Women Women Women | – | – | NYC | 7/25/1955 | – |
479 | Sparks Of Rhythm | Don’t Love You Anymore | – | – | NYC | 7/25/1955 | – |
480 | Striders | HESITATING FOOL | 3293 | – | – | 11/14/1949 | – |
480 | Striders | I WONDER | 3294 | – | – | 11/14/1949 | – |
481 | Sparks Of Rhythm | Hurry Home | – | – | NYC | 7/25/1955 | – |
481 | Sparks Of Rhythm | Stars Are In The Sky | – | – | NYC | 7/25/1955 | – |
482 | Louise Williams Orchestra | Lonely Days | – | – | – | Nov-53 | – |
482 | Louise Williams Orchestra | I Don’t Dig That At All | – | – | – | Nov-53 | – |
483 | Casanovas | Sleepy Head Mama | AP 3528 | – | – | 7/8/1955 | – |
483 | Casanovas | My Baby’s Love | AP 3527 | – | – | 7/8/1955 | – |
484 | The KEYNOTES | I DON’T KNOW | AP-3539 | – | NYC | Sep-55 | – |
484 | The Keynotes | A Star | AP-3538 | – | NYC | Sep-55 | – |
485 | SOLOMON BURKE | CHRISTMAS PARADE | AP 3547 | – | NYC | ~1955 | – |
485 | Solomon Burke | When I’m All Alone | AP 3548 | – | NYC | ~1955 | – |
486 | EDDIE BO | HAPPY TEARS | AP3552 | – | NYC | -1956 | – |
486 | EDDIE BO | I’M WISE | AP3551 | – | NYC | -1956 | – |
487 | SOLOMON BURKE | I’M IN LOVE | – | – | NYC | ~1956 | – |
487 | SOLOMON BURKE | WHY DO YOU DO ME THAT WAY | – | – | NYC | ~1956 | – |
488 | The Vocaltones | I’m Gonna Get That Girl | – | – | NYC | ~1955 | – |
488 | The Vocaltones | My Girl | – | – | NYC | ~1955 | – |
489 | Carmen Taylor | Teen Age Ball | – | – | – | – | – |
489 | Carmen Taylor | Oh Please | – | – | – | – | – |
490 | Brenda Lee and the Vocaltones | MY LAST GOODBYE TO YOU | – | – | – | 12/22/1955 | – |
490 | Brenda Lee and the Vocaltones | I AIN’T GONNA GIVE NOBODY | – | – | – | 12/22/1955 | – |
491 | SOLOMON BURKE | I’M ALL ALONE | 3549 | – | – | ~1956 | – |
491 | SOLOMON BURKE | TO THEE | 3549 | – | – | ~1956 | – |
492 | Vocaltones | DARLING | 3556 | – | – | 12/22/1955 | – |
492 | Vocaltones | THREE KINDS OF PEOPLE | 3542 | – | – | 12/22/1955 | – |
493 | Keynotes | Really Wish You Were Here | – | – | NYC | 1956 | – |
493 | Keynotes | Bye Bye Baby | – | – | NYC | 1956 | – |
494 | INSPIRATIONS | RAINDROPS | – | – | NYC | 1956 | – |
494 | INSPIRATIONS | MAGGIE | – | – | NYC | 1956 | – |
495 | Chuck Edwards | Just For A Day | AP-3574 | – | Pitt | 1956 | – |
495 | Chuck Edwards | She Carried Me All Over Town | AP-3575 | – | Pitt | 1956 | – |
496 | EDDIE BO | I’LL BE SATISFIED | AP3554 | – | NYC | -1956 | – |
496 | EDDIE BO | PLEASE FORGIVE ME | AP3553 | – | NYC | -1956 | – |
497 | Vocaltones | My Version Of Love | – | – | NYC | ~1955 | – |
497 | Vocaltones | I’ll Never Let You Go | – | – | NYC | ~1955 | – |
498 | KEYNOTES | NOW I KNOW | 3583 | – | NYC | 6/5/1956 | – |
498 | KEYNOTES | ZUP, ZUP | 3582 | – | NYC | 6/5/1956 | – |
499 | EDDIE BO | I CRY ON | AP3578 | – | NYC | -1956 | – |
499 | EDDIE BO | MY HEART WAS MEANT FOR YOU | AP3577 | – | NYC | -1956 | – |
500 | SOLOMON BURKE | WALKING IN A DREAM | A3588 | – | NYC | 1956 | Burke – Williams – Biggs |
500 | SOLOMON BURKE | NO MAN WALKS ALONE | ? | – | NYC | 1956 | – |
501 | Barton Brothers | Chi-Ri-Bim, Chi-Ri-Bom | – | – | NYC | 1956 | – |
501 | Barton Brothers | Bagels And Lox | – | – | NYC | 1956 | – |
502 | Barton Brothers | Let’s Dance The Frailich (Part I) | – | – | NYC | 1956 | Secunda; Jacobson |
502 | Barton Brothers | Let’s Dance The Frailich (Part II) | – | – | NYC | 1956 | Secunda; Jacobson |
503 | KEYNOTES | OH YEAH!! HM-M-M | 3584 | – | NYC | 6/5/1956 | – |
503 | KEYNOTES | IN THE EVENING | 3580 | – | NYC | 6/5/1956 | – |
504 | EDDIE BO | TELL ME WHY | AP3579 | – | NYC | -1956 | – |
504 | EDDIE BO | HEY BO | AP3576 | – | NYC | -1956 | – |
505 | SOLOMON BURKE (Howard Biggs Band) | A PICTURE OF YOU | AP-3589 | – | NYC | ~1957 | – |
505 | SOLOMON BURKE (Howard Biggs Band) | YOU CAN RUN | AP-3590 | – | NYC | ~1957 | – |
506 | Screamin’ Jay Hawkins | Please Try To Understand | AP-515 | – | NYC | Sep-53 | – |
506 | Screamin’ Jay Hawkins | Not Anymore | AP-514 | – | NYC | Sep-53 | – |
507 | King Curtis | King’s Rock | – | – | NYC | 1956 | – |
507 | King Curtis | Dynamite At Midnight | – | – | NYC | 1956 | – |
508 | Cornell Drew | Everybody’s Trying To Steal My Girl | AP 3592 | – | – | 1954 | – |
508 | Cornell Drew | Little Bamboo | AP 3593 | – | – | 1954 | – |
509 | EDDIE BO | DEAREST ONE | AP3596 | – | – | -1956 | – |
509 | EDDIE BO | TOO MUCH OF A GOOD THING | AP3597 | – | – | -1956 | – |
510 | The Cellos | RANG TANG DING DONG (I Am the Japanese Sandman) | AP 3598 | – | NYC | 1/24/1957 | Williams |
510 | The Cellos | YOU TOOK MY LOVE | AP 3600 | – | NYC | 1/24/1957 | Thomas |
511 | SOLOMON BURKE | THIS IS IT | ? | – | NYC | ~1957 | – |
511 | SOLOMON BURKE | I NEED YOU TONIGHT | – | – | NYC | ~1957 | – |
512 | Solomon Burke | For You And You alone | – | – | NYC | ~1957 | – |
512 | Solomon Burke | You Are My One Love | – | – | NYC | ~1957 | – |
513 | KEYNOTES | ONE LITTLE KISS | 3581 | – | – | 6/5/1956 | – |
513 | Keynotes | Now I Know | – | – | – | – | – |
514 | The Delroys | Bermuda Shorts | – | – | NYC | May-57 | – |
514 | Milton Sparks | Time | – | – | NYC | May-57 | – |
515 | The Cellos | UNDER YOUR SPELL | AP3599 | – | NYC | 1/24/1957 | – |
515 | The Cellos | The Juicy Crocodile | – | – | NYC | 1957 | – |
516 | The Cellos | The Be Bop Mouse | – | – | NYC | 1957 | – |
516 | The Cellos | Girlie That I Love | – | – | NYC | 1957 | – |
517 | The Claremonts | Angel of Romance | AP 3628 | – | NYC | 1957 | – |
517 | The Claremonts | Why Keep Me Dreaming | – | – | NYC | 1957 | – |
518 | Dolly Lyon | Call Me Darling | – | – | – | – | – |
518 | Dolly Lyon | Palm Of Your Hand | – | – | – | – | – |
519 | Casanovas | For You And You Alone | 3624 | – | NYC | 7/3/1957 | – |
519 | Casanovas | Please Be Mine | 3623 | – | NYC | 7/3/1957 | – |
520 | La Fits And Kitty | Xmas Letters | – | – | NYC | 1957 | – |
520 | La Fits And Kitty | Can Can Rock And Roll | – | – | NYC | 1957 | – |
521 | The Chesters | The Fires Burn No More | – | – | NYC | – | – |
521 | The Chesters | Lift Up Your Hands | – | – | NYC | – | – |
522 | SOLOMON BURKE | DON’T CRY | – | – | NYC | ~1958 | – |
522 | SOLOMON BURKE | THEY ALWAYS SAY | – | – | NYC | ~1958 | – |
523 | Casanovas | You Are My Queen | 3620 | – | – | 7/3/1957 | – |
523 | Casanovas | Good Lookin’ Baby | 3621 | – | – | 7/3/1957 | – |
524 | The Cellos | I BEG FOR YOUR LOVE | 3646 | – | – | 1/27/1958 | – |
524 | The Cellos | What’s The Matter For You? | – | – | – | – | – |
525 | Jimmy Lee | Intermission | – | – | – | – | – |
525 | Jimmy Lee | It Must Be Love | – | – | – | – | – |
526 | Larry Kirby | Sweet Shop | – | – | – | – | – |
526 | Larry Kirby | Lucianne | – | – | – | – | – |
527 | SOLOMON BURKE | MY HEART IS A CHAPEL | ? | – | NYC | ~1958 | – |
527 | Solomon Burke | This Is It | – | – | NYC | ~1958 | – |
528 | Screamin’ Jay Hawkins | Baptize Me In Wine | AP-3801 | – | NYC | Sep-53 | – |
528 | Screamin’ Jay Hawkins | Not Anymore | AP-3802 | – | NYC | Sep-53 | – |
529 | Southern Harmonaires | Honey In The Rock | – | – | NYC | 10/5/50 | – |
529 | Southern Harmonaires | I’m So Glad | – | – | NYC | 10/5/50 | – |
530 | Mel Albert | Never Let Me Go | – | – | – | – | – |
530 | Mel Albert | Sugar Plum | – | – | – | – | – |
531 | Bob Spencer | Girl By The Gate | – | – | – | – | – |
531 | Bob Spencer | Open Arms | – | – | – | – | – |
532 | Ann Ford | The Fool | – | – | – | – | – |
532 | Ann Ford | Can’t You Tell? | – | – | – | – | – |
533 | Smiley Smith | All Over Now | – | – | – | – | – |
533 | Smiley Smith | Voo Doo Woman | – | – | – | – | – |
534 | Mike Pedicin | St. James Infirmary | – | – | – | – | – |
534 | Mike Pedicin | Hey, Pop, Give Me The Keys | – | – | – | – | – |
535 | Andy Anderson | You Shake Me Up | – | – | – | – | – |
535 | Andy Anderson | The Way She Smiled | – | – | – | – | – |
536 | Lee Lawrence | The Man I Could Be | – | – | – | – | – |
536 | Lee Lawrence | By My Love | – | – | – | – | – |
537 | Mel Albert | Hinky Dinky | – | – | – | – | – |
537 | Mel Albert | Before You Change Your Mind | – | – | – | – | – |
538 | Lee Lawrence | The Rising River | – | – | – | – | – |
538 | Lee Lawrence | Loving You | – | – | – | – | – |
539 | Mahalia Jackson | Silent Night | – | Apollo 235 | NYC | 10/17/1950 | – |
539 | Mahalia Jackson | The Lord’s Prayer | – | Apollo 245 | NYC | 10/17/1950 | – |
540 | Armonda And The Jays | Present Of Love | – | – | NYC | ~1959 | – |
540 | Armonda And The Jays | Pony Tails | – | – | NYC | ~1959 | – |
541 | Sparks Of Rhythm | HANDY MAN | AP3856 | – | – | Feb-56 | – |
541 | Sparks Of Rhythm | EVERYBODY ROCK AND Roll | AP3857 | – | – | Feb-56 | – |
542 | The Mellows, with Lillian Leach | So Strange | – | – | – | – | – |
542 | The Mellows, with Lillian Leach | Be Mine | – | – | – | – | – |