Label: |
Artist: |
Tune: |
MX: |
Xref: |
Ctrl: |
Date: |
Comp: |
100 |
PHIL MOORE ORCH |
125TH STREET PROPHET |
D110 |
– |
– |
-1947 |
Moore |
100 |
PHIL MOORE ORCH |
CORNNUCOPIA |
D111 |
– |
– |
-1947 |
– |
101 |
PHIL MOORE ORCH |
FUGUE FOR BAR ROOM PIANO |
D107 |
– |
– |
-1947 |
– |
101 |
PHIL MOORE ORCH |
MISTY MOON BLUES |
D108 |
– |
– |
-1947 |
– |
102 |
GEORGIE AULD |
HOLLYWOOD BAZAAR |
D141 |
– |
– |
1/17/49 |
– |
102 |
GEORGIE AULD |
THEY DIDN’T BELIEVE ME |
D142 |
– |
– |
1/17/49 |
– |
103 |
GEORGE SHEARING QUINTET |
LIFE WITH FEATHER |
D155 |
– |
– |
2/8/49 |
Leonard Feather |
103 |
GEORGE SHEARING QUINTET |
MOON OVER MIAMI |
D154 |
– |
– |
2/8/49 |
Leslie – Burke |
103 |
GEORGE SHEARING QUINTET |
LIFE WITH FEATHER |
D155 |
– |
– |
1/31/49 |
– |
103 |
GEORGE SHEARING QUINTET |
MOON OVER MIAMI |
D154 |
– |
– |
1/31/49 |
– |
105 |
GEORGE SHEARING QUINTET |
MIDNIGHT ON CLOUD 69 |
D151 |
– |
– |
1/31/49 |
– |
105 |
GEORGE SHEARING QUINTET |
BEBOP’S FABLES |
D150 |
– |
– |
2/8/49 |
Feather |
106 |
GEORGE SHEARING QUINTET |
SORRY WRONG RHUMBA |
D152 |
– |
– |
1/31/49 |
Feather |
106 |
GEORGE SHEARING QUINTET |
COTTON TOP |
D153 |
– |
– |
2/8/49 |
– |
107 |
GEORGE SHEARING QUINTET |
CHEROKEE |
D148 |
– |
– |
2/8/49 |
Ray Noble |
107 |
GEORGE SHEARING QUINTET |
FOUR BARS SHORT |
D149 |
– |
– |
2/8/49 |
– |
108 |
GIL FULLER ORCH |
BLUES FOR A DEBUTANTE |
D173 |
– |
– |
6/11/49 |
– |
108 |
GIL FULLER ORCH |
TROPICANA |
D175 |
– |
– |
6/11/49 |
– |
109 |
GEORGIE AULD & HIS ORCH |
VOX BOP |
D166 |
– |
– |
3/21/49 |
(-) |
109 |
GEORGIE AULD & HIS ORCHESTRA |
DARN THAT DREAM |
D140 |
– |
– |
1/17/49 |
Van Heusen – DeLange |
110 |
CALVIN JACKSON (piano) |
LAURA |
D116 |
– |
– |
-1947 |
– |
110 |
CALVIN JACKSON (piano) |
BLUE SKIES |
D115 |
– |
– |
-1947 |
– |
111 |
CALVIN JACKSON (piano) |
LADY BE GOOD |
D119 |
– |
– |
-1947 |
– |
111 |
CALVIN JACKSON (piano) |
LOVER |
D113 |
– |
– |
-1947 |
– |
112 |
CALVIN JACKSON (piano) |
PRELUDE IN C SHARP |
D114 |
– |
– |
-1947 |
– |
112 |
CALVIN JACKSON (piano) |
I CAN’T GET STARTED |
D112 |
– |
– |
-1947 |
– |
113 |
IKE CARPENTER ORCH |
DANCERS IN LOVE |
D185 |
– |
– |
8/?/49 |
– |
113 |
IKE CARPENTER ORCH |
AFTER ALL |
D188 |
– |
– |
8/?/49 |
– |
114 |
IZLER SOLOMON COLUMBUS PHIL. |
GALLOPING COMEDIANS |
D205 |
– |
– |
8/?/49 |
– |
114 |
Phil Moore Orch with Dan Lube, vln |
DAY DREAM |
D206 |
– |
– |
8/?/49 |
– |
115 |
GIL FULLER ORCH |
THE SCENE CHANGES |
D174 |
– |
– |
6/11/49 |
– |
115 |
GIL FULLER ORCH |
MEAN TO ME |
D172 |
– |
– |
6/11/49 |
– |
116 |
GEORGIE AULD & HIS ORCH |
NASHOOMA |
D165 |
– |
– |
3/21/49 |
– |
116 |
GEORGIE AULD |
YOU’VE GOT ME JUMPIN’ |
D139 |
– |
– |
1/17/49 |
– |
117 |
GEORGIE AULD & HIS ORCH |
SETTIN’ THE PACE |
D168 |
– |
– |
3/21/49 |
– |
117 |
GEORGIE AULD & HIS ORCH |
MILD AND MELLOW |
D167 |
– |
– |
3/21/49 |
– |
118 |
IKE CARPENTER ORCH |
CHELSEA BRIDGE |
D184 |
– |
– |
8/?/49 |
– |
118 |
IKE CARPENTER ORCH |
SCREAMLINER |
D190 |
– |
– |
8/?/49 |
– |
119 |
IKE CARPENTER ORCH |
FLAMINGO |
D186 |
– |
– |
8/?/49 |
– |
119 |
IKE CARPENTER ORCH |
SCREAMLINER |
D190 |
– |
– |
8/?/49 |
– |
120 |
PAUL SMITH QT |
APART |
– |
– |
– |
– |
– |
120 |
PAUL SMITH QT |
TOGETHER |
– |
– |
– |
– |
– |
121 |
PHIL MOORE (piano and orchestra) |
MOONGLOW |
DBW-547 |
– |
– |
– |
Mills – Hudson – DeLange |
121 |
PHIL MOORE (piano and orchestra) |
JUNE EVE |
DBW-551 |
– |
– |
– |
Phil Moore |
122 |
PHIL MOORE ORCHESTRA |
THE MOON WAS YELLOW |
– |
– |
– |
– |
– |
122 |
PHIL MOORE ORCHESTRA |
EVENTIDE |
– |
– |
– |
– |
– |
123 |
PHIL MOORE ORCHESTRA |
GOIN’ HOME |
– |
– |
– |
– |
– |
123 |
PHIL MOORE ORCHESTRA |
BARCAROLLE FOR BABY |
– |
– |
– |
– |
– |
124 |
PHIL MOORE ORCHESTRA |
EAST OF THE SUN |
– |
– |
– |
– |
– |
124 |
PHIL MOORE ORCHESTRA |
DREAMER’S WALTZ |
– |
– |
– |
– |
– |
125 |
PHIL MOORE and RHYTHM |
LONG AGO AND FAR AWAY |
– |
– |
– |
– |
– |
125 |
PHIL MOORE and RHYTHM |
I KNOW THAT YOU KNOW |
– |
– |
– |
– |
– |
126 |
PHIL MOORE and RHYTHM |
AIN’T MISBEHAVIN’ |
– |
– |
– |
– |
– |
126 |
PHIL MOORE and RHYTHM |
WHEN I GROW TOO OLD TO DREAM |
– |
– |
– |
– |
– |
127 |
PHIL MOORE and RHYTHM |
NOBODY KNOWS THE TROUBLE |
– |
– |
– |
– |
– |
127 |
PHIL MOORE and RHYTHM |
DEEP PURPLE |
– |
– |
– |
– |
– |
128 |
PHIL MOORE and RHYTHM |
MOOD INDIGO |
– |
– |
– |
– |
– |
128 |
PHIL MOORE and RHYTHM |
SOPHISTICATED LADY |
– |
– |
– |
– |
– |
129 |
BARBARA CARROLL TRIO |
YOU STEPPED OUT OF A DREAM |
D258 |
– |
LA |
2/15/50 |
BROWN-KAHN |
129 |
BARBARA CARROLL TRIO |
BARBARA’S CAROL |
D257 |
– |
LA |
2/15/50 |
BARBARA CARROLL |
130 |
BARBARA CARROLL TRIO |
THE PUPPET THAT DANCES BOP |
D259 |
– |
LA |
2/15/50 |
– |
130 |
BARBARA CARROLL |
DANCING ON THE CEILING |
D256 |
– |
LA |
2/15/50 |
– |
131 |
BEN POLLACK’s PICK-A-RIB BOYS |
San Sue Strut |
D275 |
– |
– |
2/28/50 |
Mannone – Guarino |
131 |
BEN POLLACK’s PICK-A-RIB BOYS |
I CAN’T GIVE YOU ANYTHING BUT LOVE |
D273 |
– |
– |
2/28/50 |
DOROTHY FIELDS – JIMMY McHUGH |
132 |
BEN POLLOCK PICKARIB BOYS |
TIN ROOF BLUES |
D272 |
– |
– |
2/28/50 |
MELROSE-RAPPOLO-MARES |
132 |
BEN POLLOCK PICKARIB BOYS |
SAN ANTONIO SHOUT |
D274 |
– |
– |
2/28/50 |
– |
133 |
BEN POLLACK’s PICK-A-RIB BOYS |
MARYLAND, MY MARYLAND |
D270 |
– |
– |
2/28/50 |
trad. |
133 |
BEN POLLACK’s PICK-A-RIB BOYS |
SENSATION RAG |
D271 |
– |
– |
2/28/50 |
{EDDIE} EDWARDS – {J. R. ROBINSON} |
134 |
RED NORVO TRIO |
TIME AND TIDE |
D308 |
– |
– |
5/3/50 |
– |
134 |
RED NORVO TRIO |
CHEEK TO CHEEK |
D306 |
– |
– |
5/3/50 |
– |
135 |
RED NORVO TRIO |
NIGHT AND DAY |
D307 |
– |
– |
5/3/50 |
– |
135 |
RED NORVO TRIO |
SWEDISH PASTRY |
D305 |
– |
– |
5/3/50 |
– |
136 |
PAUL SMITH QT |
THE WAY YOU LOOK TONIGHT |
D301 |
– |
– |
4/18/50 |
– |
136 |
PAUL SMITH QT |
OUT OF NOWHERE |
D297 |
– |
– |
4/18/50 |
– |
137 |
PAUL SMITH QT |
THE GREAT LIE |
D304 |
– |
– |
4/18/50 |
– |
137 |
PAUL SMITH QT |
S WONDERFUL |
D299 |
– |
– |
4/18/50 |
– |
138 |
PAUL SMITH Quartet |
OVER THE RAINBOW |
D303 |
– |
– |
4/18/50 |
Arlen – Harburg |
138 |
PAUL SMITH Quartet |
WANDERING |
D296 |
– |
– |
4/18/50 |
– |
139 |
PAUL SMITH QT |
CUPID TOOK ME FOR A RIDE |
D300 |
– |
– |
4/18/50 |
– |
139 |
PAUL SMITH Quartet |
BY THE FIRESIDE |
D302 |
– |
– |
4/18/50 |
Noble – Campbell – Connelly |
140 |
DIZZY GILLESPIE w J.RICHARDS |
INTERLUDE IN C |
D392 |
– |
D400 |
11/1/50 |
– |
140 |
DIZZY GILLESPIE w J.RICHARDS |
SWING LOW SWEET CHARIOT |
D385 |
SAV4512 |
D393 |
10/31/50 |
– |
141 |
DIZZY GILLESPIE w J.RICHARDS |
THESE ARE THE THINGS I LOVE |
D390 |
– |
D398 |
11/1/50 |
– |
141 |
DIZZY GILLESPIE w J.RICHARDS |
ALONE TOGETHER |
D389 |
– |
D397=45rpm |
11/1/50 |
– |
142 |
DIZZY GILLESPIE w J.RICHARDS |
LULLABY OF THE LEAVES |
D386 |
– |
D394=45rpm |
10/31/50 |
– |
142 |
DIZZY GILLESPIE w J.RICHARDS |
ON THE ALAMO |
D391 |
– |
D399=45rpm |
11/1/50 |
– |
143 |
DIZZY GILLESPIE with Johnny RICHARDS |
WHAT IS THERE TO SAY |
D388 |
– |
D396=45rpm |
10/31/50 |
Harburg – Duke |
143 |
DIZZY GILLESPIE with Johnny RICHARDS |
MILLION DOLLAR BABY |
D387 |
SAV4512 |
D395=45rpm |
10/31/50 |
– |
144 |
RED NORVO TRIO |
I CAN’T BELIEVE THAT YOU’RE IN LOVE WITH ME |
D380 |
– |
– |
10/13/50 |
Gaskill – McHugh |
144 |
RED NORVO TRIO |
I’VE GOT YOU UNDER MY SKIN |
D377 |
– |
– |
10/13/50 |
Cole Porter “The Gay Divorcee” |
145 |
RED NORVO TRIO |
LITTLE WHITE LIES |
D381 |
– |
– |
10/13/50 |
– |
145 |
RED NORVO TRIO |
Move |
D-376 |
– |
– |
– |
Miles Davis |
146 |
RED NORVO TRIO |
I GET A KICK OUT OF YOU |
D378 |
– |
– |
10/13/50 |
– |
146 |
RED NORVO TRIO |
I’LL REMEMBER APRIL |
D379 |
– |
– |
10/13/50 |
– |
147 |
RED NORVO TRIO |
SEPTEMBER SONG |
D375 |
– |
CHIC |
10/13/50 |
– |
148 |
ZOOT SIMS QT |
SLINGIN’ HASH |
D424 |
– |
D430 |
6/16/50 |
– |
148 |
ZOOT SIMS QT |
NIGHT AND DAY |
D422 |
– |
PARIS |
6/16/50 |
– |
149 |
ZOOT SIMS QT |
I UNDERSTAND |
D423 |
– |
D429 |
6/16/50 |
– |
149 |
ZOOT SIMS QT |
TENDERLY |
D427 |
– |
D433 |
6/16/50 |
– |
149 |
ZOOT SIMS QT |
I UNDERSTAND |
– |
– |
– |
– |
– |
149 |
ZOOT SIMS QT |
TENORLY |
– |
– |
– |
– |
– |
150 |
ZOOT SIMS Quartet |
CRYSTALS |
D426 |
– |
Paris |
6/16/50 |
ZOOT SIMS |
150 |
ZOOT SIMS Quartet |
DON’T WORRY ABOUT ME |
D425 |
– |
Paris |
6/16/50 |
KOELHER – BLOOM |
151 |
ROY ELDRIDGE SEXTET |
WRAP YOUR TROUBLES IN DREAMS |
D449 |
– |
PARIS |
6/14/50 |
– |
151 |
ROY ELDRIDGE SEXTET |
UNDECIDED |
D448 |
– |
PARIS |
6/14/50 |
– |
152 |
ROY ELDRIDGE SEXTET |
WILD DRIVER |
D451 |
– |
PARIS |
6/14/50 |
– |
152 |
ROY ELDRIDGE SEXTET |
THE MAN I LOVE |
D450 |
– |
PARIS |
6/14/50 |
– |
153 |
ROY ELDRIDGE SEXTET |
KING DAVID |
D452 |
– |
PARIS |
6/14/50 |
– |
153 |
ROY ELDRIDGE SEXTET |
EASTER PARADE |
D453 |
– |
PARIS |
6/14/50 |
– |
154 |
GERRY WIGGINS TRIO |
WHY WAS I BORN |
D463 |
– |
– |
9/20/50 |
– |
154 |
GERRY WIGGINS TRIO |
ALL THE THINGS YOU ARE |
D462 |
– |
– |
9/20/50 |
– |
155 |
GERRY WIGGINS TRIO |
S’POSIN’ |
D464 |
– |
– |
9/20/50 |
– |
155 |
GERRY WIGGINS TRIO |
SANDRA LEE |
D465 |
– |
– |
9/20/50 |
– |
156 |
GERRY WIGGINS TRIO |
CANDY |
D467 |
– |
– |
9/20/50 |
– |
156 |
GERRY WIGGINS TRIO |
THREE LITTLE WORDS |
D466 |
– |
– |
9/20/50 |
– |
157 |
ART PEPPER Quartet |
BROWN GOLD |
D6001-7 |
– |
– |
3/4/52 |
Art Peper |
157 |
ART PEPPER Quartet |
THESE FOOLISH THINGS |
D6002 |
SAV4518 |
– |
3/4/52 |
– |
158 |
ART PEPPER Quartet |
SURF RIDE |
D6003-5 |
– |
– |
3/4/52 |
Art Pepper |
158 |
ART PEPPER Quartet |
HOLIDAY FLIGHT |
D6004-4 |
– |
– |
3/4/52 |
Art Pepper |
159 |
TROTTA |
SOMETIMES I’M HAPPY |
D6025 |
– |
– |
– |
– |
159 |
TROTTA |
NIGHT MUST FALL |
D6022 |
– |
– |
– |
– |
160 |
Jerry Trotta and his Orch |
Don’t Worry About Me (v. Margie Schaffer) |
D6024 |
– |
– |
– |
Ruby Bloom – Ted Koehler |
160 |
Jerry Trotta and his Orch |
Amigo Mio |
– |
– |
– |
– |
– |
161 |
PAUL SMITH TRIO |
EL CUMBANCHERO |
D6009 |
– |
– |
3/?/52 |
– |
161 |
PAUL SMITH TRIO |
LAURILOU |
D6007 |
– |
– |
3/?/52 |
– |
162 |
PAUL SMITH TRIO |
THE JUMPER |
D6006 |
– |
– |
3/?/52 |
Paul T. Smith |
162 |
PAUL SMITH TRIO |
PICK YOURSELF UP |
D6010 |
– |
– |
3/?/52 |
– |
163 |
HARRY BABASIN TRIO |
S WONDERFUL |
D6040 |
– |
D6042 |
12/7/52 |
– |
163 |
HARRY BABASIN TRIO |
NIGHT AND DAY |
D6039 |
– |
– |
12/7/52 |
– |
164 |
HAMPTON HAWES TRIO |
THOU SWELL |
D6053 |
– |
– |
9/10/52 |
– |
164 |
HAMPTON HAWES TRIO |
JUMPIN’ JACQUE |
D6050 |
– |
– |
9/10/52 |
– |
165 |
HAMPTON HAWES TRIO |
DON’T GET AROUND MUCH ANYMORE |
D6051 |
– |
– |
9/10/52 |
– |
165 |
HAMPTON HAWES TRIO |
IT’S YOU OR NO ONE FOR ME |
D6052 |
– |
– |
9/10/52 |
– |
166 |
RED NORVO TRIO |
I’M YOURS |
D483 |
– |
– |
4/13/51 |
– |
166 |
RED NORVO TRIO |
IF I HAD YOU |
D480 |
– |
– |
4/13/51 |
– |
167 |
RED NORVO TRIO |
GODCHILD |
D482 |
– |
– |
4/13/51 |
– |
167 |
RED NORVO TRIO |
THIS CAN’T BE LOVE |
D481 |
– |
– |
4/13/51 |
– |
168 |
EDDIE BERT QUINTET |
FIRST DAY OF SPRING |
D6055 |
– |
NYC |
3/19/52 |
– |
168 |
EDDIE BERT QUINTET |
Mol-Shaja |
D6054 |
– |
NYC |
3/19/52 |
– |
169 |
EDDIE BERT QUINTET |
THE MING TREE |
D6057 |
– |
– |
3/19/52 |
– |
169 |
EDDIE BERT QUINTET |
ALL THE THINGS YOU ARE |
D6056 |
– |
– |
3/19/52 |
– |
170 |
ART PEPPER Quartet |
SUZY THE POODLE |
D6059 |
– |
– |
3/29/52 |
Art Pepper |
170 |
ART PEPPER Quartet |
TICKLE TOE |
D6061 |
– |
– |
3/29/52 |
– |
171 |
ART PEPPER QT |
EVERYTHING HAPPENS TO ME |
D6060 |
– |
– |
3/29/52 |
– |
171 |
ART PEPPER QT |
CHILI PEPPER |
D6058 |
– |
– |
3/29/52 |
– |
172 |
PAUL SMITH TRIO |
HOW ABOUT YOU? |
D6008 |
– |
– |
3/?/52 |
– |
172 |
PAUL SMITH TRIO |
I ONLY HAVE EYES FOR YOU |
D6005 |
– |
– |
3/?/52 |
– |
173 |
THORE SWANERUD SEXTET |
TOUT D’SUITE |
D6113 |
– |
STOCKHOLM |
9/19/49 |
– |
173 |
THORE SWANERUD SEXTET |
HOW HIGH THE MOON |
D6112 |
– |
STOCKHOLM |
9/19/49 |
– |
174 |
BARBARA CARROLL TRIO |
MOROCCO (vBC) |
D6119 |
– |
LA |
-1953 |
– |
174 |
BARBARA CARROLL TRIO |
MOROCCO |
D6118 |
– |
LA |
-1953 |
– |
176 |
BERYL BOOKER |
EBONY |
D6146 |
– |
LA |
10/14/53 |
– |
176 |
BERYL BOOKER |
THOU SWELL |
D6147 |
– |
LA |
10/14/53 |
– |
233 |
ERROLL GARNER |
DON’T BLAME ME |
– |
– |
– |
– |
– |
500 |
BETTY BARCLAY |
ALL I DO IS DREAM OF YOU |
– |
– |
– |
-1947 |
– |
500 |
BETTY BARCLAY |
I LOVE JEEMY |
– |
– |
– |
-1947 |
– |
501 |
BETTY BARCLAY |
WOULD YOU LIKE TO TAKE A WALK |
– |
– |
– |
-1947 |
– |
501 |
BETTY BARCLAY |
TRY, TRY AGAIN |
– |
– |
– |
-1947 |
– |
502 |
MARY ANN McCALL (Phil Moore Orch) |
I HADN’T ANYONE TILL YOU |
D134 |
– |
– |
12/27/48 |
Ray Noble “In A Lonely Place” |
502 |
MARY ANN McCALL (Phil Moore Orch) |
YOU’RE MINE, YOU |
D135 |
– |
– |
12/27/48 |
– |
503 |
MARTHA RAYE (Phil Moore Orch) |
OOH, DOCTOR KINSEY |
D156 |
– |
– |
2/5/49 |
Phil Moore |
503 |
MARTHA RAYE (Phil Moore Orch) |
AFTER YOU’VE GONE |
D158 |
– |
– |
2/5/49 |
Creamer – Layton |
504 |
LES BAXTER |
NIGHT AND DAY |
D145 |
– |
– |
1/22/49 |
– |
504 |
LES BAXTER |
TICO TICO |
D143 |
– |
– |
1/22/49 |
– |
505 |
MARTHA RAYE |
MISS OTIS REGRETS |
D169 |
– |
– |
3/26/49 |
– |
505 |
MARTHA RAYE |
LIFE’S ONLY JOY |
D171 |
– |
– |
3/26/49 |
– |
506 |
KING COLE QUINTET |
IT HAD TO BE YOU |
– |
– |
– |
-1947 |
– |
507 |
JUNIOR DANIELS w AL HAIG TRIO |
AUTUMN SERENADE |
D181 |
– |
– |
7/15/49 |
– |
507 |
JUNIOR DANIELS w AL HAIG TRIO |
THE LAMP IS LOW |
D182 |
– |
– |
7/15/49 |
– |
508 |
DANDY PAYNE w AL HAIG TRIO |
A WORLD OF MY OWN |
D178 |
– |
– |
7/14/49 |
– |
508 |
DANDY PAYNE w AL HAIG TRIO |
MY MOTHER’S BIRTHDAY |
D177 |
– |
– |
7/14/49 |
– |
509 |
MARY ANN McCALL |
YOU’RE MY THRILL |
D133 |
– |
– |
12/27/48 |
– |
509 |
MARY ANN McCALL |
SUNDAY |
D138 |
– |
– |
1/3/49 |
– |
510 |
DAVID ALLEN & JOHNNY RICHARDS |
WHEN LOVE COMES |
D210 |
– |
– |
9/19/49 |
– |
510 |
DAVID ALLEN & JOHNNY RICHARDS |
I CAN’T BE WRONG |
D209 |
– |
– |
9/19/49 |
– |
511 |
DAVID ALLYN |
WAIT TILL YOU SEE HER |
D208 |
– |
(LA) |
9/13/49 |
– |
511 |
DAVID ALLYN |
IT NEVER ENTERED MY MIND |
D207 |
– |
(LA) |
9/13/49 |
– |
512 |
MARY ANN McCALL |
NICE WORK |
D137 |
– |
– |
1/3/49 |
– |
512 |
MARY ANN McCALL |
I’M YOURS |
D136 |
– |
– |
1/3/49 |
– |
513 |
LES BAXTER |
BAHIA |
D146 |
– |
– |
1/22/49 |
– |
513 |
LES BAXTER |
CARIOCA |
D144 |
– |
– |
1/22/49 |
– |
514 |
EMMA LOU WELCH |
TIS AUTUMN |
JES100 |
– |
– |
– |
– |
514 |
EMMA LOU WELCH |
SPECIALLY WHEN I’M IN A LOVIN’ MOOD |
JES102 |
– |
– |
– |
– |
516 |
DANDY PAYNE w AL HAIG TRIO |
GEE, HOW YOU THRILL ME |
D176 |
– |
– |
7/14/49 |
– |
516 |
DANDY PAYNE w AL HAIG TRIO |
ONCE IN A WHILE |
D179 |
– |
– |
7/14/49 |
– |
517 |
MARTHA RAYE |
THE BOY NEXT DOOR |
D170 |
– |
– |
3/26/49 |
– |
517 |
MARTHA RAYE |
LOTUS LAND |
D157 |
– |
– |
2/5/49 |
– |
518 |
DAVID ALLEN w PAUL SMITH GRP |
DID YOU EVER SEE A DREAM WALKING |
D228 |
– |
LA |
12/30/49 |
– |
518 |
DAVID ALLEN w PAUL SMITH GRP |
I CAN’T BELIEVE YOU’RE IN LOVE WITH |
D229 |
– |
LA |
12/30/49 |
– |
519 |
HELEN HUMES w MARSHALL ROYAL |
ROCK ME TO SLEEP |
D310 |
– |
– |
5/9/50 |
– |
519 |
HELEN HUMES w MARSHALL ROYAL |
SAD FEELING |
D309 |
– |
– |
5/9/50 |
– |
520 |
HELEN HUMES w MARSHALL ROYAL |
HE MAY BE YOURS |
D312 |
– |
– |
5/9/50 |
– |
520 |
HELEN HUMES w MARSHALL ROYAL |
THIS LOVE OF MINE |
D311 |
– |
– |
5/9/50 |
– |
521 |
DAMITA JO |
HERE I AM |
D317 |
– |
– |
5/21/50 |
– |
521 |
DAMITA JO |
BELIEVE ME |
D315 |
– |
– |
5/21/50 |
– |
522 |
NICK DELANO |
MAD, MAD, MAD |
D318 |
– |
– |
6/?/50 |
– |
522 |
NICK DELANO |
A HUNDRED YEARS FROM TODAY |
D320 |
– |
– |
6/?/50 |
– |
523 |
DAMITA JO |
ANYTIME, ANY PLACE, ANYWHERE |
D316 |
– |
– |
5/21/50 |
– |
523 |
DAMITA JO |
UNTIL THE REAL THING COMES ALONG |
D314 |
– |
– |
5/21/50 |
– |
524 |
MIGHTY MAN MAXWELL |
GOODNIGHT IRENE |
D329 |
– |
– |
8/9/50 |
– |
524 |
MIGHTY MAN MAXWELL |
I FEEL LIKE SHOUTING |
D328 |
– |
– |
8/9/50 |
– |
525 |
KEN SCHIRENE TRIO |
ONE ROSE |
D326 |
– |
– |
7/28/50 |
– |
525 |
KEN SCHIRENE TRIO |
HARVEST TIME |
D325 |
– |
– |
7/28/50 |
– |
526 |
EDDIE WILLIAMS |
MANDERING |
D330 |
– |
– |
8/9/50 |
– |
526 |
EDDIE WILLIAMS |
BLUES FOR CUBA |
D331 |
– |
– |
8/9/50 |
– |
527 |
PAGE CAVANAUGH TRIO Add Two Wives |
DON’T YOU GO AWAY MAD (v. Gale Allan, Lynn Davis) |
D333 |
– |
– |
8/12/50 |
Mundy – Stillman |
527 |
PAGE CAVANAUGH TRIO |
EXCEPT FOR LOVIN’ YOU (v. Gale Allen) |
D334 |
– |
– |
8/12/50 |
Allen – Parnell |
528 |
PAGE CAVANAUGH TRIO add Two Wives |
THIS TIME THE DREAM’S ON ME (v. Gale Allen and Lynn Davis) |
D335 |
– |
– |
8/12/50 |
Mercer – Arlen “Blues In The Night” |
528 |
PAGE CAVANAUGH TRIO add Two Wives |
OF ALL THINGS |
D332 |
– |
– |
8/12/50 |
– |
529 |
HELEN HUMES |
ATOMIC BLUES |
D338 |
– |
– |
8/?/50 |
– |
529 |
HELEN HUMES |
ATOMIC BLUES PT.2 |
D339 |
– |
– |
8/?/50 |
– |
530 |
HELEN HUMES |
IF I COULD BE WITH YOU |
D337 |
– |
– |
8/?/50 |
– |
530 |
HELEN HUMES |
E BABA LE BA |
D336 |
– |
– |
8/?/50 |
– |
531 |
LENNY CARSON and the Whiz Kids |
MOLASSES, MOLASSES |
D341 |
– |
– |
8/27/50 |
Larry Clinton |
531 |
LENNY CARSON and the Whiz Kids |
EVERBODY CLAP HANDS |
D342 |
– |
– |
8/27/50 |
Hoffman – Curtis – Kramer |
532 |
DAVID ALLEN w PAUL SMITH GRP |
THE TOUCH OF YOUR LIPS |
D227 |
– |
LA |
12/30/49 |
– |
533 |
LURLEAN HUNTER |
MY HOME TOWN CHICAGO |
A13699 |
– |
– |
– |
– |
533 |
LURLEAN HUNTER |
I GOT A WARM FEELING |
A13698 |
– |
– |
– |
– |
534 |
LENNY CARSON |
HUG ME, KISS ME, LOVE ME |
D343 |
– |
– |
8/27/50 |
– |
534 |
LENNY CARSON |
OOH WHAT A GOO SLAM |
D344 |
– |
– |
8/27/50 |
– |
535 |
HELEN HUMES |
AIRPLANE BLUES |
D421 |
– |
LA |
11/20/50 |
– |
535 |
HELEN HUMES |
HELEN’S ADVICE |
D419 |
– |
LA |
11/20/50 |
– |
536 |
CLEO BROWN |
COFFEE COLORED CHILD |
D438 |
– |
– |
6/?/50 |
– |
536 |
CLEO BROWN |
TWO LITTLE TWAINS |
D436 |
– |
– |
6/?/50 |
– |
1200 |
PHIL MOORE ORCH |
CONCERTO FOR TROMBONE |
D105 |
– |
– |
-1947 |
– |
1200 |
PHIL MOORE ORCH |
CONCERTO FOR PIANNO AND ORCHESTRA |
D101 |
– |
– |
-1947 |
– |
1201 |
IZLER SOLOMON COLUMBUS PHIL.OR |
TEQUILA |
D249 |
– |
– |
1/?/50 |
– |
1201 |
IZLER SOLOMON COLUMBUS PHIL.OR |
BARTOK SIX DANCES |
D248 |
– |
– |
1/?/50 |
– |
1202 |
MONTE EASTER & HIS ORCH |
PASTEL |
D6044 |
– |
– |
9/?/52 |
– |
1202 |
MONTE EASTER & HIS ORCH |
CASABLANCA BOOGIE |
D6043 |
– |
– |
9/?/52 |
– |
1203 |
JESSIE MAE ROBINSON |
THAT’S HIS SECRET |
D6046 |
– |
– |
9/?/52 |
– |
1203 |
JESSIE MAE ROBINSON |
JESSIE MAE’S BLUES |
D6045 |
– |
– |
9/?/52 |
– |
1204 |
JESSIE MAE ROBINSON |
LONELY, LONELY ME |
D6048 |
– |
– |
9/?/52 |
– |
1204 |
JESSIE MAE ROBINSON |
IN MOTHER’S ARMS |
D6049 |
– |
– |
9/?/52 |
– |
1205 |
BOBBY FRANCO |
HEAR MY CONFESSION |
D6080 |
– |
– |
– |
– |
1205 |
BOBBY FRANCO |
LOVE OF MINE |
D6081 |
– |
– |
– |
– |
1206 |
CLIFF AYERS |
SMILE WITH THE SUN |
D6083 |
– |
– |
– |
– |
1206 |
CLIFF AYERS |
ROSARY LANE |
D6082 |
– |
– |
– |
– |
1207 |
BILL ANDREWS |
ONCE IN A LIFETIME |
D6086 |
– |
– |
– |
– |
1207 |
BILL ANDREWS |
LONESOME STREET |
D6087 |
– |
– |
– |
– |
1210 |
LES BAXTER TRIO |
NIGHT and DAY |
– |
– |
– |
– |
– |
1210 |
LES BAXTER TRIO |
BAIA |
– |
– |
– |
– |
– |
1731 |
REINHOLD SVENSSON’S ORCH |
STRIKE UP THE BAND |
D6066 |
– |
STOCKHOLM |
4/24/51 |
– |
1731 |
REINHOLD SVENSSON’S ORCH |
THE NEARNESS OF YOU (vRolf Erickson) |
D6067 |
– |
STOCKHOLM |
1/10/51 |
– |
1732 |
ROLF ERICKSON ORCH |
MILES AWAY |
D6062 |
– |
STOCKHOLM |
9/19/50 |
– |
1733 |
ROLF ERICKSON ORCH |
CONVERSATION |
D6064 |
– |
STOCKHOLM |
9/19/50 |
– |
1733 |
REINHOLD SVENSSON’S ORCH |
LULLABY IN RHYTHM |
D6068 |
– |
STOCKHOLM |
1/10/51 |
– |
1741 |
HANS KOLLER QT |
I COVER THE WATERFRONT |
D6073 |
– |
MUNICH |
5/20/52 |
– |
1741 |
HANS KOLLER QT |
HANS IS HIP |
D6072 |
– |
MUNICH |
5/20/52 |
– |
1742 |
HANS KOLLER QT |
UP FROM MUNICH |
D6088 |
– |
– |
5/20/52 |
– |
1742 |
HANS KOLLER QT |
BEAT |
D6089 |
– |
– |
5/20/52 |
– |
1743 |
HANS KOLLER QT |
MY MELANCHOLY BABY |
D6111 |
– |
MUNICH |
5/20/52 |
– |
1743 |
HANS KOLLER QT |
JUTTA IS HIP |
D6110 |
– |
MUNICH |
5/20/52 |
– |
1751 |
RONNIE BALL QT |
CUBA |
D6075 |
– |
LONDON |
1/9/52 |
– |
1751 |
RONNIE BALL QT |
SPIKE’S DELIGHT |
D6074 |
– |
LONDON |
7/7/51 |
– |
1752 |
RONNIE BALL w VIC LEWIS ORCH |
SOLITAIRE |
D6093 |
– |
LONDON |
2/27/51 |
– |
1752 |
RONNIE BALL w VIC LEWIS ORCH |
THE APPLE |
D6092 |
– |
LONDON |
5/7/51 |
– |
1753 |
RONNIE SCOTT SEXTET |
LITTLE WILLIE LEAPS |
D6108 |
– |
LONDON |
4/21/51 |
– |
1753 |
RONNIE SCOTT SEXTET |
CHASIN’ THE BIRD |
D6109 |
– |
LONDON |
4/21/51 |
– |