| Label: | Artist: | Tune: | MX: | Xref: | Ctrl: | Date: | Comp: |
| 50 | Minerva Pious & Bud Freeman |
Private Jives I | – | – | – | – | – |
| 50 | Minerva Pious & Bud Freeman |
Private Jives II | – | – | – | – | – |
| 51 | Spivy | I Brought Culture To Buffalo In The 90’s | – | – | – | – | – |
| 51 | Spivy | Alley Cat | – | – | – | – | – |
| 52 | Spivy | Why Don’t You | – | – | – | – | – |
| 52 | Spivy | The Last Of The Fleur de Levy | – | – | – | – | – |
| 53 | Spivy | I Love Town | – | – | – | – | – |
| 53 | Spivy | A Tropical Fish | – | – | – | – | – |
| 100 | THE ORIGINAL WOLVERINES | DEAR OLD SOUTHLAND | C1972-B/E-7354 | VO15708 | Chi | 5/24/1928 | – |
| 100 | THE ORIGINAL WOLVERINES | ROYAL GARDEN BLUES | C1290/E-6765 | BR4000 | Chi | 10/12/1927 | SPENCER WILLIAMS |
| 101 | THE ORIGINAL WOLVERINES | LIMEHOUSE BLUES | C1971-B/E-7353 | VO15708 | Chi | 5/24/1928 | FURBER; BRAHAM |
| 101 | THE ORIGINAL WOLVERINES | A GOOD MAN IS HARD TO FIND | C1303 | BR4000, Voc 15635 | Chi | 10/12/1927 | GREEN |
| 102 | THE ORIGINAL WOLVERINES | NEW TWISTER | 15173 | UHCA102 Voc 15634 | Chi | 10/12/1927 | – |
| 102 | THE ORIGINAL WOLVERINES | SHIM-ME-SHA WABBLE | 15174 | UHCA102 Voc 15634 | Chi | 10/12/1927 | – |
| 105A | Billy Banks and the Rhythmakers | I’d do Anything for You | 12119 | – | – | – | – |
| 105B | Billy Banks and the Rhythmakers | Mean Old Bed Bug Blues | 12120 | – | – | – | – |
| 109 | Billy Banks and the Rhythmakers | Spider Crawl | 11719=4 | – | – | – | – |
| 109 | Billy Banks and the Rhythmakers | Bugle Call Rag | 11716=1 | – | – | – | – |
| 114A | Les Hite and his Orch | Yes, I Love You (v. T-Bone Walker) | 1852 | – | – | Aug-40 | Walker; Hite |
| 114B | VARSITY SEVEN | SHAKE IT AND BREAK IT (v. Joe Turner) | US1285-1 | VAR8179 | NYC | 1/15/1940 | – |
| 500A | EDDIE CONDON and his WINDY CITY 7 |
JA DA | P22310-2 | – | NYC | 1/17/1938 | Robert Carleton |
| 500B | EDDIE CONDON and his WINDY CITY 7 |
LOVE IS JUST AROUND THE CORNER | P22306-1 | – | NYC | 1/17/1938 | Robin; Gensler |
| 501A | BUD FREEMAN TRIO | YOU TOOK ADVANTAGE OF ME | P22311-1 | – | NYC | 1/17/1938 | Dick Rodgers; Larry Hart |
| 501B | BUD FREEMAN TRIO | THERE’S NO CROWD | P22312-1 | – | NYC | 1/17/1938 | Stacey; Freeman; Wettling |
| 502A | BUD FREEMAN TRIO | I GOT RHYTHM | P22313-1 | – | NYC | 1/17/1938 | IRA & GEORGE GERSHWIN |
| 502B | EDDIE CONDON and his WINDY CITY 7 |
BEAT TO THE SOCKS | P22307-1 | – | NYC | 1/17/1938 | Stacey; Condon; Freeman |
| 503A | BUD FREEMAN TRIO | AT SUNDOWN | P22720-1 | – | NYC | 4/13/1938 | Walter Donaldson |
| 503B | BUD FREEMAN TRIO | KEEP SMILING AT TROUBLE | P22719-2 | – | NYC | 4/13/1938 | Lewis Gensler |
| 504A | BUD FREEMAN TRIO | MY HONEY’S LOVIN‘ ARMS | P22721-1 | – | NYC | 4/13/1938 | JOSEPH MEYER |
| 504B | BUD FREEMAN TRIO | I DON’T BELIEVE IT | P22722-2 | – | NYC | 4/13/1938 | – |
| 505A | EDDIE CONDON and his WINDY CITY 7 |
MEET ME TONIGHT IN DREAMLAND | P22831-1-2 | – | NYC | 4/30/1938 | Friedman; Whitson |
| 505B | JACK TEAGARDEN & EDDIE CONDON |
DIANE | P22832-1-2 | – | NYC | 4/30/1938 | Erno Rapee; Lew Pollack |
| 506A | JESS STACY | COMPLAININ‘ | P23990-2 | – | NYC | 1/18/1939 | Jess Stacy |
| 506B | JESS STACY | RAMBLIN‘ | P22828-2 | – | NYC | 4/30/1938 | Jess Stacy |
| 507A | BUD FREEMAN & HIS GANG |
LIFE SPEARS A JITTERBUG | P23235-1 | – | NYC | 7/12/1938 | ALEXANDER KING |
| 507B | BUD FREEMAN & HIS GANG |
WHAT’S THE USE? | P23236-1 | – | NYC | 7/12/1938 | Isham Jones; Charles Newman |
| 508A | BUD FREEMAN & HIS GANG |
TAPPIN‘ THE COMMODORE TILL | P23233-1 | – | NYC | 7/12/1938 | The Bunch |
| 508B | BUD FREEMAN & HIS GANG |
MEMORIES OF YOU | P23234-1 | – | NYC | 7/12/1938 | Blake; Razaf |
| 509A | KANSAS CITY SIX | COUNTLESS BLUES | P23422-1 | New York 103 | NYC | 9/8/1938 | Ad Lib |
| 509B | KANSAS CITY SIX | I WANT A LITTLE GIRL | P23424-1 | New York 103 | NYC | 9/8/1938 | Moll – Mencher |
| 510A | KANSAS CITY FIVE | I KNOW THAT YOU KNOW | P22582-1 | – | NYC | 3/18/1938 | ?; Caldwell |
| 510B | KANSAS CITY FIVE | LAUGHING AT LIFE | P22580-1 | – | NYC | 3/18/1938 | KENNY – TODD |
| 511 | KANSAS CITY FIVE | GOOD MORNIN‘ BLUES | P22581-1 | – | NYC | 3/18/1938 | – |
| 511 | KANSAS CITY SIX | THEM THERE EYES (v. Fred Green) | P23423-2 | – | NYC | 9/8/1938 | – |
| 512A | KANSAS CITY SIX | PAGIN‘ THE DEVIL | P23425 | New York 115 | NYC | 9/8/1938 | Walter Paige |
| 512B | KANSAS CITY SIX | WAY DOWN YONDER IN NEW ORLEANS | P23421-2 | New York 115 | NYC | 9/8/1938 | Creamer – Layton |
| 513 | BUD FREEMAN TRIO | EXACTLY LIKE YOU | 75960-A | – | NYC | 11/30/1938 | Fields; McHugh |
| 513 | BUD FREEMAN TRIO | BLUE ROOM | 75959-A | – | NYC | 11/30/1938 | Rodgers; Hart |
| 514 | BUD FREEMAN TRIO | THREE LITTLE WORDS | 75957-A | – | NYC | 11/30/1938 | Kalmar & Rudy |
| 514 | BUD FREEMAN TRIO | SWINGING WITHOUT MEZZ | 75958-A | – | NYC | 11/30/1938 | Fiji Anderson |
| 515A | EDDIE CONDON & HIS BAND |
CALIFORNIA HERE I COME | P23707-2 | – | NYC | 11/12/1938 | DeSylva; Jolson; Meyer |
| 515B | EDDIE CONDON & HIS BAND |
SUNDAY | P23706-1 | – | NYC | 11/12/1938 | Miller; Cohn; Stein; Krueger |
| 516A | CHU BERRY and his „LittleJazz“ ENSEMBLE | FORTY SIX WEST Fifty Two | 23702-1 | 7508 | NYC | 11/11/1938 | Leon Berry |
| 516B | CHU BERRY and his „LittleJazz“ ENSEMBLE | SITTING IN | P-23699-2 | 7508 | NYC | 11/11/1938 | Ad Lib |
| 517A | JESS STACY | CANDLELIGHTS | P23989-1 | – | NYC | 1/18/1939 | Bix Beiderbecke |
| 517B | JESS STACY | AIN’T GOIN‘ NOWHERE | P23991 | – | NYC | 1/18/1939 | Jess Stacy |
| 518 | WILLIE „THE LION“ SMITH (piano) | TEA FOR TWO | B541=3 | – | NYC | 1/10/1939 | Vincent Youmans |
| 518 | WILLIE „THE LION“ SMITH (piano) | WHAT IS THERE TO SAY | B538=2 | – | NYC | 1/10/1939 | Vernon Duke |
| 519 | WILLIE „THE LION“ SMITH (piano) | STORMY WEATHER | B544=2 | – | NYC | 1/10/1939 | Harold Arlen |
| 519 | WILLIE „THE LION“ SMITH (piano) | I’LL FOLLOW YOU | B542=4 | – | NYC | 1/10/1939 | Turk; Ahlert |
| 520 | WILLIE „THE LION“ SMITH, JOE BUSHKIN, JESS STACY | THREE KEYBOARDS | 75961=A | – | NYC | 11/30/1938 | – |
| 520 | WILLIE „THE LION“ SMITH and JOE BUSHKIN | THE LION AND THE LAMB | 75962=A | – | NYC | 11/30/1938 | – |
| 521 | WILLIE „THE LION“ SMITH (piano) | FADING STAR | B-534-2 | – | NYC | 1/10/1939 | – |
| 521 | WILLIE „THE LION“ SMITH (piano) | ECHOES OF SPRING | B532-1 | – | NYC | 1/10/1939 | – |
| 522 | WILLIE „THE LION“ SMITH (piano) | FINGER BUSTER | B543=2 | – | NYC | 1/10/1939 | – |
| 522 | WILLIE „THE LION“ SMITH (piano) | RIPPLING WATERS | B536=2 | – | NYC | 1/10/1939 | – |
| 523 | WILLIE „THE LION“ SMITH (piano) | MORNING AIR | B531=2 | – | NYC | 1/10/1939 | – |
| 523 | WILLIE „THE LION“ SMITH (piano) | PASSIONETTE | B535=3 | – | NYC | 1/10/1939 | – |
| 524 | WILLIE „THE LION“ SMITH (piano) | SNEAKAWAY | B537=1 | – | NYC | 1/10/1939 | – |
| 524 | WILLIE „THE LION“ SMITH (piano) | CONCENTRATING | B533=2 | – | NYC | 1/10/1939 | – |
| 525 | WILLIE „THE LION“ SMITH (piano) | The Boy and the Boat | B-540 | – | NYC | 1/10/1939 | – |
| 525 | WILLIE „THE LION“ SMITH (piano) | The Devil and the Deep Blue Sea | B-539 | – | NYC | 1/10/1939 | – |
| 526 | BILLIE HOLIDAY & HER ORCH |
FINE AND MELLOW | WP-24405=A | 7513 | NYC | 4/20/1939 | BILLIE HOLIDAY |
| 526 | BILLIE HOLIDAY & HER ORCH |
STRANGE FRUIT | WP-24403=B | 7513 | NYC | 4/20/1939 | Lewis Allan |
| 527A | BILLIE HOLIDAY & HER ORCH |
I GOTTA RIGHT TO SING THE BLUES | 24406-B | 7514, Embassy 137 | NYC | 4/20/1939 | Arlen – Koehler |
| 527B | BILLIE HOLIDAY & HER ORCH |
YESTERDAYS | 24404-A | 7514, Embassy 137 | NYC | 4/20/1939 | Kern – Harbach |
| 528A | ALL STAR JAM BAND (Leonard Feather) | FOR HE’S A JOLLY GOOD FELLOW (v. Leo Watson) |
M775-2 | – | NYC | 3/10/1938 | – |
| 528B | ALL STAR JAM BAND (Leonard Feather) | LET’S GET HAPPY (v. Leo Watson) |
M777-1 | – | NYC | 3/10/1938 | – |
| 529 | JESS STACY | YOU’RE DRIVING ME CRAZY | R2127-3 | – | NYC | 6/13/1939 | – |
| 529 | JESS STACY & BUD FREEMAN |
SHE’S FUNNY THAT WAY | R2126-2 | – | NYC | 6/13/1939 | – |
| 530A | EDDIE CONDON & HIS BAND |
IT’S RIGHT HERE FOR YOU | P25708-1 | – | NYC | 11/30/1939 | Perry Bradford |
| 530B | EDDIE CONDON & HIS BAND |
STRUT MISS LIZZIE | P25707-1 | – | NYC | 11/30/1939 | Kramer; Layton |
| 531A | EDDIE CONDON & HIS BAND |
I AIN’T GONNA GIVE NOBODY NONE OF MY JELLY ROLL | P25706=1 | – | NYC | 11/30/1939 | S & C WILLIAMS |
| 531B | EDDIE CONDON & HIS BAND |
BALLIN‘ THE JACK | P25709=1 | – | NYC | 11/30/1939 | SMITH – BURRIS |
| 532 | JOE BUSHKIN | I CAN’T GET STARTED WITH YOU | R2958-1 | – | NYC | 5/17/1940 | I. Gershwin; V. Duke |
| 532 | JOE BUSHKIN | SERENADE IN THIRDS | R2957-1 | – | NYC | 5/17/1940 | Joe Bushkin |
| 533A | CHOCOLATE DANDIES {Benny CARTER) | SMACK! | R2995-1-2 | 7510 | NYC | 5/25/1940 | Leonard Feather |
| 533B | COLEMAN HAWKINS & HIS RHYTHM | DEDICATION | R-2998-1 | 7510 | NYC | 5/25/1940 | Leonard Feather |
| 534 | JOE BUSHKIN | BLUE CHIPS | R2959 | – | NYC | 5/17/1940 | JOE BUSHKIN |
| 534 | JOE BUSHKIN | IN A LITTLE SPANISH TOWN | R2960 | – | NYC | 5/17/1940 | WAYNE – LEWIS – YOUNG |
| 535A | EDDIE CONDON & HIS BAND |
(YOU’RE SOME) PRETTY DOLL | 29057-1 | – | NYC | 11/11/1940 | Clarence Williams |
| 535B | EDDIE CONDON & HIS BAND |
OH SISTER AIN’T THAT HOT | 29055=2 | – | NYC | 11/11/1940 | White; Donaldson |
| 536 | EDDIE CONDON & HIS BAND |
GEORGIA GRIND | 29054-1 | – | NYC | 11/11/1940 | Williams; Allen |
| 536 | EDDIE CONDON & HIS BAND |
DANCING FOOL | 29056-1 | – | NYC | 11/11/1940 | Smith; Wheeler; Snyder |
| 537A | The THREE DEUCES | LAST TIME I SAW CHICAGO | R-4051-2 | – | NYC | 3/25/1941 | Ad Lib |
| 537B | The THREE DEUCES | DEUCES WILD | R-4050-1 | – | NYC | 3/25/1941 | Zutty Singleton |
| 538A | JOE SULLIVAN (piano) | FOREVERMORE | R4060-1 | – | NYC | 3/28/1941 | Burnett; Gotthelf; Lewis |
| 538B | JOE SULLIVAN (piano) | DEL MAR RAG | R4054-2A-1 | – | NYC | 3/28/1941 | JOE SULLIVAN |
| 539A | THREE DEUCES | JIG WALK | R-4049 | – | NYC | 3/25/1941 | Ellington; Trent |
| 539B | THREE DEUCES | ABOUT FACE | 4052 | – | NYC | 3/25/1941 | Zutty Singleton |
| 540A | JOE SULLIVAN (piano) | ANDY’S BLUES | R4053 | – | NYC | 3/25/1941 | – |
| 540B | JOE SULLIVAN (piano) | SUMMERTIME | R4061 | – | NYC | 3/28/1941 | IRA & GEORGE GERSHWIN |
| 541A | CHU BERRY and his JAZZ ENSEMBLE |
BLOWING UP A BREEZE | R4178-2 | 7509 | NYC | 09/??/41 | BERRY – PAGE |
| 541B | CHU BERRY and his JAZZ ENSEMBLE |
MONDAY AT MINTON’S (What’s It To You?) | R4180-2 | 7509 | NYC | 09/??/41 | Berry – Page |
| 542A | EDDIE CONDON & HIS BAND |
DON’T LEAVE ME DADDY | R4305=3 | – | NYC | 1/21/1942 | J. M. VARGAS |
| 542B | EDDIE CONDON & HIS BAND |
FIDGETY FEET | R4306=4 | – | NYC | 1/21/1942 | LaRocca; Shields |
| 543A | MEL POWELL & HIS ORCHESTRA |
WHEN DID YOU LEAVE HEAVEN? | 76986=A | 7531 | NYC | 2/??/42 | Bulleck; Whiting |
| 543B | MEL POWELL & HIS ORCHESTRA |
BLUE SKIES | 76988=A | 7531 | NYC | 2/??/42 | IRVING BERLIN |
| 544A | MEL POWELL & HIS ORCHESTRA |
THE WORLD IS WAITING FOR THE SUNRISE | 76987A | – | NYC | 2/??/42 | LOCKHART – SEITZ |
| 544B | MEL POWELL & HIS ORCHESTRA |
MOOD AT TWILIGHT | 76989A | – | NYC | 2/??/42 | MEL POWELL |
| 545A | ART HODES (piano) | A Selection FROM THE GUTTER | 1501 | SIG9001 | – | 1939 | Art Hodes |
| 545B | ART HODES (piano) | ORGAN GRINDER BLUES | 1502 | SIG9001 | – | 1939 | Clarence Williams |
| 546A | GEORGE BRUNIS & HIS JAZZ BAND |
UGLY CHILE (v. George Brunis) |
A4680 | – | NYC | 11/29/1943 | CLARENCE WILLIAMS – GEORGE BRUNIS |
| 546B | GEORGE BRUNIS & HIS JAZZ BAND |
THAT DA DA STRAIN | A4682-2 | – | NYC | 11/29/1943 | J. Edgar Dowell; M. Medina |
| 547A | LEONARD FEATHER’S ALL STARS | ESQUIRE BOUNCE | A-4691-1 | – | – | 12/4/1943 | LEONARD FEATHER |
| 547B | LEONARD FEATHER’S ALL STARS | ESQUIRE BLUES | 4694 | – | – | 12/4/1943 | Leonard Feather |
| 548A | COLEMAN HAWKINS with LEONARD FEATHER’S ALL STARS | MY IDEAL | 4692 | A-4693-1(Label) | – | 12/4/1943 | Robin; Whiting; Chase |
| 548B | LEONARD FEATHER’S ALL STARS | MOP MOP | 4693 | – | – | 12/4/1943 | Leonard Feather |
| 549A | WILD BILL DAVISON and his COMMODORES Edmond Hall |
CLARINET MARMALADE | A4683 | – | – | 11/30/1943 | Shields; Mercer; Ragas |
| 549B | WILD BILL DAVISON and his COMMODORES |
ORIGINAL DIXIELAND ONE STEP | A4684=A | – | – | 11/30/1943 | D. J. „Nick“ La Rocca |
| 550A | EDMOND HALL SEXTET | THE MAN I LOVE | A4703-1 | – | – | 12/18/1943 | George & Ira Gershwin |
| 550B | EDMOND HALL SEXTET | COQUETTE | A4706 | – | – | 12/18/1943 | Lombardo; Green; Kahn |
| 551 | EDDIE CONDON & HIS BAND |
BACK IN YOUR OWN BACKYARD | 4699 | – | – | 12/11/1943 | Jolson; Rose; Dreyer |
| 551 | EDDIE CONDON & HIS BAND |
OF ALL THE WRONGS YOU’VE DONE TO ME | 4700 | – | – | 12/11/1943 | Smith; Burris; Dowell |
| 552A | DePARIS BROTHERS ORCHESTRA | I’VE FOUND A NEW BABY | A-4710-2 | – | NYC | 2/5/1944 | Palmer; Williams |
| 552B | DEPARIS BROTHERS ORCH | BLACK AND BLUE | 4711 | – | NYC | 2/5/1944 | Waller; Razaf; Harper; Brooks |
| 553A | BILLIE HOLIDAY and her Orch |
I’LL BE SEEING YOU | 4750-1 | – | – | 4/8/1944 | Kahal; Fain |
| 553B | BILLIE HOLIDAY and her Orch |
I’LL GET BY | 4744-1 | – | – | 3/25/1944 | Turk; Ahlert |
| 554A | EDDIE HEYWOOD & HIS ORCH |
T’AINT ME | A4722=1 | – | NYC | 2/19/1944 | LEM DAVIS – JACK PALMER |
| 554B | EDDIE HEYWOOD & HIS ORCH |
SAVE YOUR SORROW | A4734=1 | – | NYC | 3/11/1944 | AL SHERMAN-B.G.DeSYLVA |
| 555A | KANSAS CITY SIX | I GOT RHYTHM | A-4748-1 | – | – | 3/01/44 | George & Ira Gershwin |
| 555B | KANSAS CITY SIX | JO JO | 4747 | – | – | 3/01/44 | Joe Bushkin |
| 556 | GEORGE BRUNIS & HIS JAZZ BAND |
ROYAL GARDEN BLUES | A4679=1 | – | NYC | 11/29/1943 | Clarence & Spencer Williams |
| 556 | GEORGE BRUNIS & HIS JAZZ BAND |
TIN ROOF BLUES | A4681=1 | – | NYC | 11/29/1943 | NORK |
| 557 | EDMOND HALL Quartet | IT’S ONLY A SHANTY IN OLD SHANTY TOWN | 4797 | – | – | 7/11/1944 | Young; Siras; Little |
| 557 | EDMOND HALL Quartet | CARAVAN | 4793 | – | – | 7/11/1944 | Ellington; Tizol |
| 558 | HOT LIPS PAGE & HIS ORCH |
YOU NEED COACHIN‘ (v. Lips Page) | A4815 | – | – | 9/29/1944 | – |
| 558 | HOT LIPS PAGE & HIS ORCH |
FISH FOR SUPPER (v. Lips Page & chorus) | A4817 | – | – | 9/29/1944 | – |
| 559A | BILLIE HOLIDAY & HER ORCH |
I COVER THE WATERFRONT | 4745-2 | – | – | 4/1/1944 | Heyman; Green; Eddie Heywood |
| 559B | BILLIE HOLIDAY and the EDDIE HEYWOOD Trio | LOVER, COME BACK TO ME | A-4755-2 | – | – | 4/8/1944 | Hammerstein 2nd; Romberg |
| 560 | MAX KAMINSKY and his JAZZ BAND |
ECCENTRIC | 4788 | – | – | 6/22/1944 | J. Russell Robinson |
| 560 | MAX KAMINSKY and his JAZZ BAND |
GUESS WHO’S IN TOWN | 4789 | – | – | 6/22/1944 | J. P. Johnson |
| 561A | GEORGE WETTLING and his RHYTHM KINGS |
STRUTTIN‘ WITH SOME BARBEQUE | A4802-3 | – | – | 7/21/1944 | Louis Armstrong |
| 561B | GEORGE WETTLING and his RHYTHM KINGS |
HOW COME YOU DO ME LIKE YOU DO | A4803-2 | – | – | 7/21/1944 | Gene Austin – Ray Bergere |
| 562A | RED McKENZIE (ERNIE CACERES orch) |
IT’S THE TALK OF THE TOWN | A-4827-1 | – | – | 10/5/1944 | LEVINSON; SYMES; NEIBURG |
| 562B | RED McKENZIE (ERNIE CACERES orch) |
WHEREVER THERE’S LOVE | 4829-2 | – | – | 10/5/1944 | Condon – DeVries |
| 563A | WILD BILL DAVISON and his COMMODORES |
CONFESSIN‘ | A4848-1 | – | – | 1/22/1945 | Neiburg; Daugherty; Reynolds |
| 563B | WILD BILL DAVISON and his COMMODORES |
BIG BUTTER AND EGG MAN | A4849-2x | – | – | 1/22/1945 | Friend; Clare; Santly |
| 564 | BIG SID CATLETT Quartet | LINGER A WHILE | 4739 | – | NYC | 3/18/1944 | – |
| 564 | BIG SID CATLETT Quartet | SLEEP | 4738 | – | NYC | 3/18/1944 | – |
| 565A | JOE BUSHKIN SEXTET feat. Bill Harris | PICKIN‘ AT THE PIC | A-4779-1 | – | – | 5/22/1944 | Bill Harris |
| 565B | JOE BUSHKIN SEXTET feat. Bill Harris | GEORGIA (ON MY MIND) | A-4782-1 | – | – | 5/22/1944 | Carmichael; Gorrell |
| 566 | GEORGE ZACK & DANNY ALVIN |
SNOWBALL | A4857 | – | NYC | 10/3/1944 | Hoagy Carmichael |
| 566 | GEORGE ZACK (George Wettling, drums) |
LAZY RIVER | A4854 | A4824? | NYC | 10/3/1944 | Carmichael; Arodin |
| 567A | DePARIS BROTHERS ORCHESTRA | CHANGE O‘ KEY BOOGIE | A4712-1 | – | NYC | 2/5/1944 | WILBUR DePARIS |
| 567B | DePARIS BROTHERS ORCHESTRA | THE SHEIK OF ARABY | A4713-2 | – | NYC | 2/5/1944 | SMITH – WHEELER – SNYDER |
| 568A | EDDIE CONDON & HIS BAND |
SINGIN‘ THE BLUES | A-4698-1 | – | – | 12/8/1943 | LEWIS – YOUNG – CONRAD – ROBINSON |
| 568B | EDDIE CONDON & HIS BAND |
PRAY FOR THE LIGHTS TO GO OUT | 4695 | – | – | 12/8/1943 | Skidmore; Tunnah |
| 569A | BILLIE HOLIDAY and the EDDY HEYWOOD Trio | SHE’S FUNNY THAT WAY | A-4754-2 | – | – | 4/8/1944 | WHITING – MORET „The Postman Always Rings Twice“ |
| 569B | BILLIE HOLIDAY and EDDY HEYWOOD Orch | HOW AM I TO KNOW | 4742 | – | – | 3/25/1944 | Parker; King |
| 570A | EDDIE HEYWOOD and his Orch |
CARRY ME BACK TO OLD VIRGINNY | A4725 | – | NYC | 2/26/1944 | James Bland |
| 570B | EDDIE HEYWOOD and his Orch |
BLUE LOU | 4724 | – | NYC | 2/26/1944 | Sampson; Mills |
| 571 | HOT LIPS PAGE & HIS ORCH |
YOU’D BE FRANTIC TOO | A4732 | – | – | 3/8/1944 | Oran Page |
| 571 | HOT LIPS PAGE & HIS ORCH |
ROCKIN‘ AT RYANS | A4731 | – | – | 3/8/1944 | Oran Page |
| 572 | RED McKENZIE (ERNIE CACERES orch) | SWEET LORRAINE | 4826 | – | – | 10/5/1944 | – |
| 572 | RED McKENZIE (ERNIE CACERES orch) |
THROUGH A VEIL OF INDIFFERENCE | 4828 | – | – | 10/5/1944 | – |
| 573A | KANSAS CITY SIX | THREE LITTLE WORDS | A 4746-3 | – | – | 3/??/44 | Kalmar; Ruby |
| 573B | KANSAS CITY SIX | FOUR O’CLOCK DRAG | 4749 | – | – | 3/??/44 | Ad Lib |
| 574 | HOT LIPS PAGE & HIS ORCH |
SIX SEVEN EIGHT OR NINE (v. Lips Page) | A4814 | – | – | 9/29/1944 | Oran Page |
| 574 | DON BYAS QUINTET | THESE FOOLISH THINGS REMIND ME OF YOU | A4816 | – | – | 9/29/1944 | Strachey; Marvell |
| 575 | WILD BILL DAVISON and his COMMODORES |
AT THE JAZZ BAND BALL | A4685 | – | – | 11/30/1943 | La Rocca; Shields |
| 575 | WILD BILL DAVISON and his COMMODORES |
BABY WON’T YOU PLEASE COME HOME | A4686 | – | – | 11/30/1943 | Clarence Williams |
| 576 | MUGGSY SPANIER and his RAGTIMERS |
THE LADY’S IN LOVE WITH YOU | 4837 | – | – | 12/??/44 | – |
| 576 | MUGGSY SPANIER and his RAGTIMERS |
WHISTLIN‘ THE BLUES | 4838 | – | – | 12/??/44 | Spanier; Haggart |
| 577A | EDDIE HEYWOOD and his Orch |
LOVE ME OR LEAVE ME | A-4727-1 | – | NYC | 2/26/1944 | KAHN – DONALDSON |
| 577B | EDDIE HEYWOOD and his Orch |
I CAN’T BELIEVE YOU’RE IN LOVE WITH ME | 4726 | – | NYC | 2/26/1944 | – |
| 578A | EDDIE HEYWOOD and his Orch |
DEED I DO | A-4736-2 | – | NYC | 3/11/1944 | Hirsch; Rose |
| 578B | EDDIE HEYWOOD and his Orch |
JUST YOU, JUST ME | 4735 | – | NYC | 3/11/1944 | Klages; Greer |
| 579 | EDMOND HALL Quartet | WHERE OR WHEN | 4791 | (CR-5) | – | 7/11/1944 | – |
| 579 | EDMOND HALL Quartet | NIGHT AND DAY | 4798 | (CR-5) | – | 7/11/1944 | – |
| 580 | EDMOND HALL Quartet | SHOW PIECE | 4800 | (CR-5) | – | 7/20/1944 | Edmond Hall |
| 580 | EDMOND HALL Quartet | I WANT TO BE HAPPY | 4799 | (CR-5) | – | 7/20/1944 | Youmans; Caesar |
| 581A | EDMOND HALL and his Quartet with Teddy Wilson | SLEEPY TIME GAL | 4790=2 | (CR-5) | – | 7/11/1944 | Alden – Egan – Lorenzo – Whiting |
| 581B | EDMOND HALL and his Quartet with Teddy Wilson | IT HAD TO BE YOU | 4792=2 | (CR-5) | – | 7/11/1944 | Kahn – Jones |
| 582A | EDDIE HEYWOOD’S ORCHESTRA | INDIANA | – | – | – | – | – |
| 582B | EDDIE HEYWOOD and his orch feat „DOC“ CHEATHAM | LOVER MAN | 4737-1 | – | – | – | DAVIS – SHERMAN – RAMIREZ |
| 583 | BOB WILBER and his WILDCATS |
MABEL’S DREAM | A4904 | – | NYC | 2/22/1947 | Ike Smith |
| 583 | BOB WILBER and his WILDCATS |
WILLIE THE WEEPER | A4903 | – | NYC | 2/22/1947 | Melrose; Bloom; Rymal |
| 584 | BOB WILBER and his WILDCATS |
WILD CAT BLUES | A4905 | – | NYC | 2/22/1947 | Waller; Williams |
| 584 | BOB WILBER and his WILDCATS |
BLUES FOR FOWLER | A4906 | – | NYC | 2/22/1947 | Bob Wilber |
| 585A | BILLIE HOLIDAY and Eddie Heywood and his Orch | I’M YOURS | A-4751-1 | – | – | 4/8/1944 | Green; Harburg |
| 585B | BILLIE HOLIDAY and Eddie Heywood and his Orch | MY OLD FLAME | A4743-1 | – | – | 3/25/1944 | Johnston – Coslow |
| 586 | MUGGSY SPANIER and his RAGTIMERS |
ROSETTA | 4813 | – | – | 9/27/1944 | Hines; Woode |
| 586 | MUGGSY SPANIER and his RAGTIMERS |
RIVERSIDE BLUES | 4812 | – | – | 9/27/1944 | Thomas A. Dorsey |
| 587 | JELLY ROLL MORTON (vocal and piano) | MAMIE’S BLUES | R2573 | GNL4001 | NYC | 12/16/1939 | Morton |
| 587 | JELLY ROLL MORTON (piano) | ORIGINAL RAGS | R2561 | GNL4001 | NYC | 12/14/1939 | SCOTT JOPLIN |
| 588 | JELLY ROLL MORTON (piano) | THE NAKED DANCE | R2571 | GNL4002 | NYC | 12/16/1939 | Morton |
| 588 | JELLY ROLL MORTON (vocal and piano) | MICHIGAN WATER BLUES | R2579 | GNL4002 | NYC | 12/18/1939 | Clarence Williams |
| 589 | JELLY ROLL MORTON (piano) | THE CRAVE | R2562 | GNL4003 | NYC | 12/14/1939 | Morton |
| 589 | JELLY ROLL MORTON (vocal and piano) |
BUDDY BOLDEN’S BLUES | R2570 | GNL4003 | NYC | 12/16/1939 | – |
| 590A | JELLY ROLL MORTON (vocal and piano) |
WININ‘ BOY BLUES | R2566 | GNL4004 | NYC | 12/14/1939 | Morton |
| 590B | JELLY ROLL MORTON (piano) | MISTER JOE | R2564 | GNL4004, Vogue V-2121, Jazz Selection 796 | NYC | 12/14/1939 | Morton |
| 591A | JELLY ROLL MORTON (vocal and piano) |
DON’T YOU LEAVE ME HERE | R2572 | GNL4005 | NYC | 12/16/1939 | Morton |
| 591B | JELLY ROLL MORTON (piano) | KING PORTER STOMP | R2565 | GNL4005 | NYC | 12/14/1939 | Morton |
| 592A | JACK TEAGARDEN and his SWINGIN‘ GATES |
BIG T BLUES | A4840 | – | – | 12/11/1944 | Ad Lib |
| 592B | JACK TEAGARDEN and his SWINGIN‘ GATES |
CHINATOWN, MY CHINATOWN | A4839 | – | – | 12/11/1944 | William Jerome; Jean Schwartz |
| 593 | HOT LIPS PAGE & HIS ORCH |
BLUES JUMPED A RABBIT (vLP) | A4733 | – | – | 3/8/1944 | – |
| 593 | HOT LIPS PAGE & HIS ORCH |
MY GAL IS GONE | A4730 | – | – | 3/8/1944 | – |
| 594 | JOE BUSHKIN ORCH | FADE OUT | A4780 | – | – | 5/24/1944 | Bill Harris |
| 594 | JOE BUSHKIN ORCH | OH LADY BE GOOD | A4781 | – | – | 5/24/1944 | George & Ira Gershwin |
| 595 | MAX KAMINSKY and his JAZZ BAND |
LOVE NEST | 4786 | – | – | 6/22/1944 | Otto Harbach |
| 595 | MAX KAMINSKY and his JAZZ BAND |
EVERYBODY LOVES MY BABY | 4787 | – | – | 6/22/1944 | Spencer Williams |
| 596 | PEE WEE RUSSELL’S HOT FOUR | LAND OF JAZZ | – | – | – | – | – |
| 596 | PEE WEE RUSSELL’S HOT FOUR | D.A BLUES | – | – | – | – | – |
| 597 | GEORGE ZACK | SUNSET CAFE STOMP | A4794-3 | – | – | 07/1944 | Venable; Armstrong |
| 597 | GEORGE ZACK | KANSAS CITY STOMP | A4760-2 | – | – | 04/1944 | Jolly Roll Morton |
| 598 | GEORGE ZACK | BOOGABOO | – | – | – | – | – |
| 598 | GEORGE WETTLING & GEO.ZACK | HOOD STOMP | – | – | – | – | – |
| 599 | GEORGE ZACK & DANNY ALVIN |
FAREWELL BLUES | – | – | – | – | – |
| 599 | GEORGE ZACK & DANNY ALVIN |
SHIMME SHA WABBLE | – | – | – | – | – |
| 600A | STUFF SMITH and his Orch | MY BLUE HEAVEN | US-7794-11-D1 | VAR8081 | NYC | Apr 1940 | WHITING – DONALDSON |
| 600B | STUFF SMITH and his Orch | MY THOUGHTS | US-7793-12 | VAR8081 | NYC | Apr 1940 | Stuff Smith |
| 601 | JESS STACY & HIS ORCH | I CAN’T BELIEVE THAT YOU’RE IN LOVE WITH ME | US-1112-2 | Varsity 8132, Sig 902 | NYC | 11/30/1939 | Gaskill; McHugh |
| 601 | JESS STACY ALLSTARS | CLARINET BLUES | US-1114-1 | Varsity 8132, Sig 902 | NYC | 11/30/1939 | – |
| 602A | JONAH JONES and HIS ORCH |
ROSE OF THE RIO GRANDE | A-4862-1 | – | NYC | 7/??/45 | H. WARREN – R. GORMAN – E. LESLIE |
| 602B | JONAH JONES and HIS ORCH |
STOMPIN‘ AT THE SAVOY | A-4866-1 | – | NYC | 7/??/45 | GOODMAN – WEBB – SAMPSON – RAZAF |
| 603 | EDDIE CONDON & HIS BAND |
NOBODY KNOWS YOU WHEN YOU’RE DOWN AND OUT | 4687 | – | – | 12/2/1943 | – |
| 603 | EDDIE CONDON & HIS BAND |
ROSE ROOM | 4688 | – | – | 12/2/1943 | – |
| 604 | EDDIE CONDON & HIS BAND |
TELL ‚EM ABOUT ME | 4696 | – | – | 12/8/1943 | Easton |
| 604 | EDDIE CONDON & HIS BAND |
MANDY, MAKE UP YOUR MIND | 4697 | – | – | 12/8/1943 | Clarke; Turk; Meyer; Johnston |
| 605 | EDDIE CONDON & HIS BAND |
YOU CAN’T CHEAT A CHEATER | 4701 | – | – | 12/11/1943 | Dorsey; Napoleon; Signorelli |
| 605 | EDDIE CONDON & HIS BAND |
SAVE YOUR SORROW | 4702 | – | – | 12/11/1943 | – |
| 606A | GEORGE BRUNIS & HIS JAZZ BAND |
I USED TO LOVE YOU BUT IT’S ALL OVER | A-4891-1 | – | – | 04/??/46 | BROWN – VON TILZER |
| 606B | GEORGE BRUNIS & HIS JAZZ BAND |
I’M GONNA SIT RIGHT DOWN AND WRITE MYSELF A LETTER | A-4892-1 | – | – | 04/??/46 | AHLERT – YOUNG |
| 607A | GEORGE BRUNIS & HIS JAZZ BAND |
D.D.T. BLUES | A-4894-3 | – | – | 04/??/46 | Brunis; Kaminsky; Gabler |
| 607B | GEORGE BRUNIS & HIS JAZZ BAND |
IN THE SHADE OF THE OLD APPLE TREE | 4893 | – | – | 04/??/46 | – |
| 608 | GEORGE BRUNIS & HIS JAZZ BAND |
Sweet Lovin‘ Man | 4879 | – | – | 16803 | – |
| 608 | GEORGE BRUNIS & HIS JAZZ BAND |
Wang Wang Blues | 4881 | – | – | 16803 | – |
| 609 | ALBERT AMMONS‘ RHYTHM KINGS | BLUES IN THE GROOVE | A-4718-1 | – | – | Feb. 12, 1944 | – |
| 609 | ALBERT AMMONS‘ RHYTHM KINGS | THE BREAKS | A-4719-1 | – | – | Feb. 12, 1944 | – |
| 610 | Eddie Edwards and His Original Dixieland Jazz Band | Tiger Rag | A-4884-1 | CR 14 | – | – | – |
| 610 | Eddie Edwards and His Original Dixieland Jazz Band | Barnyard Blues | A-4886-1 | CR 14 | – | – | – |
| 611 | Eddie Edwards and His Original Dixieland Jazz Band | Skeleton Jangle | A-4888-3 | CR 14 | – | – | – |
| 611 | Eddie Edwards and His Original Dixieland Jazz Band | Mournin‘ Blues | A-4887-1 | CR 14 | – | – | – |
| 612 | Eddie Edwards and His Original Dixieland Jazz Band | Ostrich Walk | A-4890-1 | CR 14 | – | 1948 | Original Dixieland Jazz Band; Henry Ragas |
| 612 | Eddie Edwards and His Original Dixieland Jazz Band | Lazy Daddy | A-4885-1 | CR 14 | – | 1948 | Original Dixieland Jazz Band; Henry Ragas |
| 613 | Eddie Edwards and His Original Dixieland Jazz Band | Shake It and Break It | A-4883-1 | CR 14 | – | – | – |
| 613 | Eddie Edwards and His Original Dixieland Jazz Band | When You and I Were Young, Maggie | A-4889-2 | CR 14 | – | – | – |
| 614 | BILLIE HOLIDAY (Eddie Heywood trio) |
HOW AM I TO KNOW | – | – | – | – | – |
| 614 | BILLIE HOLIDAY (Eddie Heywood trio) |
SHE’S FUNNY THAT WAY | – | – | – | – | – |
| 615A | WILD BILL DAVISON and his COMMODORES |
HIGH SOCIETY | A4875-1 | – | – | 01/??/46 | Williams – Piron |
| 615B | WILD BILL DAVISON and his COMMODORES |
WABASH BLUES | A4878-1 | – | – | 01/??/46 | Meinkem; Ringle |
| 616 | MUGSSY SPANIER’S JAZZ BAND | ANGRY | A4762 | – | – | 4/15/1944 | Mecum; Cassarel; Brunies Bros. |
| 616 | MUGSSY SPANIER’S JAZZ BAND | SNAG IT | A4764 | – | – | 4/15/1944 | Joe Oliver |
| 617 | Albert Ammons | The Boogie Rocks | A-4715-2 | – | – | – | – |
| 617 | Albert Ammons | Albert’s Special Boogie | A-4714-1 | – | – | – | – |
| 618 | WILD BILL DAVISON and his COMMODORES |
MUSKRAT RAMBLE | A4678 | – | – | 11/27/1943 | Edward Ory |
| 618 | WILD BILL DAVISON and his COMMODORES |
RIVERBOAT SHUFFLE | A4677 | – | – | 11/27/1943 | Carmichael; Voynow; Mills |
| 619 | GEORGE WETTLING RHYTHM KINGS | BLUES FOR STU | A 4804-1 | – | – | 1948/07 | Ad Lib |
| 619 | GEORGE WETTLING RHYTHM KINGS | HEEBIE JEEBIES | A 4801-1 | – | – | 1948/07 | Boyd Atkins |
| 620 | MIFF MOLE and his NICKSIELAND BAND |
I MUST HAVE THAT MAN | A 4773-1 | – | – | 4/28/1944 | McHugh; Fields |
| 620 | MIFF MOLE and his NICKSIELAND BAND |
BEALE STREET BLUES | A 4772-1 | – | – | 4/28/1944 | W. C. Handy |
| 621A | MUGGSY SPANIER and his RAGTIMERS |
DARKTOWN STRUTTER’S BALL | 4836-1 | – | – | 12/1944 | Shelton Brooks |
| 621B | MUGGSY SPANIER and his RAGTIMERS |
SOBBIN‘ BLUES | 4835-2 | – | – | 12/1944 | Kassel – Berton |
| 622 | BOBBY HACKETT & HIS ORCH |
SKELETON JANGLE | – | – | – | -1948 | – |
| 622 | BOBBY HACKETT & HIS ORCH |
NEW ORLEANS | A4806 | – | – | 9/23/1944 | – |
| 623 | WILD BILL DAVISON and his COMMODORES |
SQUEEZE ME | A4846 | – | – | 1/18/1945 | Williams; Waller |
| 623 | WILD BILL DAVISON and his COMMODORES |
JAZZ ME BLUES | A4844 | – | – | 1/18/1945 | Tom Delaney |
| 624 | WILD BILL DAVISON and his COMMODORES |
SISTER KATE | A4850 | – | – | 1/22/1945 | A.PIRON |
| 624 | WILD BILL DAVISON and his COMMODORES |
A MONDAY DATE | A4847 | – | – | 1/22/1945 | – |
| 625 | MUGGSY SPANIER and his RAGTIMERS |
WEARY BLUES | A4763 | – | – | 4/15/1944 | A.MATTHEWS |
| 625 | MUGGSY SPANIER and his RAGTIMERS |
ALICE BLUE GOWN | A4765 | – | – | 4/15/1944 | TIERNEY-McCARTHY |
| 626A | WILD BILL DAVISON and his COMMODORES |
SENSATION Rag | A4867-1 | – | – | 09/??/45 | Dixieland Jazz Band |
| 626B | WILD BILL DAVISON and his COMMODORES |
WHO’S SORRY NOW | A4868-1 | – | – | 09/??/45 | Snyder – Kalmar – Ruby |
| 627 | PEE WEE RUSSELL’S HOT FOUR | ROSE OF WASHINGTON SQUARE | A-4819-2 | – | – | 9/30/1944 | – |
| 627 | PEE WEE RUSSELL’S HOT FOUR | KEEPIN‘ OUT OF MISCHEF NOW | A-4820-1 | – | – | 9/30/1944 | – |
| 628 | WILD BILL DAVISON and his COMMODORES |
I’M COMING VIRGINIA | A4877 | – | – | 01/??/46 | – |
| 628 | WILD BILL DAVISON and his COMMODORES |
WRAP YOUR TROUBLES IN DREAMS | A4876 | – | – | 01/??/46 | – |
| 629 | MUGGSY SPANIER and HIS RAGTIMERS |
LADY BE GOOD | A-4767-1 | – | – | 4/22/1944 | – |
| 629 | MUGGSY SPANIER and HIS RAGTIMERS |
Sugar | A-4768-1 | – | – | 4/22/1944 | – |
| 630 | WILD BILL DAVISON and his COMMODORES |
SOMEDAY SWEETHEART | A4870 | – | – | 09/??/45 | John & Benjamin Spikes |
| 630 | WILD BILL DAVISON and his COMMODORES |
ON THE ALAMO | A4869 | – | – | 09/??/45 | Jones; Kahn |
| 631 | JELLY ROLL MORTON’S SEVEN | PANAMA | R2583 | GNL1703 | NYC | 1/4/1940 | – |
| 631 | JELLY ROLL MORTON’S SEVEN | SWEET SUBSTITUTE | R2582 | GNL1703 | NYC | 1/4/1940 | – |
| 632 | JELLY ROLL MORTON’S SEVEN | GOOD OLD NEW YORK | R2584 | GNL1704 | NYC | 1/4/1940 | – |
| 632 | JELLY ROLL MORTON’S SEVEN | BIG LIP BLUES | R2585 | GNL1704 | NYC | 1/4/1940 | – |
| 633 | Jelly Roll Morton’s Hot Seven | DIRTY, DIRTY, DIRTY | R2632 | GNL1711 | NYC | 1/30/1940 | – |
| 633 | Jelly Roll Morton’s Hot Seven | SWINGING THE ELKS | R2633 | GNL1711 | NYC | 1/30/1940 | – |
| 634 | Jelly Roll Morton’s Hot 6 | SHAKE IT | R2624 | GNL1707 | NYC | 1/23/1940 | – |
| 634 | Jelly Roll Morton’s Hot 6 | GET THE BUCKET | R2622 | GNL1706 | NYC | 1/23/1940 | – |
| 635 | WILD BILL DAVISON & HIS COMMODORES | I DON’T STAND A GHOST OF A CHANCE | A-4843-1 | – | – | 1/19/1945 | – |
| 635 | WILD BILL DAVISON & HIS COMMODORES | LITTLE GIRL | A-4845-1 | – | – | 1/19/1945 | – |
| 636 | RALPH SUTTON | BOOGIE JOYS | A-4938 | – | – | 3/17/1950 | – |
| 636 | RALPH SUTTON | THEN THERE EYES | A-4939 | – | – | 3/17/1950 | – |
| 637 | SIDNEY BECHET & HIS NEW ORLEANS FEETWARMERS |
JELLY ROLL BLUES | A-4948 | – | – | 4/27/1950 | Jelly Roll Morton |
| 637 | SIDNEY BECHET & HIS NEW ORLEANS FEETWARMERS |
NATIONAL EMBLEM MARCH | A-4950 | – | – | 4/27/1950 | W. Bagley |
| 638 | SIDNEY BECHET & HIS NEW ORLEANS FEETWARMERS |
AT THE GEORGIA CAMP MEETING | A-4949 | – | – | 4/27/1950 | – |
| 638 | SIDNEY BECHET & HIS NEW ORLEANS FEETWARMERS |
HINDUSTAN | A-4951 | – | – | 4/27/1950 | – |
| 639 | RALPH SUTTON | IN THE DARK | A-4944 | – | – | 3/13/1950 | – |
| 639 | RALPH SUTTON | FLASHES | A-4945 | – | – | 3/13/1950 | – |
| 640 | RALPH SUTTON (ARTHUR TRAPPIER, drums) | SWEET LORRAINE | A-4940 | – | – | 3/17/1950 | – |
| 640 | RALPH SUTTON (ARTHUR TRAPPIER, drums) | THREE LITTLE WORDS | A-4941 | – | – | 3/17/1950 | KALMAR – RUBY |
| 641 | RALPH SUTTON | WHEN YOU’RE SMILING | A-4942 | – | – | 3/17/1950 | – |
| 641 | RALPH SUTTON | SQUEEZE ME | A-4943 | – | – | 3/17/1950 | – |
| 642 | Johnny Wiggs and his New Orleans Jazz Band |
That’s A Plenty | A-4989 | – | – | 4/9/1950 | – |
| 642 | Johnny Wiggs and his New Orleans Jazz Band |
Brownskin | A-4997-2 | – | – | 6/11/1950 | – |
| 643 | Johnny Wiggs and his New Orleans Jazz Band |
I Wish I Could Shimmy Like My Sister Kate | A-4988-1 | – | – | 4/9/1950 | – |
| 643 | Johnny Wiggs and his New Orleans Jazz Band |
I Ain’t Gonna Give Nobody None Of My Jelly Roll | A-4990 | – | – | 4/9/1950 | – |
| 644 | Johnny Wiggs and his New Orleans Jazz Band |
Zulu’s Parade | – | – | – | 5/14/1950 | – |
| 644 | Johnny Wiggs and his New Orleans Jazz Band |
Careless Love | A-5002 | – | – | 6/11/1950 | – |
| 645 | Johnny Wiggs and his New Orleans Jazz Band |
Baby Won’t You Please Come Home | A-5003 | – | – | 6/11/1950 | – |
| 645 | Johnny Wiggs and his New Orleans Jazz Band |
Shine | A-4999 | – | – | 6/11/1950 | – |
| 646 | Sidney Bechet | FRANCIS BLUES | – | – | – | – | – |
| 646 | Sidney Bechet | BILL BAILEY | – | – | – | – | – |
| 647 | Sidney Bechet | ROYAL GARDEN BLUES | – | – | – | – | – |
| 647 | Sidney Bechet | SOCIETY BLUES | – | – | – | – | – |
| 648 | George Zack | Blue | A-4852 | – | – | 3/16/1945 | – |
| 648 | George Zack | Ace In The Hole | A-4822-1 | – | – | 10/3/1944 | – |
| 649 | George Zack | I Never Dreamt | A-4825-1 | – | – | 10/3/1944 | – |
| 649 | George Zack | Everybody Loves My Baby | A-4853-1 | – | – | 3/16/1945 | – |
| 650 | George Zack | If I Could Be With You | A-4795-2 | – | – | 7/19/1944 | – |
| 650 | George Zack | My Melancholy Baby | A-4855-2 | – | – | 4/19/1945 | – |
| 651 | George Zack | Angry | A-4858-1 | – | – | 4/19/1945 | – |
| 651 | George Zack | A Monday Date | A-4758-2 | – | – | 4/14/1944 | – |
| 652 | Willie The Lion Smith | I Can’t Give You Anything But Love | FL59-A5 | – | – | Dec-50 | – |
| 652 | Willie The Lion Smith | Just One Of Those Things | FL60-A1 | – | – | Dec-50 | – |
| 653 | Willie The Lion Smith | Madelon | FL60-A2 | – | – | Dec-50 | – |
| 653 | Willie The Lion Smith | Hallelujah | FL60-A3 | – | – | Dec-50 | – |
| 654 | Willie The Lion Smith | Poor Butterfly | FL60-A4 | – | – | Dec-50 | – |
| 654 | Willie The Lion Smith | Smoke Gets In Your Eyes | FL60-A5 | – | – | Dec-50 | – |
| 655 | Bunk Johnson Jazzband | The Thriller Rag | 4660-4A | – | – | 10/2/1942 | – |
| 655 | Bunk Johnson Jazzband | When I Leave The World Behind | 4662-6A | – | – | 10/2/1942 | – |
| 656 | Bunk Johnson Jazzband | Weary Blues | 4667-11A | – | – | 10/2/1942 | – |
| 656 | Bunk Johnson Jazzband | Franklin Street Blues | 4659-3A | – | – | 10/2/1942 | – |
| 657 | Bunk Johnson Jazzband | Big Chief Battle Axe | 4657-1B | – | – | 10/2/1942 | – |
| 657 | Bunk Johnson Jazzband | Blue Bells Goodbye | 4664-8A | – | – | 10/2/1942 | – |
| 658 | Bunk Johnson Jazzband | Sobbin‘ Blues | 4661-5B | – | – | 10/2/1942 | – |
| 658 | Bunk Johnson Jazzband | Dusty Rag | 4658-2A | – | – | 10/2/1942 | – |
| 659 | Bunk Johnson Jazzband | Shine | 4665-9A | – | – | 2-Oct-42 | – |
| 659 | Bunk Johnson Jazzband | Yaaka Hula Hickey Dula | 4666-10A | – | – | 10/2/1942 | – |
| 660 | Bunk Johnson Jazzband | Sobbin‘ Blues No.2 | 4661-3A | – | – | 10/2/1942 | – |
| 660 | Bunk Johnson Jazzband | Sometimes My Burden Is So Hard To Bear | 4663-7A | – | – | 10/2/1942 | – |
| 1500A | JAM SESSION AT COMMODORE | CARNEGIE JUMP | XP22309-1 | – | NYC | 1/17/1938 | STACEY(sic) – CONDON – FREEMAN |
| 1500B | JAM SESSION AT COMMODORE | CARNEGIE DRAG | XP22308-1 | – | NYC | 1/17/1938 | STACEY(sic) – CONDON – FREEMAN |
| 1501A | JAM SESSION AT COMMODORE #2 | EMBRACEABLE YOU | XP22830-1 | – | NYC | 4/30/1938 | – |
| 1501B | JAM SESSION AT COMMODORE #2 | SERENADE TO A SHYLOCK (vJ.Teagarden) | XP22833-1 | – | NYC | 4/30/1938 | PEE WEE RUSSELL |
| 1502 | CHU BERRY and his LITTLE JAZZ ENSEMBLE | STAR DUST | P23700=1 | – | NYC | 11/11/1938 | – |
| 1502 | CHU BERRY and his LITTLE JAZZ ENSEMBLE | BODY AND SOUL | P23701-1 | – | NYC | 11/11/1938 | – |
| 1503A | JESS STACY | EC-STACY | R2129-2 | – | NYC | 6/13/1939 | Stacy |
| 1503B | JESS STACY | THE SELL OUT | R2128-2 | – | NYC | 6/13/1939 | Stacy |
| 1504A | Jam Session at Commodore #3 pt1 | A GOOD MAN IS HARD TO FIND pt1 | 76329a | – | NYC | 3/24/1940 | – |
| 1504B | Jam Session at Commodore #3 pt2 | A GOOD MAN IS HARD TO FIND pt2 | 76331a | – | NYC | 3/24/1940 | – |
| 1505A | Jam Session at Commodore #3 pt3 | A GOOD MAN IS HARD TO FIND PT.3 | 76332a | – | NYC | 3/24/1940 | – |
| 1505B | Jam Session at Commodore #3 pt4 | A GOOD MAN IS HARD TO FIND PT.4 | 76330a | – | NYC | 3/24/1940 | EDDIE GREEN |
| 1506 | CHOCOLATE DANDIES {Benny CARTER} | I SURRENDER DEAR | R2996-1 | 17501, Emb 149 | NYC | 5/25/1940 | – |
| 1506 | CHOCOLATE DANDIES {Benny CARTER} | I CAN’T BELIEVE YOU’RE IN LOVE WITH ME | R2997-1 | 17501, Emb 149 | NYC | 5/25/1940 | – |
| 1507A | LEE WILEY (acc. Muggsy Spanier, Jess Stacy) | DOWN TO STEAMBOAT TENNESSEE | R3111-3 | – | NYC | 7/10/1940 | Stacy – Robison – Wiley |
| 1507B | LEE WILEY (acc. Muggsy Spanier, Jess Stacy) | SUGAR | R3112-4 | – | NYC | 7/10/1940 | Rinkard – Mitchell – Alexander |
| 1508A | CHU BERRY and his JAZZ ENSEMBLE |
GEE, AIN’T I GOOD TO YOU (v. Hot Lips Page) | R4181 | 17302, Emb 148 | NYC | 09/??/41 | – |
| 1508B | CHU BERRY and his JAZZ ENSEMBLE |
ON THE SUNNY SIDE OF THE STREET | R4179 | 7502, Emb 148 | NYC | 09/??/41 | Fields – McHugh |
| 1509A | EDDIE CONDON & HIS BAND |
TORTILLA B FLAT | R-4308=3 | – | NYC | 1/21/1942 | – |
| 1509B | EDDIE CONDON & HIS BAND |
MAMMY O‘ MINE | R-4307=1-2 | – | NYC | 1/21/1942 | – |
| 1510 | Jam Session at Commodore #4 | LONESOME TAG BLUES | 4308=1 | – | NYC | 1/21/1942 | – |
| 1510 | Jam Session at Commodore #4 | MORE TORILLA B FLAT | 4308=4 | – | NYC | 1/21/1942 | – |
| 1511A | WILD BILL DAVISON and his COMMODORES |
THAT’S A PLENTY | A4675 | – | – | 11/27/1943 | LEW POLLACK |
| 1511B | WILD BILL DAVISON and his COMMODORES |
PANAMA | A4676 | – | – | 11/29/1943 | TYERS |
| 1512A | EDMOND HALL SEXTET | DOWNTOWN CAFE BOOGIE | A4704 | – | – | 12/18/1943 | E. HALL – E. HEYWOOD |
| 1512B | EDMOND HALL SEXTET | UPTOWN CAFE BLUES | A4705 | – | – | 12/18/1943 | E. Hall – V. Dickenson |
| 1513 | Jam Session At Commodore No. 5 {Eddie Condon} | OH KATHARINA | 4690 | – | – | 12/2/1943 | – |
| 1513 | Jam Session At Commodore No. 5 {Eddie Condon} | BASIN STREET BLUES | 4689 | – | – | 12/2/1943 | – |
| 1514 | EDDIE HEYWOOD and his Orch |
I COVER THE WATERFRONT | 4729 | – | NYC | 2/26/1944 | – |
| 1514 | EDDIE HEYWOOD and his Orch |
BEGIN THE BEGUINE | 4728 | Vdisc 324 | NYC | 2/26/1944 | – |
| 1515A | SIDNEY CATLETT Quartet feat. Ben Webster | JUST A RIFF | A-4741-1 | – | NYC | 3/18/1944 | S. Catlett |
| 1515B | SIDNEY CATLETT Quartet feat. Ben Webster | MEMORIES OF YOU | A-4740-1 | – | NYC | 3/18/1944 | Razaf – Blake |
| 1516A | ALBERT AMMONS RHYTHM KINGS | JAMMIN‘ THE BOOGIE | 4720 | – | NYC | 2/12/1944 | – |
| 1516B | ALBERT AMMONS RHYTHM KINGS | BOTTOM BLUES | A-4721-1 | – | NYC | 2/12/1944 | H. YOUNG |
| 1517A | MUGGSY SPANIER and his RAGTIMERS |
SWEET LORRAINE | 4766 | – | – | 4/22/1944 | – |
| 1517B | MUGGSY SPANIER and his RAGTIMERS |
SEPTEMBER IN THE RAIN | A-4769-1 | – | – | 4/22/1944 | DUBIN – WARREN |
| 1518 | MIFF MOLE and his NICKSIELAND BAND | PEG O‘ MY HEART | ? | – | – | 04/??/44 | ? – BRYAN |
| 1518 | MIFF MOLE and his NICKSIELAND BAND | ST LOUIS BLUES | ? | – | – | 4/28/1944 | W. C. HANDY |
| 1519 | MUGGSY SPANIER and his RAGTIMERS |
MEMPHIS BLUES | 4811 | – | – | 9/27/1944 | – |
| 1519 | MUGGSY SPANIER and his RAGTIMERS |
SWEET SUE, JUST YOU | 4810 | – | – | 9/27/1944 | – |
| 1520 | JONAH JONES & HIS ORCH |
YOU BROUGHT A NEW KIND OF LOVE TO ME | A4864=1 | – | NYC | 7/??/45 | – |
| 1520 | JONAH JONES & HIS ORCH |
HUBBA HUBBA HUB | A4865=1 | – | NYC | 7/??/45 | – |
| 1521 | JACK TEAGARDEN and his SWINGING GATES |
ROCKIN‘ CHAIR | A4841 | – | NYC | 12/11/1944 | – |
| 1521 | JACK TEAGARDEN and his SWINGING GATES | PITCHIN‘ A BIT SHORT | A4842 | – | NYC | 12/11/1944 | – |
| 1522 | MEL POWELL & HIS ORCH | AVALON | A4894=3 | – | – | 6/??/46 | – |
| 1522 | MEL POWELL & HIS ORCH | LOVER MAN | A4895=3 | – | – | 6/??/46 | – |
| 1523 | Jam Session At Commodore No. 6 {BOBBY HACKETT} | WHEN DAY IS DONE | A4808 | – | – | 9/23/1944 | – |
| 1523 | Jam Session At Commodore No. 6 {BOBBY HACKETT} | AT SUNDOWN | A4805 | – | – | 9/23/1944 | WALTER DONALDSON |
| 1524 | Joe Marsala Delta Four | Three O’Clock Jump | – | – | – | – | – |
| 1524 | Joe Marsala Delta Four | Reunion In Harlem | – | – | – | – | – |
| 1525 | Ralph Sutton | Candlelights | – | – | – | – | – |
| 1525 | Ralph Sutton | In A Mist | – | – | – | – | – |
| 7500A | SHORTY SHEROCK & HIS ORCH |
WABASH BLUES | 4907-T3A | – | – | Sep-47 | Meinkem; Ringle |
| 7500B | SHORTY SHEROCK & HIS ORCH |
ORGAN GRINDER | 4908-T3A | – | – | Sep-47 | Clarence Williams |
| 7501A | SHORTY SHEROCK & HIS ORCH |
Johnny Take My Wife (v. Don Grady + ens.) |
4910 | – | – | Sept 1947 | Wilmouth Houdini |
| 7501 | SHORTY SHEROCK & HIS ORCH |
You Take The Sunshine (v. Don Grady) |
4909 | – | – | Sept 1947 | Howard – Taylor |
| 7502 | JERRY WALD & HIS ORCHESTRA |
I HATE TO LOSE YOU | – | – | – | 09/??/44 | – |
| 7502 | JERRY WALD & HIS ORCHESTRA |
NOW IS THE HOUR | – | – | – | 09/??/44 | – |
| 7503 | JERRY WALD & HIS ORCHESTRA |
SERENADE | – | – | – | 09/??/44 | – |
| 7503 | JERRY WALD & HIS ORCHESTRA |
SUMMER MOON | – | – | – | 09/??/44 | – |
| 7504A | Do Ray and Me | There’s A Man At The Door | – | – | – | – | – |
| 7504B | Do Ray and Me | TERESA | 4918-1 | – | – | Dec-47 | RUSSIN – HOFFMAN |
| 7504alt? | Do Ray and Me | It’s Like Taking Candy From A Baby | – | – | – | – | – |
| 7505A | DO RAY AND ME | WRAPPED UP IN A DREAM | 4915-T1A | – | – | Dec-47 | Best; Berman |
| 7505B | DO RAY AND ME | WISE OLD MAN | 4916-T1A | – | – | Dec-47 | Russell – Cowan |
| 7506 | Shorty Sherock Orch | Sentimental Rhapsody | – | – | – | – | – |
| 7506 | Shorty Sherock Orch | Csardas | – | – | – | – | – |
| 7507 | – | – | – | – | – | – | – |
| 7507 | – | – | – | – | – | – | – |
| 7508 | Chu Berry Little Jazz Ensemble | Sittin‘ In | – | – | – | – | – |
| 7508 | Chu Berry Little Jazz Ensemble | 46 West 52 | – | – | – | – | – |
| 7509 | Chu Berry Little Jazz Ensemble | Blowing Up A Breeze | – | – | – | – | – |
| 7509 | Chu Berry Little Jazz Ensemble | Monday At Minton’s | – | – | – | – | – |
| 7510 | Chocolate Dandies | Smack | – | – | – | – | – |
| 7510 | Coleman Hawkins | Dedication | – | – | – | – | – |
| 7511 | Big Sid Catlett 4 (w/B. Webster) |
Sleep | – | – | – | – | – |
| 7511 | Big Sid Catlett 4 (w/B. Webster) |
Linger Awhile | – | – | – | – | – |
| 7512 | Hot Lips Page Orch | These Foolish Things | – | – | – | – | – |
| 7512 | Hot Lips Page Orch | You Brought A New Kind Of Love To Me | – | – | – | – | – |
| 7513A | Billie Holiday | Strange Fruit | WP-24403-B | – | – | – | Lewis Allen |
| 7513B | Billie Holiday (Frankie Newton orch) |
Fine And Mellow | – | – | – | – | – |
| 7514 | Billie Holiday (Frankie Newton orch) |
Yesterdays | WP 24404-A | – | – | – | Kern; Harbach |
| 7514 | Billie Holiday (Frankie Newton orch) |
I Gotta Right To Sing The Blues | WP-24406-B | – | – | – | Arlen; Koehler |
| 7515 | Billie Holiday (E. Heywood Orch) |
I’ll Be Seeing You | – | – | – | – | – |
| 7515 | Billie Holiday (E. Heywood Orch) |
I’ll Get By | – | – | – | – | – |
| 7516 | Billie Holiday (E. Heywood Orch) |
I Cover The Waterfront | – | – | – | – | – |
| 7516 | Billie Holiday (Eddie Heywood Trio) |
Lover Come Back to Me | – | – | – | – | – |
| 7517 | Billie Holiday (E. Heywood Orch) |
How Am I To Know | – | – | – | – | – |
| 7517 | Billie Holiday (Eddie Heywood Trio) |
He’s Funny That Way | – | – | – | – | – |
| 7518 | Billie Holiday (E. Heywood Orch) |
My Old Flame | – | – | – | – | – |
| 7518 | Billie Holiday (E. Heywood Orch) |
I’m Yours | – | – | – | – | – |
| 7519A | Billie Holiday (Eddie Heywood Trio) |
I Love My Man | 4756-1 | – | – | 1947 | Billie Holliday |
| 7519B | Billie Holiday (Eddie Heywood Trio) |
On The Sunny Side Of The Street | AR 4757-1 | – | – | 1947 | Fields – McHugh |
| 7520 | Billie Holiday (E. Heywood Orch) |
Embraceable You | AR 4752-2 | – | – | 1947 | George & Ira Gershwin |
| 7520 | Billie Holiday (E. Heywood Orch) |
As Time Goes By | AR 4753-1 | – | – | 1947 | Herman Hupfeld |
| 7521 | Eddie Heywood Orch | Begin The Beguine pt1 | – | – | – | – | – |
| 7521 | Eddie Heywood Orch | Begin The Beguine pt2 | – | – | – | – | – |
| 7522 | Eddie Heywood Orch | T’Ain’t Me | – | – | – | – | – |
| 7522 | Eddie Heywood Orch | Save Your Sorrow | – | – | – | – | – |
| 7523 | Eddie Heywood Orch | Blue Lou | – | – | – | – | – |
| 7523 | Eddie Heywood Orch | Carry Me Back To Old Virginny | – | – | – | – | – |
| 7524 | Eddie Heywood Orch | I Can’t Believe You’re In Love | – | – | – | – | – |
| 7524 | Eddie Heywood Orch | Love Me Or Leave Me | – | – | – | – | – |
| 7525 | Eddie Heywood Orch | Just You, Just Me | – | – | – | – | – |
| 7525 | Eddie Heywood Orch | ‚Deed I Do | – | – | – | – | – |
| 7526 | Eddie Heywood Orch | Indiana | – | – | – | – | – |
| 7526 | Eddie Heywood Orch | Lover Man | – | – | – | – | – |
| 7527 | Edmond Hall Quartet (w/Teddy Wilson) | Caravan | – | – | – | – | – |
| 7527 | Edmond Hall Quartet (w/Teddy Wilson) | It’s Only A Shanty In Old Shanty Town | – | – | – | – | – |
| 7528 | Edmond Hall Quartet (w/Teddy Wilson) | Where Or When | – | – | – | – | – |
| 7528 | Edmond Hall Quartet (w/Teddy Wilson) | Night And Day | – | – | – | – | – |
| 7529 | Edmond Hall Quartet (w/Teddy Wilson) | Show Piece | – | – | – | – | – |
| 7529 | Edmond Hall Quartet (w/Teddy Wilson) | I Want To Be Happy | – | – | – | – | – |
| 7530 | Edmond Hall Quartet (w/Teddy Wilson) | Sleepy Time Gal | – | – | – | – | – |
| 7530 | Edmond Hall Quartet (w/Teddy Wilson) | It Had To Be You | – | – | – | – | – |
| 7531 | Mel Powell Orch | When Did You Leave Heaven | – | – | – | – | – |
| 7531 | Mel Powell Orch | Blue Skies | – | – | – | – | – |
| 7532 | Mel Powell Orch | The World Is Waiting For The Sunrise | – | – | – | – | – |
| 7532 | Mel Powell Orch | Mood At Twilight | – | – | – | – | – |
| 7533 | Hot Lips Page Orch | You Need Coachin‘ | – | – | – | – | – |
| 7533 | Hot Lips Page Orch | Fish For Supper | – | – | – | – | – |
| 7534 | Hot Lips Page Orch | Rockin‘ At Ryan’s | – | – | – | – | – |
| 7534 | Hot Lips Page Orch | You’d Be Frantic Too | – | – | – | – | – |
| 7535 | Hot Lips Page Orch | My Gal Is Gone | – | – | – | – | – |
| 7535 | Hot Lips Page Orch | The Blues Jumped A Rabbit | – | – | – | – | – |
| 7536 | DeParis Brothers Orch | I Found A New Baby | – | – | – | – | – |
| 7536 | DeParis Brothers Orch | Black And Blue | – | – | – | – | – |
| 7537 | DeParis Brothers Orch | Change O’Key Boogie | – | – | – | – | – |
| 7537 | DeParis Brothers Orch | Sheik Of Araby | – | – | – | – | – |
| 7538 | Kansas City 6 (w/Lester Young) |
Jo?Jo | – | – | – | – | – |
| 7538 | Kansas City 6 (w/Lester Young) |
I Got Rhythm | – | – | – | – | – |
| 7539 | Kansas City 6 (w/Lester Young) |
Four O’Clock Drag | – | – | – | – | – |
| 7539 | Kansas City 6 (w/Lester Young) |
Three Little Words | – | – | – | – | – |
| 7540 | Leonard Feather’s Esquire All Stars | Esquire Bounce | – | – | – | – | – |
| 7540 | Leonard Feather’s Esquire All Stars | Esquire Blues | – | – | – | – | – |
| 7541 | Leonard Feather’s Esquire All Stars | Mop Mop | – | – | – | – | – |
| 7541 | Leonard Feather’s Esquire All Stars | My Ideal | – | – | – | – | – |
| 7542 | Joe Bushkin Sextet (w/Bill Harris) |
Peckin‘ At The Pic | – | – | – | – | – |
| 7542 | Joe Bushkin Sextet (w/Bill Harris) |
Georgia On My Mind | – | – | – | – | – |
| 7543 | Joe Bushkin Sextet (w/Bill Harris) |
Lady Be Good | – | – | – | – | – |
| 7543 | Joe Bushkin Sextet (w/Bill Harris) |
Fade Out | – | – | – | – | – |
| 7544 | Red McKenzie (E. Caceres Orch) |
It’s The Talk Of The Town | – | – | – | – | – |
| 7544 | Red McKenzie (E. Caceres Orch) |
Wherever There’s Love | – | – | – | – | – |
| 7545 | Red McKenzie (E. Caceres Orch) |
Sweet Lorraine | – | – | – | – | – |
| 7545 | Red McKenzie (E. Caceres Orch) | Through A Veil Of Indifference | – | – | – | – | – |
| 7546 | Edmond Hall Sextet | The Man I Love | – | – | – | – | – |
| 7546 | Edmond Hall Sextet | Coquette | – | – | – | – | – |
| 7547 | Stuff Smith Orch | My Blue Heaven | – | – | – | – | – |
| 7547 | Stuff Smith Orch | My Thoughts | – | – | – | – | – |
| 7548 | Jonah Jones Orch | Rose Of The Rio Grande | – | – | – | – | – |
| 7548 | Jonah Jones Orch | Stomping At The Savoy | – | – | – | – | – |
| 7549 | Do Ray and Me | How Can I Smile (At Somebody Else) |
A4927-T1A | – | – | 1949 | Morty Berk |
| 7549 | Do Ray and Me | You Can’t Love Two | A4921-T1A | – | – | 1949 | Terry; Williams |
| 7550 | Do Ray and Me | Cabaret | A4929-T1A | – | – | 1949 | Russell; Cowan |
| 7550 | Do Ray and Me | Darling You Make It So | A4920-T1A | – | – | 1949 | Winters; Lane |
| 7551 | Shorty Sherock Orch | Fantasy On Figaro | – | – | – | – | – |
| 7551 | Shorty Sherock Orch | Sobbin‘ Blues | – | – | – | – | – |
| 7552 | King Samson trio | Similau | – | – | – | – | – |
| 7552 | King Samson trio | Shakers Shake | – | – | – | – | – |
| 7553 | Frankie Froeba trio | The Chair Song | – | – | – | – | – |
| 7553 | Frankie Froeba trio | The Freckle Song | – | – | – | – | – |
| 15000 | Mel Powell | Sketches | – | – | – | – | – |
| 15000 | Mel Powell | Brahms‘ Rhapsody (solo) | – | – | – | – | – |
| 17501 | Chocolate Dandies | I Surrender Dear | – | – | – | – | – |
| 17501 | Chocolate Dandies | I Can’t Believe That You’re In Love | – | – | – | – | – |
| 17502 | Chu Berry Little Jazz Ensemble | On The Sunny Side Of The Street | – | – | – | – | – |
| 17502 | Chu Berry Little Jazz Ensemble | Gee, Ain’t I Good To You? | – | – | – | – | – |
| 17503 | Edmond Hall 6 (w/E. Heywood) |
Downtown Cafe Boogie | – | – | – | – | – |
| 17503 | Edmond Hall 6 (w/E. Heywood) |
Uptown Cafe Blues | – | – | – | – | – |
| 17504 | Eddie Heywood O. | Begin The Beguine | – | – | – | – | – |
| 17504 | Eddie Heywood O. | I Cover The Waterfront | – | – | – | – | – |
| 17505 | Sidney Catlett 4 (w/B. Webster) |
Just A Riff | – | – | – | – | – |
| 17505 | Sidney Catlett 4 (w/B. Webster) |
Memories Of You | – | – | – | – | – |
| 17506 | Albert Ammons Rhythm Kings | Jammin‘ The Boogie | – | – | – | – | – |
| 17506 | Albert Ammons Rhythm Kings | Bottom Blues | – | – | – | – | |
| 17507 | Jonah Jones Orch | Hubba Hubba Hop | – | – | – | – | – |
| 17507 | Jonah Jones Orch | You Brought A New Kind Of Love To Me |
– | – | – | – | – |
| 17508 | Mel Powell Orch | Lover Man | – | – | – | – | – |
| 17508 | Mel Powell Orch | Avalon | – | – | – | – | – |